The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
16
new
SPILL NEWS: CANNONS UNVEIL NEW SINGLE “THESE NIGHTS” WITH OFFICIAL VISUALIZER
SPILL NEW MUSIC: SHOWING TEETH LETS IT “RIP” WITH FIERCE VISUALIZER
SPILL NEW MUSIC: THE DANDY WARHOLS SHARE COVER OF THE DAMNED’S “LOVE SONG” | NEW ABUM ‘PIN UPS’ DUE MARCH 20
SPILL ALBUM REVIEW: SUZANNE JARVIE – MOTHER’S DAY
SPILL ALBUM REVIEW: HEMI HEMINGWAY – WINGS OF DESIRE
SPILL ALBUM REVIEW: MIRAH – DEDICATION
SPILL ALBUM REVIEW: MAX HOFFMAN – LOOKING FOR THE LIGHT
SPILL ALBUM REVIEW: MOBY – FUTURE QUIET
SPILL ALBUM REVIEW: LUCID EXPRESS – INSTANT COMFORT
SPILL NEWS: ABIGAIL LAPELL ANNOUNCE NEW LP ‘SHADOW CHILD’ | SHARES FIRST SINGLE “HAZEL” FT. JILL BARBER
SPILL NEWS: N0TRIXX RELEASES HER MOST VULNERABLE SINGLE “HYSTERIA [БЕГN]” | DEBUT ALBUM ‘A CATALOGUE OF MADNESS AND MELANCHOLIA’ OUT MARCH 13
SPILL ALBUM PREMIERE: SHEBAD – INNER OPENINGS
SPILL NEW MUSIC: BRUCE DICKINSON RELEASES BRAND NEW VERSIONS OF ‘SKUNKWORKS’ + ‘TATTOOED MILLIONAIRE’ IN DOLBY ATMOS
SPILL NEW MUSIC: WAR CHILD RECORDS RELEASE “BEGGING FOR CHANGE” BY PULP
SPILL NEWS: WILLIAM SHATNER ANNOUNCES NEW ALL-STAR METAL ALBUM FEATURING 35 HAND-PICKED METAL ICONS
SPILL NEWS: MARIPOSA FOLK FESTIVAL 2026 LINEUP ANNOUNCEMENT: SOUNDS LIKE HOME 
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
  • Spill Menu
    • Reviews
      • Album Reviews
      • Features
      • Live Reviews
      • Festivals
    • Portraits
    • Headlines
      • News
      • Contests
      • Events
      • Entertainment Headlines
      • Concert Listings
      • Toronto Concert Venues
    • New Music
      • Premieres
      • Track Of The Day
    • Track Of The Month
    • Books + Movies
    • About
Album Reviews
164
previous article
SPILL ALBUM REVIEW: URNE - SETTING FIRE TO THE SKY
next article
SPILL ALBUM REVIEW: VARIOUS ARTISTS - LOUDER THAN YOU THINK: A LO-FI HISTORY OF GARY YOUNG & PAVEMENT (ORIGINAL MOTION PICTURE SOUNDTRACK)

SPILL ALBUM REVIEW: BUZZCOCKS – ATTITUDE ADJUSTMENT

Buzzcocks

BUZZCOCKS
ATTITUDE ADJUSTMENT
CHERRY RED RECORDS

Attitude Adjustment, the new album from the Buzzcocks, shows that Steve Diggle and company are very serious about keeping the legendary Buzzcocks name and music alive and kicking. As with the previous album, Sonics In The Soul (2022), the Buzzcocks remain a trio featuring original and co-founding member Steve Diggle (vocals, guitar, keyboards), Chris Remington (bass) and Danny Farrant (drums). Sadly, having lost Pete Shelley in 2018, this is the second album with this incarnation of the band. And although he has nothing to prove, Diggle (who wrote all the songs on the album) demonstrates that he is a powerful force in music.

