TIM BURGESS ANNOUNCES NEW SOLO ALBUM I LOVE THE NEW SKYย WITH A MAY 22 RELEASE VIA BELLA UNION
SHARES VIDEO FOR FIRST SINGLE “EMPATHY FOR THE DEVIL” + UK + US LIVE SHOWS ANNOUNCED
Tim Burgessย has announced his upcoming new solo album,ย ‘I Love The New Sky,’ย to be released May 22nd via Bella Union and available to pre-orderย here. To celebrate the occasion Burgess has shared a fiendishly brilliant video for lead track โEmpathy For The Devilโ, which can be viewed below or HERE, and announced an extensive run of UK and US live dates which are listed further down.
How inspiring it is to hear Tim Burgess conjuring up exciting and life-affirming sounds as he, almost inconceivably, enters his fifth decade on public duty. Frontman, singer, label boss, DJ and author, heโs been instrumental in so many great records over the years, always bringing enthusiasm, positivity and diversity of influence, which altogether light the way for those who hold him dear.
While in The Charlatans, Timโs indefatigable energy has been a consistent fuel for the band across thirteen high-charting albums, his solo adventure has been no less extraordinary, scaling new heights in 2020 with his fifth solo release to date: โI Love The New Skyโ (Bella Union). It features wonderfully connective songs of everyday minutiae and universal experience, of love and anger, of loss and belonging, all united by elaborate yet natural arrangements and an effortless but deceptively expert way with melody.
โI Love The New Skyโ differs from its predecessors in that all twelve tracks were self-penned. โIn the past, I’ve written collaboratively,โ says a characteristically, but rightfully, excited Burgess. โ(2012’s) “Oh No I Love You” was written with Lambchopโs Kurt Wagner in Nashville, and then “Same Language, Different Worlds” was a collaboration with Peter Gordon who had worked extensively with Arthur Russell.โ
The twelve tunes of โI Love The New Skyโ were authored, he says, โin Norfolk, in the middle of the countryside, with the nearest shop eight miles away. There are no distractions, and I guess that way things happen. I wrote everything on acoustic guitar, and the chords were really considered. The guitar lines would lead the melody, and the melody would inform the lyrics โ just dreaming away with music.โ
So far, so Laurel Canyon, though โI Love The New Skyโ would end up sounding anything but hippie/folkie, thanks to a connection Tim made while living in a warehouse space in gritty Seven Sisters in North London, before heading to Norfolk. โThe Quietus had their office there,โ he recalls. โI used to know pretty much all the stuff they were writing about, but then their album of the year for 2013 was โGlynnaestraโย byย Grumbling Fur, and I really fell in love with it. I started talking to the band about working together. To cut a long story short I recorded a song with Grumbling Fur, they remixed two Charlatans tracks and a couple of Daniel O’Sullivan’s solo albums came out on my label.โ
As well asย arranging and productionย duties on ‘I Love The New Sky,’ OโSullivan playsย bass, drums andย piano, from the bouncing chamber-pop chords of “Sweetheart Mercury” and the punchy chorus of “Empathy For The Devil,” through to โComme DโHabitudeโโs juxtaposition of blissfully rolling West Coast singer-songwriting and a complex Sparks-y Broadway-esque bridge, to the Velvets-y ramalama moves on “Warhol Me” and “Undertow’s” sombre balladry.
The album was arranged and recorded quickly but not rushed: โIdeas happen fast, donโt they?โ Tim reasons. The first sessions at Eve Studios in Stockport were with long-serving Charlatans engineer Jim Spencer. Tim, Daniel and Nik Void cut three tracks in two days, with Nik layering up modular synths in line with her previous day job in Factory Floor.
A third keyboard maestro entered the picture when Thighpaulsandra, a maverick musician and producer, came into the frame, best known for his work for Julian Cope, Coil Spiritualized and Elizabeth Fraser. I found out that he was based at โRockfieldโ [legendary residential facility near Monmouth, South Wales]. So I said, โOkay, thatโs where weโre going to record the rest of itโ.โ As well as enlisting his know-how as an engineer, the cosmically-inclined Welshman also applied vintage synths and what Tim hazily calls โwizardryโ.
The results are nothing short of astounding. โI Love The New Skyโ has landed somewhere between Paul McCartney’s โRAMโ and Brian Eno’s โTaking Tiger Mountain (By Strategy)’ and certainly that recipe covers both the all-pervasive tunefulness and high quality. Stylistically, though, it runs the widest gamut, from ‘Empathy For The Devil’s gospel style rockabilly skip, through to the sophisticated song-craft of โSweetheart Mercuryโ and the Nilsson-esque โSweet Old Sorry Meโ, with the angst-y gravitas of โUndertowโ, which Tim describes as โa mood-changer, influenced by 10cc.โ
Lyrically, this might almost be a defining collection from Burgess after thirty years honing his craft. Thereโs plenty of typical lightness of touch of “Only Took A Yearโs” joking reference to the albumโs twelve-month gestation period, and the quip, โwhatโs your favourite Cure LP? I like โPornography! But it could be any one of three.โ
“I Got This” has the line โthe future is friendlyโ. Says Tim: โEveryoneโs been going through a lot of tough times. And the future is uncertain. But you have to have that optimistic outlook โ like, waking up in the morning and feeling that itโs gonna be a good day.โ
The final stages of the albumโs year-long narrative arc were enacted at Jet Studio in Brussels, with the Echo Collective string section. Burgess looked on โmesmerised at what was happening to the songs, taking an even more magical turn.โ
With that icing on the cake, Tim is in no doubt that he has his finest solo record under his belt. Heโll be touring the album with a live ensemble featuring Daniel OโSullivan, Thighpaulsandra, another O Genesis artiste called Keel Her, and renowned avant-jazz violinist Peter Broderick, who plays on “Empathyโฆ” and will recreate the Echo Collective parts, too. So, the community will grow. Just like Tim says, โthe future is friendly.โ Upcoming live dates, โI Love The New Skyโ album artwork and tracklist below.
Tour Dates
12th March – New York City – Pianos
13th March – New York City – Berlin
14th March – New York City – The Delancy
19th March – Austin – Palm Door
20th March – Austin – Lazarus Brewing Co.
1st May – Newcastle – Hit The North ‘Opening Party’ @ Think Tank
2nd May – Leeds – Live at Leeds
3rd May – Liverpool – Sound City
20th May – Nottingham – Rough Trade
22nd May – London – Rough Trade East
24th May – Dartington – Sea Change Festival
25th May – Bristol – Rough Trade
27th May – Manchester – Night & Day
6th June – Barcelona – Primavera Sound
9th June – Nottingham – Rescue Rooms
10th June – Kendal – Brewery
12th June – Glasgow – King Tut’s
14th June – Bristol – Thekla
16th June – Cardiff – Clwb Ifor Bach
17th June – Portsmouth – Wedgewood Rooms
18th June – London – Oslo
20th June – Manchester – YES
26th July – North Yorkshire – Deer Shed Festival