The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
16
new
SPILL FEATURE: IT’S NEVER YOUR FAULT – A CONVERSATION WITH LISA MOLINARO
SPILL NEW MUSIC: NEW SINGLE FROM LUCY DREAMS “Z&1” | ICELAND AIRWAVES ANNOUNCEMENT
SPILL NEW MUSIC: STEELHEART’S “WITHOUT YOU” OUT NOW
SPILL NEWS: LUDOVICO TECHNIQUE JOINS COMBICHRIST ON FALL TOUR
SPILL NEWS: BRAND NEW SONG FROM SYNTH POP LEGEND HOWARD JONES “STAND UP”
SPILL NEWS: THE LINDA LINDAS ANNOUNCE NEW ALBUM GOTTA GET OUT DUE AUGUST 28 VIA REPRISE/WARNER RECORDS | RELEASE NEW SINGLE + VIDEO “CLOSER (FEAT. HAYLEY WILLIAMS)”
SPILL NEW MUSIC: THE WOMACK SISTERS – “IF I LET YOU”
SPILL NEW MUSIC: 90s BAND SUNWHEEL REUNITE WITH A RENEWED ENERGY AND PURPOSE WITH NEW SINGLE “GLORIOUS WAYS”
SPILL NEW MUSIC: MANCHESTER NOISE POP NEWCOMERS BRICKHOUSE DEBUT WITH “ANGEL EYES”
SPILL ALBUM REVIEW: THE ROLLING STONES – FOREIGN TONGUES
SPILL ALBUM REVIEW: SUNDAYCLUB – SUNDAYCLUB
SPILL ALBUM REVIEW: SHE’S GREEN – SWALLOWTAIL
SPILL ALBUM REVIEW: JACK GRISHAM AND THE LIFE UNDONE – JACK GRISHAM AND THE LIFE UNDONE
SPILL ALBUM REVIEW: SWEET – THE ANSWER
SPILL NEW MUSIC: ATMOS BLOOM PONDER POWER DYNAMICS ON NEW SINGLE “IT’S ENOUGH” | DREAMY LONDON DUO’S ‘EVERYTHINGNESS’ LP OUT JULY 24 VIA SPIRIT GOTH RECORDS
SPILL ALBUM PREMIERE: DEARDARKHEAD – THE PENDULUM SWINGS
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
  • Spill Menu
    • Reviews
      • Album Reviews
      • Features
      • Live Reviews
      • Festivals
    • Portraits
    • Headlines
      • News
      • Contests
      • Events
      • Entertainment Headlines
      • Concert Listings
      • Toronto Concert Venues
    • New Music
      • Premieres
      • Track Of The Day
    • Track Of The Month
    • Books + Movies
    • About
Album Reviews
135
Editor Pick
previous article
SPILL ALBUM REVIEW: STEVE PORCARO - THE VERY DAY
next article
SPILL ALBUM REVIEW: CHEMICAL WAVES - OUR LOVE IN A DYING WORLD

SPILL ALBUM REVIEW: THRICE – HORIZONS/WEST

Thrice

THRICE
HORIZONS/WEST
EPITAPH RECORDS

Life is all about risk. Sometimes we have to take those risks to explore where the impossible can lead. For Thrice, making the direct sequel Horizons/West was long in the making before Horizons/East reached its completion. Now, Thrice continues where East left off, while inventively shaping an identity and mood that not only contradicts the first but creates a way back to the band’s hardcore roots.

From the outset, Horizons/West paints a picture of a darker, more atmospheric, and unsettling experience than their previous record. Opening with “Blackout,” “Gnash,” and “Albatross,” Thrice creates an ominous yet cinematically rich sonic storm from electronic-tinged aggression and horns in “Blackout” to its effortless alternating between grunge-infused textures, ethereal post-rock elements, and agitated hardcore soundscapes in “Gnash” and “Albatross,” Thrice creates a world of contrasts fitting of Horizons/West’s themes that feel both deliberate and brooding in its energies.

Thrice continues to utilize this concept of contrasts within the seedy electronic underbelly of “Undertow,” and the lethargic, dreamy elements that coincide with the hard-hitting energies of “Holding On,” then to a vast electronic soundscape of hopelessness and emptiness in the interlude “Dusk” before continuing to let the record live in this tenebrous universe in “The Dark Glow.” Outside of the artful musical contrasts that exist in Horizons/West, lyrically is where Thrice’s bread and butter lives, delivering alongside these blackened textures a story of parsing reality under the present-day battles with identity, social influence, fear, and an algorithmic chaos that has put the world in a state of fear and anxiety. Horizons/West is not just a philosophical tale of suffering from the echoes of technology and social media; it also provides a musical conceptual spine to keep listeners invested in its experience.

Where Horizons/East often lent itself to a sense of light and premeditated hope from the chaos, Horizons/West quickly and deliberately continues to dim that light throughout the last remaining tracks, “Crooked Shadows” to its deeply ornate finale, “Unitive/West.”  By further embracing the existence of shadow and aggressive confrontation, Thrice succeeds in creating a physical and internal separation between the albums. East and West are meant to be polar opposites, and Thrice effectively makes that distinction with Horizons/West.

From start to finish, Horizons/West has done a phenomenal job of creating a more mature, tighter record in terms of philosophical focus on the technical and social malaise that exists within the world and frames it as this sort of corrective lens, pulling back the golden vesper-like idealism of technological and social advancement and from a perceptive lens unfolds a sick, ugly, twisted world that each of these things have shaped. For all of these reasons and more, Thrice has created another successful record in their careers, showing reinvention of their post-hardcore roots and electronic experimentation.



