The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
  • Spill Menu
    • Reviews
      • Album Reviews
      • Features
      • Live Reviews
      • Festivals
    • Portraits
    • Headlines
      • News
      • Contests
      • Events
      • Entertainment Headlines
      • Concert Listings
      • Toronto Concert Venues
    • New Music
      • Premieres
      • Track Of The Day
    • Track Of The Month
    • Books + Movies
    • About
Album Reviews
192
previous article
Spill Artist Portrait by Daniel Adams: Phantogram
next article
Spill Artist Portrait by Daniel Adams:Alvvays

SPILL ALBUM REVIEW: SONNY & THE SUNSETS – TALENT NIGHT AT THE ASHRAM

Sonny & The Sunsets
Talent Night At The Ashram
Polyvinyl Records
RATING_3_of_5.ai

If you didn’t know it, you would never guess San Francisco native Sonny Smith is nearing his mid-40s. Imaginative, quirky, and possessing the ability to spin stories akin to a young child full of wonder, this latest album showcases all that we’ve grown to love about Sonny & his band of merry pranksters, The Sunsets, over the past five years. Talent Night At The Ashram takes listeners on a musical trip (albeit a disjointed one at times) through daily life.

This album was initially envisioned as a compilation of short films that would be edited together into a full-length feature. As Smith was filming the videos, however, his concept never quite came to fruition and what emerged instead was an album full of little vignettes and ideas.

As he was writing the scripts and hiring the actors (even shooting a few of the clips), the scripts began to morph into songs. Are the spoken word clips really candid talk during recording, or are we fully buying into the story as we would if this were a movie we were watching, or a book we were reading?

On album opener “The Application,” Smith applies to be a human being (“I filled out the application to be a man”) with harmonies reminiscent of The Beach Boys, if a bit slower and sleepier.

“Happy Carrot Health Food Store” is one long (seven minutes) folk-rock descent down the rabbit hole. Presumably written about characters you find at your local Whole Foods Market, it then takes a sharp right into a conversation between Smith and his dog. While you expect the dog to respond humanly, as Smith is speaking to him as though he will, the dog just barks and then just as oddly, the artist tells the dog, “What, well, I’m going to swallow you,” because the dog is suddenly inside the beer Smith is drinking. Of course he is. Perhaps Wayne in the produce department could explain this better. After all, we’re told he’s got all the answers.

Listening to this album makes you think about why and how we listen to music. Is it to feel a certain feeling? Get away from feeling a certain feeling? Are you someone that likes to drive and zone out to music? This is not one of those albums. I’m not sure you can simply sit down and listen to it from beginning to end in any specific situation. It’s not background party music, it’s not ‘listen while you work’ music. But taken in bits, it’s fun and silly and while I don’t think it will force you out of your seat, it’s different and interesting and worth a listen. Over a few days.

The Oscars taught us it’s okay to “stay weird, stay different;” that we’re not alone; to embrace who we truly are; and to not worry about what anyone else thinks. Within minutes of Graham Moore reassuring us it’s okay to be ourselves, his words were trending on Twitter. While it’s unlikely Smith was sitting at home watching the awards, he certainly fully embraces his quirk; perhaps that is the final message to be gleaned from this album. Perhaps each of us can find ourselves in one of the characters depicted in Talent Night at the Ashram, be it a conspiratorial lover, or Erin at the health food store…but whoever we are, I think Sonny wants us to just go with it.

– Lucy Rendler-Kaplan (Twitter @lucyrk78)

Item Reviewed

SPILL ALBUM REVIEW: SONNY & THE SUNSETS – TALENT NIGHT AT THE ASHRAM

Author

Lucy Rendler-Kaplan

Here's what we think...
Spill Rating
Fan Rating
Rate Here
New Criteria
10
—
6.0
Total Spill Rating
—
Total Fan Rating
You have rated this
Album Reviews
album reviewssonny & the sunsetstalent night at the ashram
album reviews, sonny & the sunsets, talent night at the ashram
About the Author
Lucy Rendler-Kaplan
Lucy Rendler-Kaplan is a native Chicagoan, recently returning home after 10 years in Los Angeles. Having worked in field marketing for the past 17 years, Lucy recently left corporate America to work as a consultant. When not running, Lucy can most often be found out with her dog, watching an NFL game, or listening to live local music. Passionate about writing, Lucy enjoys writing about music in lieu of playing it.
RELATED ARTICLES
album reviews
 
9.0
Marta Del Grandi

SPILL ALBUM REVIEW: MARTA DEL GRANDI – DREAM LIFE

by Ljubinko Zivkovic on January 30, 2026
MARTA DEL GRANDI DREAM LIFE FIRE RECORDS Some singer-songwriters stick to all the defined lines, if you could call them that of this broadly-defined genre (and they are quite good at it), while there are not so many of them that try to bring in [...]
 
