The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
16
new
SPILL ALBUM REVIEW: WESTSIDE COWBOY ­­– SO MUCH COUNTRY ‘TILL WE GET THERE
SPILL ALBUM REVIEW: JULIANNA BARWICK & MARY LATTIMORE – TRAGIC MAGIC
SPILL ALBUM REVIEW: ALEV LENZ – 4 IN A CYCLE OF THIRDS
SPILL ALBUM REVIEW: THE SHA LA DAS – YOUR PICTURE
SPILL NEWS: CANCER BATS CELEBRATE 20 YEARS OF ‘BIRTHING THE GIANT’ WITH CANADIAN ANNIVERSARY TOUR
SPILL NEWS: FISHBONE ANNOUNCES SPRING TOUR DATES TO COINCIDE WITH ‘IN YOUR FACE’ 40th ANNIVERSARY LIMITED-EDITION DOUBLE LP REISSUE RELEASE
SPILL NEWS: GORILLAZ NEW TRACK “ORANGE COUNTY” (FT. BIZARRAP, KARA JACKSON AND ANOUSHKA SHANKAR) OUT NOW | NEW STUDIO ALBUM ‘THE MOUNTAIN’ COMING FEBRUARY 27
SPILL NEWS: HOLY FUCK ANNOUNCE NEW ALBUM ‘EVENT BEAT’ OUT MARCH 27 VIA AWAL
SPILL ALBUM REVIEW: THEY MIGHT BE GIANTS – EYEBALL
SPILL NEWS: BIF NAKED UNVEILS “SNOWBLINDED” MUSIC VIDEO FROM ‘CHAMPION’ ALBUM + ANNOUNCES MORE DOC SCREENINGS
SPILL NEW MUSIC: SPILL TAB SHARES NEW SINGLE “SUCKERRR”
SPILL NEW MUSIC: BLACK LABEL SOCIETY ANNOUNCES A NEW ALBUM ‘ENGINES OF DEMOLITION’ VIA SPINEFARM RECORDS
SPILL TRACK OF THE MONTH: TRAITRS – “I WAS ILL, YOU WERE WRONG”
SPILL NEWS: SAINT AGNES RELEASE NEW SINGLE “SONG FOR MIA” | NEW STUDIO ALBUM ‘YOUR GOD FEARING DAYS ARE ABOUT TO BEGIN’ OUT MAY 29
SPILL NEW MUSIC: KIM GORDON’S THIRD SOLO ALBUM ‘PLAY ME’ OUT MARCH 13 VIA MATADOR RECORDS
SPILL NEW MUSIC: GERMAN PUNK FORCE MELONBALL RELEASES NEW SINGLE + VIDEO “ALLY OR ALIBI” | NEW LP ‘TAKE CARE’ OUT FEBRUARY 27
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
  • Spill Menu
    • Reviews
      • Album Reviews
      • Features
      • Live Reviews
      • Festivals
    • Portraits
    • Headlines
      • News
      • Contests
      • Events
      • Entertainment Headlines
      • Concert Listings
      • Toronto Concert Venues
    • New Music
      • Premieres
      • Track Of The Day
    • Track Of The Month
    • Books + Movies
    • About
Album Reviews
415
previous article
SPILL FEATURE: ARISE - A CONVERSATION WITH SIMEON ROSS
next article
SPILL LIVE REVIEW: BANANARAMA @ THE DANFORTH MUSIC HALL, TORONTO

SPILL ALBUM REVIEW: THE LOW ANTHEM – THE SALT DOLL WENT TO MEASURE THE DEPTH OF THE SEA

The Low Anthem

The Low Anthem
The Salt Doll Went To Measure The Depth Of The Sea
Joyful Noise Recordings

Both haunting and full of raw beauty, The Salt Doll Went to Measure the Depth of the Sea, The Low Anthem’s fifth full length LP with Joyful Noise Recordings, combines acoustic sound and electronic ambience to create a courageous 12 track album.

