The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
    • Portraits
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
13
new
SPILL ALBUM REVIEW: MELISSA AUF DER MAUR – BASS WOMB ROOM: MY ’90S 4-TRACK DEMOS X FIELD RECORDINGS
SPILL ALBUM REVIEW: A. LEE EDWARDS – INTERPRETING HEART SOUNDS VOL. II
SPILL ALBUM REVIEW: DEXYS MIDNIGHT RUNNERS – LOVE
SPILL ALBUM REVIEW: SOFT LOFT – THROW THE DICE
SPILL ALBUM REVIEW: THE CRANBERRIES – LIVE AT THE LONDON ASTORIA II, 1994
SPILL ALBUM REVIEW: BEN FOLDS FIVE – BEN FOLDS FIVE (30th ANNIVERSARY EDITION)
SPILL NEW MUSIC: RAYMOND J. LUSTIG – “THAT’S THE MOMENT”
SPILL VIDEO PREMIERE: THE HOUSE FLIES – “DERELICT CRAWL”
SPILL ALBUM PREMIERE: THE ROOM – DOOM POP!
SPILL NEWS: THE KENSINGTON MARKET JAZZ FESTIVAL RETURNS FOR ITS 11th YEAR SEPTEMBER 18 TO 20 WITH FIRST ARTISTS CONFIRMED
SPILL FEATURE: THE STORIES BEHIND THE IMAGES – A CONVERSATION WITH PHOTOGRAPHER BOB GRUEN
SPILL NEW MUSIC: THE WHO’S CLASSIC ALBUM ‘THE WHO BY NUMBERS’ TO BE REVISITED AS A SUPER DELUXE EDITION FOR ITS 50th ANNIVERSARY
SPILL TRACK OF THE MONTH: BLACK DOLDRUMS – “COMPULSION”
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
    • Portraits
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
  • Spill Menu
    • Reviews
      • Album Reviews
      • Features
      • Live Reviews
      • Festivals
    • Headlines
      • News
      • Contests
      • Events
      • Entertainment Headlines
      • Concert Listings
      • Toronto Concert Venues
      • Portraits
    • New Music
      • Premieres
      • Track Of The Day
    • Track Of The Month
    • Books + Movies
    • About
Album Reviews
388
Editor Pick
previous article
SPILL ALBUM REVIEW: THE LUSTRE - THE LUSTRE
next article
SPILL ALBUM REVIEW: BORED AT MY GRANDMAS HOUSE - SHOW & TELL

SPILL ALBUM REVIEW: PAUL McCARTNEY & WINGS – ONE HAND CLAPPING

Paul McCartney & Wings

PAUL McCARTNEY & WINGS
ONE HAND CLAPPING
MPL/UNIVERSAL

Paul McCartney recently turned 82, and he is as busy as ever. He is not slowing down one bit. Along with a sold-out tour of South America, Europe, and the U.K, he has been busy with photography shows, books, The Beatles and getting this album ready for release. One Hand Clapping is a live recording of Paul McCartney and Wings in Abbey Road Studios in 1974.

In 1973 McCartney had a great deal of success with a television special, James Paul McCartney, so he thought a special in 1974 would be equally well received. One Hand Clapping was designed as a television special in the vein of Get Back/Let It Be. It is a film of a band practicing and getting ready to record the follow-up to Band On The Run. However, for many reasons neither the film nor the album was released in 1974, but McCartney has dusted off the tapes, and with help from Giles Martin, One Hand Clapping now sees the light of day.

One Hand Clapping features classic McCartney/Wings and a couple of Beatles songs along with a few new ones at the time. There are even songs here that have never been heard by fans, outside of bootlegs or those lucky enough to have the deluxe box set of Band On The Run which included the film One Hand Clapping. When McCartney handles his older material, he does so with new vigor and with the excitement of playing with a very hot band. “Maybe I’m Amazed” is fantastic, for example. It is better than the studio version on 1970’s McCartney, perhaps, but compare this version with Wings Over America, and one can hear a much tighter and exciting version. “Junior’s Farm” had not yet been released when the film was shot, and here it rocks. Again, maybe it is not better than the single, but one can hear how McCartney would have performed it live (which he didn’t do until 2019).

