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SPILL FEATURE: IT’S NEVER YOUR FAULT – A CONVERSATION WITH LISA MOLINARO
SPILL NEW MUSIC: NEW SINGLE FROM LUCY DREAMS “Z&1” | ICELAND AIRWAVES ANNOUNCEMENT
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SPILL NEW MUSIC: MANCHESTER NOISE POP NEWCOMERS BRICKHOUSE DEBUT WITH “ANGEL EYES”
SPILL ALBUM REVIEW: THE ROLLING STONES – FOREIGN TONGUES
SPILL ALBUM REVIEW: SUNDAYCLUB – SUNDAYCLUB
SPILL ALBUM REVIEW: SHE’S GREEN – SWALLOWTAIL
SPILL ALBUM REVIEW: JACK GRISHAM AND THE LIFE UNDONE – JACK GRISHAM AND THE LIFE UNDONE
SPILL ALBUM REVIEW: SWEET – THE ANSWER
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SPILL NEW MUSIC: ATMOS BLOOM PONDER POWER DYNAMICS ON NEW SINGLE “IT’S ENOUGH” | DREAMY LONDON DUO’S ‘EVERYTHINGNESS’ LP OUT JULY 24 VIA SPIRIT GOTH RECORDS
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SPILL ALBUM REVIEW: QUADECA - VANISHER, HORIZON SCRAPER

SPILL ALBUM REVIEW: THE DIRTY NIL – THE LASH

The Dirty Nil

THE DIRTY NIL
THE LASH
DINE ALONE RECORDS

Hailing from Hamilton, Ontario, The Dirty Nil have carried the title of being among Canada’s most promising, up and coming punk rock outfits. This sentiment rings true on their sixth album, The Lash. Following 2023’s Free Rein To Passions and a deluxe edition that followed in 2024, The Lash captures the band at their most raw and stripped back in years, harkening back to the energy of their earliest releases.

Opening with the thunderous, big rock fanfare of “Gallop Of The Hounds”, which is something often reserved for a conclusion, not a song, let alone an album’s introduction, The Dirty Nil kick off their album with a larger than life track. The lead single marches forward with a sinister riff, one that feels nostalgic for an old-school, eight-bit arcade game, before erupting into a massive chorus. Similarly, the album continues with “Fail In Time”, a song centered a dissonant and off kilter harmonic progression that feels increasingly disconcerting as the intensity escalates with each passing seventh chord.  When paired with the melodicism of the chorus, The Dirty Nil have found a way to turn even the most haunting of riffs into an anthem making “Fail In Time” among the most exciting tracks on The Lash.

There is an immediacy to The Lash. From the feedback drenched verses of “They Won’t Beat Us” to the dissonant, reckless abandon of “I Was A Henchman”, or the lament that is “Rock And Roll Band” to the relentless “Do You Want Me”, The Dirty Nil refuse to let up in their songwriting and performance. Despite being, arguably, at their best when embracing a more abrasive edge (see “Fail In Time”), one of the greatest moments on The Lash comes in the shape of the melancholic and reflective ballad, “This Is Me Warning Ya”. Luke Bentham’s vocals capture an earnest sense of longing set over a softly fingerpicked guitar, a violin, and cello for a strikingly raw and vulnerable three minutes amid an onslaught of punk rock bombast.

With a sense of urgency, The Dirty Nil have returned with a stripped to the bone, rock ‘n’ roll record. Shedding their signature glam sound, The Lash is a leaner and meaner album that revels in its own grittiness. As a whole, without a weak track of the 10, The Dirty Nil sound refreshed on a revitalising LP that is among their most exciting bodies of work to date.


SPILL FEATURE: LET’S FUCKING ROCK – A CONVERSATION WITH DIRTY NIL’S LUKE BENTHAM



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SPILL ALBUM REVIEW: THE DIRTY NIL – THE LASH

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Gerrod Harris

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Album Reviews
album reviewalbum reviewsdine alone recordsgallop of the houndsthe dirty nilthe lash
album review, album reviews, dine alone records, gallop of the hounds, the dirty nil, the lash
About the Author
Gerrod Harris
Gerrod Harris is a Toronto based musician, writer, and podcast host. Since 2017, he has actively contributed to The Spill Magazine through coverage focused on a wide array of artists and genres alike. In addition to his writing, Harris hosts the podcast, Beats by Ger, where he delves into various aspects of music, sharing insights and engaging relevant discussions. As the drummer and manager of independent rock band, One in the Chamber, his passion for music goes beyond the pen as an active member of Toronto's vibrant musical community.
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THE ROLLING STONES FOREIGN TONGUES  UNIVERSAL MUSIC The Rolling Stones are back. While 2023’s Hackney Diamonds may have given the impression of a fitting conclusion to perhaps one of pop culture’s greatest sagas, and despite questioning if they [...]
 
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SPILL ALBUM REVIEW: SUNDAYCLUB – SUNDAYCLUB

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SUNDAYCLUB SUNDAYCLUB PAPER BAG RECORDS sundayclub has been riding something of a wave of momentum among those lucky enough to have heard about them since 2025’s Bannatyne, and with good reason; their combination of modern production, honest, [...]
 
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SPILL ALBUM REVIEW: SHE’S GREEN – SWALLOWTAIL

by Mercedes Chircop on July 10, 2026
SHE’S GREEN SWALLOWTAIL PHOTO FINISH RECORDS With Swallowtail, she’s green has crafted an EP that feels less like a collection of songs and more like an immersive experience. Beautifully written and thoughtfully composed, every track flows [...]
 
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JACK GRISHAM AND THE LIFE UNDONE JACK GRISHAM AND THE LIFE UNDONE LOST IN BERLIN RECORDS T.S.O.L.’s Jack Grisham has made a triumphant solo return with his new band, Jack Grisham And The Life Undone, with the release of their debut, eponymous [...]
 
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SWEET THE ANSWER METALVILLE The Answer was originally released in 1992 under the name Andy Scott’s Sweet rather than just Sweet. It was also originally released with the title A and was originally Sweet’s 10th album. It was released only in [...]

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