The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
  • Spill Menu
    • Reviews
      • Album Reviews
      • Features
      • Live Reviews
      • Festivals
    • Portraits
    • Headlines
      • News
      • Contests
      • Events
      • Entertainment Headlines
      • Concert Listings
      • Toronto Concert Venues
    • New Music
      • Premieres
      • Track Of The Day
    • Track Of The Month
    • Books + Movies
    • About
Album Reviews
2
1611
previous article
SPILL ALBUM REVIEW: BLACK MOTH SUPER RAINBOW - PANIC BLOOMS
next article
SPILL ALBUM REVIEW: VARIOUS ARTISTS - A MAP OF THE KINGDOM OF IRELAND

SPILL ALBUM REVIEW: MYLES GOODWYN – MYLES GOODWYN AND FRIENDS OF THE BLUES

Myles Goodwyn

Myles Goodwyn
Myles Goodwyn And Friends Of The Blues
Universal Music

You have to give Myles Goodwyn a great deal of credit. He is known for his work with April Wine, and April Wine have never been known as a blues band. A talented band, led by Goodwyn who wrote and produced some of the greatest pop/rock records in the last five decades, but they were not a blues band.  Therefore,  no one could predict that Goodwyn would come up with a blues album for his second solo album. The fact is Myles Goodwyn and Friends Of The Blues is a brilliant album. Blues fans should appreciate it and like it and April Wine fans just might find out that they love the blues as well.

April Wine debuted, on vinyl, in 1971 (April WIne) and would go on to release 20 studio albums. The most recent being 2006’s Roughly Speaking. Underneath the pop/rock standards that Goodwyn created was a tinge of blues, but he was never able to cut loose with a full on blues album, until now.

Goodwyn’s first solo album was released nearly 30 years ago (Myles Goodwyn), and like that album his solo work affords him the opportunity to play music that he loves without the worry of making it an April WIne album. For this album, he has called in some friends, who happen to be some heavy hitters in the blues genre. This is a stroke of genius. There is no doubt that he could have carried it off himself, but by playing with blues musicians, he is able to remove all doubt about his sincerity for the project.

Goodwyn wrote all but one song (he does a remarkable cover of Jesse Winchester’s “Isn’t That So”),  and what is evident, besides his obvious love of the blues, is his sense of humour. Songs such as “I Hate To See You (But I Love To Watch You Walk Away)” (which has a brilliant video), “I Hate You (Till Death Do Us Part)” and “Tell Me Where I’ve Been (So I Don’t Go There Anymore)” show his humour. The songs are pure blues, but the lyrics are humourous (maybe with a tinge of melancholy) and at times downright funny. Meanwhile, Goodwyn is playing some very hot blues licks. A great combination.

Some of the friends joining Goodwyn include David Wilcox, Rick Derringer, Jack de Keyzer, Frank Marino, Kenny ‘Blues Boss’ Wayne, Garret Mason, Joe Murphy, Bill Stevenson, Shaun Verrault, Amos Garret, to name just a few.

Goodwyn developed a taste for the blues in the 1960’s and that music influenced his writing and playing as much as The Beatles. Goodwyn has said he was influenced by Howlin’ Wolf, B.B. King, and Muddy Waters, to name just three. Listening to this album one can hear these influences. He does not copy, but rather incorporates years of listening to the greats and using what he learned to create his own blues sound, much like they did all those years ago.

Myles Goodwyn and Friends Of The Blues is not only a great blues album, it is a great album. It is obvious when one listens to the album that Goodwyn put a great deal of effort into this record and it paid off. As much as I love April Wine (and I do love their music), I hope that we hear more from Goodwyn’s blues side.



Artist Links

website_flat_2016 facebook_flat_2016 twitter_flat_2016

Item Reviewed

SPILL ALBUM REVIEW: MYLES GOODWYN – MYLES GOODWYN AND FRIENDS OF THE BLUES

Author

Aaron Badgley

Here's what we think...
Spill Rating
Fan Rating
Rate Here
New Criteria
10
8.0
8.0
Total Spill Rating
8.0
Total Fan Rating
14 ratings
You have rated this
Album Reviews
album reviewsapril winei hate to see you go ( but i love to watch you walk away)myles goodwynmyles goodwyn and friends of the bluesuniversal music
album reviews, april wine, i hate to see you go ( but i love to watch you walk away), myles goodwyn, myles goodwyn and friends of the blues, universal music
About the Author
Aaron Badgley
Born and raised in Whitby, Aaron discovered music through his love of The Beatles. This led to a career in radio, writing for various publications, and ultimately a radio show about The Beatles (Beatles Universe), which ran for over four years. When not immersed in music, Aaron enjoys spending time with the loves of his life -- his wife Andrea, and daughters Emily and Linda (all of whom have an intense love of music too).
RELATED ARTICLES
album reviewsapril winei hate to see you go ( but i love to watch you walk away)
 
9.0
Marta Del Grandi

SPILL ALBUM REVIEW: MARTA DEL GRANDI – DREAM LIFE

by Ljubinko Zivkovic on January 30, 2026
MARTA DEL GRANDI DREAM LIFE FIRE RECORDS Some singer-songwriters stick to all the defined lines, if you could call them that of this broadly-defined genre (and they are quite good at it), while there are not so many of them that try to bring in [...]
 