Some of the previously unreleased songs are much too short but they are demos and McCartney is obviously working on the songs. Songs like “All Of You” or “Love My Baby” both show promise and offer a glimpse into McCartney composing a song. “I’ll Give You A Ring” would be finished and released in 1982 as a B-side and “Let’s Love” would be given to Peggy Lee. But what makes the album so interesting are the older Wings songs, which had been recorded with the Wings Mach One. “Tomorrow”, “Wild Life” and “Hi Hi Hi” are vibrant, fresh and exciting to hear.

His take on Beatles songs is also quite fascinating. “The Long And Winding Road” is closer to how McCartney had envisioned the song, but, sadly, it is far too short as he combines it in a medley with “Lady Madonna”. Denny Laine gets a turn at the microphone with “Go Now”, a song that he sang with the original Moody Blues in 1965 and would revive on the Wings Over America Tour. It sounds great here and the whole band breathes new life into the song. The real gem here, however, is “Soily”. A solid rocker that McCartney recorded in the studio but performed live in his 1975 and 1976 tours. It is proof that McCartney did not calm down after “Helter Skelter” and that he could produce a heavy rocker as good as, if not better than anyone. It is a fantastic song.

Because this was filmed in 1974 and it seems that the band is preparing for a tour, there are a few songs from Band On The Run. Again, songs like “Jet” and “Let Me Roll It” have a tight live sound, songs like “Nineteen Hundred And Eighty Five” and “Bluebird” benefit from being live off the floor and are excellent examples to show just how good Wings were. McCartney also throws a couple of curveballs during these rockers by performing “Blue Moon Of Kentucky” (Elvis style) and his own “Sally G”, which would go on to chart on the country charts in North America.

McCartney had nothing to prove then or now. However, this album serves as a reminder that for a time, Wings were a contending band. McCartney went to great lengths to show them as a band rather than just his backing and One Hand Clapping helps with that argument.  This was a tight rock and roll band. In 1974, in many ways, McCartney was swimming against the tides of trends. This is not glam, pre-punk, disco, prog, or country rock. One Hand Clapping is a straight-ahead rocking album with a little English Music Hall thrown in for good measure. It is a brilliant small glimpse into McCartney and Wings creating in a studio. It is vibrant, energetic, and exciting and a welcome addition to McCartney’s ever-growing catalogue.



Artist Links

website_flat_2016 facebook_flat_2016 twitter_flat_2016 instagram_flat_2016

Editor Pick
Item Reviewed

SPILL ALBUM REVIEW: PAUL McCARTNEY & WINGS – ONE HAND CLAPPING

Author

Aaron Badgley

Here's what we think...
Spill Rating
Fan Rating
Rate Here
New Criteria
10
10
10
Total Spill Rating
10
Total Fan Rating
1 rating
You have rated this
Album Reviews
album reviewalbum reviewsjunior's farmmplone hand clappingpaul mccartney and wingssoilyuniversal music
album review, album reviews, junior's farm, mpl, one hand clapping, paul mccartney and wings, soily, universal music
About the Author
Aaron Badgley
Born and raised in Whitby, Aaron discovered music through his love of The Beatles. This led to a career in radio, writing for various publications, and ultimately a radio show about The Beatles (Beatles Universe), which ran for over four years. When not immersed in music, Aaron enjoys spending time with the loves of his life -- his wife Andrea, and daughters Emily and Linda (all of whom have an intense love of music too).
RELATED ARTICLES
album reviewalbum reviewsjunior's farm
 
8.0
Melissa Auf der Maur
4.7

SPILL ALBUM REVIEW: MELISSA AUF DER MAUR – BASS WOMB ROOM: MY ’90S 4-TRACK DEMOS X FIELD RECORDINGS

by Trish Melanson on September 4, 2026
MELISSA AUF DER MAUR BASS WOMB ROOM: MY ’90S 4-TRACK DEMOS X FIELD RECORDINGS ENVISION RECORDS Melissa Auf der Maur has been quite busy of late. Six months ago, she released Even the Good Girls Will Cry, her self-written memoir of her [...]
 
9.0
A. Lee Edwards
6.9

SPILL ALBUM REVIEW: A. LEE EDWARDS – INTERPRETING HEART SOUNDS VOL. II

by Ljubinko Zivkovic on September 4, 2026
A. LEE EDWARDS INTERPRETING HEART SOUNDS VOL. II YOU KNOW WHAT…?  RECORDS When you are a true songwriter (in both heart and mind) it is something, any discerning listener can hear instantly. It says that Interpreting Heart Sounds Vol. II [...]
 
