The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
16
new
SPILL NEW MUSIC: JENNIFER FOSTER – “FEEL WHAT I FEEL”
SPILL NEW MUSIC: HAIR CONTROL – “TV IN THE AFTERLIFE”
SPILL ALBUM REVIEW: PAT TRAVERS – HIGHWAY 61 REVISITED – LIVE IN HOUSTON, TX – MARCH 20, 2004
SPILL ALBUM REVIEW: CATE KENNAN – SHADOWS
SPILL ALBUM REVIEW: KNITTING – SOUVENIR
SPILL ALBUM PREMIERE: JULES IS DEAD – DIGITAL DEATH
SPILL ALBUM REVIEW: PROUN – MAYBE LUCK
SPILL ALBUM REVIEW: MISSOULA – DEATH DOULA
SPILL ALBUM REVIEW: VARIOUS ARTISTS – DIGGING YOUR SCENE – NEW POP & ALL THAT JAZZ 1982-1987
SPILL ALBUM REVIEW: VARIOUS ARTISTS – REMIX/REMODEL – THE VINCE CLARKE REMIXES
SPILL ALBUM REVIEW: MINYO CRUSADERS – FROM JAPAN WITH LOVE
SPILL ALBUM REVIEW: SIAMESE – DISSOLUTION
SPILL NEW MUSIC: EDITORS ANNOUNCE NEW ALBUM ‘SURFACE, ECHO & SOUND’ OUT OCTOBER 30 | SHARE NEW SINGLE/VIDEO “THE RUSH” VIA PLAY IT AGAIN SAM
SPILL NEWS: THE JAYHAWKS ANNOUNCE NEW ALBUM, SANCTUARY PARK, OUT AUGUST 28TH VIA THIRTY TIGERS
SPILL LIVE REVIEW: YOUNG THE GIANT w/ COLD WAR KIDS & ALMOST MONDAY @ HISTORY, TORONTO
SPILL FEATURE: LET’S JUST START AGAIN – A CONVERSATION WITH NICK HEYWARD & LES NEMES OF HAIRCUT 100
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
  • Spill Menu
    • Reviews
      • Album Reviews
      • Features
      • Live Reviews
      • Festivals
    • Portraits
    • Headlines
      • News
      • Contests
      • Events
      • Entertainment Headlines
      • Concert Listings
      • Toronto Concert Venues
    • New Music
      • Premieres
      • Track Of The Day
    • Track Of The Month
    • Books + Movies
    • About
Album Reviews
724
previous article
SPILL NEW MUSIC: ALLEGORIES - "PRAY"
next article
SPILL ALBUM REVIEW: THE TEA PARTY - SUNSHOWER

SPILL ALBUM REVIEW: BLACK LABEL SOCIETY – DOOM CREW INC.

Black Label Society

Black Label Society
Doom Crew Inc.
eOne Music

Following up their last album, 2018’s Grimmest Hits – and 2019’s remastered 20th anniversary reissue of Sonic Brew, Black Label Society is back with their 10th studio album, Doom Crew Inc. The 12- track record sees Zakk Wylde return to the band’s visceral roots, while simultaneously continuing through with the tone of his recent records, making Doom Crew Inc. their strongest release in years.

Doom Crew Inc. opens with the soft acoustic chord progression of “Set You Free”. The melodic passage, while surprising for a Black Label Society opening track, quickly makes way for the song’s riff which ushers in a hard-hitting beast of a song. Driven by a pulsing, Sabbath-inspired riff, “Set You Free” excels for its simple yet sophisticated development. The song comes to a climax with the incredible solo section that grows to shredding highs from its melodic start. The album continues forward with the raw bombast of “Destroy & Conquer”, a shuffling riff performed with a blistering tenacity, making it a definite highlight on the album.

