The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
    • Portraits
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
16
new
SPILL NEWS: DJ SHADOW ANNOUNCES DETAILS OF 30TH ANNIVERSARY EDITION OF HIS MUCH-ACCLAIMED DEBUT ALBUM ENDTRODUCING | OUT SEPTEMBER 18 VIA MO’WAX / [PIAS] RECORDINGS
SPILL NEWS: SIGNALS FROM THE FUTURE: INTRODUCING THE LUCY DREAMS PERFUME
SPILL NEW MUSIC: KMFDM – “ENEMY (INHALT GELD ’88 REMIX)”
SPILL NEW MUSIC: RUSH CONTINUE ‘FIFTY SOMETHING’ CELEBRATION WITH ‘2112 (50TH ANNIVERSARY)’ AND ‘THE SPIRIT OF RADIO: GREATEST HITS 1974-1987’
SPILL ALBUM REVIEW: THE MOUNTAIN GOATS – DAYS
SPILL ALBUM REVIEW: CANCER BATS – GIVE ME DIRT
SPILL ALBUM REVIEW: STRAWBERRY ALARM CLOCK – WHERE’S ONE?
SPILL ALBUM REVIEW: JOHN CARPENTER – CATHEDRAL
SPILL CONTEST: WIN A PAIR OF TICKETS TO SEE CHIODOS IN TORONTO AT THE CONCERT HALL ON AUGUST 19!
SPILL NEW MUSIC: ARIANA FIG – “I HOPE YOU LOVE ME”
SPILL NEW MUSIC: ARK IDENTITY DELIVERS A TENSE, SURREAL JOURNEY ON GENRE-DEFYING NEW SINGLE “SIGNALS”
SPILL VIDEO PREMIERE: SLEDDING – “MY GOLDEN TEMPO”
SPILL MUSIC PREMIERE: GO PUBLIC – “DREAM OVER”
SPILL NEW MUSIC: M. WOODROE RELEASE BRAND NEW SINGLE “CARTE BLANCHE” VIA VENN RECORDS | DEBUT EP ‘THE TREATMENT OF FRACTURES’ ARRIVES SEPTEMBER 18
SPILL NEWS: CAT CLYDE ANNOUNCES CO-HEADLINE TOUR WITH DEAN JOHNSON IN WESTERN U.S. & CANADA | ACCLAIMED NEW ALBUM ‘MUD BLOOD BONE’ OUT NOW
SPILL NEWS: BETTY MOON’S 2003 ALBUM ‘DOLL MACHINE’ ARRIVES ON STREAMING PLATFORMS FOR THE FIRST TIME
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
    • Portraits
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
  • Spill Menu
    • Reviews
      • Album Reviews
      • Features
      • Live Reviews
      • Festivals
    • Headlines
      • News
      • Contests
      • Events
      • Entertainment Headlines
      • Concert Listings
      • Toronto Concert Venues
      • Portraits
    • New Music
      • Premieres
      • Track Of The Day
    • Track Of The Month
    • Books + Movies
    • About
Album Reviews
206
Editor Pick
previous article
SPILL NEW MUSIC: THE NEIGBOURHOOD WATCH - "PATIENT LOVE"
next article
SPILL ALBUM REVIEW: GRAYMANE - HEAL

SPILL ALBUM REVIEW: MONOWHALES – WHO’S THERE TO HEAR ME OUT?

Monowhales

MONOWHALES
WHO’S THERE TO HEAR ME OUT?
INDEPENDENT

After a massive 2023 which saw the band releasing singles while touring across North America – including festival appearances at Ottawa Blues Fest, Sound Of Music Fest, and SOMMO Fest – Toronto’s very own Monowhales have released their newest EP. Who’s There To Hear Me Out? follows 2022’s full-length album, Tunnel Vision and is their fourth major release.