8.0
Kim Moberg

SPILL ALBUM REVIEW: KIM MOBERG – ALL THAT REALLY MATTERS

by Ljubinko Zivkovic on January 30, 2026
KIM MOBERG ALL THAT REALLY MATTERS INDEPENDENT You don’t essentially need to be an innovator that breaks boundaries to come up with good music that could reach quite a number of listeners. As a solo artist, you do need a hefty dose of [...]
 
10
CBGB

SPILL ALBUM REVIEW: VARIOUS ARTISTS – CBGB – A NEW YORK CITY SOUNDTRACK 1975-1986

by Ljubinko Zivkovic on January 30, 2026
VARIOUS ARTISTS CBGB – A NEW YORK CITY SOUNDTRACK 1975-1986 CHERRY RED RECORDS This is a music collector’s perfect combination—an extensive compilation (box set, effectively) on one of the best labels around that can handle such a [...]
 
8.0
Blackwater Holylight

SPILL ALBUM REVIEW: BLACKWATER HOLYLIGHT – NOT HERE NOT GONE

by Aaron Badgley on January 30, 2026
BLACKWATER HOLYLIGHT NOT HERE NOT GONE SUICIDE SQUEEZE RECORDS Blackwater Holylight is a hard rocking trio, originally from Portland, OR, but now based in Los Angeles. The band consists of Allison “Sunny” Faris (guitars, bass and vocals), Eliese [...]
 
9.0
Softcult
10

SPILL ALBUM REVIEW: SOFTCULT – WHEN A FLOWER DOESN’T GROW

by Jake Collier on January 30, 2026
SOFTCULT WHEN A FLOWER DOESN’T GROW EASY LIFE RECORDS Softcult’s debut album arrives after a run of EPs that never felt disposable but fully realized on their own, Year of the Snake especially pointing toward something larger. Self-produced by [...]

Latest Album Reviews
View All
 
SPILL ALBUM REVIEW: MARTA DEL GRANDI – DREAM LIFE
9.0
 
SPILL ALBUM REVIEW: KIM MOBERG – ALL THAT REALLY MATTERS
8.0
 
SPILL ALBUM REVIEW: VARIOUS ARTISTS – CBGB – A NEW YORK...
10
 
SPILL ALBUM REVIEW: BLACKWATER HOLYLIGHT – NOT HERE NOT GONE
8.0
 
SPILL ALBUM REVIEW: SOFTCULT – WHEN A FLOWER DOESN’T GROW
9.0
10

STAY UP-TO-DATE
WITH OUR WEEKLY NEWSLETTER!

SPILL MAGAZINE MENU
  • Home | The Spill Magazine
  • Newsletter
  • Premieres
  • SPILL RETRO REVIEWS
  • Track Of The Month
  • Album Reviews
  • Books + Movies
  • Features
  • Live Reviews
  • Festivals
  • Portraits
  • News
  • Events
  • Entertainment Headlines
  • Concert Listings
  • Toronto Concert Venues
  • About Us
  • Contests
  • New Music
  • Contributors
  • TOTD
  • Privacy Policy
  • The Scene Unseen
  • Newsletter

Copyright © 2026 | The Spill Magazine
All Rights Reserved.

TRENDING RIGHT NOW
   
 
SPILL ALBUM REVIEW: THE WATERBOYS – THE WATERBOYS PRESENT: RIPS FROM THE CUTTING ROOM FLOOR
923
 
SPILL ALBUM REVIEW: RHEOSTATICS – THE GREAT LAKES SUITE
865
 
SPILL NEWS: DONOVAN WOODS CELEBRATES 10 YEARS OF “PORTLAND, MAINE” WITH NEW VERSION FEATURING JORDAN DAVIS | 2026 SPRING TOUR SUPPORTING THE PAPER KITES
687
 
SPILL ALBUM REVIEW: NOFX – A TO H
671
 
SPILL ALBUM REVIEW: MELANIE – THERE SHOULD HAVE BEEN A RAINBOW: THE NY FOLK SESSIONS 1963-1965
621
 
SPILL ALBUM REVIEW: CITY AND COLOUR – SOMETIMES LULLABY
621
 
SPILL ALBUM REVIEW: THE BEATLES – ANTHOLOGY COLLECTION
617
 
SPILL ALBUM REVIEW: PORTUGAL. THE MAN – SHISH
594
 
SPILL ALBUM REVIEW: GOLDFINGER – NINE LIVES
531
 
SPILL FEATURE: IT WAS A VERY POSITIVE ALBUM, STILL IS – A CONVERSATION WITH JEREMY CUNNINGHAM OF LEVELLERS
467
 
SPILL ALBUM REVIEW: CHARLOTTE DE WITTE – CHARLOTTE DE WITTE
467
 
SPILL NEWS: GORILLAZ RELEASE NEW TRACK “DAMASCUS” (FEAT. OMAR SOULEYMAN AND YASIIN BEY)
462
 
SPILL ALBUM REVIEW: THE SAINTS – LONG MARCH THROUGH THE JAZZ AGE
458
ENTERTAINMENT HEADLINES