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SPILL ALBUM REVIEW: PAT TRAVERS – HIGHWAY 61 REVISITED – LIVE IN HOUSTON, TX – MARCH 20, 2004
SPILL ALBUM REVIEW: CATE KENNAN – SHADOWS
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SPILL ALBUM REVIEW: ALTER BRIDGE – PAWNS & KINGS

Alter Bridge

Alter Bridge
Pawns & Kings
Napalm Records

After taking a year off which saw both Myles Kennedy and Mark Tremonti release solo records – Kennedy’s The Ides Of March and Tremonti’s Marching In Time and Mark Tremonti Sings Frank Sinatra – Alter Bridge has returned with Pawns & Kings. The band’s seventh studio album is their first collection of all new material since 2018 and follows 2020’s Walk The Sky 2.0 and captures the band at the top of their game with one of their heaviest albums to date.

Pawns & Kings opens with the absolutely explosive “This Is War”, a song that immediately kicks into overdrive with a wall of raw sound, punctuated by dissonant chords and haunting backing vocals before an absolute ripper of an opening riff comes in. “This Is War” hits like a sledgehammer to the side of the head with an anthem for a chorus and a shredder for a guitar solo. Alter Bridge, like always, sounds massive; however, “This Is War” also feels as though the band, as both songwriters and performers, are refreshed and hitting harder than ever. This is further demonstrated in the opening riff and building tone of the following track, “Dead Among The Living”, a slightly more melodic take that is equally as tenacious as the album’s opener. Between the one-two punch that is “This Is War” and “Dead Among The Living”, Pawns & Kings is a gripping album that will pull you in immediately.

This, however, is no surprise for long-time fans of Alter Bridge, especially after hearing the lead singles, “Silver Tongue” and the title track with the former being yet another blistering banger and “Pawns & Kings” acting as a climatic closing track for the album. Additionally, “Sin After Sin” may be their heaviest song on the album as the band pull a page from the Jerry Cantrell songbook with a flurry of haunting, dissonant, grungy, and grimy riffs to assemble a truly epic song. With nearly every song standing tall as a highlight that will leave you floored, the relentless bounce of “Holiday” and the progressive journey and compositional depth of “Fable Of The Silent Son” stand particularly high as powerful reminders that Alter Bridge is one of the greatest bands of the past two decades.

Pawns & Kings is, hands down, Alter Bridge’s strongest album in years and reflects a creative surge in the band’s songwriting as they double down on their heavier roots and rich melodicism as they further blur the lines between hard rock and metal in an effortless manner with a performance that is nothing short of stellar. In short, Pawns & Kings is a masterclass in both modern rock songwriting and performance where Kennedy and Tremonti have the audacity to make it look easy on what is perhaps their heaviest and most volatile release to date.


SPILL FEATURE: PAWNS & KINGS – A CONVERSATION WITH ALTER BRIDGE GUITARIST MARK TREMONTI



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SPILL ALBUM REVIEW: ALTER BRIDGE – PAWNS & KINGS

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Gerrod Harris

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album reviewalbum reviewsalter bridgemark tremontinapalm recordsnew musicpawns & kings
album review, album reviews, alter bridge, mark tremonti, napalm records, new music, pawns & kings
About the Author
Gerrod Harris
Gerrod Harris is a Toronto based musician, writer, and podcast host. Since 2017, he has actively contributed to The Spill Magazine through coverage focused on a wide array of artists and genres alike. In addition to his writing, Harris hosts the podcast, Beats by Ger, where he delves into various aspects of music, sharing insights and engaging relevant discussions. As the drummer and manager of independent rock band, One in the Chamber, his passion for music goes beyond the pen as an active member of Toronto's vibrant musical community.
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