The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
16
new
SPILL NEW MUSIC: ARLO PARKS NEW ALBUM ‘AMBIGUOUS DESIRE’ DUE APRIL 3 VIA TRANSGRESSIVE RECORDS
SPILL NEW MUSIC: DEARY ANNOUNCES DEBUT FULL-LENGTH ALBUM ‘BIRDING’ DUE OUT APRIL 3 VIA BELLA UNION | LEAD SINGLE + VIDEO FOR “SEABIRD” OUT NOW
SPILL NEWS: CHARLOTTE CORNFIELD’S NEW LP ‘HURTS LIKE HELL’ OUT MARCH 27 VIA NEXT DOOR RECORDS/MERGE RECORDS | TITLE TRACK OUT NOW
SPILL NEW MUSIC: ANAÏS & THE HOOPS SHARES “GROWING PAINS” MUSIC VIDEO
SPILL NEWS: BRIGITTE CALLS ME BABY ANNOUNCES NEW ALBUM ‘IRREVERSIBLE’ OUT MARCH 13 ON ATO RECORDS | SHARES LEAD SINGLE “SLUMBER PARTY” | TOUR DATES
SPILL NEWS: THE SHEEPDOGS RELEASE TITLE TRACK + VIDEO FOR “KEEP OUT OF THE STORM” FROM UPCOMING LP OUT FEBRUARY 27 | TOUR DATES
SPILL NEW MUSIC: FABIENNE ERNI ANNOUNCES NEW ALBUM ‘STARVEIL’ OUT ON MARCH 13
SPILL NEW MUSIC: MESH DROP NEW SINGLE “EXILE” VIA DEPENDENT RECORDS
SPILL NEWS: AUSTRA SHARES NEW SHORT FILM ‘CHIN UP BUTTERCUP THE MOVIE’ | TOUR DATES
SPILL NEW MUSIC: ERIC HILTON (THIEVERY CORPORATION) ANNOUNCES ELEGANTLY EROTIC NEW TRIP-HOP ALBUM ‘A SKY SO CLOSE’ | FIRST SINGLE “THE DHARMA LOVERS” OUT NOW
SPILL NEW MUSIC: FISHBONE LAUNCHES INTO 2026 WITH A FULL-CIRCLE CELEBRATION OF THEIR ROOTS: ‘IN YOUR FACE’ 40th ANNIVERSARY DOUBLE LP REISSUE TRIBUTE ALBUM
SPILL FEATURE: THERE IS NOTHING IN LIFE I WOULD RATHER DO THAN PLAY – A CONVERSATION WITH BRIAN GREENWAY OF APRIL WINE
SPILL FEATURE: FIGHT FOR LOVE PART 2 – A CONVERSATION WITH NEIL OSBORNE OF 54•40
SPILL NEW MUSIC: KMFDM RELEASE “ENEMY” | TITLE TRACK FROM NEW ALBUM OUT FEBRUARY 6 VIA METROPOLIS RECORDS
SPILL NEWS: WINTERSLEEP SHARES “STRANGER NOW” FROM UPCOMING ALBUM ‘WISHING MOON’ OUT MARCH 27 VIA DINE ALONE RECORDS
SPILL NEWS: PAT METHENY RETURNS WITH FIRST NEW MAJOR STUDIO ALBUM IN SIX YEARS | ANNOUNCES WORLDWIDE TOUR
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
  • Spill Menu
    • Reviews
      • Album Reviews
      • Features
      • Live Reviews
      • Festivals
    • Portraits
    • Headlines
      • News
      • Contests
      • Events
      • Entertainment Headlines
      • Concert Listings
      • Toronto Concert Venues
    • New Music
      • Premieres
      • Track Of The Day
    • Track Of The Month
    • Books + Movies
    • About
Album Reviews
3360
previous article
SPILL NEW MUSIC: THE JOY FORMIDABLE ANNOUNCES NEW ALBUM AAARTH + NORTH AMERICAN TOUR DATES
next article
SPILL ALBUM REVIEW: GORILLAZ - THE NOW NOW

