The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
16
new
SPILL NEWS: CANNONS UNVEIL NEW SINGLE “THESE NIGHTS” WITH OFFICIAL VISUALIZER
SPILL NEW MUSIC: SHOWING TEETH LETS IT “RIP” WITH FIERCE VISUALIZER
SPILL NEW MUSIC: THE DANDY WARHOLS SHARE COVER OF THE DAMNED’S “LOVE SONG” | NEW ABUM ‘PIN UPS’ DUE MARCH 20
SPILL ALBUM REVIEW: SUZANNE JARVIE – MOTHER’S DAY
SPILL ALBUM REVIEW: HEMI HEMINGWAY – WINGS OF DESIRE
SPILL ALBUM REVIEW: MIRAH – DEDICATION
SPILL ALBUM REVIEW: MAX HOFFMAN – LOOKING FOR THE LIGHT
SPILL ALBUM REVIEW: MOBY – FUTURE QUIET
SPILL ALBUM REVIEW: LUCID EXPRESS – INSTANT COMFORT
SPILL NEWS: ABIGAIL LAPELL ANNOUNCE NEW LP ‘SHADOW CHILD’ | SHARES FIRST SINGLE “HAZEL” FT. JILL BARBER
SPILL NEWS: N0TRIXX RELEASES HER MOST VULNERABLE SINGLE “HYSTERIA [БЕГN]” | DEBUT ALBUM ‘A CATALOGUE OF MADNESS AND MELANCHOLIA’ OUT MARCH 13
SPILL ALBUM PREMIERE: SHEBAD – INNER OPENINGS
SPILL NEW MUSIC: BRUCE DICKINSON RELEASES BRAND NEW VERSIONS OF ‘SKUNKWORKS’ + ‘TATTOOED MILLIONAIRE’ IN DOLBY ATMOS
SPILL NEW MUSIC: WAR CHILD RECORDS RELEASE “BEGGING FOR CHANGE” BY PULP
SPILL NEWS: WILLIAM SHATNER ANNOUNCES NEW ALL-STAR METAL ALBUM FEATURING 35 HAND-PICKED METAL ICONS
SPILL NEWS: MARIPOSA FOLK FESTIVAL 2026 LINEUP ANNOUNCEMENT: SOUNDS LIKE HOME 
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
  • Spill Menu
    • Reviews
      • Album Reviews
      • Features
      • Live Reviews
      • Festivals
    • Portraits
    • Headlines
      • News
      • Contests
      • Events
      • Entertainment Headlines
      • Concert Listings
      • Toronto Concert Venues
    • New Music
      • Premieres
      • Track Of The Day
    • Track Of The Month
    • Books + Movies
    • About
Album Reviews
326
Editor Pick
previous article
SPILL ALBUM REVIEW: FLAMINGODS - LEVITATION
next article
SPILL ALBUM REVIEW: JENN VIX - 6

SPILL ALBUM REVIEW: VAMPIRE WEEKEND – FATHER OF THE BRIDE

Vampire Weekend

Vampire Weekend
Father Of The Bride
Columbia Records

After nearly six years and the departure of multi-instrumentalist and producer Rostam Batmanglij, Vampire Weekend has released their fourth album Father of the Bride. It is a sprawling, intricate masterpiece that features some of their most unique songs to date.

As their fourth album, it feels markedly distinct from the previous three. This is partly due to the six-year gap, the change in the band’s lineup, and the way the Father of the Bride album art diverges from their previous aesthetic, yet it is the wide variety of musical styles and the experimental nature of Father of the Bride that really sets it apart. While Modern Vampires of the City had a meticulous, haunted feel, FOTB is distinctly light-hearted and breezy, the vividly colourful response to the grey complexity of their previous album.

Father of the Bride is much looser and more experimental than previous Vampire Weekend albums, which stems from its collage of influences. Contained within Father of the Bride’s 18 tracks, we hear Grateful Dead jams (“Harmony Hall”, “This Life”), prog-rock instrumental breakdowns (“Sunflower”, “Sympathy”), auto-tuned vocal riffs (“Flower Moon”, “Bambina”), samples from the The Thin Red Line film score (“Hold You Now”), and the ambient soundtrack of Japanese Muji stores (“2021”), all woven together into warm and engaging indie-pop. Fans will recognize the intelligent lyrics, catchy melodies, and the afro-pop guitar of Vampire Weekend’s early work, yet it is obvious that the band had a lot of fun exploring different styles, as they filter their distinct sound through a vast variety of genres.

Overall, Father of the Bride is an upbeat, inviting, and musically rich album. Despite the large number of tracks and the wide variety of musical influences, it feels very accessible and unified as an album, balancing complex musicality with bright melodies and the expert songwriting of frontman Ezra Koenig. It is a fantastic release from one of the most interesting and talented bands currently making music.



Artist Links

website_flat_2016 facebook_flat_2016 twitter_flat_2016 instagram_flat_2016

Editor Pick
Item Reviewed

SPILL ALBUM REVIEW: VAMPIRE WEEKEND – FATHER OF THE BRIDE

Author

Kieran Davey

Here's what we think...
Spill Rating
Fan Rating
Rate Here
New Criteria
10
6.1
9.0
Total Spill Rating
6.1
Total Fan Rating
8 ratings
You have rated this
Album Reviews
album reviewalbum reviewscolumbia recordsfather of the brideharmony hallvampire weekend
album review, album reviews, columbia records, father of the bride, harmony hall, vampire weekend
About the Author
Kieran Davey
Kieran Davey is a freelance writer and music enthusiast from Vancouver, Canada. He particularly enjoys alternative rock, groovy hip-hop, and basically any music from the 60's. Aside from reviewing music, he also loves playing guitar and spending time in nature.
RELATED ARTICLES
album reviewalbum reviewscolumbia records
 
8.0
Suzanne Jarvie

SPILL ALBUM REVIEW: SUZANNE JARVIE – MOTHER’S DAY

by Ljubinko Zivkovic on February 20, 2026
SUZANNE JARVIE MOTHER’S DAY WOLFE ISLAND RECORDS Is Toronto currently becoming one of the hotbeds of emerging singer-songwriters? Quite possibly, as that artistic field seems to be repeating the growth it had in the early to mid-70s. [...]
 
