The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
16
new
SPILL FEATURE: WHEN I’M DONE, I’LL KEEP GOING – A CONVERSATION WITH CANADIAN FOLK LEGEND KEN WHITELEY
SPILL NEWS: BROKEN SOCIAL SCENE REVEAL NEW SINGLE “THE CALL” FROM UPCOMING LP ‘REMEMBER THE HUMANS’
SPILL NEW MUSIC: NEW SINGLE FROM BECK “RIDE LONESOME” OUT NOW
SPILL NEW MUSIC: POWERHOUSE TAKARA RETURNS WITH UNTOUCHABLE ALT WORLD POP ANTHEM “MONA LISA”
SPILL NEWS: HAYLEY AND THE CRUSHERS BOTTLE LIGHTNING (AND CHAOS) ON “JEWEL CASE”
SPILL NEWS: WIDOWSPEAK SHARE NEW SINGLE “NO DRIVER” ON CAPTURED RECORDS
SPILL NEWS: HUNX AND HIS PUNX ANNOUNCE ‘THE PUNKETTES’ OUT MAY 29 | NEW SINGLE “DEAD TO ME” OUT NOW + TOUR WITHY AMYL & THE SNIFFERS
SPILL NEWS: THE GENERATIONS TOUR FEATURING THREE ICONIC BRITISH ARTISTS THE HUMAN LEAGUE, SOFT CELL, AND ALISON MOYET SELLING OUT VENUES WITH LOW TICKET ALERTS ISSUED
SPILL NEW MUSIC: JUNO REACTOR – “MONA LISA OVERDRIVE (REAKY REAKSON REMIX)”
SPILL NEW MUSIC: DREAM POP ARTIST MOLLIE ELIZABETH SHARES “THE MIRROR” OUT ON NEON GOLD RECORDS
SPILL NEWS: BIF NAKED BRINGS DEFINITIVE NEW DOCUMENTARY TO DEPARTURE FESTIVAL + CONFERENCE
SPILL ALBUM REVIEW: CIGAR CLUB – VOL. II
SPILL ALBUM REVIEW: BRIAN WILSON – ON TOUR 1999-2007
SPILL ALBUM REVIEW: THE BLASTERS – RARE BLASTS: STUDIO OUTTAKES AND MOVIE MUSIC 1979-1985
SPILL NEW MUSIC: BETTY MOON RETURNS WITH STRANGELY BEAUTIFUL AND ELECTRIFYING NEW SINGLE “WANT ME TO” & CHANNELS RAW ENERGY AND INDEPENDENCE ON NEW EP ‘STRANGELY BEAUTIFUL’
SPILL ALBUM REVIEW: LØLØ – GOD FORBID A GIRL SPITS OUT HER FEELINGS
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
  • Spill Menu
    • Reviews
      • Album Reviews
      • Features
      • Live Reviews
      • Festivals
    • Portraits
    • Headlines
      • News
      • Contests
      • Events
      • Entertainment Headlines
      • Concert Listings
      • Toronto Concert Venues
    • New Music
      • Premieres
      • Track Of The Day
    • Track Of The Month
    • Books + Movies
    • About
Album Reviews
54
previous article
SPILL ALBUM REVIEW: DRIVING MRS. SATAN - LATE EVER AFTER
next article
SPILL ALBUM REVIEW: RUSH - GRACE UNDER PRESSURE (SUPER DELUXE EDITION)

SPILL ALBUM REVIEW: GOLD LEADER – GOLD LEADER

Gold Leader

GOLD LEADER
GOLD LEADER
COLOR RED

Hailing from Denver, Gold Leader has dropped their impressive debut, eponymous record. Gold Leader is a collection of instrumental songs that teeters between funk and jazz, giving the band a modern and freshly cinematic sound following nearly a decade of singles released since 2019.

Living up to its title, “Alarm Clock” slowly opens the album with a gradual crescendo, playing off of the motifs that will blossom in full upon the start of the following song, “Bedhead.” Lead by a vibrant horn line amid lush keys, percussive guitars, and a highly tight rhythm section, “Bedhead” serves as magnificent introduction to the band while setting expectations for what is to come from the album. The track grooves hard and the arrangement slowly builds with each passage, demonstrating a level of refinement and taste among the band as “Bedhead” escalates towards a length run of solos, allowing for the keys to step forward. This refrain makes a return on the all-too-brief interlude, “Pass The Paper,” and again on the hazy “Pump The Breaks”, demonstrating a greater level of conceptualization towards the LP format and its track listing.

Over the course of a dozen songs, Gold Leader showcase their performance, songwriting, and attention to production and arrangement. The band, as a unit, are exceptionally tight as they navigate the various turns and moods across the album. As individual musicians, everyone shines not only for what they play, but how they approach balancing what appears to be calculated arrangements amid passages that naturally allow for improvisation. Additionally, the tones – the warmth from the horns and the range from the guitar and keys – is a highlight, but props must be paid to the drums; in addition to the incredible Dilla- and Stubblefield-inspired grooves and the myriad of little touches, the subtle bounce of the kick, the crack of the snare, and the slosh of the hats make for some of the nicest sounding drums I’ve heard in a minute – I see you bro! From the cinematic narrative behind “Heist/Escape”, the effortlessly cool “Buttah Notes”, the off kilter “Stay! (GoGo Away)”, and the mean crunch of “Mandolin Delorean,” Gold Leader is without a moment of weakness.
Gold Leader is a record that is greatly indebted to the revival of sounds and styles pioneered by Daptone Records in the last two decades; however, rather than attempt to recreate the sounds of Motown or Muscle Shoals, Gold Leader has emerged with a slick and snappy sound that is as modern as it is distinct. On their debut record, Gold Leader establish themselves as top notch players and songwriters, while further separating themselves from their peers, something especially challenging to do today amid the growing wave of instrumental jazz-funk fusion ensembles.



