The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
16
new
SPILL NEW MUSIC: NOAH KAHAN – “DOORS”
SPILL FESTIVAL FEATURE: NXNE 2026 – SPILL MAGAZINE PRESENTS 5 QUESTIONS
SPILL FEATURE: FROM OBSCURE CUTS TO NEW CLASSICS – A CONVERSATION WITH VINCE CLARKE, NEIL ARTHUR & BENGE OF DOUBLESPEAK
SPILL NEW MUSIC: DURAN DURAN RELEASE NEW “FREE TO LOVE” DOUBLE REMIX SINGLE
SPILL FESTIVAL REVIEW: MOVEMENT MUSIC FESTIVAL 2026 @ HART PLAZA, DETROIT – TAMMY LAKKIS
SPILL FESTIVAL REVIEW: MOVEMENT MUSIC FESTIVAL 2026 @ HART PLAZA, DETROIT – BEIGE
SPILL NEW MUSIC: CAR SEAT HEADREST IS STILL IN DENIAL 10 YEARS LATER
SPILL NEW MUSIC: SUPERSTAR IN WAITING ESSEX CELEBRATES THE FUTURE WITH KILLING JOKE’S “EIGHTIES”
SPILL NEWS: THE FRENETIC NEW SWEEPING PROMISES ALBUM ‘YOU SAY I ROMANTICIZE’ OUT AUGUST 14 ON SUB POP RECORDS
SPILL NEWS: HOT CHIP ANNOUNCE FIRST EVER REISSUES OF ‘THE WARNING’, ‘MADE IN THE DARK’ AND ‘ONE LIFE STAND’ ALBUMS WILL BE RELEASED JULY 17
SPILL NEW MUSIC: RICHIE KOTZEN SURPRISES FANS WITH A NEWLY RECORDED TRACK “CATCH A STAR”
SPILL FESTIVAL REVIEW: MOVEMENT MUSIC FESTIVAL 2026 @ HART PLAZA, DETROIT – AK
SPILL FESTIVAL REVIEW: MOVEMENT MUSIC FESTIVAL 2026 @ HART PLAZA, DETROIT – K ALEXI SHELBY
SPILL NEW MUSIC: NEW RELEASE FROM MIKE D “WHAT WE GOT” OUT NOW
SPILL NEWS: NEW ALBUM BY US ‘ELECTRONIC BOOM’ SOLO ARTIST SINE ‘LA MORDRE’ OUT NOW VIA METROPOLIS RECORDS | WATCH THE VIDEO FOR THE SINGLE “BLOOD + WINE” | US TOUR DATES ANNOUNCED
SPILL NEW MUSIC: WEATHERELL SHARES DEBUT SINGLE “SOMETHING BEAUTIFUL” | DEBUT ALBUM COMING SOON
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
  • Spill Menu
    • Reviews
      • Album Reviews
      • Features
      • Live Reviews
      • Festivals
    • Portraits
    • Headlines
      • News
      • Contests
      • Events
      • Entertainment Headlines
      • Concert Listings
      • Toronto Concert Venues
    • New Music
      • Premieres
      • Track Of The Day
    • Track Of The Month
    • Books + Movies
    • About
Album Reviews
713
Editor Pick
previous article
SPILL ALBUM REVIEW: FLORENCE + THE MACHINE - DANCE FEVER
next article
SPILL ALBUM REVIEW: JOHN INGHRAM - JOHN INGHRAM

SPILL ALBUM REVIEW: THE ROLLING STONES – LIVE AT THE EL MOCAMBO

The Rolling Stones

The Rolling Stones
Live At The El Mocambo
Universal Music

The El Mocambo stands alongside The Horseshoe Tavern and Massey Hall as one of Toronto’s most revered and historic venues. From Blondie to Tom Waits and Ronnie Hawkins to The Ramones, The El Mocambo has seen an abundance of influential artists grace its stages; perhaps the biggest being The Rolling Stones. Billed as The Cockroaches to avoid a riot, The Stones took the 300-capacity club by storm over the course of two nights in March, 1977. While several bootlegs have surfaced – almost as many as people who claim to have been there – an official release has never surfaced until now. Live At The El Mocambo captures the band’s entire set from March 5, ’77, along with three tracks from the previous night’s show; catching The Stones at the tail end of, arguably, one of their greatest eras.

