The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
16
new
SPILL ALBUM REVIEW: MIDGE URE – A MAN OF TWO WORLDS
SPILL NEWS: WHITECHAPEL ANNOUNCES SPECIAL 20th ANNIVERSARY HEADLINING TOUR THIS FALL
SPILL NEWS: SOFT CELL ANNOUNCES ‘DANCETERIA’ | THE FINAL ALBUM FROM MARC ALMOND AND DAVE BALL
SPILL FEATURE: CHOOSE YOUR OWN ADVENTURE – A CONVERSATION WITH JOEL PLASKETT OF JOEL PLASKETT EMERGENCY
SPILL NEWS: CIMA AND MUSICONTARIO LAUNCH LIVE MUSIC TORONTO | UNITING INDEPENDENT VENUES, FESTIVALS, PROMOTERS, PRESENTERS ACROSS CANADA’S LARGEST LIVE MUSIC MARKET
SPILL ALBUM REVIEW: KALEO – A/B (10th ANNIVERSARY DELUXE EDITION)
SPILL NEWS: EXISTENTIAL INDUSTRIAL GLAM MAVERICK PIG ANNOUNCES NORTH AMERICAN HURT PEOPLE TOUR | NEW ALBUM ‘HURT PEOPLE HURT’ OUT NOW
SPILL FEATURE: RAISING HELL – A CONVERSATION WITH HIP-HOP HISTORIAN AND AUTHOR JAYQUAN
SPILL FEATURE: BETWEEN THE LIGHT AND THE LEAVING – HELD. ON THEIR DEBUT ALBUM ‘GREY’
SPILL FEATURE: TO BE OR NOT TO BE: FROM POPULAR FRONT TO LOW TIMES APLENTY – A CONVERSATION WITH RON HAWKINS OF LOWEST OF THE LOW
SPILL FEATURE: A BEAUTIFUL, CRAZY KIND OF ART FORM – A CONVERSATION WITH JON SPENCER
SPILL NEWS: NEW RELEASE FROM MIKE D “TRUE COLORS” OUT NOW | TOUR DATES
SPILL NEWS: CINDY BLACKMAN SANTANA SHARES “ILLUMINATION” | ANNOUNCES NEW ALBUM ‘COHERENCE’ OUT JULY 31
SPILL NEW MUSIC: TAXI GIRLS SHARE NEW SINGLE “SECRET HANDSHAKE”
SPILL NEW MUSIC: CHARLOTTE CARDIN’S “TAKE ME BACK” IS A CINEMATIC MASTERPIECE
SPILL NEW MUSIC: MELØ RELEASES “FALLING THROUGH ETERNITY” | A GLAM-DRIVEN ALT-POP ANTHEM
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
  • Spill Menu
    • Reviews
      • Album Reviews
      • Features
      • Live Reviews
      • Festivals
    • Portraits
    • Headlines
      • News
      • Contests
      • Events
      • Entertainment Headlines
      • Concert Listings
      • Toronto Concert Venues
    • New Music
      • Premieres
      • Track Of The Day
    • Track Of The Month
    • Books + Movies
    • About
Album Reviews
174
Editor Pick
previous article
SPILL ALBUM REVIEW: TOKYO TEA ROOM - NO RUSH
next article
SPILL ALBUM REVIEW: MAGANA - BAD NEWS

SPILL ALBUM REVIEW: IGGY POP – LIVE AT MONTREUX JAZZ FESTIVAL 2023

Iggy Pop

IGGY POP
LIVE AT MONTREUX JAZZ FESTIVAL 2023
earMUSIC

With a truly legendary, yet somehow sublime, career that has spanned seven decades, The Godfather of Punk, none other than one Iggy Pop, has released an array of live records. His latest, Live At Montreux Jazz Festival 2023 was recorded on July 6, 2023, at the Stravinsky Auditorium for the titular festival, and is the first live release since 2016’s Post Pop Depression: Live At The Royal Albert Hall, to feature a modern, rather than an archival, performance from Pop. Most notably, Live At Montreux Jazz Festival 2023 is a career-spanning performance that collects material from The Stooges up to Pop’s newest studio album, 2023’s triumphant Every Loser.

