The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
16
new
SPILL ALBUM REVIEW: LØLØ – GOD FORBID A GIRL SPITS OUT HER FEELINGS
SPILL ALBUM REVIEW: FOXTIDE – ENTROPY
SPILL ALBUM REVIEW: EMITTER – EXTRA PALE
SPILL ALBUM REVIEW: FROG – FROG FOR SALE
SPILL ALBUM REVIEW: TIGA – HOTLIFE
SPILL NEW MUSIC: PICKLE JUICE – “HALFWAY”
SPILL CONTEST: WIN A PAIR OF TICKETS TO SLED ISLAND 2026 IN CALGARY, JUNE 17-21!
SPILL CONTEST: WIN 2 TICKETS TO THE EMF CONCERT AT THE DANCE CAVE!
SPILL NEWS: MOUTH ULCERS ANNOUNCE DEBUT EP ‘SILENT PICTURES’ & RELEASE NEW SINGLE “CLOSER TO YOU”
SPILL NEWS: NEW SINGLE FROM THE REVIVALISTS “HEART STOP”
SPILL NEWS: BARNSIDE HARVEST FESTIVAL ANNOUNCES 2026 LINEUP
SPILL NEWS: ABIGAIL LAPELL REVEALS NEW SINGLE FT. PHARIS ROMERO | ‘SHADOW CHILD’ ARRIVES MAY 8 VIA OUTSIDE MUSIC
SPILL FEATURE: WE ARE TRYING TO KEEP THINGS INTERESTING FOR OURSELVES – A CONVERSATION WITH JOHN LINNELL OF THEY MIGHT BE GIANTS
SPILL FEATURE: THIS RECORD STORE DAY THING IS COOL BECAUSE I AM 100% BACK INTO VINYL – A CONVERSATION WITH DERRY GREHAN OF HONEYMOON SUITE
SPILL NEW MUSIC: JALEN NGONDA – “HANG IT ON THE SHELF”
SPILL NEWS: SOMBR ANNOUNCES 2026 ARENA TOUR | TEASES NEW SINGLE
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
  • Spill Menu
    • Reviews
      • Album Reviews
      • Features
      • Live Reviews
      • Festivals
    • Portraits
    • Headlines
      • News
      • Contests
      • Events
      • Entertainment Headlines
      • Concert Listings
      • Toronto Concert Venues
    • New Music
      • Premieres
      • Track Of The Day
    • Track Of The Month
    • Books + Movies
    • About
Album Reviews
624
previous article
SPILL NEWS: DEATH FROM ABOVE 1979 RELEASE AMAZON ORIGINAL COVER OF "DON'T STOP BELIEVIN'" BY JOURNEY
next article
SPILL NEW MUSIC: ELLEVATOR SHARE THEIR FIRST SINGLE "EASY" FROM THEIR UPCOMING DEBUT ALBUM VIA ARTS & CRAFTS

SPILL ALBUM REVIEW: CROWN LANDS – WHITE BUFFALO

Crown Lands

Crown Lands
White Buffalo
Universal Music

With its upcoming Canadian tour with opener Skye Wallace kicking off in October, Canada’s most in-demand duo, Crown Lands, has returned with its latest EP, White Buffalo. It is a four-track EP, consisting of the recent singles “White Buffalo” and “The Oracle”, along with new tracks, “Inner Light” and “The Witching Hour (Electric Witch)”. It follows the release of its 2020 self-titled album as the band continues to grow both musically and in size.

In an interesting choice, Crown Lands open White Buffalo with the instrumental “Inner Light”. As the only truly new song on the record, “Inner Light” introduces yet another sound of the vast pallet that Crown Lands have demonstrated in just a mere few years. Richly-inspired by Eastern uses of melody and harmony, “Inner Light” is a slow-burning track that opens acoustically and continues to grow to add drums and electric guitar that build in a trance inducing manner. Despite its recent, more progressive direction and anyone’s tendency to overcomplicate an instrumental rock track, Crown Lands exercises a level of taste in their restraint through “Inner Light”.

