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SPILL ALBUM REVIEW: H.C. McENTIRE – EVERY ACRE
SPILL NEW MUSIC: BODYWASH ANNOUNCES NEW ALBUM ‘I HELD THE SHAPE WHILE I COULD’ + SHARES NEW SINGLE
SPILL NEW MUSIC: THE BOO RADLEYS RELEASE NEW SINGLE AHEAD OF NEW ALBUM
SPILL ALBUM REVIEW: JERRY LEGER – LIVE FROM PARADISE
SPILL ALBUM REVIEW: BOB DYLAN – FRAGMENTS – TIME OUT OF MIND SESSIONS (1996-1997) THE BOOTLEG SERIES VOL. 17
SPILL ALBUM REVIEW: MARIANNE FAITHFULL – KISSIN’ TIME (REISSUE)
SPILL NEWS: YOUNG THE GIANT ANNOUNCES NORTH AMERICAN TOUR WITH MILKY CHANCE STARTING MAY 30
SPILL VIDEO PREMIERE: TEARING UP – “SAID SOMETHING”
SPILL VIDEO PREMIERE: EDNA FRAU – “ON THE LONG RUN”
SPILL MUSIC PREMIERE: GHOST LOVE – “MOURNERS DISCO”
SPILL ALBUM REVIEW: KEVIN MORBY – MUSIC FROM MONTANA STORY
SPILL NEW MUSIC: SUBWAY TO SALLY SETS SAIL WITH SECOND SINGLE “LEINEN LOS” + UNVEILS ANIMATED OFFICIAL MUSIC VIDEO
SPILL MUSIC PREMIERE: UNIVERSAL HONEY – “TIME BLINDNESS”
SPILL VIDEO PREMIERE: THE NATIONAL HONOR SOCIETY – “IN YOUR EYES”
SPILL NEWS: ALEXISONFIRE ANNOUNCE TORONTO PERFORMANCE JUNE 16 AT BUDWEISER STAGE WITH SPECIAL GUESTS PUP AND METZ
SPILL NEWS: PUBLIC IMAGE LTD RELEASE VIDEO FOR NEW SONG “HAWAII” | GROUP WILL COMPETE TO REPRESENT IRELAND AT EUROVISION 2023
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SPILL FEATURE: DATING ADVICE FROM A 200 YEAR OLD CARTOON CHARACTER - AN INTERVIEW WITH MILO (AKA JAMES McCOLLUM) FROM PROZZÄK
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SPILL NEWS: BARENAKED LADIES ANNOUNCE NEW LP LADIES AND GENTLEMEN BARENAKED LADIES AND THE PERSUASIONS OUT APRIL 14

SPILL ALBUM REVIEW: SHELBY EARL – THE MAN WHO MADE HIMSELF A NAME

Shelby Earl
The Man Who Made Himself A Name
Nine Mile Records

Shelby Earl’s new record, The Man Who Made Himself a Name, offers a slight deviation from the brooding, guitar-centric tendencies of her first two albums, Burn the Boots (2011) and Swift Arrows (2013).

Tracks like “James” and “The Vapors” offer a high-octane energy that showcase the Seattle singer-songwriter’s powerful vocals all within a dance-inducing sound. Despite the upbeat rhythm and musical levity, many of these songs still chronicle spiritual dissonance and complicated matters of the heart.

These tracks frequently deal with the kind of gratitude that stems from accepting experiences—good and bad— as they come. In “Stay With Me Tonight” Shelby synthesizes the duality of love and loss, ‘I will still smile cause you were here yesterday’ sums up a maturation that saturates the record. “Strong Swimmer” is a beautiful look at personal grit sung with the power of a gospel-folk infusion.

“What Am I To Do” is the last track on the record. There is a minimalism in the sound and in the imagery that combines with an achy understanding of heartbreak. ‘He says I sing so pretty when I sing it blue/Now what am I to do?’ encapsulates an artistic struggle to explore the beauty of sadness without becoming engulfed by it. This is something that Shelby seems to master.

The Man Who Made Himself a Name takes on a multitude of sounds that bring out both joy and pain in equal doses. The mix of pop, folk, and gospel textures make each song stand out as they keep the listener eager and pleasantly surprised throughout.

-Elizabeth Andrews



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SPILL ALBUM REVIEW: SHELBY EARL – THE MAN WHO MADE HIMSELF A NAME

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album reviewsnine mile recordsshelby earlthe man who made himself a name
album reviews, nine mile records, shelby earl, the man who made himself a name
About the Author
Elizabeth Andrews
Elizabeth is a Toronto via Caledon writer whose rural upbringing left a lasting love of anything with a banjo and an upright bass. She scours Toronto venues for both the musical talent and the beers on tap.
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SPILL ALBUM REVIEW: MARIANNE FAITHFULL – KISSIN’ TIME (REISSUE)

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