The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
16
new
SPILL VIDEO PREMIERE: GENTLY TENDER – “WILD IN THE UPLANDS”
SPILL MUSIC PREMIERE: IAMX – “INFINITE FEAR JETS {MIMETIC HEXES REWORK}”
SPILL FEATURE: WHEN I’M DONE, I’LL KEEP GOING – A CONVERSATION WITH CANADIAN FOLK LEGEND KEN WHITELEY
SPILL NEWS: BROKEN SOCIAL SCENE REVEAL NEW SINGLE “THE CALL” FROM UPCOMING LP ‘REMEMBER THE HUMANS’
SPILL NEW MUSIC: NEW SINGLE FROM BECK “RIDE LONESOME” OUT NOW
SPILL NEW MUSIC: POWERHOUSE TAKARA RETURNS WITH UNTOUCHABLE ALT WORLD POP ANTHEM “MONA LISA”
SPILL NEWS: HAYLEY AND THE CRUSHERS BOTTLE LIGHTNING (AND CHAOS) ON “JEWEL CASE”
SPILL NEWS: WIDOWSPEAK SHARE NEW SINGLE “NO DRIVER” ON CAPTURED RECORDS
SPILL NEWS: HUNX AND HIS PUNX ANNOUNCE ‘THE PUNKETTES’ OUT MAY 29 | NEW SINGLE “DEAD TO ME” OUT NOW + TOUR WITHY AMYL & THE SNIFFERS
SPILL NEWS: THE GENERATIONS TOUR FEATURING THREE ICONIC BRITISH ARTISTS THE HUMAN LEAGUE, SOFT CELL, AND ALISON MOYET SELLING OUT VENUES WITH LOW TICKET ALERTS ISSUED
SPILL NEW MUSIC: JUNO REACTOR – “MONA LISA OVERDRIVE (REAKY REAKSON REMIX)”
SPILL NEW MUSIC: DREAM POP ARTIST MOLLIE ELIZABETH SHARES “THE MIRROR” OUT ON NEON GOLD RECORDS
SPILL NEWS: BIF NAKED BRINGS DEFINITIVE NEW DOCUMENTARY TO DEPARTURE FESTIVAL + CONFERENCE
SPILL ALBUM REVIEW: CIGAR CLUB – VOL. II
SPILL ALBUM REVIEW: BRIAN WILSON – ON TOUR 1999-2007
SPILL ALBUM REVIEW: THE BLASTERS – RARE BLASTS: STUDIO OUTTAKES AND MOVIE MUSIC 1979-1985
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
  • Spill Menu
    • Reviews
      • Album Reviews
      • Features
      • Live Reviews
      • Festivals
    • Portraits
    • Headlines
      • News
      • Contests
      • Events
      • Entertainment Headlines
      • Concert Listings
      • Toronto Concert Venues
    • New Music
      • Premieres
      • Track Of The Day
    • Track Of The Month
    • Books + Movies
    • About
Album Reviews
178
previous article
SPILL ALBUM REVIEW: MELVINS - HOSTILE AMBIENT TAKEOVER (VINYL REISSUE)
next article
SPILL ALBUM REVIEW: MICHAEL FEUERSTACK - HARMONIZE THE MOON

SPILL ALBUM REVIEW: WILLIE NELSON – THAT’S LIFE

Willie Nelson

Willie Nelson
That’s Life
Sony Music

On his latest and 71st solo album, Willie Nelson has chosen to pay tribute to his friend Frank Sinatra. That’s Life is a collection of 11 Sinatra covers crooned by Nelson over a jazz ensemble – and is his second Sinatra covers album, following 2018’s My Way – making for a truly unique performance and yet another standout in Nelson’s massive catalogue.

From the very get go, That’s Life echoes out of the speakers with an air of sophistication, class, and taste. The opening track, “Nice Work If You Can Get It” kicks off with a piano run. Soft drums and bass enter before Nelson’s warm vocals come in, with a tone that is equally dignified and gentle, making it undeniably classic. The same very much can be said about the following “Just In Time” while “Cottage For Sale” delivers a stunning and cinematic sense of melancholy and raw emotion.

What makes That’s Life such a fantastic tribute is Nelson’s conviction to the music. His passion is felt abundantly as he does justice by these standards in a jazzy and vintage pop fashion. From the Latin pulse of “I’ve Got You Under My Skin” to the stunning duet with Diana Krall on “I Won’t Dance”, Nelson is incredible, so much so, that had you not heard his country or folk material, you’d think he was made for jazz. Furthermore, the bluesy “That’s Life”, accented by a muted harmonica, the lively big band flair of “Luck Be A Lady”, and the sauntering swing of “Lonesome Road” are additional highlights among a very strong album.

When taking into account his collaborative albums, Nelson has released more records than years he has lived. Despite that, however, That’s Life acts as a stylistic departure that only adds to his already iconic legacy and proves that, even after all this time, Nelson’s still got some creative juices left in the tank. Front to back, That’s Life is a thoroughly enjoyable album without a single weak link. Ultimately, Nelson has delivered an incredible tribute to Sinatra that will leave you wondering what a party hosted by the two would look like.



