The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
16
new
SPILL ALBUM REVIEW: PAUL McCARTNEY – MAN ON THE RUN – MUSIC FROM THE MOTION PICTURE SOUNDTRACK
SPILL NEW MUSIC: ORIGINAL INDIE POP POETS TRASHCAN SINATRAS RETURN WITH “THE BITTER END”
SPILL NEW MUSIC: MAD IRIS RELEASE NEW SINGLE “EMPLOYEE OF THE MONTH” | SELF-TITLED ALBUM OUT MAY 29 VIA BA DA BING RECORDS
SPILL NEWS: TORI AMOS ANNOUNCES NEW ALBUM ‘IN TIMES OF DRAGONS’ | SUMMER TOUR DATES
SPILL FEATURE: THE ART OF BREAKING OPEN – A CONVERSATION WITH SHANE LYONS OF VARIALS
SPILL VIDEO PREMIERE: JOAN AS POLICE WOMAN – “ANYONE”
SPILL ALBUM REVIEW: REPEATED VIEWING – BREAK THE FAITH
SPILL NEWS: CANNONS UNVEIL NEW SINGLE “THESE NIGHTS” WITH OFFICIAL VISUALIZER
SPILL NEW MUSIC: SHOWING TEETH LETS IT “RIP” WITH FIERCE VISUALIZER
SPILL NEW MUSIC: THE DANDY WARHOLS SHARE COVER OF THE DAMNED’S “LOVE SONG” | NEW ABUM ‘PIN UPS’ DUE MARCH 20
SPILL ALBUM REVIEW: SUZANNE JARVIE – MOTHER’S DAY
SPILL ALBUM REVIEW: HEMI HEMINGWAY – WINGS OF DESIRE
SPILL ALBUM REVIEW: MIRAH – DEDICATION
SPILL ALBUM REVIEW: MAX HOFFMAN – LOOKING FOR THE LIGHT
SPILL ALBUM REVIEW: MOBY – FUTURE QUIET
SPILL ALBUM REVIEW: LUCID EXPRESS – INSTANT COMFORT
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
  • Spill Menu
    • Reviews
      • Album Reviews
      • Features
      • Live Reviews
      • Festivals
    • Portraits
    • Headlines
      • News
      • Contests
      • Events
      • Entertainment Headlines
      • Concert Listings
      • Toronto Concert Venues
    • New Music
      • Premieres
      • Track Of The Day
    • Track Of The Month
    • Books + Movies
    • About
Album Reviews
629
previous article
SPILL ALBUM REVIEW: ATLANTÆUM FLOOD - ONE DAY
next article
SPILL ALBUM REVIEW: SOUNDWALK COLLECTIVE WITH PATTI SMITH - MUMMER LOVE

SPILL ALBUM REVIEW: QUIET RIOT – HOLLYWOOD COWBOYS

Quiet Riot

Quiet Riot
Hollywood Cowboys
Frontiers Music SRL

Hollywood Cowboys is the first studio album from Quiet Riot since 2017’s Road Rage, and the second studio album featuring vocalist James Durbin. Whereas Durbin was a last-minute replacement on Road Rage for their vocalist at the time, on Hollywood Cowboys he seems quite comfortable settling into the role of Quiet Riot’s frontman.

Original member and drummer Frankie Banali produced the album and the result is a very competent heavy metal record. Chuck Wright, who has been with the band off and on since 1982, returns with his heavy bass, and Alex Grossi, who has been with the band since 2006, rounds out the band on guitar. From listening to Hollywood Cowboys, it is evident that this lineup has gelled to form a tight group.

The music is exactly what you would expect from Quiet Riot – there’s no mystery in this package. The album kicks off with grinding guitars, heavy beats from Banali, and eventually Durbin comes in with the perfect vocals. The album tends to roll along in that fashion from beginning to end, and to be honest there is not a lot of variety. Then again, variety is not what fans are looking for from this band or album. Of course, there is the obligatory ballad, “Roll On”, to show their more sentimental side, but for the most part, the album is pure rock.

In some respects, this is a sophomore album of a new lineup. It is easy to fall into the trap of comparing this to earlier albums, but with the recent addition of Durbin,this is an updated version of Quiet Riot,and the album should be listened to in that way.

This is a band who knows what they do, and they do it well. It is well-produced, and they are a tight unit. Their musical skills are top notch, but if heavy metal is not your cup of tea, you would be better off checking out other bands. There are, however, some fine songs on Hollywood Cowboys, including “Wild Horses”, which is probably the most commercially appealing song on the album. More of a power song than heavy metal, it also allows band members to show off their talent, especially Durbin.


SPILL FEATURE: IT’S NOT ABOUT THE BAND…IT’S ABOUT THE FANS – A CONVERSATION WITH FRANKIE BANALI OF QUIET RIOT



Artist Links

website_flat_2016 facebook_flat_2016 twitter_flat_2016 instagram_flat_2016

Item Reviewed

SPILL ALBUM REVIEW: QUIET RIOT – HOLLYWOOD COWBOYS

Author

Aaron Badgley

Here's what we think...
Spill Rating
Fan Rating
Rate Here
New Criteria
10
10
7.0
Total Spill Rating
10
Total Fan Rating
1 rating
You have rated this
Album Reviews
album reviewalbum reviewsalex grossichuck wrightfrankie banalifrontiers music srlhollywood cowboysin the bloodjames durbinquiet riot
album review, album reviews, alex grossi, chuck wright, frankie banali, frontiers music srl, hollywood cowboys, in the blood, james durbin, quiet riot
About the Author
Aaron Badgley
Born and raised in Whitby, Aaron discovered music through his love of The Beatles. This led to a career in radio, writing for various publications, and ultimately a radio show about The Beatles (Beatles Universe), which ran for over four years. When not immersed in music, Aaron enjoys spending time with the loves of his life -- his wife Andrea, and daughters Emily and Linda (all of whom have an intense love of music too).
RELATED ARTICLES
album reviewalbum reviewsfrankie banali
 
10
Paul McCartney

SPILL ALBUM REVIEW: PAUL McCARTNEY – MAN ON THE RUN – MUSIC FROM THE MOTION PICTURE SOUNDTRACK

by Aaron Badgley on February 24, 2026
PAUL McCARTNEY MAN ON THE RUN – MUSIC FROM THE MOTION PICTURE SOUNDTRACK MPL/UNIVERSAL Paul McCartney likes to keep busy. In 2025, he toured North America, toured his photographic exhibition (Paul McCartney Photographs 1963-64: Eyes of The [...]
 
