The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
16
new
SPILL VIDEO PREMIERE: GENTLY TENDER – “WILD IN THE UPLANDS”
SPILL MUSIC PREMIERE: IAMX – “INFINITE FEAR JETS {MIMETIC HEXES REWORK}”
SPILL FEATURE: WHEN I’M DONE, I’LL KEEP GOING – A CONVERSATION WITH CANADIAN FOLK LEGEND KEN WHITELEY
SPILL NEWS: BROKEN SOCIAL SCENE REVEAL NEW SINGLE “THE CALL” FROM UPCOMING LP ‘REMEMBER THE HUMANS’
SPILL NEW MUSIC: NEW SINGLE FROM BECK “RIDE LONESOME” OUT NOW
SPILL NEW MUSIC: POWERHOUSE TAKARA RETURNS WITH UNTOUCHABLE ALT WORLD POP ANTHEM “MONA LISA”
SPILL NEWS: HAYLEY AND THE CRUSHERS BOTTLE LIGHTNING (AND CHAOS) ON “JEWEL CASE”
SPILL NEWS: WIDOWSPEAK SHARE NEW SINGLE “NO DRIVER” ON CAPTURED RECORDS
SPILL NEWS: HUNX AND HIS PUNX ANNOUNCE ‘THE PUNKETTES’ OUT MAY 29 | NEW SINGLE “DEAD TO ME” OUT NOW + TOUR WITHY AMYL & THE SNIFFERS
SPILL NEWS: THE GENERATIONS TOUR FEATURING THREE ICONIC BRITISH ARTISTS THE HUMAN LEAGUE, SOFT CELL, AND ALISON MOYET SELLING OUT VENUES WITH LOW TICKET ALERTS ISSUED
SPILL NEW MUSIC: JUNO REACTOR – “MONA LISA OVERDRIVE (REAKY REAKSON REMIX)”
SPILL NEW MUSIC: DREAM POP ARTIST MOLLIE ELIZABETH SHARES “THE MIRROR” OUT ON NEON GOLD RECORDS
SPILL NEWS: BIF NAKED BRINGS DEFINITIVE NEW DOCUMENTARY TO DEPARTURE FESTIVAL + CONFERENCE
SPILL ALBUM REVIEW: CIGAR CLUB – VOL. II
SPILL ALBUM REVIEW: BRIAN WILSON – ON TOUR 1999-2007
SPILL ALBUM REVIEW: THE BLASTERS – RARE BLASTS: STUDIO OUTTAKES AND MOVIE MUSIC 1979-1985
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
  • Spill Menu
    • Reviews
      • Album Reviews
      • Features
      • Live Reviews
      • Festivals
    • Portraits
    • Headlines
      • News
      • Contests
      • Events
      • Entertainment Headlines
      • Concert Listings
      • Toronto Concert Venues
    • New Music
      • Premieres
      • Track Of The Day
    • Track Of The Month
    • Books + Movies
    • About
Album Reviews
115
Editor Pick
previous article
SPILL ALBUM REVIEW: STEVE PORCARO - THE VERY DAY
next article
SPILL ALBUM REVIEW: CHEMICAL WAVES - OUR LOVE IN A DYING WORLD

SPILL ALBUM REVIEW: THRICE – HORIZONS/WEST

Thrice

THRICE
HORIZONS/WEST
EPITAPH RECORDS

Life is all about risk. Sometimes we have to take those risks to explore where the impossible can lead. For Thrice, making the direct sequel Horizons/West was long in the making before Horizons/East reached its completion. Now, Thrice continues where East left off, while inventively shaping an identity and mood that not only contradicts the first but creates a way back to the band’s hardcore roots.

From the outset, Horizons/West paints a picture of a darker, more atmospheric, and unsettling experience than their previous record. Opening with “Blackout,” “Gnash,” and “Albatross,” Thrice creates an ominous yet cinematically rich sonic storm from electronic-tinged aggression and horns in “Blackout” to its effortless alternating between grunge-infused textures, ethereal post-rock elements, and agitated hardcore soundscapes in “Gnash” and “Albatross,” Thrice creates a world of contrasts fitting of Horizons/West’s themes that feel both deliberate and brooding in its energies.

