Elvis Costello & The Imposters
@ The Sony Centre, Toronto
July 20, 2017
When Elvis Costello & The Attractions first released Imperial Bedroom in 1982, it stood out. It wasnβt Thriller. It wasnβt synthpop. The album sounded nothing remotely close to what was happening in the pop scene. Even in a discography as vast as Elvis Costelloβs, it is one that sounds like no other. Itβs a mature record that explores genres as varied as jazz and baroque pop. The album of course, like every other album he released during that era, it was well received but due to its β60s sound and depressing overall lyrical themes, the album never took off. So, when Costello announced that he was taking the 35-year-old album on tour, it seemed a rather odd choice. But a good one nonetheless.
Costello, along with the Imposters and two female backup singers took the stage at Torontoβs Sony Centre a few minutes after the scheduled show time and jumped right into a pumping version of βThe Loved Onesβ, which was quickly followed by ββ¦and in Every Homeβ, and song which he blended the Beatles βAll You Need is Loveβ. Β From the first two-tracks he had the packed Sony Centre in his pocket.
Taking a break to chat, he cracked a few jokes about the not so lighthearted topics of Imperial Bedroom and decided to give the audience a break from the βsongs of misery and heartbreakβ and played βAccidents Will Happenβ. After a few throwbacks from the β70s, Costello went right back into an uplifting set-list that included βThe Long Honeymoonβ, βShabby Dollβ and βTears Before Bedtimeβ.
After only an hour, Costello and Co. waved and walked off the stage. Costello, would soon reappear for his encore (which would last over an hour) with his backup singers and go into a goose bump inducing rendition of βAlisonβ. Β While mostly playing renditions of Imperial Bedroom tracks, Costello and his band did throw in quite a few classics like βKing Horseβ and βWatching the Detectivesβ, the latter beginning with a gimmicky police siren, but somehow seemed to work.
Not only was the show sonically brilliant, but visually appealing too; above the band was a digital screenΒ which displayed album covers of his past, such as Get Happy!! and Spike; all which had been adapted to the cubist style that Imperial Bedroomβs dawned.
After wrapping up the Imperial Bedroom material with βMan Out of Timeβ, Costello sent the audience home with spine-tingling versions of βEveryday I Write the Bookβ, βPump it Upβ and β(Whatβs So Funny βBout) Peace, Love and Understandingβ. By this time everyone was out of their seat, either clapping singing or dancing or all of the above. It was a terrific send off to a truly moving evening.