The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
16
new
SPILL MUSIC PREMIERE: PRIMITIVE RING – “THE CALLOUS MAN”
SPILL NEW MUSIC: TRASHCAN SINATRAS EXPLORE THE MIND AND BODY MYSTERY ON “MELODRAMATIC”
SPILL NEW MUSIC: NEW RELEASE FROM THE LAST DINNER PARTY “BIG DOG”
SPILL NEW MUSIC: NEW RELEASE FROM JON BATISTE “ALLA BLUES/ALLA TURC MOVEMENT”
SPILL ALBUM REVIEW: SHAKEY GRAVES – FONDNESS, ETC.
SPILL NEW MUSIC: SOFIE ROYER – “COWBOY MOUTH” OUT NOW VIA STONES THROW RECORDS
SPILL ALBUM REVIEW: SHHE – THALASSA
SPILL ALBUM REVIEW: CROWN LANDS – APOCALYPSE
SPILL ALBUM REVIEW: RESTHAVEN – PRELUDE
SPILL FEATURE: APOCALYPSE – A CONVERSATION WITH CROWN LANDS’ KEVIN COMEAU & CODY BOWLES
SPILL VIDEO PREMIERE: PETE FIJ – “DON’T BRING ME SUNSHINE”
SPILL MUSIC PREMIERE: UNTER STRØM – “ORYNTH”
SPILL MUSIC PREMIERE: THUNDER QUEENS – “WAIT”
SPILL BOOK REVIEW: TOM DOYLE – RINGO STARR: A FAB LIFE
SPILL FEATURE: TEENAGE LESSONS SET ME RIGHT – A CONVERSATION WITH STEPHEN PATMAN OF CHAPTERHOUSE
SPILL FEATURE: WE’RE PROBABLY MORE POPULAR THAN WE’VE EVER BEEN RIGHT NOW – A CONVERSATION WITH MORGAN ROSE OF SEVENDUST
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
  • Spill Menu
    • Reviews
      • Album Reviews
      • Features
      • Live Reviews
      • Festivals
    • Portraits
    • Headlines
      • News
      • Contests
      • Events
      • Entertainment Headlines
      • Concert Listings
      • Toronto Concert Venues
    • New Music
      • Premieres
      • Track Of The Day
    • Track Of The Month
    • Books + Movies
    • About
Album Reviews
145
previous article
SPILL ALBUM REVIEW: TEETHE - MAGIC OF THE SALE
next article
SPILL ALBUM REVIEW: MISS FD - EUPHORIA

SPILL ALBUM REVIEW: SWEET – SWEET FANNY ADAMS REVISITED

Sweet

SWEET
SWEET FANNY ADAMS REVISITED
METALVILLE

Sweet Fanny Adams was Sweet’s second studio album, released only in Europe in 1974. Five of the songs from the album were cobbled together with other songs for their North American breakthrough album, Desolation Boulevard. Sweet Fanny Adams went on to become not only a Sweet classic, but a classic glam-rock album. So, it made sense that in 2012, Sweet toured performing the album, along with some of their biggest hits. One show was recorded and had a very limited release by Sweet, which became Sweet Fanny Adams Revisited (in North America the album was retitled to Desolation Boulevard Revisited). Due to it being a very limited release, it has gone on to become a collector’s item. But fans have been trying to get their hands on it for years. And now, it is available for all to enjoy.

At this point, Sweet consisted of one original member, Andy Scott (guitars/lead vocals), plus Peter Lincoln (bass/lead vocals), Bruce Bisland (drums/vocals) and Tony O’Hora (keyboards/guitar/lead vocals). This lineup of Sweet leaned more towards metal than glam/power pop. Whereas the original intent of the album was to be a souvenir from that tour, it now serves as a historical document of both the original album and the 2012 line-up of Sweet.

The album opens with an energetic and pure hard rock classic “Sweet F.A”. A humorous and rocking song. The audience participation is quite brilliant and adds a great deal to the song. It is the perfect opening to the album. And the audience adds a great deal to the energy of the band. Just listen to the audience erupting with the opening of “Fox on the Run”, it really is pure magic and then the band launches into a rather aggressive version of the classic pop/rock classic.

It isn’t just the hits that make this album interesting. This is a tight band that sounds like they are having fun. They manage to replicate tricky harmonies from the original albums and create a very hard sound. Songs like “Heartbreak Today” or “Into the Night” may not be familiar to North America and as such sound like they could have been off any Sweet album circa 2012, or even today. They maintain the nostalgia of the original song, while adding a new spin, usually due to the great guitar solos.

Sweet Fanny Adams Revisited is a great live album, one that has been rescued from obscurity. Fans will be happy to get their hands on the album, but it just might attract some new listeners. The concert may be over a decade old, but it still sounds extremely fresh and exciting. It is a well-recorded live album. Sweet Fanny Adams Revisited proves that Sweet, whoever was in the line-up, was a fantastic live band. It is an enjoyable experience to hear them live from the 2012 era.



