The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
  • Spill Menu
    • Reviews
      • Album Reviews
      • Features
      • Live Reviews
      • Festivals
    • Portraits
    • Headlines
      • News
      • Contests
      • Events
      • Entertainment Headlines
      • Concert Listings
      • Toronto Concert Venues
    • New Music
      • Premieres
      • Track Of The Day
    • Track Of The Month
    • Books + Movies
    • About
Album Reviews
447
previous article
SPILL ALBUM REVIEW: NEBULAR WAVE - A POLARIZED PLANETOID
next article
SPILL ALBUM REVIEW: OFFICE CULTURE - BIG TIME THINGS

SPILL ALBUM REVIEW: MONSTER TRUCK – WARRIORS

Monster Truck

Monster Truck
Warriors
BMG

Hamilton, On-based rock ‘n’ roll outfit, Monster Truck, has released their first full-length album since 2018’s True Rockers. Their latest record, Warriors, follows the release of singles “Golden Woman”, “Get My Things & Go”, and “Fuzz Mountain” and sees the band return with a collection 10 songs.

Opening with the title track, Monster Truck brings the head with a stomping riff a vocal refrain that you can already hear sound-out venues of people singing along, and an anthem of a chorus to cap it off. Following with two of the three singles, “Fuzz mountain” and “Golden Woman”, Warriors starts off strong, particularly with the ferocity of the latter single – “Golden Woman” is an explosive, up-tempo highlight among the record.

Beyond the singles and title track, Monster Truck refuse to relent across the remaining seven hard-hitting songs; even their attempt at a country-inspired, southern rock number with “Country Living” packs a punch. From the gritty blues of “Get My Things & Go”  to the sludgy stoner rock of “Live Free”, Warriors is a very strong record from Monster Truck. In fact, the former of the two is among the greatest Monster Truck songs, stealing the show with the band’s use of dynamics and Jon Harvey’s vocals, which remain powerful across the entire album, but there’s something extra special to his melodic yet gruff howls here. “Get My Things & Go”, alone, makes Warriors a great record, let alone the rest of the material the band has assembled. Additional highlights include the “Wild Man” and “Still Got Fire”. The pair of tracks close out Warriors with an absolute banger in “Wild Man” and “Still Got Fire” standing out for its slithery riff and raw attitude.

Warriors stands as yet another exciting release from Monster Truck. Without reinventing the wheel, The Truck has delivered a collection of crunching riffs, ripping lead lines, and a rock ‘n’ roll energy nostalgic for decades long gone. Warriors sees Monster Truck shine with a performance that leaves it all in the studio.



Artist Links

website_flat_2016 facebook_flat_2016 twitter_flat_2016 instagram_flat_2016

Item Reviewed

SPILL ALBUM REVIEW: MONSTER TRUCK – WARRIORS

Author

Gerrod Harris

Here's what we think...
Spill Rating
Fan Rating
Rate Here
New Criteria
10
—
7.0
Total Spill Rating
—
Total Fan Rating
You have rated this
Album Reviews
album reviewalbum reviewsbmgget my things & gomonster truckwarriors
album review, album reviews, bmg, get my things & go, monster truck, warriors
About the Author
Gerrod Harris
Gerrod Harris is a Toronto based musician, writer, and podcast host. Since 2017, he has actively contributed to The Spill Magazine through coverage focused on a wide array of artists and genres alike. In addition to his writing, Harris hosts the podcast, Beats by Ger, where he delves into various aspects of music, sharing insights and engaging relevant discussions. As the drummer and manager of independent rock band, One in the Chamber, his passion for music goes beyond the pen as an active member of Toronto's vibrant musical community.
RELATED ARTICLES
album reviewalbum reviewsbmg
 
9.0
Marta Del Grandi

SPILL ALBUM REVIEW: MARTA DEL GRANDI – DREAM LIFE

by Ljubinko Zivkovic on January 30, 2026
MARTA DEL GRANDI DREAM LIFE FIRE RECORDS Some singer-songwriters stick to all the defined lines, if you could call them that of this broadly-defined genre (and they are quite good at it), while there are not so many of them that try to bring in [...]
 
8.0
Kim Moberg

SPILL ALBUM REVIEW: KIM MOBERG – ALL THAT REALLY MATTERS

by Ljubinko Zivkovic on January 30, 2026
KIM MOBERG ALL THAT REALLY MATTERS INDEPENDENT You don’t essentially need to be an innovator that breaks boundaries to come up with good music that could reach quite a number of listeners. As a solo artist, you do need a hefty dose of [...]
 