The EP opens with the lead single, “Hear Me Out”, a melancholic, alternative rock slow burner that is elevated by a rich arrangement that organically grows towards a massive chorus. The song marks a step forward for the band from the perspectives of not only songwriting and performance, but production as well. “Hear Me Out” is densely packed yet feels light on its feet, so much so that you can appreciate each rhythmic and melodic variation in the vocals and the instrumentation. The second single, “Backbone”, follows with a greater sense of weight behind its slower sway. Sally Shaar’s vocals are melodic and powerful and play a strong counterpoint to abrasive synths and wild guitars. Without a doubt, this very well could be the strongest song to come from Monowhales yet.

The remaining half of Who’s There To Hear Me Out? includes a pair of unreleased songs. The first is “Flatbread” a track driven by a floaty, offbeat groove that feels, at moments, incredibly loose, despite the band locking together tightly. “Flatbread” makes for an alternative experiment in creativity that makes the EP better for its inclusion. “Backbone – Cinematic Version” brings the EP to a close with an arrangement that lives up to its name. The song features an extended bridge section, an ambient soundscape that erupts violently into a climactic and eclectically intense guitar solo, ultimately bringing Who’s There To Hear Me Out? to a stellar close.

With each and every release, Monowhales continue to scale to new and impressive heights. Who’s There To Hear Me Out? is not exception; rather, the short-lived, four-track EP sees the band leap forward exponentially. The record is super alternative, a bit grittier than you’d expect as they flex a meaner, leaner side along with a darker tone, all the while being catchy as all hell and absolutely badass in their delivery. Monowhales are raising the bar for alternative rock with Who’s There To Hear Me Out?.



Artist Links

website_flat_2016 facebook_flat_2016 twitter_flat_2016 instagram_flat_2016

Editor Pick
Item Reviewed

SPILL ALBUM REVIEW: MONOWHALES – WHO’S THERE TO HEAR ME OUT?

Author

Gerrod Harris

Here's what we think...
Spill Rating
Fan Rating
Rate Here
New Criteria
10
—
9.0
Total Spill Rating
—
Total Fan Rating
You have rated this
Album Reviews
album reviewalbum reviewsbackbonemonowhaleswho's there to hear me out?
album review, album reviews, backbone, monowhales, who's there to hear me out?
About the Author
Gerrod Harris
Gerrod Harris is a Toronto based musician, writer, and podcast host. Since 2017, he has actively contributed to The Spill Magazine through coverage focused on a wide array of artists and genres alike. In addition to his writing, Harris hosts the podcast, Beats by Ger, where he delves into various aspects of music, sharing insights and engaging relevant discussions. As the drummer and manager of independent rock band, One in the Chamber, his passion for music goes beyond the pen as an active member of Toronto's vibrant musical community.
RELATED ARTICLES
album reviewalbum reviewsmonowhales
 
8.0
The Mountain Goats

SPILL ALBUM REVIEW: THE MOUNTAIN GOATS – DAYS

by Nathan Pike on August 7, 2026
THE MOUNTAIN GOATS DAYS CADMEAN DAWN RECORDS Reviewing a Mountain Goats album can be a bit of a tall order. It’s like trying to describe the taste of an apple to an apple virgin. There are so many variables and textures and tastes that [...]
 
8.0
Cancer Bats
8.8

SPILL ALBUM REVIEW: CANCER BATS – GIVE ME DIRT

by Gerrod Harris on August 7, 2026
CANCER BATS GIVE ME DIRT BAT SKULL RECORDS/NEW DAMAGE RECORDS Riding high off the 20-year anniversary of their debut album, Birthing The Giant, which was celebrated with a triumphant cross-Canada tour, Cancer Bats have returned with Give Me [...]
 
9.0
Strawberry Alarm Clock
8.5

SPILL ALBUM REVIEW: STRAWBERRY ALARM CLOCK – WHERE’S ONE?

by Aaron Badgley on August 7, 2026
STRAWBERRY ALARM CLOCK WHERE’S ONE? BIG STIR RECORDS When Strawberry Alarm Clock formed in 1967, it was really the coming together of two bands (Thee Sixpence and Waterfyrd Traene), and when they released their debut single, “Incense and [...]
 