The EP continues with their most recent pair of singles, originally released over the summer. “White Buffalo” is easily Crown Land’s most pop-infused song, despite its odd time signature, thanks largely to the melodic vocals and crunching, rhythmic guitar. “The Oracle”, on the other hand is a 13-minute progressive odyssey that ebbs and flows at its own, slow pace, growing, bending, and moving in unexpected directions throughout its length. It is a masterclass in songwriting, free of the constraints of traditional genres as they shift from an ambient start before building up into a hard rock and gritty verse. Additionally, the track features a fiery guitar solo. Most interesting, however, is “The Witching Hour (Electric Witch)”. Originally released on 2020’s Wayward Flyers Vol. 1, the electric version of the originally acoustic track is stunning. Remaining equally stirring as the original, “The Witching Hour (Electric Witch)” breathes new life into the song.

Crown Lands continues to demonstrate, time after time, release after release, that they’re Canada’s most impressive rock band and should be considered among the most exciting bands the genre has seen over the course of the last decade. As they continue to rewrite the rule book for up-and-coming artists and soar past all expectations, their latest release, White Buffalo, digs deeper into their progressive rock roots while also shining a light on other, more modern and melodic influences. Ultimately, White Buffalo proves that the Crown Lands’ sound is in constant development and wherever they go next is sure to be yet another creatively driven stop on their musical journey.



Artist Links

website_flat_2016 facebook_flat_2016 twitter_flat_2016 instagram_flat_2016

Item Reviewed

SPILL ALBUM REVIEW: CROWN LANDS – WHITE BUFFALO

Author

Gerrod Harris

Here's what we think...
Spill Rating
Fan Rating
Rate Here
New Criteria
10
—
8.0
Total Spill Rating
—
Total Fan Rating
You have rated this
Album Reviews
album reviewalbum reviewscrown landsuniversal musicwhite buffalo
album review, album reviews, crown lands, universal music, white buffalo
About the Author
Gerrod Harris
Gerrod Harris is a Toronto based musician, writer, and podcast host. Since 2017, he has actively contributed to The Spill Magazine through coverage focused on a wide array of artists and genres alike. In addition to his writing, Harris hosts the podcast, Beats by Ger, where he delves into various aspects of music, sharing insights and engaging relevant discussions. As the drummer and manager of independent rock band, One in the Chamber, his passion for music goes beyond the pen as an active member of Toronto's vibrant musical community.
RELATED ARTICLES
album reviewalbum reviewscrown lands
 
9.0
LØLØ

SPILL ALBUM REVIEW: LØLØ – GOD FORBID A GIRL SPITS OUT HER FEELINGS

by Mercedes Chircop on April 17, 2026
LØLØ GOD FORBID A GIRL SPITS OUT HER FEELINGS COALITION MUSIC LØLØ’s latest release, god forbid a girl spits out her feelings, plays like a confessional you weren’t necessarily meant to hear, but can’t look away from. There’s an intimacy woven [...]
 
9.0
Foxtide

SPILL ALBUM REVIEW: FOXTIDE – ENTROPY

by Ljubinko Zivkovic on April 17, 2026
FOXTIDE ENTROPY POSITION MUSIC California sounds revival? Not called as such yet, but that line leading from The Beach Boys and Buffalo Springfield through the ‘70s scene seems to be being revived and modernized by the likes of The Lemon Twigs [...]
 
8.0
Emitter

SPILL ALBUM REVIEW: EMITTER – EXTRA PALE

by Ljubinko Zivkovic on April 17, 2026
EMITTER EXTRA PALE INDEPENDENT Old sayings like ‘better late than never’ might sound trite sometimes, but in most cases, they turn out to be true. So is the case with Chicago’s Emitter and their old/new album, Extra Pale. So, [...]
 