Artist Links

website_flat_2016 facebook_flat_2016 twitter_flat_2016 instagram_flat_2016

Item Reviewed

SPILL ALBUM REVIEW: WILLIE NELSON – THAT’S LIFE

Author

Gerrod Harris

Here's what we think...
Spill Rating
Fan Rating
Rate Here
New Criteria
10
—
8.0
Total Spill Rating
—
Total Fan Rating
You have rated this
Album Reviews
album reviewalbum reviewsfrank sinatrasony musicthat's lifewillie nelson
album review, album reviews, frank sinatra, sony music, that's life, willie nelson
About the Author
Gerrod Harris
Gerrod Harris is a Toronto based musician, writer, and podcast host. Since 2017, he has actively contributed to The Spill Magazine through coverage focused on a wide array of artists and genres alike. In addition to his writing, Harris hosts the podcast, Beats by Ger, where he delves into various aspects of music, sharing insights and engaging relevant discussions. As the drummer and manager of independent rock band, One in the Chamber, his passion for music goes beyond the pen as an active member of Toronto's vibrant musical community.
RELATED ARTICLES
album reviewalbum reviewssony music
 
10
Cigar Club
10

SPILL ALBUM REVIEW: CIGAR CLUB – VOL. II

by Gerrod Harris on April 18, 2026
CIGAR CLUB VOL. II INDEPENDENT Toronto’s Cigar Club remains one of the most unique and vital bands within the Southern Ontario scene. As they make their return with their second full-length studio album, following 2021’s Day, Now and, more [...]
 
9.0
Brian Wilson
10

SPILL ALBUM REVIEW: BRIAN WILSON – ON TOUR 1999-2007

by Aaron Badgley on April 18, 2026
BRIAN WILSON ON TOUR 1999-2007 OGLIO RECORDS I have said it before, and I will say it again, Brian Wilson’s solo music has never really received the recognition it deserves. As a solo artist, he wrote, produced, and recorded some brilliant [...]
 
7.0
The Blasters

SPILL ALBUM REVIEW: THE BLASTERS – RARE BLASTS: STUDIO OUTTAKES AND MOVIE MUSIC 1979-1985

by Norman Darwen on April 18, 2026
THE BLASTERS RARE BLASTS: STUDIO OUTTAKES AND MOVIE MUSIC 1979-1985   LIBERATION HALL An American Music Story: The Complete Studio Recordings 1979-1985 was a superb release in last year’s Record Store Day offerings, a comprehensive five LP [...]
 
9.0
LØLØ
10

SPILL ALBUM REVIEW: LØLØ – GOD FORBID A GIRL SPITS OUT HER FEELINGS

by Mercedes Chircop on April 17, 2026
LØLØ GOD FORBID A GIRL SPITS OUT HER FEELINGS COALITION MUSIC LØLØ’s latest release, god forbid a girl spits out her feelings, plays like a confessional you weren’t necessarily meant to hear, but can’t look away from. There’s an intimacy woven [...]
 
9.0
Foxtide

SPILL ALBUM REVIEW: FOXTIDE – ENTROPY

by Ljubinko Zivkovic on April 17, 2026
FOXTIDE ENTROPY POSITION MUSIC California sounds revival? Not called as such yet, but that line leading from The Beach Boys and Buffalo Springfield through the ‘70s scene seems to be being revived and modernized by the likes of The Lemon Twigs [...]

Latest Album Reviews
View All
 
SPILL ALBUM REVIEW: CIGAR CLUB – VOL. II
10
10
 
SPILL ALBUM REVIEW: BRIAN WILSON – ON TOUR 1999-2007
9.0
10
 
SPILL ALBUM REVIEW: THE BLASTERS – RARE BLASTS: STUDIO OUTTAK...
7.0
 
SPILL ALBUM REVIEW: LØLØ – GOD FORBID A GIRL SPITS OUT HER FE...
9.0
10
 
SPILL ALBUM REVIEW: FOXTIDE – ENTROPY
9.0

STAY UP-TO-DATE
WITH OUR WEEKLY NEWSLETTER!

SPILL MAGAZINE MENU
  • Home | The Spill Magazine
  • Newsletter
  • Premieres
  • SPILL RETRO REVIEWS
  • Track Of The Month
  • Album Reviews
  • Books + Movies
  • Features
  • Live Reviews
  • Festivals
  • Portraits
  • News
  • Events
  • Entertainment Headlines
  • Concert Listings
  • Toronto Concert Venues
  • About Us
  • Contests
  • New Music
  • Contributors
  • TOTD
  • Privacy Policy
  • The Scene Unseen
  • Newsletter

Copyright © 2026 | The Spill Magazine
All Rights Reserved.

TRENDING RIGHT NOW
   
 
SPILL FEATURE: IT’S ABOUT THE CLIMB – A CONVERSATION WITH GORILLAZ
3393
 
SPILL TRACK OF THE MONTH: DAYS OF SORROW – “WHO WE ARE”
933
 
SPILL LIVE REVIEW: TENILLE TOWNES @ RICHMOND HILL CENTRE FOR THE PERFORMING ARTS, RICHMOND HILL
889
 
🇨🇦 SPILL CONTEST: WIN A BOB & DOUG McKENZIE – GREAT WHITE NORTH & STRANGE BREW (44 ¾ ANNIVERSARY) PRIZE PACK! 🇨🇦
864
 
SPILL ALBUM REVIEW: MOBY – FUTURE QUIET
861
 
SPILL ALBUM REVIEW: PUSCIFER – NORMAL ISN’T
730
 
SPILL NEWS: THE AFGHAN WHIGS RELEASE NEW SINGLE “HOUSE OF I” | THEIR FIRST NEW MUSIC SINCE 2022
727
 
SPILL ALBUM REVIEW: BECK – EVERYBODY’S GOTTA LEARN SOMETIME
705
 
SPILL ALBUM REVIEW: THE DAMNED – NOT LIKE EVERYBODY ELSE
682
 
SPILL ALBUM REVIEW: GOLDFINGER – NINE LIVES
679
 
SPILL ALBUM REVIEW: BRIAN WILSON – ON TOUR 1999-2007
673
 
SPILL ALBUM REVIEW: SQUEEZE – TRIXIES
554
 
SPILL ALBUM REVIEW: BILL ORCUTT – MUSIC IN CONTINUOUS MOTION
522
ENTERTAINMENT HEADLINES