The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
16
new
SPILL NEWS: BEDOUIN SOUNDCLASH RETURN WITH NEW SINGLE “BANG-A-LANG” FT. COLLIE BUDDZ | FESTIVAL & FIFA LIVE DATES
SPILL MUSIC PREMIERE: GREAT FALLS – “BLUE BRICKS”
SPILL NEWS: A PERFECT CIRCLE RE-EMERGE WITH “STARLESS” | NEW SINGLE ARRIVES AHEAD OF BAND’S EUROPEAN TOUR
SPILL NEWS: GLITTER PUNK HAYLEY AND THE CRUSHERS RELEASE DEFIANT NEW SINGLE/VIDEO “CRINGEWORTHY”
SPILL NEW MUSIC: CEVILAIN – “O’DEAR”
SPILL NEW MUSIC: NOAH KAHAN – “DOORS”
SPILL FESTIVAL FEATURE: NXNE 2026 – SPILL MAGAZINE PRESENTS 5 QUESTIONS
SPILL FEATURE: FROM OBSCURE CUTS TO NEW CLASSICS – A CONVERSATION WITH VINCE CLARKE, NEIL ARTHUR & BENGE OF DOUBLESPEAK
SPILL NEW MUSIC: DURAN DURAN RELEASE NEW “FREE TO LOVE” DOUBLE REMIX SINGLE
SPILL FESTIVAL REVIEW: MOVEMENT MUSIC FESTIVAL 2026 @ HART PLAZA, DETROIT – TAMMY LAKKIS
SPILL FESTIVAL REVIEW: MOVEMENT MUSIC FESTIVAL 2026 @ HART PLAZA, DETROIT – BEIGE
SPILL NEW MUSIC: CAR SEAT HEADREST IS STILL IN DENIAL 10 YEARS LATER
SPILL NEW MUSIC: SUPERSTAR IN WAITING ESSEX CELEBRATES THE FUTURE WITH KILLING JOKE’S “EIGHTIES”
SPILL NEWS: THE FRENETIC NEW SWEEPING PROMISES ALBUM ‘YOU SAY I ROMANTICIZE’ OUT AUGUST 14 ON SUB POP RECORDS
SPILL NEWS: HOT CHIP ANNOUNCE FIRST EVER REISSUES OF ‘THE WARNING’, ‘MADE IN THE DARK’ AND ‘ONE LIFE STAND’ ALBUMS WILL BE RELEASED JULY 17
SPILL NEW MUSIC: RICHIE KOTZEN SURPRISES FANS WITH A NEWLY RECORDED TRACK “CATCH A STAR”
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
  • Spill Menu
    • Reviews
      • Album Reviews
      • Features
      • Live Reviews
      • Festivals
    • Portraits
    • Headlines
      • News
      • Contests
      • Events
      • Entertainment Headlines
      • Concert Listings
      • Toronto Concert Venues
    • New Music
      • Premieres
      • Track Of The Day
    • Track Of The Month
    • Books + Movies
    • About
Album Reviews
1593
previous article
SPILL MUSIC PREMIERE: CHAMPANES - "HOLLOW"
next article
SPILL ALBUM REVIEW: THE WOMBATS - BEAUTIFUL PEOPLE WILL RUIN YOUR LIFE

SPILL ALBUM REVIEW: BRIAN FALLON – SLEEPWALKERS

Brian Fallon

Brian Fallon
Sleepwalkers
Island Records

Most casual listeners think they have Brain Fallon figured out: Take Bruce Springsteen’s Jersey-based street poetry and crank the guitars and angst to 11. While most of Fallon’s work with his original band, The Gaslight Anthem, has Springsteen’s influence at the very core of its DNA, his solo career has veered very far from his Jersey rock roots. For 2015’s Painkillers Fallon looked to the rural United States, trading in the punk-rock street poetry for lovelorn folk and country. 2018 has seen Fallon’s gaze stretch even further, looking across the pond to everything British, from the Beatles all the way to Elvis Costello for his latest release Sleepwalkers. It is an album so drenched in British music history that it’d be unsurprising if the physical record shipped with a Union Jack on the cover.

