The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
16
new
SPILL NEW MUSIC: NEW RELEASE FROM THE BEATLES “MICHELLE – TAKE 1” | SPECIAL EXPANDED EDITION OF ‘RUBBER SOUL’ OUT OCTOBER 2 ON APPLE/UNIVERSAL MUSIC
SPILL NEWS: PINK FUZZ TO TOUR WITH THE WELL IN OCTOBER | NEW SINGLE “MANIPULATOR” OUT NOW
SPILL NEW MUSIC: MATT LANGE ANNOUNCES NEW ALBUM RELEASE WITH ‘RECOVERY’ | A COLLECTION OF 13 ORIGINAL SONGS & INSPIRED REIMAGINATIONS OF WORKS BY NINE INCH NAILS, MAZZY STAR, FAILURE & SLEEP TOKEN
SPILL FEATURE: ONES: THE BEATLES #1 HITS – A CONVERSATION WITH FRANK ZIRONE
SPILL VIDEO PREMIERE: JOAN AS POLICE WOMAN – “FEED THE LIGHT”
SPILL FESTIVAL REVIEW: CALGARY FOLK MUSIC FESTIVAL 2026 – DAY 4 @ PRINCE’S ISLAND PARK, CALGARY (AB)
SPILL NEW MUSIC: CAPITOL/UME CELEBRATES THE 20th ANNIVERSARY OF BOB SEGER’S ‘FACE THE PROMISE’ WITH EXPANDED EDITION
SPILL NEWS: THE CRYSTAL METHOD’S ICONIC ALBUM ‘TWEEKEND’ TURNS 25 | LIMITED EDITION VINYL, REMIX PACKAGE & FALL TOUR TO MARK THE ANNIVERSARY
SPILL NEW MUSIC: DEF SERA FEAT. OATMILKANDCODEINE – “UNCOMFORTABLE”
SPILL NEWS: UNIVERSAL PICTURES CONTENT GROUP AND BLEECKER STREET’S CROSSWALK ACQUIRE CONCERT FILM ‘GEORGE MICHAEL: THE FAITH TOUR’
SPILL NEW MUSIC: TEENAGE FANCLUB ANNOUNCES NEW ALBUM ‘DO NOT DARE TO DREAM’ OUT OCTOBER 9 ON MERGE RECORDS | STREAM NEW SINGLE “DAY IN THE SUN”
SPILL NEW MUSIC: ERIC SCHENKMAN – “RECIPE”
SPILL NEW MUSIC: RADIO FREE ALICE TIRELESSLY GRIN AND BEAR IT ON NEW SINGLE “KICK IN THE SHINS” | RECENTLY ADDED TO CHICAGO’S RIOT FEST LINEUP
SPILL FESTIVAL REVIEW: CALGARY FOLK MUSIC FESTIVAL 2026 – DAY 3 @ PRINCE’S ISLAND PARK, CALGARY (AB)
SPILL NEW MUSIC: JONNY COUCH – “WHERE THE SIDEWALK ENDS”
SPILL ALBUM REVIEW: KELZ – A SWEET PASSERBY
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
  • Spill Menu
    • Reviews
      • Album Reviews
      • Features
      • Live Reviews
      • Festivals
    • Portraits
    • Headlines
      • News
      • Contests
      • Events
      • Entertainment Headlines
      • Concert Listings
      • Toronto Concert Venues
    • New Music
      • Premieres
      • Track Of The Day
    • Track Of The Month
    • Books + Movies
    • About
Album Reviews
1616
previous article
SPILL MUSIC PREMIERE: CHAMPANES - "HOLLOW"
next article
SPILL ALBUM REVIEW: THE WOMBATS - BEAUTIFUL PEOPLE WILL RUIN YOUR LIFE