8.0
Repeated Viewing

SPILL ALBUM REVIEW: REPEATED VIEWING – BREAK THE FAITH

by Aaron Badgley on February 21, 2026
REPEATED VIEWING BREAK THE FAITH LIBRARY OF THE OCCULT RECORDS Alan Sinclair has been making fascinating, 80s style music under the name Repeated Viewing since 2009. Break The Faith is his latest release and once again he has produced an [...]
 
8.0
Suzanne Jarvie

SPILL ALBUM REVIEW: SUZANNE JARVIE – MOTHER’S DAY

by Ljubinko Zivkovic on February 20, 2026
SUZANNE JARVIE MOTHER’S DAY WOLFE ISLAND RECORDS Is Toronto currently becoming one of the hotbeds of emerging singer-songwriters? Quite possibly, as that artistic field seems to be repeating the growth it had in the early to mid-70s. [...]
 
9.0
Hemi Hemingway

SPILL ALBUM REVIEW: HEMI HEMINGWAY – WINGS OF DESIRE

by Ljubinko Zivkovic on February 20, 2026
HEMI HEMINGWAY WINGS OF DESIRE PNKSLM New Zealand artists often tend to make musical combinations that on paper might seem quite incongruous, but when you listen to them, sound like they always belong together. In this specific case, we are [...]
 
8.0
Mirah

SPILL ALBUM REVIEW: MIRAH – DEDICATION

by Ljubinko Zivkovic on February 20, 2026
MIRAH DEDICATION DOUBLE DOUBLE WHAMMY RECORDS Mirah, or more precisely, Mirah Yom Tov Zeitlyn, is no newcomer and it shows. Her latest album, simply titled Dedication, is her seventh release, and all the experience she has gathered so far as an [...]

Latest Album Reviews
View All
 
SPILL ALBUM REVIEW: PAUL McCARTNEY – MAN ON THE RUN – M...
10
 
SPILL ALBUM REVIEW: REPEATED VIEWING – BREAK THE FAITH
8.0
 
SPILL ALBUM REVIEW: SUZANNE JARVIE – MOTHER’S DAY
8.0
 
SPILL ALBUM REVIEW: HEMI HEMINGWAY – WINGS OF DESIRE
9.0
 
SPILL ALBUM REVIEW: MIRAH – DEDICATION
8.0

STAY UP-TO-DATE
WITH OUR WEEKLY NEWSLETTER!

SPILL MAGAZINE MENU
  • Home | The Spill Magazine
  • Newsletter
  • Premieres
  • SPILL RETRO REVIEWS
  • Track Of The Month
  • Album Reviews
  • Books + Movies
  • Features
  • Live Reviews
  • Festivals
  • Portraits
  • News
  • Events
  • Entertainment Headlines
  • Concert Listings
  • Toronto Concert Venues
  • About Us
  • Contests
  • New Music
  • Contributors
  • TOTD
  • Privacy Policy
  • The Scene Unseen
  • Newsletter

Copyright © 2026 | The Spill Magazine
All Rights Reserved.

TRENDING RIGHT NOW
   
 
SPILL ALBUM REVIEW: THE WATERBOYS – THE WATERBOYS PRESENT: RIPS FROM THE CUTTING ROOM FLOOR
994
 
🇨🇦 SPILL CONTEST: WIN A BOB & DOUG McKENZIE – GREAT WHITE NORTH & STRANGE BREW (44 ¾ ANNIVERSARY) PRIZE PACK! 🇨🇦
731
 
SPILL ALBUM REVIEW: NOFX – A TO H
712
 
SPILL ALBUM REVIEW: CITY AND COLOUR – SOMETIMES LULLABY
649
 
SPILL ALBUM REVIEW: MELANIE – THERE SHOULD HAVE BEEN A RAINBOW: THE NY FOLK SESSIONS 1963-1965
644
 
SPILL ALBUM REVIEW: PUSCIFER – NORMAL ISN’T
623
 
SPILL ALBUM REVIEW: GOLDFINGER – NINE LIVES
603
 
SPILL ALBUM REVIEW: THE DAMNED – NOT LIKE EVERYBODY ELSE
594
 
SPILL ALBUM REVIEW: THE SAINTS – LONG MARCH THROUGH THE JAZZ AGE
489
 
SPILL NEW MUSIC: BECK SHARES NEW ALBUM ‘EVERYBODY’S GOTTA LEARN SOMETIME’ | PHYSICAL COPIES AVAILABLE FEBRUARY 13
478
 
SPILL FEATURE: IT WAS A VERY POSITIVE ALBUM, STILL IS – A CONVERSATION WITH JEREMY CUNNINGHAM OF LEVELLERS
476
 
SPILL NEWS: GORILLAZ RELEASE NEW TRACK “DAMASCUS” (FEAT. OMAR SOULEYMAN AND YASIIN BEY)
473
 
SPILL ALBUM REVIEW: MOBY – FUTURE QUIET
460
ENTERTAINMENT HEADLINES