As an album, Sleepwalkers is at its strongest when Fallon is unapologetically trying to capture the spirit of those early British rock bands. “Come Wander With Me” will most certainly take most long-time listeners off guard. An ’80s groove drenched in delayed guitars as Fallon channels his inner Joe Strummer behind the microphone. This single song might be the furthest Fallon has ever strayed from his days in The Gaslight Anthem, a welcome venture into new musical territory. “If Your Prayers Don’t Get to Heaven,” “Neptune,” and “My Name Is The Night (Colour Me Black)” all not only push Fallon’s music further across the Atlantic, they sound like he’s having a great time in the studio. He clearly has a very deep love of the British Invasion, and Fallon had a blast trying to put together a record that lived up to his heroes.

Old-school Gaslight Anthem fans who have always just been waiting for a sequel to The ’59 Sound might walk away disappointed, but honestly Sleepwalkers is the natural progression of the sound Fallon and co. created all those years ago. Brian Fallon has a real gift for taking a wide array of styles and influences and creating something new, while still holding a deep reverence for the past. He can take classic sounds and make them modern. Sleepwalkers is a surprising and engaging record, a great step forward from the folk rock of Painkillers, and we are seeing just how far Fallon is willing to take his music. There’s no telling where he’ll take his listeners next, but it is sure to be as just as fun a ride.



Artist Links

website_flat_2016 facebook_flat_2016 twitter_flat_2016 instagram_flat_2016

Item Reviewed

SPILL ALBUM REVIEW: BRIAN FALLON – SLEEPWALKERS

Author

Morgan Harris

Here's what we think...
Spill Rating
Fan Rating
Rate Here
New Criteria
10
8.6
8.0
Total Spill Rating
8.6
Total Fan Rating
20 ratings
You have rated this
Album Reviews
album reviewsbrian fallonforget me notisland recordssleepwalkers
album reviews, brian fallon, forget me not, island records, sleepwalkers
About the Author
Morgan Harris
Photographer by choice, writer by necessity. Since moving to Toronto in 2011 Morgan has become an active member of Toronto’s music scene. On any given night he can be found at various venues with his camera in hand. There’s nothing he loves more than exploring all the venues this wonderful city has to offer, discovering new bands and genres along the way.
RELATED ARTICLES
album reviewsbrian fallonforget me not
 
7.0
J.C. Thomaz and the Missing Slippers

SPILL ALBUM REVIEW: J.C. THOMAZ AND THE MISSING SLIPPERS – J.C. THOMAZ AND THE MISSING SLIPPERS

by Aaron Badgley on May 22, 2026
J.C. THOMAZ AND THE MISSING SLIPPERS J.C. THOMAZ AND THE MISSING SLIPPERS SLOVENLY RECORDINGS From Rotterdam, NL, comes the gritty punk/post punk of J.C. Thomaz and The Missing Slippers. Reportedly this debut album was two decades in the making [...]
 
8.0
The Cranberries
10

SPILL ALBUM REVIEW: THE CRANBERRIES – EVERYBODY ELSE IS DOING IT, SO WHY CAN’T WE? (33rd ANNIVERSARY EDITION)

by John Porter on May 22, 2026
THE CRANBERRIES EVERYBODY ELSE IS DOING IT, SO WHY CAN’T WE? (33rd ANNIVERSARY EDITION) ISLAND RECORDS There’s something achingly beautiful and achingly sad about hearing these songs all over again on the 33rd (a peculiar choice, but perhaps [...]
 
8.0
Hush

SPILL ALBUM REVIEW: HUSH – FOR DOLLY

by Ljubinko Zivkovic on May 22, 2026
HUSH FOR DOLLY SIMONE RECORDS How do you craft a debut album to make exactly the right impact? Do you rush into it while the inspiration is red-hot, or do you take it slow to make sure everything sounds exactly as you envisioned? For Montreal [...]
 