8.0
Dexys Midnight Runners
6.1

SPILL ALBUM REVIEW: DEXYS MIDNIGHT RUNNERS – LOVE

by Ljubinko Zivkovic on September 4, 2026
DEXYS MIDNIGHT RUNNERS LOVE HEAVENLY RECORDINGS Kevin Rowland and his Dexys Midnight Runners have been around for decades now, and have gone through quite a number of changes, both in musical styles covered, as well as the number of members in [...]
 
8.0
Soft Loft
6.8

SPILL ALBUM REVIEW: SOFT LOFT – THROW THE DICE

by Ljubinko Zivkovic on September 4, 2026
SOFT LOFT THROW THE DICE PIAS Quite a few listeners will shy away from any type of music that has that pop label somewhere in its description. Yet, there should be no shying away from it, particularly if such an epithet is actually suitable. [...]
 
8.0
The Cranberries
10

SPILL ALBUM REVIEW: THE CRANBERRIES – LIVE AT THE LONDON ASTORIA II, 1994

by John Porter on September 4, 2026
THE CRANBERRIES LIVE AT THE LONDON ASTORIA II, 1994 ISLAND RECORDS I’ve already spoken about the peculiar happiness and melancholy that pervades any Cranberries release in 2026 in my recent take on their anniversary release, and this is another [...]

Latest Album Reviews
View All
 
SPILL ALBUM REVIEW: MELISSA AUF DER MAUR – BASS WOMB ROOM: MY...
8.0
4.7
 
SPILL ALBUM REVIEW: A. LEE EDWARDS – INTERPRETING HEART SOUND...
9.0
6.9
 
SPILL ALBUM REVIEW: DEXYS MIDNIGHT RUNNERS – LOVE
8.0
6.1
 
SPILL ALBUM REVIEW: SOFT LOFT – THROW THE DICE
8.0
6.8
 
SPILL ALBUM REVIEW: THE CRANBERRIES – LIVE AT THE LONDON ASTO...
8.0
10

STAY UP-TO-DATE
WITH OUR WEEKLY NEWSLETTER!

SPILL MAGAZINE MENU
  • Home | The Spill Magazine
  • Newsletter
  • Premieres
  • Track Of The Month
  • Album Reviews
  • Books + Movies
  • Features
  • Live Reviews
  • Festivals
  • Portraits
  • News
  • Events
  • Entertainment Headlines
  • Concert Listings
  • Toronto Concert Venues
  • About Us
  • Contests
  • New Music
  • Contributors
  • TOTD
  • Privacy Policy
  • The Scene Unseen
  • Newsletter

Copyright © 2026 | The Spill Magazine
All Rights Reserved.

TRENDING RIGHT NOW
   
 
SPILL TRACK OF THE MONTH: BLACK DOLDRUMS – “COMPULSION”
1365
 
SPILL LIVE REVIEW: ONES: THE BEATLES #1 HITS @ PRINCESS OF WALES THEATRE, TORONTO
1062
 
SPILL ALBUM REVIEW: THE WARNING – EVERYTHING’S FALLING
876
 
SPILL FEATURE: I AM OK WITH BEING OPTIMISTIC – A CONVERSATION WITH JOHN DOUGLAS OF TRASHCAN SINATRAS
815
 
SPILL ALBUM REVIEW: JETHRO TULL – J-TULL DOT COM: ANOTHER CAST OF THE NET (DELUXE EDITION)
810
 
SPILL VIDEO PREMIERE: SHAMUS – “SORCERESS”
792
 
SPILL ALBUM REVIEW: DEEP PURPLE – SPLAT!
790
 
SPILL NEWS: SUGAR SHARE NEW SINGLE “KEEP LOOPING”
739
 
SPILL NEWS: BUTCHER BABIES ANNOUNCE NEW ALBUM ‘NIGHTBLOOM’ | UNVEIL NEW VIDEO FOR “BLAME IT ON THE WIND”
738
 
SPILL LIVE REVIEW: THE GUESS WHO w/ DON FELDER @ SCOTIABANK SADDLEDOME, CALGARY (AB)
729
 
SPILL ALBUM REVIEW: THE WOMACK SISTERS – THE WOMACK SISTERS
727
 
SPILL MUSIC PREMIERE: COR DE LUX – “BLIND SMILE”
697
 
SPILL FEATURE: LET’S JUST START AGAIN – A CONVERSATION WITH NICK HEYWARD & LES NEMES OF HAIRCUT 100
675
ENTERTAINMENT HEADLINES