The Buzzcocks were always a very melodic punk band, often incorporating pop music into their sound, with very reflective lyrics. Once the initial wave of punk had receded, the band easily fell into the New Wave and post-punk genres and over the years produced some of the most memorable and brilliant albums of the past 40 years. Attitude Adjustment continues the tradition. Diggle’s voice is strong and emotive, while he is provided with the perfect musical backing. Songs like “Poetic Machine Gun” and “Tear of a Golden Girl” provide opportunities for the band to take a turn at more punk sounds, while “Queen of the Scene” is closer to pop with a little bit of rockabilly thrown in for good measure.

And the rest of the album is all points in between. There are even some more experimental songs like “One of the Universe” Parts one and two. Just short bursts that seem to come out of nowhere and bookend the heavy “All Gone to War”. It neither detracts nor enhances the album, but it is interesting and nice to see the band working outside of whatever box they have placed themselves within.

But it is the songs like “Jesus at the Wheel” that brings everything together. It is melodic with lyrics that make one tune in to listen. And songs like “Break That Ball and Chain” uses some Motown vibes to provide strength and a voice to the listener. It brings to mind Style Council circa 1985. The diversity of sounds throughout the album is one of the brilliant things about Attitude Adjustment, because one is never really sure where Diggle is going next.

Attitude Adjustment is not so much worldwide politics, but rather a personal album about relationships. Diggle wrote the entire album, and although he is not reinventing the Buzzcocks, he does bring some new elements to the band and album. The band does work together as a tight unit, and they have a great deal to live up to. The Buzzcocks changed music in the late 1970s, and although Attitude Adjustment is not going to be a game changer, it is an innovative and fascinating album. It is very different from the previous studio album but still has that trademark Buzzcocks sound (“Just a Dream I Followed” could be a lost gem from A Different Kind Of Tension), and in the end, Attitude Adjustment is simply a brilliant album.



Artist Links

website_flat_2016 facebook_flat_2016 twitter_flat_2016 instagram_flat_2016

Item Reviewed

SPILL ALBUM REVIEW: BUZZCOCKS – ATTITUDE ADJUSTMENT

Author

Aaron Badgley

Here's what we think...
Spill Rating
Fan Rating
Rate Here
New Criteria
10
—
8.0
Total Spill Rating
—
Total Fan Rating
You have rated this
Album Reviews
album reviewalbum reviewsattitude adjustmentbuzzcockscherry red recordsqueen of the scene
album review, album reviews, attitude adjustment, buzzcocks, cherry red records, queen of the scene
About the Author
Aaron Badgley
Born and raised in Whitby, Aaron discovered music through his love of The Beatles. This led to a career in radio, writing for various publications, and ultimately a radio show about The Beatles (Beatles Universe), which ran for over four years. When not immersed in music, Aaron enjoys spending time with the loves of his life -- his wife Andrea, and daughters Emily and Linda (all of whom have an intense love of music too).
RELATED ARTICLES
album reviewalbum reviewsbuzzcocks
 
8.0
Suzanne Jarvie

SPILL ALBUM REVIEW: SUZANNE JARVIE – MOTHER’S DAY

by Ljubinko Zivkovic on February 20, 2026
SUZANNE JARVIE MOTHER’S DAY WOLFE ISLAND RECORDS Is Toronto currently becoming one of the hotbeds of emerging singer-songwriters? Quite possibly, as that artistic field seems to be repeating the growth it had in the early to mid-70s. [...]
 
9.0
Hemi Hemingway

SPILL ALBUM REVIEW: HEMI HEMINGWAY – WINGS OF DESIRE

by Ljubinko Zivkovic on February 20, 2026
HEMI HEMINGWAY WINGS OF DESIRE PNKSLM New Zealand artists often tend to make musical combinations that on paper might seem quite incongruous, but when you listen to them, sound like they always belong together. In this specific case, we are [...]
 
8.0
Mirah

SPILL ALBUM REVIEW: MIRAH – DEDICATION

by Ljubinko Zivkovic on February 20, 2026
MIRAH DEDICATION DOUBLE DOUBLE WHAMMY RECORDS Mirah, or more precisely, Mirah Yom Tov Zeitlyn, is no newcomer and it shows. Her latest album, simply titled Dedication, is her seventh release, and all the experience she has gathered so far as an [...]
 
