The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
16
new
SPILL NEWS: YTTLING JAZZ & BOBBY GILLESPIE SHARE NEW VIDEO FOR “STRANGE” CO-DIRECTED BY GILLESPIE 
SPILL NEW MUSIC: THE ALARM RELEASES “LIVE TODAY” | THE FINAL VIDEO FEATURING THE LATE MIKE PETERS
SPILL FEATURE: CELTIC MUSIC IS SO MALLEABLE, YOU CAN DO REALLY ANYTHING WITH IT – A CONVERSATION WITH IRISH MILLIE
SPILL ALBUM REVIEW: KAELEY JADE – THE GREAT UNKNOWN
SPILL ALBUM REVIEW: RICHARD BARBIERI – HAUNTINGS
SPILL ALBUM REVIEW: SPARKLER – GLIDEWINDER
SPILL ALBUM REVIEW: PRYMEK & SAGE – SHELTER
SPILL ALBUM REVIEW: TIGERCUB – NETS TO CATCH THE WIND
SPILL ALBUM REVIEW: FISHBONE – IN YOUR FACE / COVER YOUR FACE (40th ANNIVERSARY REISSUE)
SPILL ALBUM REVIEW: JOE JACKSON – HOPE AND FURY
SPILL ALBUM REVIEW: HOLLY HUMBERSTONE – CRUEL WORLD
SPILL ALBUM REVIEW: AYSANABEE – TIMELINES
SPILL FEATURE: BEATIN’ LIKE A DRUM – A CONVERSATION WITH MARC JORDAN
SPILL NEWS: SONIC BOOM, TORONTO’S ICONIC INDEPENDENT RECORD STORE, TURNS IT UP FOR INTERNATIONAL RECORD STORE DAY 2026
SPILL NEW MUSIC: ROSE HOTEL SHARES NEW SINGLE “MY SATELLITE” VIA STROLLING BONES RECORDS
SPILL NEWS: LOWEST OF THE LOW CELEBRATE 35 YEARS OF ‘SHAKESPEARE MY BUTT’ | ‘SHAKESPEARE MY BUTT: ANNIVERSARY EDITION’ & ‘LIMBOTOWN REVISITED’ ARRIVES MAY 8
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
  • Spill Menu
    • Reviews
      • Album Reviews
      • Features
      • Live Reviews
      • Festivals
    • Portraits
    • Headlines
      • News
      • Contests
      • Events
      • Entertainment Headlines
      • Concert Listings
      • Toronto Concert Venues
    • New Music
      • Premieres
      • Track Of The Day
    • Track Of The Month
    • Books + Movies
    • About
Album Reviews
2307
previous article
SPILL NEW MUSIC: DEAD CAN DANCE KEYBOARDIST JULES MAXWELL BREAKS FREE ON SOLO ALBUM ‘SONGS FROM THE CULTURAL BACKWATER’
next article
SPILL ALBUM REVIEW: MINI MANSIONS - WORKS EVERY TIME

SPILL ALBUM REVIEW: THIS WILL DESTROY YOU – NEW OTHERS PART ONE

This Will Destroy You

This Will Destroy You
New Others Part One
Dark Operative

It can be difficult to stand out as an artist in the world of post-rock, not least because of how easy it is to fall into the clichés of repeated arpeggios and delayed tremolos that usually are so synonymous with the genre. Pioneers like Mogwai, Godspeed You! Black Emperor and Sigur Ros have transcended these limitations through radical experimentation and creativity with textures and tone as well as pushing the boundaries of songwriting and structure, but those bands are exceptions rather than the rule. Those following in their wake have been left with the daunting challenge of being original in a sonic context that can often tend towards homogeneity, as well as one which is oversaturated with voices desperate to be heard. Over the last decade, This Will Destroy have emerged as one of the few acts capable of standing out from the rest of the post-rock crowd, all the while staying true to the roots and traditions of the genre’s sound.

Throughout their first four full-length albums, This Will Destroy You crafted a distinctive atmosphere and character that balanced subtle textural work with ringing guitar melodies. Following 2014’s Another Language, which continued to incorporate influences from drone and doom metal, shoegaze and ambient music while staying in touch with the band’s sound, the Texas-based instrumentalists were left with the dilemma of which direction to move forward with. Without shooting off into new territory, their upcoming 2018 release New Others Part One gives the impression that the band is moving forward without forgetting themselves.