SPILL ALBUM REVIEW: GUNS N’ ROSES – APPETITE FOR DESTRUCTION REMASTERED

Guns N’ Roses
Appetite For Destruction Remastered
Universal Music Group (Originally Geffen Records)

It goes without saying that Guns N’ Roses’ seminal 1987 album, Appetite For Destruction, is a near flawless debut album that set the bar for rock ‘n’ roll bands much in the same fashion that Led Zeppelin had done in 1969. This was an album that changed everything and catapulted the band to unprecedented heights in a very short period, establishing them as the most dangerous band in the world. Even to this day, a whole thirty-one years later, the album is regarded with such reverence and significance that few works are.

Following a monumental reunion in 2016 – while not a complete reunion, it was a feat that certainly seemed impossible for most of my lifetime – the band has been an unstoppable force touring across the globe and have now released a remastered version of their quintessential album. Numerous versions and packages are available with a standard one disc that includes the classic album, a Deluxe Edition that includes a second disc that includes a best of selection from the much larger editions, a 2LP 180 Gram vinyl edition, the Super Deluxe Edition which includes a whopping 51 tracks (27 of which have not been released) – including remastered tracks from their early EP’s and B-Sides and 25 unreleased tracks from their 1986 Sound City Sessions – along with a string of memorabilia and a Blu-ray audio disc with the albums and music videos. The final, Locked N’ Loaded Edition is both epic in proportions and controversial for its price ($999 American) and includes all the music and memorabilia of the Super Deluxe, along the vinyl for the original album and packaged nicely in a stunning leather crate. Thankfully, all of the music can be found on Spotify.

As mentioned, Appetite For Destruction naturally holds up by any of today’s standards musically. What has always surprised me in the past is how quiet the final mix for the original album always was when compared to the other works released from that period – despite all the attitude and raw energy that pulsated through the grooves. Immediately, upon hearing the building riffs of “Welcome To The Jungle”, I was pleased to hear how big the album sounded. This is the most apparent difference between the original and the newly remastered versions of Appetite For Destruction and ultimately – unlike many modern remasters –makes for a more powerful final product.

The B-Sides and EP tracks, while all having been released previously at one point or another – many off of the band’s Lies double EP collection released in 1988 – is an excellent addition to the overall package. Not only does it include classics such as “Patience”, “Nice Boys”, an early acoustic version of “You’re Crazy”, and a cover of Aerosmith’s “Mama Kin”, but it includes other tracks that were released as rare B-sides to international releases, including live covers of Bob Dylan’s “Knockin’ On Heaven’s Door” and a blistering version AC/DC’s “Whole Lotta Rosie”. “Shadow Of Your Love” and a live version of “It’s So Easy” both make appearances here as well, seeing as the band released music videos for both tracks in the last two months to promote the remastered album. While there is not much new here – most diehard fans have heard the rare tracks online before – this is a collection of work that often gets overlooked by Appetite For Destruction and is definitely worth revisiting – if not for “Whole Lotta Rosie” alone.

The Sound City Sessions prove to be just as exceptional as listeners get to peer behind the curtain at some early demos – acoustic, electric, and sometimes instrumental – of the band’s material. Many of the tracks are slowed down (“Welcome To The Jungle” and “Nightrain”) while others such as “Paradise City” and “You’re Crazy” feature slightly different arrangements. This segment of the collection also features never heard songs like “New Work Tune”, “The Plague”, and “Ain’t Goin’ Down No More” along with a hard hitting cover of Elvis’ “Heartbreak Hotel” and an acoustic take on The Rolling Stones’ “Jumpin’ Jack Flash”. Two very early versions of “November Rain” also appear the first being just piano with Axl singing a place holding melody that clocks in at ten minutes, and a second acoustic band version that is half as long. While these may not be for everyone, they certainly illustrate the songwriting process while also expanding the repertoire of Guns N’ Roses at their prime. The recordings may be a touch rough but it adds to the grit, style, and soul that made them the epitome of rock ‘n’ roll.

