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SPILL BOOK REVIEW: KELLY CATLIN – KURT COBAIN: FOREVER IN BLOOM: THE LEGACY BEYOND THE TRAGEDY
SPILL NEW MUSIC: NEW SINGLE BY ELECTRO-INDUSTRIAL ACT DISMANTLED “ZERO” OUT NOW | LONG-AWAITED ALBUM DUE IN NOVEMBER
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SPILL ALBUM REVIEW: BLURRED CITY LIGHTS – UNREST
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SPILL ALBUM REVIEW: WARREN HAYNES – DREAMS & SONGS: A SYMPHONIC JOURNEY
SPILL ALBUM REVIEW: TOKYO TEA ROOM – FEEL FOREVER
SPILL ALBUM REVIEW: DAVID MYHR – EVERYTHING IS ALL ABOUT YOU
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SPILL ALBUM REVIEW: SAINT ETIENNE – INTERNATIONAL

Saint Etienne

SAINT ETIENNE
INTERNATIONAL
HEAVENLY RECORDINGS

After 35 years of reshaping British pop with wit, warmth, and club-ready elegance, Saint Etienne, the trio of Bob Stanley, Pete Wiggs, and Sarah Cracknell, return with International, their 13th and final album.

The album has a cheeriness that belies the sadness of this ending. Yet, at the same time, it’s the warm comfort food of what feels like the most amicable break up of all time.

The tracks are a fireworks display of the power of collaboration and the beauty of true artistry. From the opening single “Glad,” co-written with Tom Rowlands of the Chemical Brothers and featuring Jez Williams of Doves, International signals a forward-looking spirit rooted in the band’s signature blend of synth-pop shimmer and emotional resonance. “Take Me To The Pilot,” a standout co-produced with Orbital’s Paul Hartnoll, is a dark, propulsive flight of reinvention with one of the best bass lines of their career. Elsewhere, “The Go Betweens,” featuring Nick Heyward, offers a tender duet with Sarah Cracknell, while “Two Lovers” with icon Vince Clarke, luminol reveals the DNA of synth-pop itself.

The production roster—ranging from Erol Alkan’s sparkling touch on “Sweet Melodies” to Xenomania’s polish on “Dancing Heart” and “He’s Gone”—underscores Saint Etienne’s collaborative generosity. Each partnership enriches the trio’s palette without losing their unmistakable DNA: wistful melodies, lush textures, and Sarah Cracknell’s timeless vocals.

International is ultimately the break-up between band and listener. It feels more like the break-up of young love than the baggage-laden goodbyes of our jaded selves.  The closing track, “The Last Time,” is a tear-stained reflection on legacy, love and friendship, acknowledging the joy, melancholy, and false hopes of goodbye. The album feels like that love letter you hold onto in your box of special things—an affirmation that Saint Etienne’s influence will endure long after the final notes fade. The track “Why are you Calling” with lyrics “If it’s over than why are you calling me again” belies a relationship not fully over. Saint Etienne are still there for the listening, even if they’ve stopped talking. Listen and take comfort.



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SPILL ALBUM REVIEW: SAINT ETIENNE – INTERNATIONAL

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Album Reviews
album reviewalbum reviewsbob stanleygladheavenly recordingsinternationalpete wiggssaint etiennesarah cracknell
album review, album reviews, bob stanley, glad, heavenly recordings, international, pete wiggs, saint etienne, sarah cracknell
About the Author
Paul van der Werf
Paul is the Dutch-Canadian techno music producer and DJ “apaull”. For Spill Magazine he strives to write thoughtful record reviews and feature articles.
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