Artist Links

website_flat_2016 facebook_flat_2016 twitter_flat_2016 instagram_flat_2016

Editor Pick
Item Reviewed

SPILL ALBUM REVIEW: THRICE – HORIZONS/WEST

Author

Samantha Andujar

Here's what we think...
Spill Rating
Fan Rating
Rate Here
New Criteria
10
—
10
Total Spill Rating
—
Total Fan Rating
You have rated this
Album Reviews
album reviewalbum reviewsepitaph recordsholding onhorizons/easthorizons/westthrice
album review, album reviews, epitaph records, holding on, horizons/east, horizons/west, thrice
About the Author
Samantha Andujar
Samantha Andujar is also a music journalist for Outburn Magazine and creator of Into The Void. She loves rock music, video games, wrestling, anime, and horror movies.
RELATED ARTICLES
album reviewalbum reviewsepitaph records
 
8.0
The Rolling Stones

SPILL ALBUM REVIEW: THE ROLLING STONES – FOREIGN TONGUES

by Gerrod Harris on July 10, 2026
THE ROLLING STONES FOREIGN TONGUES  UNIVERSAL MUSIC The Rolling Stones are back. While 2023’s Hackney Diamonds may have given the impression of a fitting conclusion to perhaps one of pop culture’s greatest sagas, and despite questioning if they [...]
 
9.0
sundayclub

SPILL ALBUM REVIEW: SUNDAYCLUB – SUNDAYCLUB

by John Porter on July 10, 2026
SUNDAYCLUB SUNDAYCLUB PAPER BAG RECORDS sundayclub has been riding something of a wave of momentum among those lucky enough to have heard about them since 2025’s Bannatyne, and with good reason; their combination of modern production, honest, [...]
 
8.0
she's green

SPILL ALBUM REVIEW: SHE’S GREEN – SWALLOWTAIL

by Mercedes Chircop on July 10, 2026
SHE’S GREEN SWALLOWTAIL PHOTO FINISH RECORDS With Swallowtail, she’s green has crafted an EP that feels less like a collection of songs and more like an immersive experience. Beautifully written and thoughtfully composed, every track flows [...]
 
7.0
Jack Grisham and the Life Undone

SPILL ALBUM REVIEW: JACK GRISHAM AND THE LIFE UNDONE – JACK GRISHAM AND THE LIFE UNDONE

by Gerrod Harris on July 10, 2026
JACK GRISHAM AND THE LIFE UNDONE JACK GRISHAM AND THE LIFE UNDONE LOST IN BERLIN RECORDS T.S.O.L.’s Jack Grisham has made a triumphant solo return with his new band, Jack Grisham And The Life Undone, with the release of their debut, eponymous [...]
 
8.0
Sweet

SPILL ALBUM REVIEW: SWEET – THE ANSWER

by Aaron Badgley on July 10, 2026
SWEET THE ANSWER METALVILLE The Answer was originally released in 1992 under the name Andy Scott’s Sweet rather than just Sweet. It was also originally released with the title A and was originally Sweet’s 10th album. It was released only in [...]

Latest Album Reviews
View All
 
SPILL ALBUM REVIEW: THE ROLLING STONES – FOREIGN TONGUES
8.0
 
SPILL ALBUM REVIEW: SUNDAYCLUB – SUNDAYCLUB
9.0
 
SPILL ALBUM REVIEW: SHE’S GREEN – SWALLOWTAIL
8.0
 
SPILL ALBUM REVIEW: JACK GRISHAM AND THE LIFE UNDONE – JACK G...
7.0
 
SPILL ALBUM REVIEW: SWEET – THE ANSWER
8.0

STAY UP-TO-DATE
WITH OUR WEEKLY NEWSLETTER!

SPILL MAGAZINE MENU
  • Home | The Spill Magazine
  • Newsletter
  • Premieres
  • Track Of The Month
  • Album Reviews
  • Books + Movies
  • Features
  • Live Reviews
  • Festivals
  • Portraits
  • News
  • Events
  • Entertainment Headlines
  • Concert Listings
  • Toronto Concert Venues
  • About Us
  • Contests
  • New Music
  • Contributors
  • TOTD
  • Privacy Policy
  • The Scene Unseen
  • Newsletter

Copyright © 2026 | The Spill Magazine
All Rights Reserved.

TRENDING RIGHT NOW
   
 
SPILL ALBUM REVIEW: SOCIAL DISTORTION – BORN TO KILL
1251
 
SPILL ALBUM REVIEW: BRIAN WILSON – ON TOUR 1999-2007
819
 
SPILL ALBUM REVIEW: TORI AMOS – IN TIMES OF DRAGONS
770
 
SPILL VIDEO PREMIERE: SHAMUS – “SORCERESS”
759
 
SPILL NEWS: SUGAR SHARE NEW SINGLE “KEEP LOOPING”
722
 
SPILL ALBUM REVIEW: DEEP PURPLE – SPLAT!
670
 
SPILL FEATURE: LET’S JUST START AGAIN – A CONVERSATION WITH NICK HEYWARD & LES NEMES OF HAIRCUT 100
639
 
SPILL ALBUM REVIEW: NOAH KAHAN – THE GREAT DIVIDE
612
 
SPILL MUSIC PREMIERE: IAMX – “INFINITE FEAR JETS {MIMETIC HEXES REWORK}”
603
 
SPILL FEATURE: WE ARE TRYING TO KEEP THINGS INTERESTING FOR OURSELVES – A CONVERSATION WITH JOHN LINNELL OF THEY MIGHT BE GIANTS
559
 
SPILL ALBUM REVIEW: HISS GOLDEN MESSENGER – I’M PEOPLE
502
 
SPILL ALBUM REVIEW: DOUBLESPEAK – DOUBLESPEAK
500
 
SPILL ALBUM REVIEW: MODEST MOUSE – AN ERASER AND A MAZE
489
ENTERTAINMENT HEADLINES