7.0
Max Hoffman

SPILL ALBUM REVIEW: MAX HOFFMAN – LOOKING FOR THE LIGHT

by Ljubinko Zivkovic on February 20, 2026
MAX HOFFMAN LOOKING FOR THE LIGHT INDEPENDENT What can you expect from a singer-songwriter who wrote his first song at the age of six? Well, at least to show that there is talent there and the ability to craft songs that will pique interest [...]
 
10
Moby

SPILL ALBUM REVIEW: MOBY – FUTURE QUIET

by Victoria Love-Rainbow on February 20, 2026
MOBY FUTURE QUIET BMG Future Quiet stands out as the finest album of the year so far, despite it only being February. This release is a breathtaking, ethereal masterpiece that seamlessly blends symphonic elegance with the signature melancholy [...]

Latest Album Reviews
View All
 
SPILL ALBUM REVIEW: SUZANNE JARVIE – MOTHER’S DAY
8.0
 
SPILL ALBUM REVIEW: HEMI HEMINGWAY – WINGS OF DESIRE
9.0
 
SPILL ALBUM REVIEW: MIRAH – DEDICATION
8.0
 
SPILL ALBUM REVIEW: MAX HOFFMAN – LOOKING FOR THE LIGHT
7.0
 
SPILL ALBUM REVIEW: MOBY – FUTURE QUIET
10

STAY UP-TO-DATE
WITH OUR WEEKLY NEWSLETTER!

SPILL MAGAZINE MENU
  • Home | The Spill Magazine
  • Newsletter
  • Premieres
  • SPILL RETRO REVIEWS
  • Track Of The Month
  • Album Reviews
  • Books + Movies
  • Features
  • Live Reviews
  • Festivals
  • Portraits
  • News
  • Events
  • Entertainment Headlines
  • Concert Listings
  • Toronto Concert Venues
  • About Us
  • Contests
  • New Music
  • Contributors
  • TOTD
  • Privacy Policy
  • The Scene Unseen
  • Newsletter

Copyright © 2026 | The Spill Magazine
All Rights Reserved.

TRENDING RIGHT NOW
   
 
SPILL ALBUM REVIEW: THE WATERBOYS – THE WATERBOYS PRESENT: RIPS FROM THE CUTTING ROOM FLOOR
987
 
SPILL ALBUM REVIEW: NOFX – A TO H
706
 
🇨🇦 SPILL CONTEST: WIN A BOB & DOUG McKENZIE – GREAT WHITE NORTH & STRANGE BREW (44 ¾ ANNIVERSARY) PRIZE PACK! 🇨🇦
662
 
SPILL ALBUM REVIEW: CITY AND COLOUR – SOMETIMES LULLABY
647
 
SPILL ALBUM REVIEW: MELANIE – THERE SHOULD HAVE BEEN A RAINBOW: THE NY FOLK SESSIONS 1963-1965
642
 
SPILL ALBUM REVIEW: PUSCIFER – NORMAL ISN’T
619
 
SPILL ALBUM REVIEW: GOLDFINGER – NINE LIVES
600
 
SPILL ALBUM REVIEW: THE DAMNED – NOT LIKE EVERYBODY ELSE
581
 
SPILL ALBUM REVIEW: THE SAINTS – LONG MARCH THROUGH THE JAZZ AGE
485
 
SPILL NEW MUSIC: BECK SHARES NEW ALBUM ‘EVERYBODY’S GOTTA LEARN SOMETIME’ | PHYSICAL COPIES AVAILABLE FEBRUARY 13
477
 
SPILL FEATURE: IT WAS A VERY POSITIVE ALBUM, STILL IS – A CONVERSATION WITH JEREMY CUNNINGHAM OF LEVELLERS
476
 
SPILL NEWS: GORILLAZ RELEASE NEW TRACK “DAMASCUS” (FEAT. OMAR SOULEYMAN AND YASIIN BEY)
472
 
SPILL ALBUM REVIEW: BECK – EVERYBODY’S GOTTA LEARN SOMETIME
425
ENTERTAINMENT HEADLINES