Artist Links

website_flat_2016 facebook_flat_2016 twitter_flat_2016 instagram_flat_2016

Item Reviewed

SPILL ALBUM REVIEW: SWEET – SWEET FANNY ADAMS REVISITED

Author

Aaron Badgley

Here's what we think...
Spill Rating
Fan Rating
Rate Here
New Criteria
10
—
8.0
Total Spill Rating
—
Total Fan Rating
You have rated this
Album Reviews
album reviewalbum reviewsmetalvillesweetsweet fanny adams revisited
album review, album reviews, metalville, sweet, sweet fanny adams revisited
About the Author
Aaron Badgley
Born and raised in Whitby, Aaron discovered music through his love of The Beatles. This led to a career in radio, writing for various publications, and ultimately a radio show about The Beatles (Beatles Universe), which ran for over four years. When not immersed in music, Aaron enjoys spending time with the loves of his life -- his wife Andrea, and daughters Emily and Linda (all of whom have an intense love of music too).
RELATED ARTICLES
album reviewalbum reviewsmetalville
 
8.0
Shakey Graves

SPILL ALBUM REVIEW: SHAKEY GRAVES – FONDNESS, ETC.

by Ljubinko Zivkovic on May 15, 2026
SHAKEY GRAVES FONDNESS, ETC. DUALTONE RECORDS When you decide to go lo-fi, make a DIY record, and make it work, there has to be a set of very solid musical reasons (unless it is a question of being forced to go cheap) behind it, and those [...]
 
8.0
Shhe

SPILL ALBUM REVIEW: SHHE – THALASSA

by Ljubinko Zivkovic on May 15, 2026
SHHE THALASSA  ONE LITTLE INDEPENDENT RECORDS Your personal background comes into play at some point when you create music, and for the Scottish-Portuguese sound artist and producer Shhe (Su Shaw), for her new album Thalassa she references her [...]
 
9.0
Crown Lands

SPILL ALBUM REVIEW: CROWN LANDS – APOCALYPSE

by Gerrod Harris on May 15, 2026
CROWN LANDS APOCALYPSE CENTURY MEDIA Following a pair of experimental interludes released last year – Ritual I & II – Canadian progressive rock duo, Crown Lands, has returned. For their third studio record, and their first full album since [...]
 
9.0
Resthaven

SPILL ALBUM REVIEW: RESTHAVEN – PRELUDE

by Jasmine Bhoodwah on May 15, 2026
RESTHAVEN PRELUDE DYSTOPOLIS ARTS Toronto is a place where local music can be found in abundance. Throughout the city, nearly every night, there’s a local performance or show that can be found if you know where to look. Metal music in particular [...]
 
9.0
Midge Ure

SPILL ALBUM REVIEW: MIDGE URE – A MAN OF TWO WORLDS

by Aaron Badgley on May 8, 2026
MIDGE URE A MAN OF TWO WORLDS CHRYSALIS It has been 12 years since Midge Ure released a studio album of new material (in 2024 he did release The Sessions (Backstage Lockdown Club) which was a studio album of him revisiting older songs recorded [...]

Latest Album Reviews
View All
 
SPILL ALBUM REVIEW: SHAKEY GRAVES – FONDNESS, ETC.
8.0
 
SPILL ALBUM REVIEW: SHHE – THALASSA
8.0
 
SPILL ALBUM REVIEW: CROWN LANDS – APOCALYPSE
9.0
 
SPILL ALBUM REVIEW: RESTHAVEN – PRELUDE
9.0
 
SPILL ALBUM REVIEW: MIDGE URE – A MAN OF TWO WORLDS
9.0

STAY UP-TO-DATE
WITH OUR WEEKLY NEWSLETTER!

SPILL MAGAZINE MENU
  • Home | The Spill Magazine
  • Newsletter
  • Premieres
  • Track Of The Month
  • Album Reviews
  • Books + Movies
  • Features
  • Live Reviews
  • Festivals
  • Portraits
  • News
  • Events
  • Entertainment Headlines
  • Concert Listings
  • Toronto Concert Venues
  • About Us
  • Contests
  • New Music
  • Contributors
  • TOTD
  • Privacy Policy
  • The Scene Unseen
  • Newsletter

Copyright © 2026 | The Spill Magazine
All Rights Reserved.

TRENDING RIGHT NOW
   
 
SPILL FEATURE: IT’S ABOUT THE CLIMB – A CONVERSATION WITH GORILLAZ
3496
 
SPILL ALBUM REVIEW: SOCIAL DISTORTION – BORN TO KILL
1049
 
SPILL TRACK OF THE MONTH: DAYS OF SORROW – “WHO WE ARE”
947
 
SPILL LIVE REVIEW: TENILLE TOWNES @ RICHMOND HILL CENTRE FOR THE PERFORMING ARTS, RICHMOND HILL
912
 
SPILL ALBUM REVIEW: MOBY – FUTURE QUIET
897
 
SPILL ALBUM REVIEW: BRIAN WILSON – ON TOUR 1999-2007
764
 
SPILL NEWS: THE AFGHAN WHIGS RELEASE NEW SINGLE “HOUSE OF I” | THEIR FIRST NEW MUSIC SINCE 2022
743
 
SPILL ALBUM REVIEW: TORI AMOS – IN TIMES OF DRAGONS
625
 
SPILL ALBUM REVIEW: JOE JACKSON – HOPE AND FURY
597
 
SPILL ALBUM REVIEW: SQUEEZE – TRIXIES
596
 
SPILL MUSIC PREMIERE: IAMX – “INFINITE FEAR JETS {MIMETIC HEXES REWORK}”
543
 
SPILL ALBUM REVIEW: BILL ORCUTT – MUSIC IN CONTINUOUS MOTION
533
 
SPILL ALBUM REVIEW: CODEFENDANTS – LIFERS
527
ENTERTAINMENT HEADLINES