10
John Carpenter
6.5

SPILL ALBUM REVIEW: JOHN CARPENTER – CATHEDRAL

by Samantha Andujar on August 7, 2026
JOHN CARPENTER CATHEDRAL SACRED BONES RECORDS  John Carpenter has long been known for turning nightmares into something tangible. For Carpenter’s new album, Cathedral, this is no different. In many ways, it grimly depicts a setting befitting of [...]
 
7.0
Charlie Edward
9.0

SPILL ALBUM REVIEW: CHARLIE EDWARD – PUSHING MY LUCK

by Gerrod Harris on July 31, 2026
CHARLIE EDWARD PUSHING MY LUCK ADA/WARNER MUSIC CANADA When not sharing the stage with Big Wreck, Joe Perry, Mötley Crüe, or Greta Van Fleet, Toronto’s Charlie Edward has spent much of the last year writing and recording the follow-up to his [...]

Latest Album Reviews
View All
 
SPILL ALBUM REVIEW: THE MOUNTAIN GOATS – DAYS
8.0
 
SPILL ALBUM REVIEW: CANCER BATS – GIVE ME DIRT
8.0
8.8
 
SPILL ALBUM REVIEW: STRAWBERRY ALARM CLOCK – WHERE’S ONE?
9.0
8.5
 
SPILL ALBUM REVIEW: JOHN CARPENTER – CATHEDRAL
10
6.5
 
SPILL ALBUM REVIEW: CHARLIE EDWARD – PUSHING MY LUCK
7.0
9.0

STAY UP-TO-DATE
WITH OUR WEEKLY NEWSLETTER!

SPILL MAGAZINE MENU
  • Home | The Spill Magazine
  • Newsletter
  • Premieres
  • Track Of The Month
  • Album Reviews
  • Books + Movies
  • Features
  • Live Reviews
  • Festivals
  • Portraits
  • News
  • Events
  • Entertainment Headlines
  • Concert Listings
  • Toronto Concert Venues
  • About Us
  • Contests
  • New Music
  • Contributors
  • TOTD
  • Privacy Policy
  • The Scene Unseen
  • Newsletter

Copyright © 2026 | The Spill Magazine
All Rights Reserved.

TRENDING RIGHT NOW
   
 
SPILL LIVE REVIEW: ONES: THE BEATLES #1 HITS @ PRINCESS OF WALES THEATRE, TORONTO
981
 
SPILL VIDEO PREMIERE: SHAMUS – “SORCERESS”
778
 
SPILL ALBUM REVIEW: DEEP PURPLE – SPLAT!
753
 
SPILL NEWS: SUGAR SHARE NEW SINGLE “KEEP LOOPING”
728
 
SPILL LIVE REVIEW: THE GUESS WHO w/ DON FELDER @ SCOTIABANK SADDLEDOME, CALGARY (AB)
663
 
SPILL FEATURE: I AM OK WITH BEING OPTIMISTIC – A CONVERSATION WITH JOHN DOUGLAS OF TRASHCAN SINATRAS
659
 
SPILL FEATURE: LET’S JUST START AGAIN – A CONVERSATION WITH NICK HEYWARD & LES NEMES OF HAIRCUT 100
658
 
SPILL ALBUM REVIEW: DOUBLESPEAK – DOUBLESPEAK
556
 
SPILL ALBUM REVIEW: KELZ – A SWEET PASSERBY
541
 
SPILL ALBUM REVIEW: MODEST MOUSE – AN ERASER AND A MAZE
526
 
SPILL FEATURE: AFTER THE ASTRONAUT – A CONVERSATION WITH KING COFFEY OF BUTTHOLE SURFERS
490
 
SPILL NEW MUSIC: SAINT AGNES RELEASE VISUALISER FOR NEW SINGLE “THE BEAST”
451
 
SPILL VIDEO PREMIERE: KYE ALFRED HILLIG – “ON SMALL WINGS”
448
ENTERTAINMENT HEADLINES