Backed by a full band, including a horn section, Pop takes the stage with a performance of “Five Foot One”. There is something unexpectedly ‘70s about this choice of an opener; the band sounds massive, however the lead role that the horns have remove some of the rawness one may associate with Pop – particularly given how feral his latest album was or how wild, yet refined, the Post Pop Depression era was. This is continued with the following track, “T.V. Eye”, a rougher track than the first, but still displaying almost a classic rock cabaret energy to it, largely to the use of horns. Immediately, this separates Live At Montreux Jazz Festival 2023 from Pop’s previous live cuts, making for a unique use of the live album format. I would go as far to say that the use of an expanded ensemble likens Pop’s performance to that of The Rolling Stones, ultimately demonstrating that despite his punk aesthetic, Pop’s songwriting – along with much of the genre – has always had a greater foundation in ‘70s classic rock than many would admit.

Beyond a very tight band, Pop himself sounds fantastic as he captures a powerful sense of energy that pairs well with his gruff, gravelly, baritone range. Furthermore, his ability to give a highly emotive delivery that hints at feelings of longing and anguish, is second to none, and adds a greater hint of intensity to the performance. His presence is all commanding as his leads his band through a collection of material from The Stooges and solo material that ranges from the essential to deep cuts. Most notably, Pop has included a pair of tracks from Every Loser: “Modern Day Ripoff” and “Frenzy”. The latter is used to close the show in an incredibly climatic fashion and, while it would have been a great opportunity to showcase more of his newer material, both tracks can stand alongside his classic material. From the vocal intensity of “Gimmie Danger”, the brass counter melodies and rhythms on “The Passenger”, and the psychedelic and explosive “Sick Of You” to the hard rocking “I Wanna Be Your Dog”, the quintessential bombast of “Search And Destroy”, and the haunting saunter of “Nightclubbing” – front to back, Live At Montreux Jazz Festival 2023 is full of highlights.

Live At Montreux Jazz Festival 2023 demonstrates a greater range of Pop’s musicality and ability of a band leader. Through an expanded lineup, this live album stands apart from the rest of his work for the better as Pop and company breathe a new sense of life into some of his most classic and beloved songs, material that should absolutely be etched into the American songbook beside Dylan and Petty. Despite this, we can only hope that yet another Pop live cut, one that documents the string of four shows in celebration of Every Loser which featured a backing band that included Chad Smith, Duff McKagan, Andrew Watt, and Jamie Hince. Still, even with a distinct lack of new material, Live At Montreux Jazz Festival 2023 is an outstanding addition to Pop’s catalogue that ultimately demonstrates the timelessness and intergenerational power of Iggy Pop.



Artist Links

website_flat_2016 facebook_flat_2016 twitter_flat_2016 instagram_flat_2016

Editor Pick
Item Reviewed

SPILL ALBUM REVIEW: IGGY POP – LIVE AT MONTREUX JAZZ FESTIVAL 2023

Author

Gerrod Harris

Here's what we think...
Spill Rating
Fan Rating
Rate Here
New Criteria
10
—
10
Total Spill Rating
—
Total Fan Rating
You have rated this
Album Reviews
album reviewalbum reviewsearmusiciggy poplive at montreux jazz festival 2023the passenger
album review, album reviews, earmusic, iggy pop, live at montreux jazz festival 2023, the passenger
About the Author
Gerrod Harris
Gerrod Harris is a Toronto based musician, writer, and podcast host. Since 2017, he has actively contributed to The Spill Magazine through coverage focused on a wide array of artists and genres alike. In addition to his writing, Harris hosts the podcast, Beats by Ger, where he delves into various aspects of music, sharing insights and engaging relevant discussions. As the drummer and manager of independent rock band, One in the Chamber, his passion for music goes beyond the pen as an active member of Toronto's vibrant musical community.
RELATED ARTICLES
album reviewalbum reviewsearmusic
 
9.0
Midge Ure

SPILL ALBUM REVIEW: MIDGE URE – A MAN OF TWO WORLDS

by Aaron Badgley on June 12, 2026
MIDGE URE A MAN OF TWO WORLDS CHRYSALIS It has been 12 years since Midge Ure released a studio album of new material (in 2024 he did release The Sessions (Backstage Lockdown Club) which was a studio album of him revisiting older songs recorded [...]
 
9.0
Kaleo

SPILL ALBUM REVIEW: KALEO – A/B (10th ANNIVERSARY DELUXE EDITION)

by Aaron Badgley on June 10, 2026
KALEO A/B (10th ANNIVERSARY DELUXE EDITION) RHINO RECORDS Kaleo formed in Mosfellsbær, Iceland in 2012 and is still going strong. In 2016 they released a landmark album that earned them numerous accolades, awards and high chart placements. When [...]
 