8.0
Future Islands

SPILL ALBUM REVIEW: FUTURE ISLANDS – FROM A HOLE IN THE FLOOR TO A FOUNTAIN OF YOUTH

by John Porter on May 22, 2026
FUTURE ISLANDS FROM A HOLE IN THE FLOOR TO A FOUNTAIN OF YOUTH 4AD Has it really been two decades since Future Islands found their way onto the airwaves for the first time? It certainly has, and From a Hole in the Floor to a Fountain of Youth is [...]
 
9.0
Peter Frampton
8.3

SPILL ALBUM REVIEW: PETER FRAMPTON – CARRY THE LIGHT

by Aaron Badgley on May 15, 2026
PETER FRAMPTON CARRY THE LIGHT UME It is a good idea to forget what you think you know about Peter Frampton before you listen to his new album, Carry The Light. This is an extremely important album for Peter Frampton. Not only is it his first [...]

Latest Album Reviews
View All
 
SPILL ALBUM REVIEW: J.C. THOMAZ AND THE MISSING SLIPPERS – J....
7.0
 
SPILL ALBUM REVIEW: THE CRANBERRIES – EVERYBODY ELSE IS DOING...
8.0
10
 
SPILL ALBUM REVIEW: HUSH – FOR DOLLY
8.0
 
SPILL ALBUM REVIEW: FUTURE ISLANDS – FROM A HOLE IN THE FLOO...
8.0
 
SPILL ALBUM REVIEW: PETER FRAMPTON – CARRY THE LIGHT
9.0
8.3

STAY UP-TO-DATE
WITH OUR WEEKLY NEWSLETTER!

SPILL MAGAZINE MENU
  • Home | The Spill Magazine
  • Newsletter
  • Premieres
  • Track Of The Month
  • Album Reviews
  • Books + Movies
  • Features
  • Live Reviews
  • Festivals
  • Portraits
  • News
  • Events
  • Entertainment Headlines
  • Concert Listings
  • Toronto Concert Venues
  • About Us
  • Contests
  • New Music
  • Contributors
  • TOTD
  • Privacy Policy
  • The Scene Unseen
  • Newsletter

Copyright © 2026 | The Spill Magazine
All Rights Reserved.

TRENDING RIGHT NOW
   
 
SPILL FEATURE: IT’S ABOUT THE CLIMB – A CONVERSATION WITH GORILLAZ
3552
 
SPILL ALBUM REVIEW: SOCIAL DISTORTION – BORN TO KILL
1159
 
SPILL TRACK OF THE MONTH: DAYS OF SORROW – “WHO WE ARE”
954
 
SPILL LIVE REVIEW: TENILLE TOWNES @ RICHMOND HILL CENTRE FOR THE PERFORMING ARTS, RICHMOND HILL
921
 
SPILL ALBUM REVIEW: BRIAN WILSON – ON TOUR 1999-2007
781
 
SPILL NEWS: THE AFGHAN WHIGS RELEASE NEW SINGLE “HOUSE OF I” | THEIR FIRST NEW MUSIC SINCE 2022
752
 
SPILL ALBUM REVIEW: TORI AMOS – IN TIMES OF DRAGONS
713
 
SPILL ALBUM REVIEW: SQUEEZE – TRIXIES
628
 
SPILL ALBUM REVIEW: JOE JACKSON – HOPE AND FURY
626
 
SPILL MUSIC PREMIERE: IAMX – “INFINITE FEAR JETS {MIMETIC HEXES REWORK}”
572
 
SPILL ALBUM REVIEW: CODEFENDANTS – LIFERS
561
 
SPILL ALBUM REVIEW: BILL ORCUTT – MUSIC IN CONTINUOUS MOTION
548
 
SPILL ALBUM REVIEW: NINA HAGEN – HIGHWAY TO HEAVEN
543
ENTERTAINMENT HEADLINES