Opening with the slow swagger of “Honky Tonk Woman”, The Stones – most notably featuring Billy Preston on keys – took the stage to thunderous applause as they hit a slow groove. This very well could be the coolest live rendition of “Honky Tonk Woman”. Picking up the pace, the band dove headfirst into the up-tempo blues of “All Down The Line” and the straight-ahead rock of “Hand Of Fate”. The energy on the small stage was high, and the chemistry between the band was incredible. Mick Jagger’s vocals carry such a presence that, without even seeing him, you know he’s the greatest frontman the world has seen, while Keith Richards remains the ever-cool foil to Jagger’s larger than life persona.  Sounding as good as ever, Richards is remarkable; his tweedy fender tone, his gravelly backing vocals, the way he plays off guitarist Ronnie Wood – in every way, Keef is the coolest dude on the planet! All round, Live At The El Mocambo captures an exceptionally tight performance from the band with much of that falling onto drummer Charlie Watts who delivered one of his strongest performances on a Stones live album that night.

With 23 songs, Live From The El Mocambo sees The Stones take on some of their biggest hits – with some notable absences that would never be left off a setlist today – along with a carefully curated collection of traditional blues songs. Without a weak moment in their performance, originals like “Tumbling Dice”, the heavy funk of “Hot Stuff”, “Star Star”, “Let’s Spend The Night Together”, “Rip This Joint”, “Brown Sugar”, and the explosive “Jumping Jack Flash” – fully armed with a shredding guitar solo and an outro that speeds up to a blistering pace – stole the show, while their searing performance of Muddy Waters’ “Manish Boy” is simply jaw dropping – singularly one of the greatest moments on the album.

Their teeth as sharp as ever, there was still an air of danger that followed the stones in ‘77. This remains incredibly apparent on Live At The El Mocambo. Through their raw, bluesy, and powerful performance, you can perfectly feel the vibe of the room, the sweaty, packed club; a powder keg just waiting to set off. Not only does Live At The El Mocambo live up to the reverence surrounding this legendary performance, but it can also stand among the greatest of live albums from the stones, making Live At The El Mocambo a truly thrilling record.



Artist Links

website_flat_2016 facebook_flat_2016 twitter_flat_2016 instagram_flat_2016

Editor Pick
Item Reviewed

SPILL ALBUM REVIEW: THE ROLLING STONES – LIVE AT THE EL MOCAMBO

Author

Gerrod Harris

Here's what we think...
Spill Rating
Fan Rating
Rate Here
New Criteria
10
10
10
Total Spill Rating
10
Total Fan Rating
2 ratings
You have rated this
Album Reviews
album reviewalbum reviewshot stufflive at the el mocambothe rolling stonesuniversal music
album review, album reviews, hot stuff, live at the el mocambo, the rolling stones, universal music
About the Author
Gerrod Harris
Gerrod Harris is a Toronto based musician, writer, and podcast host. Since 2017, he has actively contributed to The Spill Magazine through coverage focused on a wide array of artists and genres alike. In addition to his writing, Harris hosts the podcast, Beats by Ger, where he delves into various aspects of music, sharing insights and engaging relevant discussions. As the drummer and manager of independent rock band, One in the Chamber, his passion for music goes beyond the pen as an active member of Toronto's vibrant musical community.
RELATED ARTICLES
album reviewalbum reviewsthe rolling stones
 
7.0
J.C. Thomaz and the Missing Slippers

SPILL ALBUM REVIEW: J.C. THOMAZ AND THE MISSING SLIPPERS – J.C. THOMAZ AND THE MISSING SLIPPERS

by Aaron Badgley on May 22, 2026
J.C. THOMAZ AND THE MISSING SLIPPERS J.C. THOMAZ AND THE MISSING SLIPPERS SLOVENLY RECORDINGS From Rotterdam, NL, comes the gritty punk/post punk of J.C. Thomaz and The Missing Slippers. Reportedly this debut album was two decades in the making [...]
 
8.0
The Cranberries
10

SPILL ALBUM REVIEW: THE CRANBERRIES – EVERYBODY ELSE IS DOING IT, SO WHY CAN’T WE? (33rd ANNIVERSARY EDITION)

by John Porter on May 22, 2026
THE CRANBERRIES EVERYBODY ELSE IS DOING IT, SO WHY CAN’T WE? (33rd ANNIVERSARY EDITION) ISLAND RECORDS There’s something achingly beautiful and achingly sad about hearing these songs all over again on the 33rd (a peculiar choice, but perhaps [...]
 
