The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
16
new
SPILL MUSIC PREMIERE: IAMX – “INFINITE FEAR JETS {MIMETIC HEXES REWORK}”
SPILL FEATURE: WHEN I’M DONE, I’LL KEEP GOING – A CONVERSATION WITH CANADIAN FOLK LEGEND KEN WHITELEY
SPILL NEWS: BROKEN SOCIAL SCENE REVEAL NEW SINGLE “THE CALL” FROM UPCOMING LP ‘REMEMBER THE HUMANS’
SPILL NEW MUSIC: NEW SINGLE FROM BECK “RIDE LONESOME” OUT NOW
SPILL NEW MUSIC: POWERHOUSE TAKARA RETURNS WITH UNTOUCHABLE ALT WORLD POP ANTHEM “MONA LISA”
SPILL NEWS: HAYLEY AND THE CRUSHERS BOTTLE LIGHTNING (AND CHAOS) ON “JEWEL CASE”
SPILL NEWS: WIDOWSPEAK SHARE NEW SINGLE “NO DRIVER” ON CAPTURED RECORDS
SPILL NEWS: HUNX AND HIS PUNX ANNOUNCE ‘THE PUNKETTES’ OUT MAY 29 | NEW SINGLE “DEAD TO ME” OUT NOW + TOUR WITHY AMYL & THE SNIFFERS
SPILL NEWS: THE GENERATIONS TOUR FEATURING THREE ICONIC BRITISH ARTISTS THE HUMAN LEAGUE, SOFT CELL, AND ALISON MOYET SELLING OUT VENUES WITH LOW TICKET ALERTS ISSUED
SPILL NEW MUSIC: JUNO REACTOR – “MONA LISA OVERDRIVE (REAKY REAKSON REMIX)”
SPILL NEW MUSIC: DREAM POP ARTIST MOLLIE ELIZABETH SHARES “THE MIRROR” OUT ON NEON GOLD RECORDS
SPILL NEWS: BIF NAKED BRINGS DEFINITIVE NEW DOCUMENTARY TO DEPARTURE FESTIVAL + CONFERENCE
SPILL ALBUM REVIEW: CIGAR CLUB – VOL. II
SPILL ALBUM REVIEW: BRIAN WILSON – ON TOUR 1999-2007
SPILL ALBUM REVIEW: THE BLASTERS – RARE BLASTS: STUDIO OUTTAKES AND MOVIE MUSIC 1979-1985
SPILL NEW MUSIC: BETTY MOON RETURNS WITH STRANGELY BEAUTIFUL AND ELECTRIFYING NEW SINGLE “WANT ME TO” & CHANNELS RAW ENERGY AND INDEPENDENCE ON NEW EP ‘STRANGELY BEAUTIFUL’
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
  • Spill Menu
    • Reviews
      • Album Reviews
      • Features
      • Live Reviews
      • Festivals
    • Portraits
    • Headlines
      • News
      • Contests
      • Events
      • Entertainment Headlines
      • Concert Listings
      • Toronto Concert Venues
    • New Music
      • Premieres
      • Track Of The Day
    • Track Of The Month
    • Books + Movies
    • About
Album Reviews
738
Editor Pick
previous article
SPILL ALBUM REVIEW: HOW TO DRESS WELL - I AM TOWARD YOU
next article
SPILL LIVE REVIEW: GOOD KID @ THE DANFORTH MUSIC HALL, TORONTO

SPILL ALBUM REVIEW: INCUBUS – MORNING VIEW XXIII

Incubus

INCUBUS
MORNING VIEW XXIII
VIRGIN MUSIC

Morning View remains a pivotal moment for not only Incubus, but for the alternative rock as the genre grew out of the ‘90s and into the early aughts. At a time where much of rock was trying to recapture the magic of the early stages of the previous decade, Incubus’ 2001 album was a refreshing breakthrough that saw the band find their sound. Now, in celebration of the its 23rd anniversary, the band has rerecorded the album, live off the floor at the original studio – alongside new bassist, Nicole Row – making Morning View XXIII a strong reminder to the creative power of Incubus.