While the quality of their follow-up double album, Use Your Illusion I & II, is hotly debated between fans, there is no denying the sheer power of Appetite For Destruction. As a debut, there are few that are more impressive; the band defied all odds by taking hard hitting blues with a punk aggression to create an album that is remains incredibly influential in the course of modern rock. Guns N’ Roses have struck gold with Appetite For Destruction, not once, but twice now with this remastered edition that once again solidifies – as if we needed any reminder – just why this is one of the best bands in the history of popular music. From Axl Rose’s screaming howls to the slithery solos of Slash and his chemistry with Izzy Stradlin, along with the brick-house rhythm section that is Duff McKagan and Steven Adler, this is an album that redefined classic in an era when rock was slowly becoming a parody of itself. The additional content makes for a true treasure trove that even the most casual of fans can enjoy while proving to be something much more special for the diehard fans as it gives two albums worth of unreleased content from the band’s golden era, ultimately – despite the outrageous pricing – making Guns N’ Roses’ remastered Appetite For Destruction a perfect collection.



Artist Links

website_flat_2016 facebook_flat_2016 twitter_flat_2016 instagram_flat_2016

Item Reviewed

SPILL ALBUM REVIEW: GUNS N’ ROSES – APPETITE FOR DESTRUCTION REMASTERED

Author

Gerrod Harris

Here's what we think...
Spill Rating
Fan Rating
Rate Here
New Criteria
10
7.4
10
Total Spill Rating
7.4
Total Fan Rating
10 ratings
You have rated this
Album Reviews
album reviewalbum reviewsappetite for destructionguns n' rosesuniversal music group
album review, album reviews, appetite for destruction, guns n' roses, universal music group
About the Author
Gerrod Harris
Gerrod Harris is a Toronto based musician, writer, and podcast host. Since 2017, he has actively contributed to The Spill Magazine through coverage focused on a wide array of artists and genres alike. In addition to his writing, Harris hosts the podcast, Beats by Ger, where he delves into various aspects of music, sharing insights and engaging relevant discussions. As the drummer and manager of independent rock band, One in the Chamber, his passion for music goes beyond the pen as an active member of Toronto's vibrant musical community.
RELATED ARTICLES
album reviewalbum reviewsappetite for destruction
 
8.0
The Cribs

SPILL ALBUM REVIEW: THE CRIBS – SELLING A VIBE

by Ljubinko Zivkovic on January 9, 2026
THE CRIBS SELLING A VIBE PLAY IT AGAIN SAM Twenty years on the music scene as a band, you are bound to have both ups and downs, and Gary, Ryan and Ross Jarman, trio of brother collectivelly known as The Cribs, have certainly had quite a few of [...]
 
8.0
Clémentine March

SPILL ALBUM REVIEW: CLÉMENTINE MARCH – POWDER KEG

by Ljubinko Zivkovic on January 9, 2026
CLÉMENTINE MARCH POWDER KEG PRAH RECORDINGS Clémentine March is a French British singer and multi-instrumentalist based in London, and if a first thing that comes to your mind is a possible connection to Stereolab, formally there isn’t [...]
 
9.0
Still Eighteen

SPILL ALBUM REVIEW: STILL EIGHTEEN – SCARRED

by Aaron Badgley on January 9, 2026
STILL EIGHTEEN SCARRED INDEPENDENT Still Eighteen is a family band, consisting of Mom, Dad, and their daughter. To be clear, they are not anything like the Trapp Family, but instead, a powerhouse trio who write and produce very emotional and [...]
 