Thrice continues to utilize this concept of contrasts within the seedy electronic underbelly of “Undertow,” and the lethargic, dreamy elements that coincide with the hard-hitting energies of “Holding On,” then to a vast electronic soundscape of hopelessness and emptiness in the interlude “Dusk” before continuing to let the record live in this tenebrous universe in “The Dark Glow.” Outside of the artful musical contrasts that exist in Horizons/West, lyrically is where Thrice’s bread and butter lives, delivering alongside these blackened textures a story of parsing reality under the present-day battles with identity, social influence, fear, and an algorithmic chaos that has put the world in a state of fear and anxiety. Horizons/West is not just a philosophical tale of suffering from the echoes of technology and social media; it also provides a musical conceptual spine to keep listeners invested in its experience.

Where Horizons/East often lent itself to a sense of light and premeditated hope from the chaos, Horizons/West quickly and deliberately continues to dim that light throughout the last remaining tracks, “Crooked Shadows” to its deeply ornate finale, “Unitive/West.”  By further embracing the existence of shadow and aggressive confrontation, Thrice succeeds in creating a physical and internal separation between the albums. East and West are meant to be polar opposites, and Thrice effectively makes that distinction with Horizons/West.

From start to finish, Horizons/West has done a phenomenal job of creating a more mature, tighter record in terms of philosophical focus on the technical and social malaise that exists within the world and frames it as this sort of corrective lens, pulling back the golden vesper-like idealism of technological and social advancement and from a perceptive lens unfolds a sick, ugly, twisted world that each of these things have shaped. For all of these reasons and more, Thrice has created another successful record in their careers, showing reinvention of their post-hardcore roots and electronic experimentation.



Artist Links

website_flat_2016 facebook_flat_2016 twitter_flat_2016 instagram_flat_2016

Editor Pick
Item Reviewed

SPILL ALBUM REVIEW: THRICE – HORIZONS/WEST

Author

Samantha Andujar

Here's what we think...
Spill Rating
Fan Rating
Rate Here
New Criteria
10
—
10
Total Spill Rating
—
Total Fan Rating
You have rated this
Album Reviews
album reviewalbum reviewsepitaph recordsholding onhorizons/easthorizons/westthrice
album review, album reviews, epitaph records, holding on, horizons/east, horizons/west, thrice
About the Author
Samantha Andujar
Samantha Andujar is also a music journalist for Outburn Magazine and creator of Into The Void. She loves rock music, video games, wrestling, anime, and horror movies.
RELATED ARTICLES
album reviewalbum reviewsepitaph records
 
10
Cigar Club
10

SPILL ALBUM REVIEW: CIGAR CLUB – VOL. II

by Gerrod Harris on April 18, 2026
CIGAR CLUB VOL. II INDEPENDENT Toronto’s Cigar Club remains one of the most unique and vital bands within the Southern Ontario scene. As they make their return with their second full-length studio album, following 2021’s Day, Now and, more [...]
 
9.0
Brian Wilson
10

SPILL ALBUM REVIEW: BRIAN WILSON – ON TOUR 1999-2007

by Aaron Badgley on April 18, 2026
BRIAN WILSON ON TOUR 1999-2007 OGLIO RECORDS I have said it before, and I will say it again, Brian Wilson’s solo music has never really received the recognition it deserves. As a solo artist, he wrote, produced, and recorded some brilliant [...]
 
7.0
The Blasters

SPILL ALBUM REVIEW: THE BLASTERS – RARE BLASTS: STUDIO OUTTAKES AND MOVIE MUSIC 1979-1985

by Norman Darwen on April 18, 2026
THE BLASTERS RARE BLASTS: STUDIO OUTTAKES AND MOVIE MUSIC 1979-1985   LIBERATION HALL An American Music Story: The Complete Studio Recordings 1979-1985 was a superb release in last year’s Record Store Day offerings, a comprehensive five LP [...]
 