8.0
Kim Moberg

SPILL ALBUM REVIEW: KIM MOBERG – ALL THAT REALLY MATTERS

by Ljubinko Zivkovic on January 30, 2026
KIM MOBERG ALL THAT REALLY MATTERS INDEPENDENT You don’t essentially need to be an innovator that breaks boundaries to come up with good music that could reach quite a number of listeners. As a solo artist, you do need a hefty dose of [...]
 
10
CBGB

SPILL ALBUM REVIEW: VARIOUS ARTISTS – CBGB – A NEW YORK CITY SOUNDTRACK 1975-1986

by Ljubinko Zivkovic on January 30, 2026
VARIOUS ARTISTS CBGB – A NEW YORK CITY SOUNDTRACK 1975-1986 CHERRY RED RECORDS This is a music collector’s perfect combination—an extensive compilation (box set, effectively) on one of the best labels around that can handle such a [...]
 
8.0
Blackwater Holylight

SPILL ALBUM REVIEW: BLACKWATER HOLYLIGHT – NOT HERE NOT GONE

by Aaron Badgley on January 30, 2026
BLACKWATER HOLYLIGHT NOT HERE NOT GONE SUICIDE SQUEEZE RECORDS Blackwater Holylight is a hard rocking trio, originally from Portland, OR, but now based in Los Angeles. The band consists of Allison “Sunny” Faris (guitars, bass and vocals), Eliese [...]
 
9.0
Softcult

SPILL ALBUM REVIEW: SOFTCULT – WHEN A FLOWER DOESN’T GROW

by Jake Collier on January 30, 2026
SOFTCULT WHEN A FLOWER DOESN’T GROW EASY LIFE RECORDS Softcult’s debut album arrives after a run of EPs that never felt disposable but fully realized on their own, Year of the Snake especially pointing toward something larger. Self-produced by [...]

Latest Album Reviews
View All
 
SPILL ALBUM REVIEW: MARTA DEL GRANDI – DREAM LIFE
9.0
 
SPILL ALBUM REVIEW: KIM MOBERG – ALL THAT REALLY MATTERS
8.0
 
SPILL ALBUM REVIEW: VARIOUS ARTISTS – CBGB – A NEW YORK...
10
 
SPILL ALBUM REVIEW: BLACKWATER HOLYLIGHT – NOT HERE NOT GONE
8.0
 
SPILL ALBUM REVIEW: SOFTCULT – WHEN A FLOWER DOESN’T GROW
9.0

STAY UP-TO-DATE
WITH OUR WEEKLY NEWSLETTER!

SPILL MAGAZINE MENU
  • Home | The Spill Magazine
  • Newsletter
  • Premieres
  • SPILL RETRO REVIEWS
  • Track Of The Month
  • Album Reviews
  • Books + Movies
  • Features
  • Live Reviews
  • Festivals
  • Portraits
  • News
  • Events
  • Entertainment Headlines
  • Concert Listings
  • Toronto Concert Venues
  • About Us
  • Contests
  • New Music
  • Contributors
  • TOTD
  • Privacy Policy
  • The Scene Unseen
  • Newsletter

Copyright © 2026 | The Spill Magazine
All Rights Reserved.

TRENDING RIGHT NOW
   
 
SPILL ALBUM REVIEW: THE WATERBOYS – THE WATERBOYS PRESENT: RIPS FROM THE CUTTING ROOM FLOOR
922
 
SPILL ALBUM REVIEW: RHEOSTATICS – THE GREAT LAKES SUITE
864
 
SPILL NEWS: DONOVAN WOODS CELEBRATES 10 YEARS OF “PORTLAND, MAINE” WITH NEW VERSION FEATURING JORDAN DAVIS | 2026 SPRING TOUR SUPPORTING THE PAPER KITES
687
 
SPILL ALBUM REVIEW: NOFX – A TO H
670
 
SPILL ALBUM REVIEW: CITY AND COLOUR – SOMETIMES LULLABY
621
 
SPILL ALBUM REVIEW: MELANIE – THERE SHOULD HAVE BEEN A RAINBOW: THE NY FOLK SESSIONS 1963-1965
621
 
SPILL ALBUM REVIEW: THE BEATLES – ANTHOLOGY COLLECTION
617
 
SPILL ALBUM REVIEW: PORTUGAL. THE MAN – SHISH
594
 
SPILL ALBUM REVIEW: GOLDFINGER – NINE LIVES
530
 
SPILL FEATURE: IT WAS A VERY POSITIVE ALBUM, STILL IS – A CONVERSATION WITH JEREMY CUNNINGHAM OF LEVELLERS
467
 
SPILL ALBUM REVIEW: CHARLOTTE DE WITTE – CHARLOTTE DE WITTE
466
 
SPILL NEWS: GORILLAZ RELEASE NEW TRACK “DAMASCUS” (FEAT. OMAR SOULEYMAN AND YASIIN BEY)
462
 
SPILL ALBUM REVIEW: THE SAINTS – LONG MARCH THROUGH THE JAZZ AGE
458
ENTERTAINMENT HEADLINES