GROWING UP WITH TPC
A CONVERSATION WITH GREG ALSOP FROM TOKYO POLICE CLUB
Itβs been a while since we have heard from Tokyo Police Club. From their first EP, A Lesson in Crime (2006), to the albums Champ (2010) and Forcefield (2014), it was obvious that Tokyo Police Club were due for a new album. On October 5, TPC dropped. A new album, with a fresh sound. I was fortunate to speak to Greg Alsop at the crack of dawn in my LA, while he was enjoying midday, and the ocean air, on the east coast of Canada.
If youβre not familiar with Tokyo Police Club, you should. They are the ultimate indie-rock band. With their proud roots in Newmarket, Ontario, to their bouncy-punky sounds, these guys are the alternative underdogs.
As many would know, and Greg agreed, there is a glass ceiling that is hard to break in the USA as a Canadian band. However, Tokyo Police Club managed to break through. With songs like βBambiβ, βTessellateβ, βYour English Is Goodβ, and βToy Gunsβ, indie-rock fans in America are very familiar with their music. Greg, humbly, was surprised how I explained how all my friends from college radio love their music. However, itβs true, people who know music in America, know Tokyo Police Club.
The new album, TPC, is fresh for multiple reasons, the first being the band clearly grew up. Time takes its toll on all, and Tokyo Police Club was not afraid to show how time has passed from their first EP. A lot has changed for the band, the biggest one being they almost broke up.
TPC ALBUM REVIEW
Like a complicated marriage, the four members, David Monks, Graham Wright, Josh Hook, and Greg Alsop, were essentially having communication issues. To put this in perspective, and to quote Greg, βWe were just a bunch of teenagers– we started in our late teens, and spent all of our young adult lives together.β Unfortunately, all that time spent together recording, touring, and repeat, pushed the men apart momentarily.
Starting so young is a challenge. Your late teens to early twenties is an insane amount of growth, and the members of Tokyo Police Club felt it. Greg explained they essentially had to start over to move forward, and have some deeply emotional conversations before their release for TPC. Greg briefly explained how Forcefield, as an album, was a lot more complicated behind the scenes.
Donβt be misguided, the guys are closer now then ever. Upon hearing the very exciting news that Greg was about to become a father he explained, βthey were the first group of people I called once I found the newsβ.
The album was recorded in sunny Los Angeles, CA. Whilst recording, the guys were able to just focus on music and go back to their initial reasons for creating music. Greg highlights that Dave became more honest in his lyrics, and less cryptic that his previous writing. Daveβs previous work was a different style of poetry, he further explained, and these lyrics are direct.
Thus why the name for the album is so important, TPC, as the band was becoming themselves again. From teenagers, to now becoming parents (congratulation again Greg), this band has grown up a lot, along with their fan base. It may have taken a moment to hear from the band again, but thank the music Gods they did.
Artist Links
SPILL ALBUM REVIEW: THE BLACK PACIFIC – HERE COMES OUR WAVE
SPILL FEATURE: I THINK IβM PARANOID – A CONVERSATION WITH JIM LINDBERG OF THE BLACK PACIFIC
SPILL CONTEST: WIN A PAIR OF TICKETS TO SEE THE SHEEPDOGS ON JULY 26 AT JACKSON-TRIGGS NIAGARA ESTATE AMPHITHEATRE!
SPILL FESTIVAL REVIEW: BORN & RAISED FESTIVAL @ MONTEBELLO PARK, ST. CATHERINES (DAY TWO)