SPILL ALBUM REVIEW: BRIAN FALLON – SLEEPWALKERS

Brian Fallon

Brian Fallon
Sleepwalkers
Island Records

Most casual listeners think they have Brain Fallon figured out: Take Bruce Springsteen’s Jersey-based street poetry and crank the guitars and angst to 11. While most of Fallon’s work with his original band, The Gaslight Anthem, has Springsteen’s influence at the very core of its DNA, his solo career has veered very far from his Jersey rock roots. For 2015’s Painkillers Fallon looked to the rural United States, trading in the punk-rock street poetry for lovelorn folk and country. 2018 has seen Fallon’s gaze stretch even further, looking across the pond to everything British, from the Beatles all the way to Elvis Costello for his latest release Sleepwalkers. It is an album so drenched in British music history that it’d be unsurprising if the physical record shipped with a Union Jack on the cover.

As an album, Sleepwalkers is at its strongest when Fallon is unapologetically trying to capture the spirit of those early British rock bands. “Come Wander With Me” will most certainly take most long-time listeners off guard. An ’80s groove drenched in delayed guitars as Fallon channels his inner Joe Strummer behind the microphone. This single song might be the furthest Fallon has ever strayed from his days in The Gaslight Anthem, a welcome venture into new musical territory. “If Your Prayers Don’t Get to Heaven,” “Neptune,” and “My Name Is The Night (Colour Me Black)” all not only push Fallon’s music further across the Atlantic, they sound like he’s having a great time in the studio. He clearly has a very deep love of the British Invasion, and Fallon had a blast trying to put together a record that lived up to his heroes.

Old-school Gaslight Anthem fans who have always just been waiting for a sequel to The ’59 Sound might walk away disappointed, but honestly Sleepwalkers is the natural progression of the sound Fallon and co. created all those years ago. Brian Fallon has a real gift for taking a wide array of styles and influences and creating something new, while still holding a deep reverence for the past. He can take classic sounds and make them modern. Sleepwalkers is a surprising and engaging record, a great step forward from the folk rock of Painkillers, and we are seeing just how far Fallon is willing to take his music. There’s no telling where he’ll take his listeners next, but it is sure to be as just as fun a ride.



Artist Links

website_flat_2016 facebook_flat_2016 twitter_flat_2016 instagram_flat_2016

Item Reviewed

SPILL ALBUM REVIEW: BRIAN FALLON – SLEEPWALKERS

Author

Morgan Harris

Here's what we think...
Spill Rating
Fan Rating
Rate Here
New Criteria
10
8.6
8.0
Total Spill Rating
8.6
Total Fan Rating
20 ratings
You have rated this
Album Reviews
album reviewsbrian fallonforget me notisland recordssleepwalkers
album reviews, brian fallon, forget me not, island records, sleepwalkers
About the Author
Morgan Harris
Photographer by choice, writer by necessity. Since moving to Toronto in 2011 Morgan has become an active member of Toronto’s music scene. On any given night he can be found at various venues with his camera in hand. There’s nothing he loves more than exploring all the venues this wonderful city has to offer, discovering new bands and genres along the way.
RELATED ARTICLES
album reviewsbrian fallonforget me not
 
8.0
Kelz

SPILL ALBUM REVIEW: KELZ – A SWEET PASSERBY

by Ljubinko Zivkovic on July 24, 2026
KELZ A SWEET PASSERBY BAYONET RECORDS Having something that is like a whisper of a voice can be either a blessing or a curse. It all depends on what kind of musical setting you give it, and of course, whether it is good or not so good. [...]
 
8.0
Litvar

SPILL ALBUM REVIEW: LITVAR – BEING HERE

by Ljubinko Zivkovic on July 24, 2026
LITVAR BEING HERE MOTHER WEST RECORDS Litvar’s frontman Rex Thurstan describes the band’s new offering, Being Here, as “a bare, stripped-back folk record.” Yet, that might be stretching it a bit. Of course, Thurstan might [...]
 
8.0
Soda Gumball

SPILL ALBUM REVIEW: SODA GUMBALL – SUPER HONEY TEASPOON!

by Ljubinko Zivkovic on July 24, 2026
SODA GUMBALL SUPER HONEY TEASPOON! DEN TAPES Presenting a local music scene to a wider audience can be an arduous task if it is a scene that has already made a name for itself. Den Tapes (yes, just cassette tapes and Bandcamp) is one of those [...]
 