8.0
Frog

SPILL ALBUM REVIEW: FROG – FROG FOR SALE

by Ljubinko Zivkovic on April 17, 2026
FROG FROG FOR SALE AUDIO ANTIHERO Audio Antihero, the label that releases the music of the tricky little trio Frog, labels itself as ‘specialists in commercial suicide.’ Maybe they say that with their tongue firmly behind their cheek [...]
 
7.0
Tiga

SPILL ALBUM REVIEW: TIGA – HOTLIFE

by Sanjeev Wignarajah on April 17, 2026
TIGA HOTLIFE SECRET CITY RECORDS  After pioneering Montreal techno’s scene for decades and releasing his first solo record Sexor 20 years ago, Tiga is back with his sixth record, Hotlife, featuring collaborators Boyz Noize, Matthew Dear, [...]

Latest Album Reviews
View All
 
SPILL ALBUM REVIEW: LØLØ – GOD FORBID A GIRL SPITS OUT HER FE...
9.0
 
SPILL ALBUM REVIEW: FOXTIDE – ENTROPY
9.0
 
SPILL ALBUM REVIEW: EMITTER – EXTRA PALE
8.0
 
SPILL ALBUM REVIEW: FROG – FROG FOR SALE
8.0
 
SPILL ALBUM REVIEW: TIGA – HOTLIFE
7.0

STAY UP-TO-DATE
WITH OUR WEEKLY NEWSLETTER!

SPILL MAGAZINE MENU
  • Home | The Spill Magazine
  • Newsletter
  • Premieres
  • SPILL RETRO REVIEWS
  • Track Of The Month
  • Album Reviews
  • Books + Movies
  • Features
  • Live Reviews
  • Festivals
  • Portraits
  • News
  • Events
  • Entertainment Headlines
  • Concert Listings
  • Toronto Concert Venues
  • About Us
  • Contests
  • New Music
  • Contributors
  • TOTD
  • Privacy Policy
  • The Scene Unseen
  • Newsletter

Copyright © 2026 | The Spill Magazine
All Rights Reserved.

TRENDING RIGHT NOW
   
 
SPILL FEATURE: IT’S ABOUT THE CLIMB – A CONVERSATION WITH GORILLAZ
3356
 
SPILL TRACK OF THE MONTH: DAYS OF SORROW – “WHO WE ARE”
932
 
SPILL LIVE REVIEW: TENILLE TOWNES @ RICHMOND HILL CENTRE FOR THE PERFORMING ARTS, RICHMOND HILL
888
 
🇨🇦 SPILL CONTEST: WIN A BOB & DOUG McKENZIE – GREAT WHITE NORTH & STRANGE BREW (44 ¾ ANNIVERSARY) PRIZE PACK! 🇨🇦
862
 
SPILL ALBUM REVIEW: MOBY – FUTURE QUIET
858
 
SPILL NEWS: THE AFGHAN WHIGS RELEASE NEW SINGLE “HOUSE OF I” | THEIR FIRST NEW MUSIC SINCE 2022
726
 
SPILL ALBUM REVIEW: PUSCIFER – NORMAL ISN’T
719
 
SPILL ALBUM REVIEW: GOLDFINGER – NINE LIVES
679
 
SPILL ALBUM REVIEW: THE DAMNED – NOT LIKE EVERYBODY ELSE
675
 
SPILL ALBUM REVIEW: BECK – EVERYBODY’S GOTTA LEARN SOMETIME
673
 
SPILL ALBUM REVIEW: SQUEEZE – TRIXIES
533
 
SPILL ALBUM REVIEW: BILL ORCUTT – MUSIC IN CONTINUOUS MOTION
515
 
SPILL NEW MUSIC: BECK SHARES NEW ALBUM ‘EVERYBODY’S GOTTA LEARN SOMETIME’ | PHYSICAL COPIES AVAILABLE FEBRUARY 13
508
ENTERTAINMENT HEADLINES