FOR MY FRIEND, JEFF
A CONVERSATION WITH THE JEFF HEALEY BAND DRUMMER TOM STEPHEN
The name Tom Stephen often brings up mixed feelings across the Canadian public and industry. As both the drummer and manager of The Jeff Healey Band he was an integral part of Canadian history, but following a tumultuous split, he received a large portion of the blame. As tensions between him and Healeyβs estate continue to escalate since then, Stephen released Best Seat In The House: My Life In The Jeff Healey Band, an autobiography which follows him as much as it does Healy, in an attempt to clear the air and bring a sense of integrity to the narrative of The Jeff Healey Band.
Meeting to chat about the book at Torontoβs prestigious National Club β a memberβs only establishment in the heart of Torontoβs financial district, one which neither of us were in fact a member of β Stephen jokes βback in the day, they would have never let me into a place like thisβ. How things have changed for the rockstar turned author who, nowadays, sticks largely to the business side of the music industry. Co-written by Keith Elliot Greenberg, Best Seat In The House: My Life In The Jeff Healey Band (released in November of last year) chronicles Stephenβs life with The Jeff Healey Band taking centre stage as it follows Stephen throughout the recording of their five albumsβalong with the soundtrack to Road Houseβtouring across the globe, jamming with some of the greatest rock and blues artists, and beyond the untimely conclusion of the band. On the surface, itβs a story of rock βnβ roll debauchery, but at its heart, Best Seat In The House is fueled by aspects of artistic passion, tension, and a relentless sense of hustle which makes for a truly compelling read.
PURCHASE BEST SEAT IN THE HOUSE: MY LIFE IN THE JEFF HEALEY BAND VIA ECW PRESS
Recounting the conclusion of the band, Stephen tells me βThings didnβt end as well as I hoped, but Jeff and I made our peace, both in business and as human beings. On the business side of things, we sorted out our partnership and he would later come to me for advice as well as recommending artists for me to manage. He respected me and I loved him. I have nothing negative to say about himβ. As Stephen tells me, what drove him to put pen to paper was as much about himself as it was Healey, stating, βOther people were taking over the narrative as to who and what we were as a band and I was made out to be the villainβ¦ It hurt me but I felt it we were being misrepresentedβ. Referring to Heal My Soul, a 2016 compilation of unreleased material from The Jeff Healey Band which Healeyβs estate commissioned, Stephen continues, βI donβt want to cause any more conflict, but new material was being put out with people saying βthese were Jeffβs favourite songsβ when really he hated them, and then on top of everything else, they re-recorded my drums on these βgemsββ. He then goes on to praise Healey, βbeyond that, when the question of greatest guitarists would come up at the bar, Jeff used to always be a part of that conversation, but over the years, less and less has his name come up in these conversations. That was an alarm bell because to me, pound for pound, Jeff was the greatest guitar player I ever got to seeβ.
Like most rock βnβ roll stories, that of The Jeff Healey Band is one of controversy. βThere has definitely been some backlashβ Stephen tells me. Where Stephen took much of the blame towards the end of The Jeff Healey Band, Best Seat In The House seems almost like an uphill battle to bring the Healey narrative back to a more central place, he continues βI call myself an asshole throughout the book. Hell, I even included a number of quotes from others saying the same. Iβm not trying to make myself seem like the good guy, I just wanted to put the story out there from how I, and many others, remembered itβ. While he has received much positive and negative attention from the book, Stephen tells me βwhat touched me the most was that a handful of Jeffβs friends reached out to me and thanked me for writing it; they said that this was the Jeff that they knew and thought it was a beautiful tribute. To me, that was what I wanted to capture from the very beginningβ.
Quite curiously, as Stephen informs me, both Healey and The Jeff Healey Band are not recognized by The Rock & Roll Hall Of Fame, The Canadian Music Hall Of Fame, or The Canadian Songwriters Hall Of Fame. βI wanted to pay tribute to Jeff; to remind people something, which I feel shouldnβt be something that they need reminding. Jeff Healeyβs playing speaks for itself and his legacy deserves to be remembered in the way which we remember some of the greatest blues are rock guitarists of all timeβ. As we spoke for almost an hour and a half, Stephen spoke with a sense of honesty, love, and integrity when remembering Healey, something that is at the core of Best Seat In The House; ultimately making it a must read for not just fans of the band, but also for those who wish to know more about Canadian arts and culture.
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