Artist Links

website_flat_2016 facebook_flat_2016 instagram_flat_2016

Item Reviewed

SPILL ALBUM REVIEW: GOLD LEADER – GOLD LEADER

Author

Gerrod Harris

Here's what we think...
Spill Rating
Fan Rating
Rate Here
New Criteria
10
10
9.0
Total Spill Rating
10
Total Fan Rating
3 ratings
You have rated this
Album Reviews
alarm clockalbum reviewalbum reviewscolor redgold leader
alarm clock, album review, album reviews, color red, gold leader
About the Author
Gerrod Harris
Gerrod Harris is a Toronto based musician, writer, and podcast host. Since 2017, he has actively contributed to The Spill Magazine through coverage focused on a wide array of artists and genres alike. In addition to his writing, Harris hosts the podcast, Beats by Ger, where he delves into various aspects of music, sharing insights and engaging relevant discussions. As the drummer and manager of independent rock band, One in the Chamber, his passion for music goes beyond the pen as an active member of Toronto's vibrant musical community.
RELATED ARTICLES
alarm clockalbum reviewalbum reviews
 
P!nk

SPILL LIVE REVIEW: P!NK w/ SHERYL CROW & THE SCRIPT @ LUCAS OIL STADIUM, INDIANAPOLIS (IN)

by Julie Correll on October 12, 2024
P!NK w/ SHERYL CROW & THE SCRIPT @ LUCAS OIL STADIUM, INDIANAPOLIS (IN) OCTOBER 12, 2024 A Night of Pink: P!nk Takes Indianapolis by Storm! On the evening of October 12, 2024, the iconic Lucas Oil Stadium in Indianapolis, home to the [...]

Latest Album Reviews
View All
 
SPILL ALBUM REVIEW: CIGAR CLUB – VOL. II
10
10
 
SPILL ALBUM REVIEW: BRIAN WILSON – ON TOUR 1999-2007
9.0
10
 
SPILL ALBUM REVIEW: THE BLASTERS – RARE BLASTS: STUDIO OUTTAK...
7.0
 
SPILL ALBUM REVIEW: LØLØ – GOD FORBID A GIRL SPITS OUT HER FE...
9.0
10
 
SPILL ALBUM REVIEW: FOXTIDE – ENTROPY
9.0

STAY UP-TO-DATE
WITH OUR WEEKLY NEWSLETTER!

SPILL MAGAZINE MENU
  • Home | The Spill Magazine
  • Newsletter
  • Premieres
  • SPILL RETRO REVIEWS
  • Track Of The Month
  • Album Reviews
  • Books + Movies
  • Features
  • Live Reviews
  • Festivals
  • Portraits
  • News
  • Events
  • Entertainment Headlines
  • Concert Listings
  • Toronto Concert Venues
  • About Us
  • Contests
  • New Music
  • Contributors
  • TOTD
  • Privacy Policy
  • The Scene Unseen
  • Newsletter

Copyright © 2026 | The Spill Magazine
All Rights Reserved.

TRENDING RIGHT NOW
   
 
SPILL FEATURE: IT’S ABOUT THE CLIMB – A CONVERSATION WITH GORILLAZ
3379
 
SPILL TRACK OF THE MONTH: DAYS OF SORROW – “WHO WE ARE”
933
 
SPILL LIVE REVIEW: TENILLE TOWNES @ RICHMOND HILL CENTRE FOR THE PERFORMING ARTS, RICHMOND HILL
888
 
🇨🇦 SPILL CONTEST: WIN A BOB & DOUG McKENZIE – GREAT WHITE NORTH & STRANGE BREW (44 ¾ ANNIVERSARY) PRIZE PACK! 🇨🇦
864
 
SPILL ALBUM REVIEW: MOBY – FUTURE QUIET
860
 
SPILL ALBUM REVIEW: PUSCIFER – NORMAL ISN’T
730
 
SPILL NEWS: THE AFGHAN WHIGS RELEASE NEW SINGLE “HOUSE OF I” | THEIR FIRST NEW MUSIC SINCE 2022
726
 
SPILL ALBUM REVIEW: BECK – EVERYBODY’S GOTTA LEARN SOMETIME
690
 
SPILL ALBUM REVIEW: GOLDFINGER – NINE LIVES
679
 
SPILL ALBUM REVIEW: THE DAMNED – NOT LIKE EVERYBODY ELSE
678
 
SPILL ALBUM REVIEW: BRIAN WILSON – ON TOUR 1999-2007
642
 
SPILL ALBUM REVIEW: SQUEEZE – TRIXIES
550
 
SPILL ALBUM REVIEW: BILL ORCUTT – MUSIC IN CONTINUOUS MOTION
518
ENTERTAINMENT HEADLINES