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SPILL FEATURE: MELISSA AUF DER MAUR: MY ‘90S ROCK PHOTOGRAPHS @ ART GALLERY OF ONTARIO, TORONTO
SPILL LIVE REVIEW: TURNSTILE @ WOODBINE PARK, TORONTO
SPILL ALBUM REVIEW: DREADNOUGHT – WARS OF SPIRIT // WARDS OF LIGHT
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SPILL ALBUM REVIEW: TWILARK – NEVER LEARNED THE TIDE
SPILL ALBUM REVIEW: JOYER – ON THE OTHER END OF THE LINE… (CROSSED LINES REMIXES)
SPILL ALBUM REVIEW: FUNKADELIC – MAGGOT BRAIN (REMASTERED)
SPILL LIVE REVIEW: TURNING UP THE VOLUME ON SILENCE: LIVE LOUD @ MASSEY HALL, TORONTO
SPILL ALBUM REVIEW: STABBING WESTWARD – WITHER REWIRED
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SPILL ALBUM REVIEW: QUADECA - VANISHER, HORIZON SCRAPER

SPILL ALBUM REVIEW: THE DIRTY NIL – THE LASH

The Dirty Nil

THE DIRTY NIL
THE LASH
DINE ALONE RECORDS

Hailing from Hamilton, Ontario, The Dirty Nil have carried the title of being among Canada’s most promising, up and coming punk rock outfits. This sentiment rings true on their sixth album, The Lash. Following 2023’s Free Rein To Passions and a deluxe edition that followed in 2024, The Lash captures the band at their most raw and stripped back in years, harkening back to the energy of their earliest releases.

Opening with the thunderous, big rock fanfare of “Gallop Of The Hounds”, which is something often reserved for a conclusion, not a song, let alone an album’s introduction, The Dirty Nil kick off their album with a larger than life track. The lead single marches forward with a sinister riff, one that feels nostalgic for an old-school, eight-bit arcade game, before erupting into a massive chorus. Similarly, the album continues with “Fail In Time”, a song centered a dissonant and off kilter harmonic progression that feels increasingly disconcerting as the intensity escalates with each passing seventh chord.  When paired with the melodicism of the chorus, The Dirty Nil have found a way to turn even the most haunting of riffs into an anthem making “Fail In Time” among the most exciting tracks on The Lash.

There is an immediacy to The Lash. From the feedback drenched verses of “They Won’t Beat Us” to the dissonant, reckless abandon of “I Was A Henchman”, or the lament that is “Rock And Roll Band” to the relentless “Do You Want Me”, The Dirty Nil refuse to let up in their songwriting and performance. Despite being, arguably, at their best when embracing a more abrasive edge (see “Fail In Time”), one of the greatest moments on The Lash comes in the shape of the melancholic and reflective ballad, “This Is Me Warning Ya”. Luke Bentham’s vocals capture an earnest sense of longing set over a softly fingerpicked guitar, a violin, and cello for a strikingly raw and vulnerable three minutes amid an onslaught of punk rock bombast.

With a sense of urgency, The Dirty Nil have returned with a stripped to the bone, rock ‘n’ roll record. Shedding their signature glam sound, The Lash is a leaner and meaner album that revels in its own grittiness. As a whole, without a weak track of the 10, The Dirty Nil sound refreshed on a revitalising LP that is among their most exciting bodies of work to date.


SPILL FEATURE: LET’S FUCKING ROCK – A CONVERSATION WITH DIRTY NIL’S LUKE BENTHAM



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SPILL ALBUM REVIEW: THE DIRTY NIL – THE LASH

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album reviewalbum reviewsdine alone recordsgallop of the houndsthe dirty nilthe lash
album review, album reviews, dine alone records, gallop of the hounds, the dirty nil, the lash
About the Author
Gerrod Harris
Gerrod Harris is a Toronto based musician, writer, and podcast host. Since 2017, he has actively contributed to The Spill Magazine through coverage focused on a wide array of artists and genres alike. In addition to his writing, Harris hosts the podcast, Beats by Ger, where he delves into various aspects of music, sharing insights and engaging relevant discussions. As the drummer and manager of independent rock band, One in the Chamber, his passion for music goes beyond the pen as an active member of Toronto's vibrant musical community.
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