8.0
Lee Scratch Perry

SPILL ALBUM REVIEW: LEE “SCRATCH” PERRY & MOUSE ON MARS – SPATIAL, NO PROBLEM

by Aaron Badgley on June 5, 2026
LEE “SCRATCH” PERRY & MOUSE ON MARS SPATIAL, NO PROBLEM DOMINO RECORDS Lee “Scratch” Perry passed away on August 29, 2021. The music world lost a true original and an artist who had worked with just about everyone. But that didn’t mean he [...]
 
9.0
Fucked Up

SPILL ALBUM REVIEW: FUCKED UP – YEAR OF THE MONKEY

by Jacob Vandergeer on June 5, 2026
FUCKED UP YEAR OF THE MONKEY TANKCRIMES As the second chapter in Fucked Up’s ambitious Grass Can Move Stones trilogy, Year of the Monkey uses a sprawling mythological framework to explore themes of identity, growth, purpose, and [...]
 
9.0
Jalen Ngonda

SPILL ALBUM REVIEW: JALEN NGONDA – DOCTRINE OF LOVE

by Aaron Badgley on June 5, 2026
JALEN NGONDA DOCTRINE OF LOVE DAPTONE RECORDS Jalen Ngonda burst on the scene in 2023 with his debut album, Come Around And Love Me, and justifiably earned critical acclaim for his own style of soul music that owes a great deal of debt to Motown [...]

Latest Album Reviews
View All
 
SPILL ALBUM REVIEW: MIDGE URE – A MAN OF TWO WORLDS
9.0
 
SPILL ALBUM REVIEW: KALEO – A/B (10th ANNIVERSARY DELUXE EDIT...
9.0
 
SPILL ALBUM REVIEW: LEE “SCRATCH” PERRY & MOUSE ON MARS –...
8.0
 
SPILL ALBUM REVIEW: FUCKED UP – YEAR OF THE MONKEY
9.0
 
SPILL ALBUM REVIEW: JALEN NGONDA – DOCTRINE OF LOVE
9.0

STAY UP-TO-DATE
WITH OUR WEEKLY NEWSLETTER!

SPILL MAGAZINE MENU
  • Home | The Spill Magazine
  • Newsletter
  • Premieres
  • Track Of The Month
  • Album Reviews
  • Books + Movies
  • Features
  • Live Reviews
  • Festivals
  • Portraits
  • News
  • Events
  • Entertainment Headlines
  • Concert Listings
  • Toronto Concert Venues
  • About Us
  • Contests
  • New Music
  • Contributors
  • TOTD
  • Privacy Policy
  • The Scene Unseen
  • Newsletter

Copyright © 2026 | The Spill Magazine
All Rights Reserved.

TRENDING RIGHT NOW
   
 
SPILL ALBUM REVIEW: SOCIAL DISTORTION – BORN TO KILL
1210
 
SPILL LIVE REVIEW: TENILLE TOWNES @ RICHMOND HILL CENTRE FOR THE PERFORMING ARTS, RICHMOND HILL
933
 
SPILL ALBUM REVIEW: BRIAN WILSON – ON TOUR 1999-2007
796
 
SPILL NEWS: THE AFGHAN WHIGS RELEASE NEW SINGLE “HOUSE OF I” | THEIR FIRST NEW MUSIC SINCE 2022
758
 
SPILL ALBUM REVIEW: TORI AMOS – IN TIMES OF DRAGONS
735
 
SPILL ALBUM REVIEW: JOE JACKSON – HOPE AND FURY
647
 
SPILL ALBUM REVIEW: CODEFENDANTS – LIFERS
586
 
SPILL MUSIC PREMIERE: IAMX – “INFINITE FEAR JETS {MIMETIC HEXES REWORK}”
585
 
SPILL ALBUM REVIEW: NOAH KAHAN – THE GREAT DIVIDE
567
 
SPILL ALBUM REVIEW: NINA HAGEN – HIGHWAY TO HEAVEN
561
 
SPILL FEATURE: WE ARE TRYING TO KEEP THINGS INTERESTING FOR OURSELVES – A CONVERSATION WITH JOHN LINNELL OF THEY MIGHT BE GIANTS
532
 
SPILL ALBUM REVIEW: HISS GOLDEN MESSENGER – I’M PEOPLE
479
 
SPILL NEWS: WIDOWSPEAK ANNOUNCE NEW ALBUM, HEADLINE TOUR, AND SHARE LEAD SINGLE “IF YOU CHANGE”
451
ENTERTAINMENT HEADLINES