9.0
LØLØ
10

SPILL ALBUM REVIEW: LØLØ – GOD FORBID A GIRL SPITS OUT HER FEELINGS

by Mercedes Chircop on April 17, 2026
LØLØ GOD FORBID A GIRL SPITS OUT HER FEELINGS COALITION MUSIC LØLØ’s latest release, god forbid a girl spits out her feelings, plays like a confessional you weren’t necessarily meant to hear, but can’t look away from. There’s an intimacy woven [...]
 
9.0
Foxtide

SPILL ALBUM REVIEW: FOXTIDE – ENTROPY

by Ljubinko Zivkovic on April 17, 2026
FOXTIDE ENTROPY POSITION MUSIC California sounds revival? Not called as such yet, but that line leading from The Beach Boys and Buffalo Springfield through the ‘70s scene seems to be being revived and modernized by the likes of The Lemon Twigs [...]

Latest Album Reviews
View All
 
SPILL ALBUM REVIEW: CIGAR CLUB – VOL. II
10
10
 
SPILL ALBUM REVIEW: BRIAN WILSON – ON TOUR 1999-2007
9.0
10
 
SPILL ALBUM REVIEW: THE BLASTERS – RARE BLASTS: STUDIO OUTTAK...
7.0
 
SPILL ALBUM REVIEW: LØLØ – GOD FORBID A GIRL SPITS OUT HER FE...
9.0
10
 
SPILL ALBUM REVIEW: FOXTIDE – ENTROPY
9.0

STAY UP-TO-DATE
WITH OUR WEEKLY NEWSLETTER!

SPILL MAGAZINE MENU
  • Home | The Spill Magazine
  • Newsletter
  • Premieres
  • SPILL RETRO REVIEWS
  • Track Of The Month
  • Album Reviews
  • Books + Movies
  • Features
  • Live Reviews
  • Festivals
  • Portraits
  • News
  • Events
  • Entertainment Headlines
  • Concert Listings
  • Toronto Concert Venues
  • About Us
  • Contests
  • New Music
  • Contributors
  • TOTD
  • Privacy Policy
  • The Scene Unseen
  • Newsletter

Copyright © 2026 | The Spill Magazine
All Rights Reserved.

TRENDING RIGHT NOW
   
 
SPILL FEATURE: IT’S ABOUT THE CLIMB – A CONVERSATION WITH GORILLAZ
3393
 
SPILL TRACK OF THE MONTH: DAYS OF SORROW – “WHO WE ARE”
933
 
SPILL LIVE REVIEW: TENILLE TOWNES @ RICHMOND HILL CENTRE FOR THE PERFORMING ARTS, RICHMOND HILL
889
 
🇨🇦 SPILL CONTEST: WIN A BOB & DOUG McKENZIE – GREAT WHITE NORTH & STRANGE BREW (44 ¾ ANNIVERSARY) PRIZE PACK! 🇨🇦
864
 
SPILL ALBUM REVIEW: MOBY – FUTURE QUIET
861
 
SPILL ALBUM REVIEW: PUSCIFER – NORMAL ISN’T
730
 
SPILL NEWS: THE AFGHAN WHIGS RELEASE NEW SINGLE “HOUSE OF I” | THEIR FIRST NEW MUSIC SINCE 2022
727
 
SPILL ALBUM REVIEW: BECK – EVERYBODY’S GOTTA LEARN SOMETIME
703
 
SPILL ALBUM REVIEW: THE DAMNED – NOT LIKE EVERYBODY ELSE
682
 
SPILL ALBUM REVIEW: GOLDFINGER – NINE LIVES
679
 
SPILL ALBUM REVIEW: BRIAN WILSON – ON TOUR 1999-2007
671
 
SPILL ALBUM REVIEW: SQUEEZE – TRIXIES
554
 
SPILL ALBUM REVIEW: BILL ORCUTT – MUSIC IN CONTINUOUS MOTION
522
ENTERTAINMENT HEADLINES