The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
    • Portraits
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
13
new
SPILL ALBUM REVIEW: MELISSA AUF DER MAUR – BASS WOMB ROOM: MY ’90S 4-TRACK DEMOS X FIELD RECORDINGS
SPILL ALBUM REVIEW: A. LEE EDWARDS – INTERPRETING HEART SOUNDS VOL. II
SPILL ALBUM REVIEW: DEXYS MIDNIGHT RUNNERS – LOVE
SPILL ALBUM REVIEW: SOFT LOFT – THROW THE DICE
SPILL ALBUM REVIEW: THE CRANBERRIES – LIVE AT THE LONDON ASTORIA II, 1994
SPILL ALBUM REVIEW: BEN FOLDS FIVE – BEN FOLDS FIVE (30th ANNIVERSARY EDITION)
SPILL NEW MUSIC: RAYMOND J. LUSTIG – “THAT’S THE MOMENT”
SPILL VIDEO PREMIERE: THE HOUSE FLIES – “DERELICT CRAWL”
SPILL ALBUM PREMIERE: THE ROOM – DOOM POP!
SPILL NEWS: THE KENSINGTON MARKET JAZZ FESTIVAL RETURNS FOR ITS 11th YEAR SEPTEMBER 18 TO 20 WITH FIRST ARTISTS CONFIRMED
SPILL FEATURE: THE STORIES BEHIND THE IMAGES – A CONVERSATION WITH PHOTOGRAPHER BOB GRUEN
SPILL NEW MUSIC: THE WHO’S CLASSIC ALBUM ‘THE WHO BY NUMBERS’ TO BE REVISITED AS A SUPER DELUXE EDITION FOR ITS 50th ANNIVERSARY
SPILL TRACK OF THE MONTH: BLACK DOLDRUMS – “COMPULSION”
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
    • Portraits
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
  • Spill Menu
    • Reviews
      • Album Reviews
      • Features
      • Live Reviews
      • Festivals
    • Headlines
      • News
      • Contests
      • Events
      • Entertainment Headlines
      • Concert Listings
      • Toronto Concert Venues
      • Portraits
    • New Music
      • Premieres
      • Track Of The Day
    • Track Of The Month
    • Books + Movies
    • About
Album Reviews
214
Editor Pick
previous article
SPILL NEW MUSIC: THE NEIGBOURHOOD WATCH - "PATIENT LOVE"
next article
SPILL ALBUM REVIEW: GRAYMANE - HEAL

SPILL ALBUM REVIEW: MONOWHALES – WHO’S THERE TO HEAR ME OUT?

Monowhales

MONOWHALES
WHO’S THERE TO HEAR ME OUT?
INDEPENDENT

After a massive 2023 which saw the band releasing singles while touring across North America – including festival appearances at Ottawa Blues Fest, Sound Of Music Fest, and SOMMO Fest – Toronto’s very own Monowhales have released their newest EP. Who’s There To Hear Me Out? follows 2022’s full-length album, Tunnel Vision and is their fourth major release.

The EP opens with the lead single, “Hear Me Out”, a melancholic, alternative rock slow burner that is elevated by a rich arrangement that organically grows towards a massive chorus. The song marks a step forward for the band from the perspectives of not only songwriting and performance, but production as well. “Hear Me Out” is densely packed yet feels light on its feet, so much so that you can appreciate each rhythmic and melodic variation in the vocals and the instrumentation. The second single, “Backbone”, follows with a greater sense of weight behind its slower sway. Sally Shaar’s vocals are melodic and powerful and play a strong counterpoint to abrasive synths and wild guitars. Without a doubt, this very well could be the strongest song to come from Monowhales yet.

The remaining half of Who’s There To Hear Me Out? includes a pair of unreleased songs. The first is “Flatbread” a track driven by a floaty, offbeat groove that feels, at moments, incredibly loose, despite the band locking together tightly. “Flatbread” makes for an alternative experiment in creativity that makes the EP better for its inclusion. “Backbone – Cinematic Version” brings the EP to a close with an arrangement that lives up to its name. The song features an extended bridge section, an ambient soundscape that erupts violently into a climactic and eclectically intense guitar solo, ultimately bringing Who’s There To Hear Me Out? to a stellar close.

With each and every release, Monowhales continue to scale to new and impressive heights. Who’s There To Hear Me Out? is not exception; rather, the short-lived, four-track EP sees the band leap forward exponentially. The record is super alternative, a bit grittier than you’d expect as they flex a meaner, leaner side along with a darker tone, all the while being catchy as all hell and absolutely badass in their delivery. Monowhales are raising the bar for alternative rock with Who’s There To Hear Me Out?.



Artist Links

website_flat_2016 facebook_flat_2016 twitter_flat_2016 instagram_flat_2016

Editor Pick
Item Reviewed

SPILL ALBUM REVIEW: MONOWHALES – WHO’S THERE TO HEAR ME OUT?

Author

Gerrod Harris

Here's what we think...
Spill Rating
Fan Rating
Rate Here
New Criteria
10
—
9.0
Total Spill Rating
—
Total Fan Rating
You have rated this
Album Reviews
album reviewalbum reviewsbackbonemonowhaleswho's there to hear me out?
album review, album reviews, backbone, monowhales, who's there to hear me out?
About the Author
Gerrod Harris
Gerrod Harris is a Toronto based musician, writer, and podcast host. Since 2017, he has actively contributed to The Spill Magazine through coverage focused on a wide array of artists and genres alike. In addition to his writing, Harris hosts the podcast, Beats by Ger, where he delves into various aspects of music, sharing insights and engaging relevant discussions. As the drummer and manager of independent rock band, One in the Chamber, his passion for music goes beyond the pen as an active member of Toronto's vibrant musical community.
RELATED ARTICLES
album reviewalbum reviewsmonowhales
 
8.0
Melissa Auf der Maur

SPILL ALBUM REVIEW: MELISSA AUF DER MAUR – BASS WOMB ROOM: MY ’90S 4-TRACK DEMOS X FIELD RECORDINGS

by Trish Melanson on September 4, 2026
MELISSA AUF DER MAUR BASS WOMB ROOM: MY ’90S 4-TRACK DEMOS X FIELD RECORDINGS ENVISION RECORDS Melissa Auf der Maur has been quite busy of late. Six months ago, she released Even the Good Girls Will Cry, her self-written memoir of her [...]
 