9.0
Hemi Hemingway

SPILL ALBUM REVIEW: HEMI HEMINGWAY – WINGS OF DESIRE

by Ljubinko Zivkovic on February 20, 2026
HEMI HEMINGWAY WINGS OF DESIRE PNKSLM New Zealand artists often tend to make musical combinations that on paper might seem quite incongruous, but when you listen to them, sound like they always belong together. In this specific case, we are [...]
 
8.0
Mirah

SPILL ALBUM REVIEW: MIRAH – DEDICATION

by Ljubinko Zivkovic on February 20, 2026
MIRAH DEDICATION DOUBLE DOUBLE WHAMMY RECORDS Mirah, or more precisely, Mirah Yom Tov Zeitlyn, is no newcomer and it shows. Her latest album, simply titled Dedication, is her seventh release, and all the experience she has gathered so far as an [...]
 
7.0
Max Hoffman

SPILL ALBUM REVIEW: MAX HOFFMAN – LOOKING FOR THE LIGHT

by Ljubinko Zivkovic on February 20, 2026
MAX HOFFMAN LOOKING FOR THE LIGHT INDEPENDENT What can you expect from a singer-songwriter who wrote his first song at the age of six? Well, at least to show that there is talent there and the ability to craft songs that will pique interest [...]
 
10
Moby

SPILL ALBUM REVIEW: MOBY – FUTURE QUIET

by Victoria Love-Rainbow on February 20, 2026
MOBY FUTURE QUIET BMG Future Quiet stands out as the finest album of the year so far, despite it only being February. This release is a breathtaking, ethereal masterpiece that seamlessly blends symphonic elegance with the signature melancholy [...]

Latest Album Reviews
View All
 
SPILL ALBUM REVIEW: SUZANNE JARVIE – MOTHER’S DAY
8.0
 
SPILL ALBUM REVIEW: HEMI HEMINGWAY – WINGS OF DESIRE
9.0
 
SPILL ALBUM REVIEW: MIRAH – DEDICATION
8.0
 
SPILL ALBUM REVIEW: MAX HOFFMAN – LOOKING FOR THE LIGHT
7.0
 
SPILL ALBUM REVIEW: MOBY – FUTURE QUIET
10

STAY UP-TO-DATE
WITH OUR WEEKLY NEWSLETTER!

SPILL MAGAZINE MENU
  • Home | The Spill Magazine
  • Newsletter
  • Premieres
  • SPILL RETRO REVIEWS
  • Track Of The Month
  • Album Reviews
  • Books + Movies
  • Features
  • Live Reviews
  • Festivals
  • Portraits
  • News
  • Events
  • Entertainment Headlines
  • Concert Listings
  • Toronto Concert Venues
  • About Us
  • Contests
  • New Music
  • Contributors
  • TOTD
  • Privacy Policy
  • The Scene Unseen
  • Newsletter

Copyright © 2026 | The Spill Magazine
All Rights Reserved.

TRENDING RIGHT NOW
   
 
SPILL ALBUM REVIEW: THE WATERBOYS – THE WATERBOYS PRESENT: RIPS FROM THE CUTTING ROOM FLOOR
984
 
SPILL ALBUM REVIEW: NOFX – A TO H
706
 
🇨🇦 SPILL CONTEST: WIN A BOB & DOUG McKENZIE – GREAT WHITE NORTH & STRANGE BREW (44 ¾ ANNIVERSARY) PRIZE PACK! 🇨🇦
654
 
SPILL ALBUM REVIEW: CITY AND COLOUR – SOMETIMES LULLABY
646
 
SPILL ALBUM REVIEW: MELANIE – THERE SHOULD HAVE BEEN A RAINBOW: THE NY FOLK SESSIONS 1963-1965
642
 
SPILL ALBUM REVIEW: PUSCIFER – NORMAL ISN’T
619
 
SPILL ALBUM REVIEW: GOLDFINGER – NINE LIVES
598
 
SPILL ALBUM REVIEW: THE DAMNED – NOT LIKE EVERYBODY ELSE
578
 
SPILL ALBUM REVIEW: THE SAINTS – LONG MARCH THROUGH THE JAZZ AGE
484
 
SPILL NEW MUSIC: BECK SHARES NEW ALBUM ‘EVERYBODY’S GOTTA LEARN SOMETIME’ | PHYSICAL COPIES AVAILABLE FEBRUARY 13
477
 
SPILL FEATURE: IT WAS A VERY POSITIVE ALBUM, STILL IS – A CONVERSATION WITH JEREMY CUNNINGHAM OF LEVELLERS
476
 
SPILL NEWS: GORILLAZ RELEASE NEW TRACK “DAMASCUS” (FEAT. OMAR SOULEYMAN AND YASIIN BEY)
472
 
SPILL ALBUM REVIEW: ALTER BRIDGE – ALTER BRIDGE
422
ENTERTAINMENT HEADLINES