The shorter tracks manage to capture what it really means to create songs that stick, especially with “River Brine”, which screams silently through melodic vocals from Ben Knox Miller, the lead vocalist of the 4-member group. Miller also added in percussive elements using vinyl centre loops, becoming a key element of the entire album.

The acoustic riffs call back to the band’s roots of a more folk-like sound, but with additions of subtle electronics as well as sounds created with unconventional instrumental devices such as chopsticks beat on the edge of a paper bag, done by Jeff Prystowsky, The Low Anthem creates a riveting quietness full of emotionally rich tunes.

In “Give My Body Back”, the lyrical genius combined with the simplistic sound of vinyl spinning transport the listener back to a simpler, more Simon and Garfunkel time of music and poetic expression—but with the addition of the synths and electronics throughout, a whole new sound is created, able to stand on its own two feet.

With Florence Grace Wallis’ back-up vocals and violin, and Rachel Blumberg on percussion, the band manages to create an increasingly layered sound unlike anything heard from them before. Bryan Minto didn’t record with the band, but can be found on tour showing off his back-up guitar and harmonica chops to the fans.

The Salt Doll Went to Measure the Depth of the Sea is an album that can only be appreciated by those who truly understand the importance of musical expression through delicate lyricism, masterful production, and the classic storytelling music today so desperately lacks.



Artist Links

website_flat_2016 facebook_flat_2016 twitter_flat_2016 instagram_flat_2016

Item Reviewed

SPILL ALBUM REVIEW: THE LOW ANTHEM – THE SALT DOLL WENT TO MEASURE THE DEPTH OF THE SEA

Author

Angelica Bottaro

Here's what we think...
Spill Rating
Fan Rating
Rate Here
New Criteria
10
—
6.0
Total Spill Rating
—
Total Fan Rating
You have rated this
Album Reviews
album reviewsgive my body backjoyful noise recordingsriver brinethe low anthemthe salt doll went to measure the depth of the seatoowee toowee
album reviews, give my body back, joyful noise recordings, river brine, the low anthem, the salt doll went to measure the depth of the sea, toowee toowee
About the Author
Angelica Bottaro
Angelica is a Freelance Writer based in Toronto, ON. Her passion for music started at a young age when she received a guitar for her birthday, and it has taken over her life in the best possible way ever since. When she’s not searching for additions to her vinyl collection, discovering new upcoming bands on Spotify, or attending any live show she can get tickets to, she can be found in her room jamming on her guitar.
RELATED ARTICLES
album reviewsjoyful noise recordingsthe low anthem
 
6.0
Westside Cowboy

SPILL ALBUM REVIEW: WESTSIDE COWBOY ­­– SO MUCH COUNTRY ‘TILL WE GET THERE

by Roxy Macdonald on January 16, 2026
WESTSIDE COWBOY SO MUCH COUNTRY ‘TILL WE GET THERE ISLAND RECORDS Four-piece English indie band Westside Cowboy has been described as “college rock”, which couldn’t be a more accurate way of describing its sound or ethos. So Much Country ‘Till [...]
 
8.0
Julianna Barwick & Mary Lattimore

SPILL ALBUM REVIEW: JULIANNA BARWICK & MARY LATTIMORE – TRAGIC MAGIC

by Ljubinko Zivkovic on January 16, 2026
JULIANNA BARWICK & MARY LATTIMORE TRAGIC MAGIC INFINÉ RECORDS It seems to be the time for the successful combination of modern classical and other modern (or not so modern) musical forms, and Tragic Magic, a debut joint album by [...]
 
8.0
Alex Lorenz

SPILL ALBUM REVIEW: ALEV LENZ – 4 IN A CYCLE OF THIRDS

by Ljubinko Zivkovic on January 16, 2026
ALEV LENZ 4 IN A CYCLE OF THIRDS INDEPENDENT If you think it is a straightforward process to combine a song form with classical music compositional structure, you could be way off, with so many such experiments, remaining just that – [...]
 