Opening with a slow building ambient soundscape, Morning View XXIII kicks off with an extended intro at the start of “Nice To Know You”. As Mike Einziger’s guitar swells and Brandon Boyd’s soft vocals echo over Jose Pasillas’ drums, there is something orchestral about this, almost reminiscent of a symphony tuning before their performance. As the song actually begins, Incubus sound strikingly strong. As a band that thrives in the live context, there is an explosive energy to “Nice To Know You”. Boyd’s vocals, in particular, have aged gracefully, still powerful but with a sense of refinement that comes with decades of recording and touring. Aided by lush vocal harmonies, “Nice To Know You” sets the tone for Morning View XXIII in exciting fashion.

Few bands could allow for mellow, groove centered verses to collide with choruses driven by such punishing waves of distorted riffs as Incubus. This is one of the greatest strengths behind Morning View XXIII. In addition to a series of anthemic choruses, the band sounds phenomenal and their performance is expertly dynamic, capturing hypnotic melodies alongside monstrous moments. Their performance of Morning View is very faithful to the original savea handful of minor moments. The most apparent is the use of backing vocal harmonies scattered across the record, something which Row proves to be a central part of. Beyond this, some of Einziger’s lead lines have an improvised and modern stylistic tone to them, particularly in “Are You In?” and “Echo” features an all-new outro section that feels significantly more climatic. Across the 13 tracks present, additional highlights include “Warning”, “11 am”, “Circles”, “Wish You Were Here”, and “Aqueous Transmission”. That being said, just as with the original, there is not a moment of weakness on Morning View XXIII.

Morning View XXIII is purely built upon the notion of nostalgia; however, rather than repackage their seminal album with demos and live cuts from decades past, Incubus has chosen to revisit its seminal album in a truly meaningful way. By no means does this new version of Morning View overshadow the original, instead, it feels like a necessary companion piece that demonstrates the longevity of Incubus, while celebrating its past creative triumphs – a model that should prove inspiring for other bands to consider for future anniversary releases. Most impressively, this only stands as a strong addition to the original album’s legacy, demonstrating a sense of longevity to the band’s songwriting and enduring artistry, making Morning View XXIII an essential piece of the Incubus catalogue.



Artist Links

website_flat_2016 facebook_flat_2016 twitter_flat_2016 instagram_flat_2016

Editor Pick
Item Reviewed

SPILL ALBUM REVIEW: INCUBUS – MORNING VIEW XXIII

Author

Gerrod Harris

Here's what we think...
Spill Rating
Fan Rating
Rate Here
New Criteria
10
6.4
9.0
Total Spill Rating
6.4
Total Fan Rating
2 ratings
You have rated this
Album Reviews
album reviewalbum reviewsincubusmorning viewmorning view xxiiivirgin musicwish you were here
album review, album reviews, incubus, morning view, morning view xxiii, virgin music, wish you were here
About the Author
Gerrod Harris
Gerrod Harris is a Toronto based musician, writer, and podcast host. Since 2017, he has actively contributed to The Spill Magazine through coverage focused on a wide array of artists and genres alike. In addition to his writing, Harris hosts the podcast, Beats by Ger, where he delves into various aspects of music, sharing insights and engaging relevant discussions. As the drummer and manager of independent rock band, One in the Chamber, his passion for music goes beyond the pen as an active member of Toronto's vibrant musical community.
RELATED ARTICLES
album reviewalbum reviewsincubus
 
10
Cigar Club
10

SPILL ALBUM REVIEW: CIGAR CLUB – VOL. II

by Gerrod Harris on April 18, 2026
CIGAR CLUB VOL. II INDEPENDENT Toronto’s Cigar Club remains one of the most unique and vital bands within the Southern Ontario scene. As they make their return with their second full-length studio album, following 2021’s Day, Now and, more [...]
 
9.0
Brian Wilson
10

SPILL ALBUM REVIEW: BRIAN WILSON – ON TOUR 1999-2007

by Aaron Badgley on April 18, 2026
BRIAN WILSON ON TOUR 1999-2007 OGLIO RECORDS I have said it before, and I will say it again, Brian Wilson’s solo music has never really received the recognition it deserves. As a solo artist, he wrote, produced, and recorded some brilliant [...]
 