Perhaps the most striking progression on the record is the movement away from the Earth-shattering climaxes that populated their previous releases in favour of a more delicate, reflective and pensive atmosphere. While the influence of electronic music on this change of sound is hard to miss, the band’s dedication to their instrumental expression instead of turning to production-based composition means that this feels more like an expansion of This Will Destroy You’s range than a foray into new territory.

With a noticeably withdrawn and somber emotional landscape compared to previous releases, New Others Part One is a more delicate and reflective work. While opening track ‘Melted Jubilee’ sets things off with a more light and upbeat sound that is hardly unfamiliar to those who have listened to the band’s work, the track winds down into introspection and nostalgia. This descent into a more subtle, quiet headspace develops throughout and defines the album. Dynamic movements are less stark and yet leave a deeper impression because of the band’s knack for building tension with the lush textures that they spread across both guitar and synth parts. Yet, despite this more minimalist and atmospheric sound, This Will Destroy You do commendably well to avoid repetition with each track sounding fresh and distinct throughout the experience.

Though this gentler approach takes center stage, it only serves to make the occasional breakthroughs on tracks ‘Syncage’ and ‘Weeping Window’ all the more striking. While the band tone down the distortion and double bass drum for these sections compared to previous releases, the focus on textures and dissonance gives these climaxes an impact that strikes just as deeply as any other moment in This Will Destroy You’s discography.

As the album winds back down from these huge breakthroughs, the final two tracks seem to carry the listener back to where they came from in what is likely the most coherent progression throughout the album. By the end of ‘Go Away Closer’, the dark, moody spaces that came before seems long forgotten in the midst of a return to a more uplifting energy that wraps up an emotionally satisfying journey. While the album is at times let down by uneven transitions between songs, especially in the first half of the album, and a regrettable but slight inconsistency in the quality of some of the tracks, New Others Part One stands out as holistically mature and cohesive work. While it’s hard to say how it stands amongst the rest of the bands catalogue, This Will Destroy You’s new release is certainly an excellent effort to add to the collection.



Artist Links

website_flat_2016 facebook_flat_2016 twitter_flat_2016 instagram_flat_2016

Item Reviewed

SPILL ALBUM REVIEW: THIS WILL DESTROY YOU – NEW OTHERS PART ONE

Author

Andrew Marrocco

Here's what we think...
Spill Rating
Fan Rating
Rate Here
New Criteria
10
8.0
8.0
Total Spill Rating
8.0
Total Fan Rating
19 ratings
You have rated this
Album Reviews
album reviewalbum reviewsdark operativego away closernew others part onethis will destroy you
album review, album reviews, dark operative, go away closer, new others part one, this will destroy you
About the Author
Andrew Marrocco
Based in Montreal but raised across Western Europe, Andrew feels at home both everywhere and nowhere. Having picked up the piano at age four, he has since gone on to add clarinet, saxophone and guitar to his musical arsenal. As well as crafting music, Andrew spends a lot of time listening both at home and in live contexts. Rather than focusing on a particular style or calibre of artist, he is keen to explore music of any shape or size. Outside music, Andrew's passions lie in philosophical writing, visual art and sharing positivity with the world around him.
RELATED ARTICLES
album reviewalbum reviewsdark operative
 
8.0
Kaeley Jade

SPILL ALBUM REVIEW: KAELEY JADE – THE GREAT UNKNOWN

by Ljubinko Zivkovic on April 10, 2026
KAELEY JADE THE GREAT UNKNOWN INDEPENDENT Country music used to be full of formulas that begged to be broken, and for a while now Americana and alternative country artists did a great job in doing so. Joining those ranks is Edmonton-based Métis [...]
 
8.0
Richard Barbieri

SPILL ALBUM REVIEW: RICHARD BARBIERI – HAUNTINGS

by Ljubinko Zivkovic on April 10, 2026
RICHARD BARBIERI HAUNTINGS KSCOPE David Sylvian-led Japan became legends of ‘80s electronic music, and Sylvian himself had a renowned solo career with a series of more and more experimental releases. Yet quite a few fans of the genre sometimes [...]
 