7.0
The Sha La Das

SPILL ALBUM REVIEW: THE SHA LA DAS – YOUR PICTURE

by Ben Scanga on January 16, 2026
THE SHA LA DAS YOUR PICTURE DIAMOND WEST RECORDS The Sha La Das is an inherently perfect name for a group that methodically creates tracks with such a profound combination of sentimentality and easy-listening sensibilities; the album tends to [...]
 
9.0
They Might Be Giants

SPILL ALBUM REVIEW: THEY MIGHT BE GIANTS – EYEBALL

by Aaron Badgley on January 15, 2026
THEY MIGHT BE GIANTS EYEBALL IDLEWILD RECORDINGS They Might Be Giants are back with a new EP, which is in fact a taster if you will of a forthcoming album. However, even if this was just a standalone EP, it is well worth your time. All three [...]

Latest Album Reviews
View All
 
SPILL ALBUM REVIEW: WESTSIDE COWBOY ­­– SO MUCH COUNTRY ‘TILL WE GE...
6.0
 
SPILL ALBUM REVIEW: JULIANNA BARWICK & MARY LATTIMORE – ...
8.0
 
SPILL ALBUM REVIEW: ALEV LENZ – 4 IN A CYCLE OF THIRDS
8.0
 
SPILL ALBUM REVIEW: THE SHA LA DAS – YOUR PICTURE
7.0
 
SPILL ALBUM REVIEW: THEY MIGHT BE GIANTS – EYEBALL
9.0

STAY UP-TO-DATE
WITH OUR WEEKLY NEWSLETTER!

SPILL MAGAZINE MENU
  • Home | The Spill Magazine
  • Newsletter
  • Premieres
  • SPILL RETRO REVIEWS
  • Track Of The Month
  • Album Reviews
  • Books + Movies
  • Features
  • Live Reviews
  • Festivals
  • Portraits
  • News
  • Events
  • Entertainment Headlines
  • Concert Listings
  • Toronto Concert Venues
  • About Us
  • Contests
  • New Music
  • Contributors
  • TOTD
  • Privacy Policy
  • The Scene Unseen
  • Newsletter

Copyright © 2026 | The Spill Magazine
All Rights Reserved.

TRENDING RIGHT NOW
   
 
SPILL ALBUM REVIEW: THE WATERBOYS – THE WATERBOYS PRESENT: RIPS FROM THE CUTTING ROOM FLOOR
839
 
SPILL ALBUM REVIEW: RHEOSTATICS – THE GREAT LAKES SUITE
829
 
SPILL ALBUM REVIEW: BIG WRECK – THE REST OF THE STORY
804
 
SPILL NEWS: DONOVAN WOODS CELEBRATES 10 YEARS OF “PORTLAND, MAINE” WITH NEW VERSION FEATURING JORDAN DAVIS | 2026 SPRING TOUR SUPPORTING THE PAPER KITES
677
 
SPILL ALBUM REVIEW: NOFX – A TO H
613
 
SPILL ALBUM REVIEW: THE BEATLES – ANTHOLOGY COLLECTION
601
 
SPILL ALBUM REVIEW: CITY AND COLOUR – SOMETIMES LULLABY
589
 
SPILL ALBUM REVIEW: MELANIE – THERE SHOULD HAVE BEEN A RAINBOW: THE NY FOLK SESSIONS 1963-1965
587
 
SPILL ALBUM REVIEW: PORTUGAL. THE MAN – SHISH
566
 
SPILL ALBUM REVIEW: ASHES AND DIAMONDS – ASHES AND DIAMONDS ARE FOREVER
527
 
SPILL ALBUM REVIEW: ODC – TWISTED LOVE
515
 
SPILL FEATURE: IT WAS A VERY POSITIVE ALBUM, STILL IS – A CONVERSATION WITH JEREMY CUNNINGHAM OF LEVELLERS
458
 
SPILL NEWS: GORILLAZ RELEASE NEW TRACK “DAMASCUS” (FEAT. OMAR SOULEYMAN AND YASIIN BEY)
452
ENTERTAINMENT HEADLINES