The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
16
new
SPILL FEATURE: IT’S NEVER YOUR FAULT – A CONVERSATION WITH LISA MOLINARO
SPILL NEW MUSIC: NEW SINGLE FROM LUCY DREAMS “Z&1” | ICELAND AIRWAVES ANNOUNCEMENT
SPILL NEW MUSIC: STEELHEART’S “WITHOUT YOU” OUT NOW
SPILL NEWS: LUDOVICO TECHNIQUE JOINS COMBICHRIST ON FALL TOUR
SPILL NEWS: BRAND NEW SONG FROM SYNTH POP LEGEND HOWARD JONES “STAND UP”
SPILL NEWS: THE LINDA LINDAS ANNOUNCE NEW ALBUM GOTTA GET OUT DUE AUGUST 28 VIA REPRISE/WARNER RECORDS | RELEASE NEW SINGLE + VIDEO “CLOSER (FEAT. HAYLEY WILLIAMS)”
SPILL NEW MUSIC: THE WOMACK SISTERS – “IF I LET YOU”
SPILL NEW MUSIC: 90s BAND SUNWHEEL REUNITE WITH A RENEWED ENERGY AND PURPOSE WITH NEW SINGLE “GLORIOUS WAYS”
SPILL NEW MUSIC: MANCHESTER NOISE POP NEWCOMERS BRICKHOUSE DEBUT WITH “ANGEL EYES”
SPILL ALBUM REVIEW: THE ROLLING STONES – FOREIGN TONGUES
SPILL ALBUM REVIEW: SUNDAYCLUB – SUNDAYCLUB
SPILL ALBUM REVIEW: SHE’S GREEN – SWALLOWTAIL
SPILL ALBUM REVIEW: JACK GRISHAM AND THE LIFE UNDONE – JACK GRISHAM AND THE LIFE UNDONE
SPILL ALBUM REVIEW: SWEET – THE ANSWER
SPILL FESTIVAL REVIEW: ROUNDUP MUSICFEST 2026 – DAY 2 @ PRINCE’S ISLAND PARK, CALGARY (AB)
SPILL NEW MUSIC: ATMOS BLOOM PONDER POWER DYNAMICS ON NEW SINGLE “IT’S ENOUGH” | DREAMY LONDON DUO’S ‘EVERYTHINGNESS’ LP OUT JULY 24 VIA SPIRIT GOTH RECORDS
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
  • Spill Menu
    • Reviews
      • Album Reviews
      • Features
      • Live Reviews
      • Festivals
    • Portraits
    • Headlines
      • News
      • Contests
      • Events
      • Entertainment Headlines
      • Concert Listings
      • Toronto Concert Venues
    • New Music
      • Premieres
      • Track Of The Day
    • Track Of The Month
    • Books + Movies
    • About
Album Reviews
204
previous article
SPILL ALBUM REVIEW: SIGUR RÓS - TAKK. . . (20th ANNIVERSARY REMASTER)
next article
SPILL ALBUM REVIEW: PANG ATTACK - TEARS FOR THE WAVE

SPILL ALBUM REVIEW: DAFFO – WHERE THE EARTH BENDS

Daffo

DAFFO
WHERE THE EARTH BENDS
CONCORD RECORDS

Daffo’s debut record, Where the Earth Bends, is a 12-song project full of quippy, fully charged anthems. Following in the footsteps of their viral hits from 2023’s Pest EP, Los Angeles-based Gabi Gamberg brings a sharp edge to their confessional lyrics. This time, heavily distorted guitars mark a shift towards the grungier side. Gamberg’s voice slides through the album with an enchanting friction, uniting even its softest moments with its most intense ones.

Where the Earth Bends starts out scorching. There is no shortage of single-worthy material here, but “Habit” might be one of the most infectious tracks. Its one-word hook is dominated by a vocal run that’s bound to get stuck in your head. Daffo’s occasional self-deprecation is anything but insular. Natural metaphors and clever one-liners spin the focus back towards their fraught relationship dynamics. “When I’m In Hell” is one of many tracks that accomplishes just this, with a twinge of satisfying irony.

While dog references have become somewhat of a ubiquity in indie-rock, “Bad Dog” and “Go Fetch” tackle this subject matter with a gripping contrast. The former is enigmatic, and the most folk-influenced song on the record. The latter is brimming with straightforward angst. This subversion of clichés can be seen even more clearly on track 7, where Gamberg sings of how, “Absence makes the heart grow/Fickle and forgetful.” The record’s bitterness is layered and takes on many forms.

“Unveiling” is Daffo at their most honest and vulnerable. Beginning with a reference to the Jersey slide (if you know you know), they show how reckless driving can be a symptom of familial grief. The song’s emotion rises beautifully alongside the pitch of Gamberg’s voice, accompanied by subtle violins. It’s surprising that there is not more violin on the album, given its significant presence in Daffo’s roots. The culminating track “Where the Earth Bends” is deeply personal, albeit brief. It opens a sonic page that is yet to be closed by the album’s end. But perhaps we are meant to be left in a state of unanswered questions.

Daffo has garnered several opening tour slots throughout this album cycle, for artists like Annie DiRusso, Blondshell, and now Wednesday. Exactly a year after the lead single’s release, Where the Earth Bends leaves a strong impression, solidifying Daffo’s position as a rising star.