8.0
Hunter As a Horse

SPILL ALBUM REVIEW: HUNTER AS A HORSE – LEVIATHAN

by Aaron Badgley on July 24, 2026
HUNTER AS A HORSE LEVIATHAN METROPOLIS RECORDS Hunter As a Horse (HAAH) is, in actuality, one person. She is South African musician and vocalist Mia van Wyk, and Leviathan is her debut album. She has released EPs and singles since 2013, but [...]
 
9.0
John Ford

SPILL ALBUM REVIEW: JOHN FORD – BETWEEN A ROCK AND A HARD PLACE

by Aaron Badgley on July 24, 2026
JOHN FORD BETWEEN A ROCK AND A HARD PLACE ICONOCLASSIC RECORDS It has been five years since John Ford has released a solo album. He has been busy performing, helping his former bandmate David Cousins for the last Strawbs’ release, and working [...]

Latest Album Reviews
View All
 
SPILL ALBUM REVIEW: KELZ – A SWEET PASSERBY
8.0
 
SPILL ALBUM REVIEW: LITVAR – BEING HERE
8.0
 
SPILL ALBUM REVIEW: SODA GUMBALL – SUPER HONEY TEASPOON!
8.0
 
SPILL ALBUM REVIEW: HUNTER AS A HORSE – LEVIATHAN
8.0
 
SPILL ALBUM REVIEW: JOHN FORD – BETWEEN A ROCK AND A HARD PLACE
9.0

STAY UP-TO-DATE
WITH OUR WEEKLY NEWSLETTER!

SPILL MAGAZINE MENU
  • Home | The Spill Magazine
  • Newsletter
  • Premieres
  • Track Of The Month
  • Album Reviews
  • Books + Movies
  • Features
  • Live Reviews
  • Festivals
  • Portraits
  • News
  • Events
  • Entertainment Headlines
  • Concert Listings
  • Toronto Concert Venues
  • About Us
  • Contests
  • New Music
  • Contributors
  • TOTD
  • Privacy Policy
  • The Scene Unseen
  • Newsletter

Copyright © 2026 | The Spill Magazine
All Rights Reserved.

TRENDING RIGHT NOW
   
 
SPILL ALBUM REVIEW: SOCIAL DISTORTION – BORN TO KILL
1281
 
SPILL ALBUM REVIEW: TORI AMOS – IN TIMES OF DRAGONS
780
 
SPILL VIDEO PREMIERE: SHAMUS – “SORCERESS”
772
 
SPILL ALBUM REVIEW: DEEP PURPLE – SPLAT!
732
 
SPILL NEWS: SUGAR SHARE NEW SINGLE “KEEP LOOPING”
727
 
SPILL FEATURE: LET’S JUST START AGAIN – A CONVERSATION WITH NICK HEYWARD & LES NEMES OF HAIRCUT 100
650
 
SPILL LIVE REVIEW: THE GUESS WHO w/ DON FELDER @ SCOTIABANK SADDLEDOME, CALGARY (AB)
604
 
SPILL ALBUM REVIEW: DOUBLESPEAK – DOUBLESPEAK
537
 
SPILL ALBUM REVIEW: MODEST MOUSE – AN ERASER AND A MAZE
516
 
SPILL ALBUM REVIEW: HISS GOLDEN MESSENGER – I’M PEOPLE
514
 
SPILL FEATURE: AFTER THE ASTRONAUT – A CONVERSATION WITH KING COFFEY OF BUTTHOLE SURFERS
483
 
SPILL NEW MUSIC: SAINT AGNES RELEASE VISUALISER FOR NEW SINGLE “THE BEAST”
448
 
SPILL VIDEO PREMIERE: KYE ALFRED HILLIG – “ON SMALL WINGS”
440
ENTERTAINMENT HEADLINES