9.0
A. Lee Edwards

SPILL ALBUM REVIEW: A. LEE EDWARDS – INTERPRETING HEART SOUNDS VOL. II

by Ljubinko Zivkovic on September 4, 2026
A. LEE EDWARDS INTERPRETING HEART SOUNDS VOL. II YOU KNOW WHAT…?  RECORDS When you are a true songwriter (in both heart and mind) it is something, any discerning listener can hear instantly. It says that Interpreting Heart Sounds Vol. II [...]
 
8.0
Dexys Midnight Runners

SPILL ALBUM REVIEW: DEXYS MIDNIGHT RUNNERS – LOVE

by Ljubinko Zivkovic on September 4, 2026
DEXYS MIDNIGHT RUNNERS LOVE HEAVENLY RECORDINGS Kevin Rowland and his Dexys Midnight Runners have been around for decades now, and have gone through quite a number of changes, both in musical styles covered, as well as the number of members in [...]
 
8.0
Soft Loft

SPILL ALBUM REVIEW: SOFT LOFT – THROW THE DICE

by Ljubinko Zivkovic on September 4, 2026
SOFT LOFT THROW THE DICE PIAS Quite a few listeners will shy away from any type of music that has that pop label somewhere in its description. Yet, there should be no shying away from it, particularly if such an epithet is actually suitable. [...]
 
8.0
The Cranberries

SPILL ALBUM REVIEW: THE CRANBERRIES – LIVE AT THE LONDON ASTORIA II, 1994

by John Porter on September 4, 2026
THE CRANBERRIES LIVE AT THE LONDON ASTORIA II, 1994 ISLAND RECORDS I’ve already spoken about the peculiar happiness and melancholy that pervades any Cranberries release in 2026 in my recent take on their anniversary release, and this is another [...]

Latest Album Reviews
View All
 
SPILL ALBUM REVIEW: MELISSA AUF DER MAUR – BASS WOMB ROOM: MY...
8.0
 
SPILL ALBUM REVIEW: A. LEE EDWARDS – INTERPRETING HEART SOUND...
9.0
 
SPILL ALBUM REVIEW: DEXYS MIDNIGHT RUNNERS – LOVE
8.0
 
SPILL ALBUM REVIEW: SOFT LOFT – THROW THE DICE
8.0
 
SPILL ALBUM REVIEW: THE CRANBERRIES – LIVE AT THE LONDON ASTO...
8.0

STAY UP-TO-DATE
WITH OUR WEEKLY NEWSLETTER!

SPILL MAGAZINE MENU
  • Home | The Spill Magazine
  • Newsletter
  • Premieres
  • Track Of The Month
  • Album Reviews
  • Books + Movies
  • Features
  • Live Reviews
  • Festivals
  • Portraits
  • News
  • Events
  • Entertainment Headlines
  • Concert Listings
  • Toronto Concert Venues
  • About Us
  • Contests
  • New Music
  • Contributors
  • TOTD
  • Privacy Policy
  • The Scene Unseen
  • Newsletter

Copyright © 2026 | The Spill Magazine
All Rights Reserved.

TRENDING RIGHT NOW
   
 
SPILL LIVE REVIEW: ONES: THE BEATLES #1 HITS @ PRINCESS OF WALES THEATRE, TORONTO
1060
 
SPILL TRACK OF THE MONTH: BLACK DOLDRUMS – “COMPULSION”
984
 
SPILL FEATURE: I AM OK WITH BEING OPTIMISTIC – A CONVERSATION WITH JOHN DOUGLAS OF TRASHCAN SINATRAS
814
 
SPILL ALBUM REVIEW: JETHRO TULL – J-TULL DOT COM: ANOTHER CAST OF THE NET (DELUXE EDITION)
807
 
SPILL ALBUM REVIEW: THE WARNING – EVERYTHING’S FALLING
793
 
SPILL VIDEO PREMIERE: SHAMUS – “SORCERESS”
792
 
SPILL ALBUM REVIEW: DEEP PURPLE – SPLAT!
789
 
SPILL NEWS: SUGAR SHARE NEW SINGLE “KEEP LOOPING”
739
 
SPILL NEWS: BUTCHER BABIES ANNOUNCE NEW ALBUM ‘NIGHTBLOOM’ | UNVEIL NEW VIDEO FOR “BLAME IT ON THE WIND”
734
 
SPILL LIVE REVIEW: THE GUESS WHO w/ DON FELDER @ SCOTIABANK SADDLEDOME, CALGARY (AB)
729
 
SPILL ALBUM REVIEW: THE WOMACK SISTERS – THE WOMACK SISTERS
721
 
SPILL MUSIC PREMIERE: COR DE LUX – “BLIND SMILE”
697
 
SPILL FEATURE: LET’S JUST START AGAIN – A CONVERSATION WITH NICK HEYWARD & LES NEMES OF HAIRCUT 100
674
ENTERTAINMENT HEADLINES