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SPILL FEATURE: FOR BETTER OR FOR WORSE WE LIKE IT REALLY STUPID LOUD - A CONVERSATION WITH OLIVER ACKERMANN OF A PLACE TO BURY STRANGERS

SPILL ALBUM REVIEW: VILE DECREE – HOSTILE

Vile Decree

VILE DECREE
HOSTILE
TARANTULA TAPES

Barrie, ON hardcore band, Vile Decree, has returned with their second EP, Hostile. The four-track EP follows the release of their 2023 debut, No Word For Peace, however, to commemorate the launch of their new record, Vile Decree has partnered with Tarantula Tapes to deliver a limited run of cassettes featuring both EPs, creating a full album experience.

The first side of the album is the Hostile EP. The newly released record opens with “Vile Decree Type Beat”, an aggressive track that effectively sets the tone for the rest of the record. While the abrasive tone is amplified through the following song, “The Sound Of Violence”, it is “Put ‘Em On A Shirt”, a collaboration with Prison and Chains of Hate, that shines brightest across the first four songs.  Led by a droning riff and accented by an array of vocals, “Put ‘Em On A Shirt” crawls forward with an unsettling pulse and a truly ominous presence.

The second side opens with “Cyclebreaker”, the first track from No Word For Peace. Immediately, there is a lo-fi approach in the production that makes the track feel muddier. Rather than diminish the track, “Cyclebreaker”, and the rest of the B-side, is far grimier, which only adds to the hardcore aesthetic. From the sludgy dissonance of “Out Of Spite” to the heavy riffs of “Gutter Kings”, No Word For Peace seems more directly influenced by classic thrash, giving the record a unique edge.

All in all, both sides of Hostile make for a stronger album experience, demonstrating a wider range to the songwriting, performance, and influences behind Vile Decree. While being two distinct releases, both Hostile and No Word For Peace serve the other, creating a clearer artistic vision amid the sheer brutality.



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SPILL ALBUM REVIEW: VILE DECREE – HOSTILE

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Gerrod Harris

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About the Author
Gerrod Harris
Gerrod Harris is a Toronto based musician, writer, and podcast host. Since 2017, he has actively contributed to The Spill Magazine through coverage focused on a wide array of artists and genres alike. In addition to his writing, Harris hosts the podcast, Beats by Ger, where he delves into various aspects of music, sharing insights and engaging relevant discussions. As the drummer and manager of independent rock band, One in the Chamber, his passion for music goes beyond the pen as an active member of Toronto's vibrant musical community.
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