10
CBGB

SPILL ALBUM REVIEW: VARIOUS ARTISTS – CBGB – A NEW YORK CITY SOUNDTRACK 1975-1986

by Ljubinko Zivkovic on January 30, 2026
VARIOUS ARTISTS CBGB – A NEW YORK CITY SOUNDTRACK 1975-1986 CHERRY RED RECORDS This is a music collector’s perfect combination—an extensive compilation (box set, effectively) on one of the best labels around that can handle such a [...]
 
8.0
Blackwater Holylight

SPILL ALBUM REVIEW: BLACKWATER HOLYLIGHT – NOT HERE NOT GONE

by Aaron Badgley on January 30, 2026
BLACKWATER HOLYLIGHT NOT HERE NOT GONE SUICIDE SQUEEZE RECORDS Blackwater Holylight is a hard rocking trio, originally from Portland, OR, but now based in Los Angeles. The band consists of Allison “Sunny” Faris (guitars, bass and vocals), Eliese [...]
 
9.0
Softcult

SPILL ALBUM REVIEW: SOFTCULT – WHEN A FLOWER DOESN’T GROW

by Jake Collier on January 30, 2026
SOFTCULT WHEN A FLOWER DOESN’T GROW EASY LIFE RECORDS Softcult’s debut album arrives after a run of EPs that never felt disposable but fully realized on their own, Year of the Snake especially pointing toward something larger. Self-produced by [...]

Latest Album Reviews
View All
 
SPILL ALBUM REVIEW: MARTA DEL GRANDI – DREAM LIFE
9.0
 
SPILL ALBUM REVIEW: KIM MOBERG – ALL THAT REALLY MATTERS
8.0
 
SPILL ALBUM REVIEW: VARIOUS ARTISTS – CBGB – A NEW YORK...
10
 
SPILL ALBUM REVIEW: BLACKWATER HOLYLIGHT – NOT HERE NOT GONE
8.0
 
SPILL ALBUM REVIEW: SOFTCULT – WHEN A FLOWER DOESN’T GROW
9.0

STAY UP-TO-DATE
WITH OUR WEEKLY NEWSLETTER!

SPILL MAGAZINE MENU
  • Home | The Spill Magazine
  • Newsletter
  • Premieres
  • SPILL RETRO REVIEWS
  • Track Of The Month
  • Album Reviews
  • Books + Movies
  • Features
  • Live Reviews
  • Festivals
  • Portraits
  • News
  • Events
  • Entertainment Headlines
  • Concert Listings
  • Toronto Concert Venues
  • About Us
  • Contests
  • New Music
  • Contributors
  • TOTD
  • Privacy Policy
  • The Scene Unseen
  • Newsletter

Copyright © 2026 | The Spill Magazine
All Rights Reserved.

TRENDING RIGHT NOW
   
 
SPILL ALBUM REVIEW: THE WATERBOYS – THE WATERBOYS PRESENT: RIPS FROM THE CUTTING ROOM FLOOR
922
 
SPILL ALBUM REVIEW: RHEOSTATICS – THE GREAT LAKES SUITE
864
 
SPILL NEWS: DONOVAN WOODS CELEBRATES 10 YEARS OF “PORTLAND, MAINE” WITH NEW VERSION FEATURING JORDAN DAVIS | 2026 SPRING TOUR SUPPORTING THE PAPER KITES
687
 
SPILL ALBUM REVIEW: NOFX – A TO H
669
 
SPILL ALBUM REVIEW: CITY AND COLOUR – SOMETIMES LULLABY
621
 
SPILL ALBUM REVIEW: MELANIE – THERE SHOULD HAVE BEEN A RAINBOW: THE NY FOLK SESSIONS 1963-1965
621
 
SPILL ALBUM REVIEW: THE BEATLES – ANTHOLOGY COLLECTION
617
 
SPILL ALBUM REVIEW: PORTUGAL. THE MAN – SHISH
594
 
SPILL ALBUM REVIEW: GOLDFINGER – NINE LIVES
529
 
SPILL FEATURE: IT WAS A VERY POSITIVE ALBUM, STILL IS – A CONVERSATION WITH JEREMY CUNNINGHAM OF LEVELLERS
467
 
SPILL ALBUM REVIEW: CHARLOTTE DE WITTE – CHARLOTTE DE WITTE
466
 
SPILL NEWS: GORILLAZ RELEASE NEW TRACK “DAMASCUS” (FEAT. OMAR SOULEYMAN AND YASIIN BEY)
462
 
SPILL ALBUM REVIEW: THE SAINTS – LONG MARCH THROUGH THE JAZZ AGE
458
ENTERTAINMENT HEADLINES