9.0
Alter Bridge

SPILL ALBUM REVIEW: ALTER BRIDGE – ALTER BRIDGE

by Gerrod Harris on January 9, 2026
ALTER BRIDGE ALTER  BRIDGE NAPALM RECORDS Alter Bridge has returned with their eighth studio album, the eponymous Alter Bridge. Following 2022’s Pawns & Kings – and a period which saw the reunion of Creed and the release of solo material [...]
 
8.0
Diane Coll

SPILL ALBUM REVIEW: DIANE COLL – STRANGELY IN TUNE

by Ljubinko Zivkovic on January 6, 2026
DIANE COLL STRANGELY IN TUNE INDEPENDENT So far, Atlanta-based singer songwriter Diane Coll has been making music under the motto “therapy through music.” Quite a few songwriters have a similar idea, for some it works, for others, not so [...]

Latest Album Reviews
View All
 
SPILL ALBUM REVIEW: THE CRIBS – SELLING A VIBE
8.0
 
SPILL ALBUM REVIEW: CLÉMENTINE MARCH – POWDER KEG
8.0
 
SPILL ALBUM REVIEW: STILL EIGHTEEN – SCARRED
9.0
 
SPILL ALBUM REVIEW: ALTER BRIDGE – ALTER BRIDGE
9.0
 
SPILL ALBUM REVIEW: DIANE COLL – STRANGELY IN TUNE
8.0

STAY UP-TO-DATE
WITH OUR WEEKLY NEWSLETTER!

SPILL MAGAZINE MENU
  • Home | The Spill Magazine
  • Newsletter
  • Premieres
  • SPILL RETRO REVIEWS
  • Track Of The Month
  • Album Reviews
  • Books + Movies
  • Features
  • Live Reviews
  • Festivals
  • Portraits
  • News
  • Events
  • Entertainment Headlines
  • Concert Listings
  • Toronto Concert Venues
  • About Us
  • Contests
  • New Music
  • Contributors
  • TOTD
  • Privacy Policy
  • The Scene Unseen
  • Newsletter

Copyright © 2026 | The Spill Magazine
All Rights Reserved.

TRENDING RIGHT NOW
   
 
SPILL ALBUM REVIEW: RHEOSTATICS – THE GREAT LAKES SUITE
821
 
SPILL ALBUM REVIEW: THE WATERBOYS – THE WATERBOYS PRESENT: RIPS FROM THE CUTTING ROOM FLOOR
820
 
SPILL ALBUM REVIEW: BIG WRECK – THE REST OF THE STORY
797
 
SPILL NEWS: DONOVAN WOODS CELEBRATES 10 YEARS OF “PORTLAND, MAINE” WITH NEW VERSION FEATURING JORDAN DAVIS | 2026 SPRING TOUR SUPPORTING THE PAPER KITES
675
 
SPILL ALBUM REVIEW: NOFX – A TO H
603
 
SPILL ALBUM REVIEW: THE BEATLES – ANTHOLOGY COLLECTION
597
 
SPILL ALBUM REVIEW: MELANIE – THERE SHOULD HAVE BEEN A RAINBOW: THE NY FOLK SESSIONS 1963-1965
586
 
SPILL ALBUM REVIEW: CITY AND COLOUR – SOMETIMES LULLABY
580
 
SPILL ALBUM REVIEW: PORTUGAL. THE MAN – SHISH
560
 
SPILL ALBUM REVIEW: ASHES AND DIAMONDS – ASHES AND DIAMONDS ARE FOREVER
524
 
SPILL ALBUM REVIEW: ODC – TWISTED LOVE
515
 
SPILL FEATURE: IT WAS A VERY POSITIVE ALBUM, STILL IS – A CONVERSATION WITH JEREMY CUNNINGHAM OF LEVELLERS
456
 
SPILL NEWS: GORILLAZ RELEASE NEW TRACK “DAMASCUS” (FEAT. OMAR SOULEYMAN AND YASIIN BEY)
450
ENTERTAINMENT HEADLINES