7.0
The Blasters

SPILL ALBUM REVIEW: THE BLASTERS – RARE BLASTS: STUDIO OUTTAKES AND MOVIE MUSIC 1979-1985

by Norman Darwen on April 18, 2026
THE BLASTERS RARE BLASTS: STUDIO OUTTAKES AND MOVIE MUSIC 1979-1985   LIBERATION HALL An American Music Story: The Complete Studio Recordings 1979-1985 was a superb release in last year’s Record Store Day offerings, a comprehensive five LP [...]
 
9.0
LØLØ
10

SPILL ALBUM REVIEW: LØLØ – GOD FORBID A GIRL SPITS OUT HER FEELINGS

by Mercedes Chircop on April 17, 2026
LØLØ GOD FORBID A GIRL SPITS OUT HER FEELINGS COALITION MUSIC LØLØ’s latest release, god forbid a girl spits out her feelings, plays like a confessional you weren’t necessarily meant to hear, but can’t look away from. There’s an intimacy woven [...]
 
9.0
Foxtide

SPILL ALBUM REVIEW: FOXTIDE – ENTROPY

by Ljubinko Zivkovic on April 17, 2026
FOXTIDE ENTROPY POSITION MUSIC California sounds revival? Not called as such yet, but that line leading from The Beach Boys and Buffalo Springfield through the ‘70s scene seems to be being revived and modernized by the likes of The Lemon Twigs [...]

Latest Album Reviews
View All
 
SPILL ALBUM REVIEW: CIGAR CLUB – VOL. II
10
10
 
SPILL ALBUM REVIEW: BRIAN WILSON – ON TOUR 1999-2007
9.0
10
 
SPILL ALBUM REVIEW: THE BLASTERS – RARE BLASTS: STUDIO OUTTAK...
7.0
 
SPILL ALBUM REVIEW: LØLØ – GOD FORBID A GIRL SPITS OUT HER FE...
9.0
10
 
SPILL ALBUM REVIEW: FOXTIDE – ENTROPY
9.0

STAY UP-TO-DATE
WITH OUR WEEKLY NEWSLETTER!

SPILL MAGAZINE MENU
  • Home | The Spill Magazine
  • Newsletter
  • Premieres
  • SPILL RETRO REVIEWS
  • Track Of The Month
  • Album Reviews
  • Books + Movies
  • Features
  • Live Reviews
  • Festivals
  • Portraits
  • News
  • Events
  • Entertainment Headlines
  • Concert Listings
  • Toronto Concert Venues
  • About Us
  • Contests
  • New Music
  • Contributors
  • TOTD
  • Privacy Policy
  • The Scene Unseen
  • Newsletter

Copyright © 2026 | The Spill Magazine
All Rights Reserved.

TRENDING RIGHT NOW
   
 
SPILL FEATURE: IT’S ABOUT THE CLIMB – A CONVERSATION WITH GORILLAZ
3384
 
SPILL TRACK OF THE MONTH: DAYS OF SORROW – “WHO WE ARE”
933
 
SPILL LIVE REVIEW: TENILLE TOWNES @ RICHMOND HILL CENTRE FOR THE PERFORMING ARTS, RICHMOND HILL
889
 
🇨🇦 SPILL CONTEST: WIN A BOB & DOUG McKENZIE – GREAT WHITE NORTH & STRANGE BREW (44 ¾ ANNIVERSARY) PRIZE PACK! 🇨🇦
864
 
SPILL ALBUM REVIEW: MOBY – FUTURE QUIET
861
 
SPILL ALBUM REVIEW: PUSCIFER – NORMAL ISN’T
730
 
SPILL NEWS: THE AFGHAN WHIGS RELEASE NEW SINGLE “HOUSE OF I” | THEIR FIRST NEW MUSIC SINCE 2022
727
 
SPILL ALBUM REVIEW: BECK – EVERYBODY’S GOTTA LEARN SOMETIME
696
 
SPILL ALBUM REVIEW: GOLDFINGER – NINE LIVES
679
 
SPILL ALBUM REVIEW: THE DAMNED – NOT LIKE EVERYBODY ELSE
679
 
SPILL ALBUM REVIEW: BRIAN WILSON – ON TOUR 1999-2007
667
 
SPILL ALBUM REVIEW: SQUEEZE – TRIXIES
552
 
SPILL ALBUM REVIEW: BILL ORCUTT – MUSIC IN CONTINUOUS MOTION
520
ENTERTAINMENT HEADLINES