Perfume Genius
No Shape
Matador Records
“Everything is alright” sings 35-year-old Mike Hadreas, on “Alan,” the final track of No Shape. Making a name for himself through themes of self-loathing, rejection, and bodily disdain, a version of Hadreas we haven’t seen before emerges, with newfound inner peace. With a longstanding history of singing openly about personal struggles and commenting on social issues, stories told vividly through his music, it is perhaps to everyone’s surprise, (including his own, singing “How weird” at the end of “Alan,”) but a pleasant one at that to hear Hadreas complete an LP sprinkling sentiments that he is here, and striving for happiness like the rest of us.
Remaining a separate entity from the mainstream pop scene, Hadreas still manages to appeal to dynamic audiences. His odyssey is winding, and remaining true to form, No Shape’s 13 sophisticated tracks follow a turbulent path ranging from gospel music with grand orchestral ferociousness to stripped down softness, his melodic voice over piano heavy ballads reminiscent of songs like “Dreeem” and “Dirge,” tracks that initially made us fall in love with him (but now, with less angst). Producer Blake Mills taps into Hadreas’s venture into a foreign realm, waxing and waning from track to track, supplying genre-bending songs appropriate for dancing, making out, going to Church on Sunday, and everything in between.
While his debut 2010 album Learning and 2012 successor Put Your Back N 2 It were comprised of dark themes melodically and lyrically, Perfume Genius’s foray into the light suits him just as well, if not better, than singing of tragedy. Even Too Bright, released in 2014, didn’t portray the optimism and hopefulness for the future we see now, despite being a more up-tempo project with tracks like “Queen” garnering wider public attention. From start to finish, Hadreas points to letting go and finding joy, while paying homage to Kate Bush on “Wreath,” proclaiming, “Running up that Hill/I’m gonna peel off every weight.” Where many artists like Dallas Green of City and Colour struggle to change contexts within their music and remain true to their inner darkness not knowing how to write from a place of happiness, Hadreas successfully pulls off the switch. Goth-glam has never sounded so good.
Artist quote: “I felt like when I made these other albums, people were like why are you talking about these things, and now people are going to be like, why aren’t you talking about these things, because everything’s so terrible. I’m never not talking about it. My life is existing in the fucking face of it. My music will always be in protest.”
Artist Links
SPILL ALBUM REVIEW: PERFUME GENIUS – NO SHAPE
Emily Nichol
SPILL ALBUM REVIEW: PRISM SHORES – OUT FROM UNDERNEATH
SPILL ALBUM REVIEW: BLUE LAKE – WEFT
SPILL ALBUM REVIEW: FLORA HIBBERD – SWIRL
SPILL ALBUM REVIEW: GEOWULF – THE CHILD