8.0
Hush

SPILL ALBUM REVIEW: HUSH – FOR DOLLY

by Ljubinko Zivkovic on May 22, 2026
HUSH FOR DOLLY SIMONE RECORDS How do you craft a debut album to make exactly the right impact? Do you rush into it while the inspiration is red-hot, or do you take it slow to make sure everything sounds exactly as you envisioned? For Montreal [...]
 
8.0
Future Islands

SPILL ALBUM REVIEW: FUTURE ISLANDS – FROM A HOLE IN THE FLOOR TO A FOUNTAIN OF YOUTH

by John Porter on May 22, 2026
FUTURE ISLANDS FROM A HOLE IN THE FLOOR TO A FOUNTAIN OF YOUTH 4AD Has it really been two decades since Future Islands found their way onto the airwaves for the first time? It certainly has, and From a Hole in the Floor to a Fountain of Youth is [...]
 
9.0
Peter Frampton
8.3

SPILL ALBUM REVIEW: PETER FRAMPTON – CARRY THE LIGHT

by Aaron Badgley on May 15, 2026
PETER FRAMPTON CARRY THE LIGHT UME It is a good idea to forget what you think you know about Peter Frampton before you listen to his new album, Carry The Light. This is an extremely important album for Peter Frampton. Not only is it his first [...]

Latest Album Reviews
View All
 
SPILL ALBUM REVIEW: J.C. THOMAZ AND THE MISSING SLIPPERS – J....
7.0
 
SPILL ALBUM REVIEW: THE CRANBERRIES – EVERYBODY ELSE IS DOING...
8.0
10
 
SPILL ALBUM REVIEW: HUSH – FOR DOLLY
8.0
 
SPILL ALBUM REVIEW: FUTURE ISLANDS – FROM A HOLE IN THE FLOO...
8.0
 
SPILL ALBUM REVIEW: PETER FRAMPTON – CARRY THE LIGHT
9.0
8.3

STAY UP-TO-DATE
WITH OUR WEEKLY NEWSLETTER!

SPILL MAGAZINE MENU
  • Home | The Spill Magazine
  • Newsletter
  • Premieres
  • Track Of The Month
  • Album Reviews
  • Books + Movies
  • Features
  • Live Reviews
  • Festivals
  • Portraits
  • News
  • Events
  • Entertainment Headlines
  • Concert Listings
  • Toronto Concert Venues
  • About Us
  • Contests
  • New Music
  • Contributors
  • TOTD
  • Privacy Policy
  • The Scene Unseen
  • Newsletter

Copyright © 2026 | The Spill Magazine
All Rights Reserved.

TRENDING RIGHT NOW
   
 
SPILL FEATURE: IT’S ABOUT THE CLIMB – A CONVERSATION WITH GORILLAZ
3544
 
SPILL ALBUM REVIEW: SOCIAL DISTORTION – BORN TO KILL
1147
 
SPILL TRACK OF THE MONTH: DAYS OF SORROW – “WHO WE ARE”
953
 
SPILL LIVE REVIEW: TENILLE TOWNES @ RICHMOND HILL CENTRE FOR THE PERFORMING ARTS, RICHMOND HILL
920
 
SPILL ALBUM REVIEW: BRIAN WILSON – ON TOUR 1999-2007
781
 
SPILL NEWS: THE AFGHAN WHIGS RELEASE NEW SINGLE “HOUSE OF I” | THEIR FIRST NEW MUSIC SINCE 2022
751
 
SPILL ALBUM REVIEW: TORI AMOS – IN TIMES OF DRAGONS
705
 
SPILL ALBUM REVIEW: SQUEEZE – TRIXIES
625
 
SPILL ALBUM REVIEW: JOE JACKSON – HOPE AND FURY
622
 
SPILL MUSIC PREMIERE: IAMX – “INFINITE FEAR JETS {MIMETIC HEXES REWORK}”
572
 
SPILL ALBUM REVIEW: CODEFENDANTS – LIFERS
557
 
SPILL ALBUM REVIEW: BILL ORCUTT – MUSIC IN CONTINUOUS MOTION
548
 
SPILL ALBUM REVIEW: NINA HAGEN – HIGHWAY TO HEAVEN
542
ENTERTAINMENT HEADLINES