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SPILL NEW MUSIC: EDITORS ANNOUNCE NEW ALBUM ‘SURFACE, ECHO & SOUND’ OUT OCTOBER 30 | SHARE NEW SINGLE/VIDEO “THE RUSH” VIA PLAY IT AGAIN SAM
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SPILL ALBUM REVIEW: VARIOUS ARTISTS – JUST LOOK INSIDE THE COVER – SONGS OF PETE HAM
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SPILL ALBUM REVIEW: JULIAN TAYLOR – BEYOND THE RESERVOIR

Julian Taylor

Julian Taylor
Beyond The Reservoir
Independent

Following the release of his critically acclaimed 2020 album, The Ridge, Toronto’s Julian Taylor has returned with his latest record, Beyond The Reservoir. Produced alongside his long-time collaborator, Saam Hashemi (Snoop Dogg, Ludacris, The Kooks) and recorded at Hashemi’s place, Canterbury Music Company, and Blue Rodeo’s The Woodshed, Taylor has delivered, yet again, a vulnerable and intimate collection of his creative musings that continue to demonstrate his authenticity and creativity as an artist.

Remaining within the style of The Ridge, Taylor opens Beyond The Reservoir with the warm strumming of an acoustic guitar – accented by a gentle lap steel – on “Moonlight”. Taylor’s vocals, soft, yet with the slightest edge to it, engage the listener with his narrative and lush harmonies as the song grows, slowly and organically, across it’s near seven-min run.  It is a challenge to make a lengthy song justify such a run time, however, each second of “Moonlight” feels necessary. That is the brilliance at the core of Beyond The Reservoir; Taylor’s ability to take simple concepts and nurture them with such conviction demonstrates a masterful grasp on the art of songwriting.

Beyond The Reservoir is a folk and roots rock treasure trove of nine tracks – along with acoustic blues of the bonus track, “100 Proof” – full of stunning musical highlights. From the stark and gripping tale of “Murder 13” to the soulful musings of “Opening The Sky”, Taylor’s delivery is remarkable. Most notable on the record is “Stolen Lands”, the modern, decolonized take on Woodie Guthrie’s “This Land Is Your Land”. The dark tone of the track, led by Taylor’s gravelly vocals and accented by a flurry of strings and percussion, is a harrowing look at intergenerational trauma that makes for a jaw dropping performance.

With the delivery of Bruce Springsteen and Neil Young, Beyond The Reservoir raises the benchmark and expectations once again for Taylor. His latest record manages to exceed the standards set on The Ridge while further establishing himself among Canada’s most premier songwriters. Ultimately, Taylor remains unparalleled.



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SPILL ALBUM REVIEW: JULIAN TAYLOR – BEYOND THE RESERVOIR

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About the Author
Gerrod Harris
Gerrod Harris is a Toronto based musician, writer, and podcast host. Since 2017, he has actively contributed to The Spill Magazine through coverage focused on a wide array of artists and genres alike. In addition to his writing, Harris hosts the podcast, Beats by Ger, where he delves into various aspects of music, sharing insights and engaging relevant discussions. As the drummer and manager of independent rock band, One in the Chamber, his passion for music goes beyond the pen as an active member of Toronto's vibrant musical community.
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