Artist Links

website_flat_2016 instagram_flat_2016

Item Reviewed

SPILL ALBUM REVIEW: DAFFO – WHERE THE EARTH BENDS

Author

Sophie Montague

Here's what we think...
Spill Rating
Fan Rating
Rate Here
New Criteria
10
—
8.0
Total Spill Rating
—
Total Fan Rating
You have rated this
Album Reviews
album reviewalbum reviewsconcord recordsdaffodagger songwhere the earth bends
album review, album reviews, concord records, daffo, dagger song, where the earth bends
About the Author
Sophie Montague
Sophie is currently studying at Oberlin College, where she vitalizes the campus's eclectic music scene through concert booking. She is particularly interested in how music contributes to culture, community, and social justice. She loves spending time in nature — whether in her home state of New Jersey, or traveling somewhere new.
RELATED ARTICLES
album reviewalbum reviewsconcord records
 
8.0
The Rolling Stones

SPILL ALBUM REVIEW: THE ROLLING STONES – FOREIGN TONGUES

by Gerrod Harris on July 10, 2026
THE ROLLING STONES FOREIGN TONGUES  UNIVERSAL MUSIC The Rolling Stones are back. While 2023’s Hackney Diamonds may have given the impression of a fitting conclusion to perhaps one of pop culture’s greatest sagas, and despite questioning if they [...]
 
9.0
sundayclub

SPILL ALBUM REVIEW: SUNDAYCLUB – SUNDAYCLUB

by John Porter on July 10, 2026
SUNDAYCLUB SUNDAYCLUB PAPER BAG RECORDS sundayclub has been riding something of a wave of momentum among those lucky enough to have heard about them since 2025’s Bannatyne, and with good reason; their combination of modern production, honest, [...]
 
8.0
she's green

SPILL ALBUM REVIEW: SHE’S GREEN – SWALLOWTAIL

by Mercedes Chircop on July 10, 2026
SHE’S GREEN SWALLOWTAIL PHOTO FINISH RECORDS With Swallowtail, she’s green has crafted an EP that feels less like a collection of songs and more like an immersive experience. Beautifully written and thoughtfully composed, every track flows [...]
 
7.0
Jack Grisham and the Life Undone

SPILL ALBUM REVIEW: JACK GRISHAM AND THE LIFE UNDONE – JACK GRISHAM AND THE LIFE UNDONE

by Gerrod Harris on July 10, 2026
JACK GRISHAM AND THE LIFE UNDONE JACK GRISHAM AND THE LIFE UNDONE LOST IN BERLIN RECORDS T.S.O.L.’s Jack Grisham has made a triumphant solo return with his new band, Jack Grisham And The Life Undone, with the release of their debut, eponymous [...]
 
8.0
Sweet

SPILL ALBUM REVIEW: SWEET – THE ANSWER

by Aaron Badgley on July 10, 2026
SWEET THE ANSWER METALVILLE The Answer was originally released in 1992 under the name Andy Scott’s Sweet rather than just Sweet. It was also originally released with the title A and was originally Sweet’s 10th album. It was released only in [...]

Latest Album Reviews
View All
 
SPILL ALBUM REVIEW: THE ROLLING STONES – FOREIGN TONGUES
8.0
 
SPILL ALBUM REVIEW: SUNDAYCLUB – SUNDAYCLUB
9.0
 
SPILL ALBUM REVIEW: SHE’S GREEN – SWALLOWTAIL
8.0
 
SPILL ALBUM REVIEW: JACK GRISHAM AND THE LIFE UNDONE – JACK G...
7.0
 
SPILL ALBUM REVIEW: SWEET – THE ANSWER
8.0

STAY UP-TO-DATE
WITH OUR WEEKLY NEWSLETTER!

SPILL MAGAZINE MENU
  • Home | The Spill Magazine
  • Newsletter
  • Premieres
  • Track Of The Month
  • Album Reviews
  • Books + Movies
  • Features
  • Live Reviews
  • Festivals
  • Portraits
  • News
  • Events
  • Entertainment Headlines
  • Concert Listings
  • Toronto Concert Venues
  • About Us
  • Contests
  • New Music
  • Contributors
  • TOTD
  • Privacy Policy
  • The Scene Unseen
  • Newsletter

Copyright © 2026 | The Spill Magazine
All Rights Reserved.

TRENDING RIGHT NOW
   
 
SPILL ALBUM REVIEW: SOCIAL DISTORTION – BORN TO KILL
1256
 
SPILL ALBUM REVIEW: BRIAN WILSON – ON TOUR 1999-2007
819
 
SPILL ALBUM REVIEW: TORI AMOS – IN TIMES OF DRAGONS
770
 
SPILL VIDEO PREMIERE: SHAMUS – “SORCERESS”
759
 
SPILL NEWS: SUGAR SHARE NEW SINGLE “KEEP LOOPING”
723
 
SPILL ALBUM REVIEW: DEEP PURPLE – SPLAT!
681
 
SPILL FEATURE: LET’S JUST START AGAIN – A CONVERSATION WITH NICK HEYWARD & LES NEMES OF HAIRCUT 100
640
 
SPILL ALBUM REVIEW: NOAH KAHAN – THE GREAT DIVIDE
612
 
SPILL MUSIC PREMIERE: IAMX – “INFINITE FEAR JETS {MIMETIC HEXES REWORK}”
603
 
SPILL FEATURE: WE ARE TRYING TO KEEP THINGS INTERESTING FOR OURSELVES – A CONVERSATION WITH JOHN LINNELL OF THEY MIGHT BE GIANTS
559
 
SPILL ALBUM REVIEW: DOUBLESPEAK – DOUBLESPEAK
502
 
SPILL ALBUM REVIEW: HISS GOLDEN MESSENGER – I’M PEOPLE
502
 
SPILL ALBUM REVIEW: MODEST MOUSE – AN ERASER AND A MAZE
489
ENTERTAINMENT HEADLINES