The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
  • Spill Menu
    • Reviews
      • Album Reviews
      • Features
      • Live Reviews
      • Festivals
    • Portraits
    • Headlines
      • News
      • Contests
      • Events
      • Entertainment Headlines
      • Concert Listings
      • Toronto Concert Venues
    • New Music
      • Premieres
      • Track Of The Day
    • Track Of The Month
    • Books + Movies
    • About
Album Reviews
188
previous article
SPILL NEW MUSIC: BASEMENT REVOLVER - "RED LIGHT"
next article
SPILL ALBUM REVIEW: LOREENA McKENNITT - THE ROAD BACK HOME

SPILL ALBUM REVIEW: MARK EGAN/SHAWN PELOT/SHANE THERIOT – CROSS CURRENTS

Mark Egan

MARK EGAN/SHAWN PELOT/SHANE THERIOT
CROSS CURRENTS
WAVETONE RECORDS

Mark Egan has made a name for himself as a solo artist, a collaborator, and as a member of Pat Metheny’s band. Egan may be known as a jazz musician, but he is much more than that. He has done a great deal of studio/session work as well. For his last album, he joined up with Danny Gottlieb (2020’s Electric Blue). Now, for Cross Currents, he has gone one step further and is working as a powerhouse trio. Here he teams up drummer Shawn Pelot (Saturday Night Live Band and numerous session credits) and guitarist Shane Theriot (musical director for Daryl Hall and John Oates and session credits). Both musicians are seasoned players and producers. They also come from different disciplines and genres.

The trio has come together and recorded an album that defies category. It is not jazz or even jazz-fusion, but rather, as the title Cross Currents says, it is a cross between many different sounds, styles, and genres. It is a remarkable album, full of brilliant playing, but most importantly, a great deal of emotion. Even though it is instrumental, the musicians convey a great deal through their playing and the mix of styles. Quite simply, there is a lot going on with this album.

It opens with the Theriot composition, “Pontchartrain”, a very upbeat, breezy rock song, with an incredible solo. The song highlights his acoustic playing but also features a searing guitar solo that is almost unbelievable. Egan provides a very melodic bass and Pelot holds it together with his expert drumming. And this is just the first track. It certainly sets the stage for what is to come.

Egan and Theriot came up with the wistful “Blue Sky” together, which features a wonderful sparse arrangement. Although Egan wrote the majority of the album, Theriot offers up other great songs such as “Sunflower” and “Homebrew”, a song that harkens back to older rock guitar sounds and it works. Pelot brought “Nonc Rodell” to the party. This is a loving tribute to his uncle (‘Nonc’ is a Cajun term for ‘uncle’). Pelor provides inspiring drumming during the song and it is a beautiful piece.

Egan writes strong melodies as well and has come up with a number of songs that are intriguing and engaging. “Sand Castles” is a very moving song that takes me back to my childhood while listening to the incredible bass and tune. His tribute to jazz trumpeter and composer, Lew Soloff (“For Lew Soloff With Love”) is another heartbreaking song that says a great deal without any vocals. It is a work of art. The last track on the album is the far too short “Ode To Jaco”, a song for Egan’s fellow Pat Metheny band member, legendary Jaco Pastorius III. Again, this is a heartfelt piece that says a great deal.

Cross Currents is a strong album, which should be listened to with headphones. There is a lot going on throughout the music and the listener will have a much better experience with headphones than listening to it through speakers. It is a strong album full of different sounds, with jazz being the flexible foundation. There is a lot to discover throughout, and it should attract new fans for all three artists. Even though they are serious about their playing and the tributes, this album does have a spirit of fun. It is an enjoyable ride, and one can hear three very seasoned players enjoying playing music.


SPILL FEATURE: CROSS CURRENTS – A CONVERSATION WITH MARK EGAN



Artist Links

website_flat_2016 facebook_flat_2016 twitter_flat_2016

Item Reviewed

SPILL ALBUM REVIEW: MARK EGAN/SHAWN PELOT/SHANE THERIOT – CROSS CURRENTS

Author

Aaron Badgley

Here's what we think...
Spill Rating
Fan Rating
Rate Here
New Criteria
10
9.1
8.0
Total Spill Rating
9.1
Total Fan Rating
1 rating
You have rated this
Album Reviews
album reviewalbum reviewscross currentsfeaturesmark eganpat menthanyshane theriotshawn pelotwavetone records
album review, album reviews, cross currents, features, mark egan, pat menthany, shane theriot, shawn pelot, wavetone records
About the Author
Aaron Badgley
Born and raised in Whitby, Aaron discovered music through his love of The Beatles. This led to a career in radio, writing for various publications, and ultimately a radio show about The Beatles (Beatles Universe), which ran for over four years. When not immersed in music, Aaron enjoys spending time with the loves of his life -- his wife Andrea, and daughters Emily and Linda (all of whom have an intense love of music too).
RELATED ARTICLES
album reviewalbum reviewscross currents
 
8.0
Litvar
7.5

SPILL ALBUM REVIEW: LITVAR – BEING HERE

by Ljubinko Zivkovic on July 31, 2026
LITVAR BEING HERE MOTHER WEST RECORDS Litvar’s frontman Rex Thurstan describes the band’s new offering, Being Here, as “a bare, stripped-back folk record.” Yet, that might be stretching it a bit. Of course, Thurstan might [...]
 