8.0
Sparkler

SPILL ALBUM REVIEW: SPARKLER – GLIDEWINDER

by Ljubinko Zivkovic on April 10, 2026
SPARKLER GLIDEWINDER À LA CARTE RECORDS Longtime shoegaze fans and followers surely have certain sound combinations in their minds that they would love to hear, and one such a combination would probably involve My Bloody Valentine and Slowdive [...]
 
9.0
Prymek & Sage

SPILL ALBUM REVIEW: PRYMEK & SAGE – SHELTER

by Ljubinko Zivkovic on April 10, 2026
PRYMEK & SAGE SHELTER AKP RECORDINGS If somebody would mention ambient music at this very moment, the first thing that might come to mind would be meandering electronics sounds. Yet the variation and spectrum of ambient music these days has [...]
 
7.0
Tigercub
10

SPILL ALBUM REVIEW: TIGERCUB – NETS TO CATCH THE WIND

by Jasmine Bhoodwah on April 10, 2026
TIGERCUB NETS TO CATCH THE WIND LOOSEGROOVE RECORDS Alternative rock is a genre that has tons of history. Emerging from underground shoegaze and the uprising of grunge, alternative rock became mainstream around the 90s. Since then, the category [...]

Latest Album Reviews
View All
 
SPILL ALBUM REVIEW: KAELEY JADE – THE GREAT UNKNOWN
8.0
 
SPILL ALBUM REVIEW: RICHARD BARBIERI – HAUNTINGS
8.0
 
SPILL ALBUM REVIEW: SPARKLER – GLIDEWINDER
8.0
 
SPILL ALBUM REVIEW: PRYMEK & SAGE – SHELTER
9.0
 
SPILL ALBUM REVIEW: TIGERCUB – NETS TO CATCH THE WIND
7.0
10

STAY UP-TO-DATE
WITH OUR WEEKLY NEWSLETTER!

SPILL MAGAZINE MENU
  • Home | The Spill Magazine
  • Newsletter
  • Premieres
  • SPILL RETRO REVIEWS
  • Track Of The Month
  • Album Reviews
  • Books + Movies
  • Features
  • Live Reviews
  • Festivals
  • Portraits
  • News
  • Events
  • Entertainment Headlines
  • Concert Listings
  • Toronto Concert Venues
  • About Us
  • Contests
  • New Music
  • Contributors
  • TOTD
  • Privacy Policy
  • The Scene Unseen
  • Newsletter

Copyright © 2026 | The Spill Magazine
All Rights Reserved.

TRENDING RIGHT NOW
   
 
SPILL FEATURE: IT’S ABOUT THE CLIMB – A CONVERSATION WITH GORILLAZ
3316
 
SPILL TRACK OF THE MONTH: DAYS OF SORROW – “WHO WE ARE”
931
 
SPILL LIVE REVIEW: TENILLE TOWNES @ RICHMOND HILL CENTRE FOR THE PERFORMING ARTS, RICHMOND HILL
883
 
🇨🇦 SPILL CONTEST: WIN A BOB & DOUG McKENZIE – GREAT WHITE NORTH & STRANGE BREW (44 ¾ ANNIVERSARY) PRIZE PACK! 🇨🇦
854
 
SPILL ALBUM REVIEW: MOBY – FUTURE QUIET
845
 
SPILL NEWS: THE AFGHAN WHIGS RELEASE NEW SINGLE “HOUSE OF I” | THEIR FIRST NEW MUSIC SINCE 2022
722
 
SPILL ALBUM REVIEW: PUSCIFER – NORMAL ISN’T
713
 
SPILL ALBUM REVIEW: GOLDFINGER – NINE LIVES
674
 
SPILL ALBUM REVIEW: THE DAMNED – NOT LIKE EVERYBODY ELSE
669
 
SPILL ALBUM REVIEW: BECK – EVERYBODY’S GOTTA LEARN SOMETIME
664
 
SPILL ALBUM REVIEW: SQUEEZE – TRIXIES
519
 
SPILL ALBUM REVIEW: BILL ORCUTT – MUSIC IN CONTINUOUS MOTION
504
 
SPILL NEW MUSIC: BECK SHARES NEW ALBUM ‘EVERYBODY’S GOTTA LEARN SOMETIME’ | PHYSICAL COPIES AVAILABLE FEBRUARY 13
502
ENTERTAINMENT HEADLINES