9.0
Church of Trees
7.7

SPILL ALBUM REVIEW: CHURCH OF TREES – TEN

by Aaron Badgley on July 31, 2026
CHURCH OF TREES TEN INDEPENDENT Church of Trees is a very prolific band. Since Bernard Frazer introduced the band to the world in 2017, they have released nine albums. Ten is their tenth, and, to date, their best. Although Frazer has been the [...]
 
7.0
Cindy Blackman Santana
5.5

SPILL ALBUM REVIEW: CINDY BLACKMAN SANTANA – COHERENCE

by Gerrod Harris on July 31, 2026
CINDY BLACKMAN SANTANA COHERENCE MACK AVENUE RECORDS Following 2020’s Give The Drummer Some, Cindy Blackman Santana has returned with her seventh solo studio album, Coherence. The album takes a distinct turn towards contemporary jazz fusion, [...]
 
8.0
Dead Horse Beats
9.0

SPILL ALBUM REVIEW: DEAD HORSE BEATS – CHILLING EFFECT

by Sanjeev Wignarajah on July 31, 2026
DEAD HORSE BEATS CHILLING EFFECT BASTARD JAZZ RECORDINGS Montreal/Toronto’s Dead Horse Beats, brainchild of Patrick Wade, have released its fourth studio album, Chilling Effect. The eight-track album fuses late ‘70s R&B, yacht rock, baroque [...]
 
8.0
DOMi & JD Beck
7.4

SPILL ALBUM REVIEW: DOMI & JD BECK – WHO ASKED?

by Sanjeev Wignarajah on July 31, 2026
DOMI & JD BECK WHO ASKED? BLUE NOTE RECORDS From going viral over their cover of the late rapper MF DOOM’s “ALL CAPS” to their incredible 2022 debut album NOT TiGHT. French American jazz duo DOMi Louna and JD Beck have released their [...]

Latest Album Reviews
View All
 
SPILL ALBUM REVIEW: LITVAR – BEING HERE
8.0
7.5
 
SPILL ALBUM REVIEW: CHURCH OF TREES – TEN
9.0
7.7
 
SPILL ALBUM REVIEW: CINDY BLACKMAN SANTANA – COHERENCE
7.0
5.5
 
SPILL ALBUM REVIEW: DEAD HORSE BEATS – CHILLING EFFECT
8.0
9.0
 
SPILL ALBUM REVIEW: DOMI & JD BECK – WHO ASKED?
8.0
7.4

STAY UP-TO-DATE
WITH OUR WEEKLY NEWSLETTER!

SPILL MAGAZINE MENU
  • Home | The Spill Magazine
  • Newsletter
  • Premieres
  • Track Of The Month
  • Album Reviews
  • Books + Movies
  • Features
  • Live Reviews
  • Festivals
  • Portraits
  • News
  • Events
  • Entertainment Headlines
  • Concert Listings
  • Toronto Concert Venues
  • About Us
  • Contests
  • New Music
  • Contributors
  • TOTD
  • Privacy Policy
  • The Scene Unseen
  • Newsletter

Copyright © 2026 | The Spill Magazine
All Rights Reserved.

TRENDING RIGHT NOW
   
 
SPILL ALBUM REVIEW: SOCIAL DISTORTION – BORN TO KILL
1284
 
SPILL VIDEO PREMIERE: SHAMUS – “SORCERESS”
775
 
SPILL ALBUM REVIEW: DEEP PURPLE – SPLAT!
740
 
SPILL NEWS: SUGAR SHARE NEW SINGLE “KEEP LOOPING”
727
 
SPILL FEATURE: LET’S JUST START AGAIN – A CONVERSATION WITH NICK HEYWARD & LES NEMES OF HAIRCUT 100
652
 
SPILL LIVE REVIEW: THE GUESS WHO w/ DON FELDER @ SCOTIABANK SADDLEDOME, CALGARY (AB)
617
 
SPILL ALBUM REVIEW: DOUBLESPEAK – DOUBLESPEAK
541
 
SPILL ALBUM REVIEW: KELZ – A SWEET PASSERBY
528
 
SPILL ALBUM REVIEW: MODEST MOUSE – AN ERASER AND A MAZE
518
 
SPILL FEATURE: AFTER THE ASTRONAUT – A CONVERSATION WITH KING COFFEY OF BUTTHOLE SURFERS
484
 
SPILL NEW MUSIC: SAINT AGNES RELEASE VISUALISER FOR NEW SINGLE “THE BEAST”
448
 
SPILL VIDEO PREMIERE: KYE ALFRED HILLIG – “ON SMALL WINGS”
441
 
SPILL ALBUM REVIEW: THE LEMON TWIGS – LOOK FOR YOUR MIND!
429
ENTERTAINMENT HEADLINES