Throughout the course of the record, Black Label Society blasts through hard-rocking bangers and stirring ballads with equal levels of conviction, making their performance all that much more powerful. Ballads, such as “Love Reign Down” and “Forever And A Day”, are well written and develop beyond where most heavy bands would take a softer song. That being said, while Wylde has proven his worth as a well-versed singer and songwriter with far more range than many would expect, Black Label Society is at their best when they’re at their heaviest and when the solos leave your jaw on the floor, and Doom Crew Inc. is no exception. Songs like “Forsaken”, “Gospel Of Lies”, and “Ruins” are driven by crushing riffs and propel the album forward. The clear outlier of the collection of songs is “Gather All My Sins”, a visceral blues song featuring a killer riff and an extensive solo section that sees Wylde trade back and forth with guitarist Dario Lorina in a remarkable fashion. Beyond the monster of a solo section, “Gather All My Sins” is a exceptionally written song that ebbs and flows through peaks and valleys, making for a thoroughly exciting track.

While Black Label Society may not be reinventing the wheel on their latest album, Doom Crew Inc. proves to be a tour de force. The band effortlessly finds its place between rock and metal while balancing elements of blues and classic rock along with heavier and sludgier influences, along with the occasional but no less soulful ballad. Doom Crew Inc. takes the band beyond the limits of their recent albums while digging deep with their heavier roots. As a result, it can stand beside their classic records as a strong addition to Black Label Society’s catalogue, making it a latter career highlight for the band.


SPILL FEATURE: MOUNT RIFFMORE – A CONVERSATION WITH ZAKK WYLDE OF BLACK LABEL SOCIETY



Artist Links

website_flat_2016 facebook_flat_2016 twitter_flat_2016 instagram_flat_2016

Item Reviewed

SPILL ALBUM REVIEW: BLACK LABEL SOCIETY – DOOM CREW INC.

Author

Gerrod Harris

Here's what we think...
Spill Rating
Fan Rating
Rate Here
New Criteria
10
10
8.0
Total Spill Rating
—
Total Fan Rating
1 rating
You have rated this
Album Reviews
album reviewalbum reviewsblack label societydoom crew inc.eoneozzy osbourneset you freezakk wylde
album review, album reviews, black label society, doom crew inc., eone, ozzy osbourne, set you free, zakk wylde
About the Author
Gerrod Harris
Gerrod Harris is a Toronto based musician, writer, and podcast host. Since 2017, he has actively contributed to The Spill Magazine through coverage focused on a wide array of artists and genres alike. In addition to his writing, Harris hosts the podcast, Beats by Ger, where he delves into various aspects of music, sharing insights and engaging relevant discussions. As the drummer and manager of independent rock band, One in the Chamber, his passion for music goes beyond the pen as an active member of Toronto's vibrant musical community.
RELATED ARTICLES
album reviewalbum reviewsblack label society
 
7.0
Pat Travers

SPILL ALBUM REVIEW: PAT TRAVERS – HIGHWAY 61 REVISITED – LIVE IN HOUSTON, TX – MARCH 20, 2004

by Aaron Badgley on June 26, 2026
PAT TRAVERS HIGHWAY 61 REVISITED – LIVE IN HOUSTON, TX – MARCH 20, 2004 CLEOPATRA RECORDS Pat Travers continues to mine his live archive for never-before-released concerts for fans to enjoy. And it’s great that he does it too. This [...]
 
8.0
Cate Kennan

SPILL ALBUM REVIEW: CATE KENNAN – SHADOWS

by Ljubinko Zivkovic on June 26, 2026
CATE KENNAN SHADOWS KRANKY Working in that not so defined musical ground between ethereal and dream pop can be a tricky affair, as it is currently populated by quite a few artists, and any relative newcomer is bound to be compared to somebody [...]
 
8.0
knitting

SPILL ALBUM REVIEW: KNITTING – SOUVENIR

by Ljubinko Zivkovic on June 26, 2026
KNITTING SOUVENIR MINT RECORDS Montreal’s knitting does love the sound of their guitars (quite evident on their debut Some Kind of Heaven from 2024), but simply labelling them as a slacker band, particularly listening to Souvenir, their [...]
 
8.0
proun

SPILL ALBUM REVIEW: PROUN – MAYBE LUCK

by Ljubinko Zivkovic on June 26, 2026
PROUN MAYBE LUCK GOOD ENGLISH RECORDS We can keep guessing (or not) at what Austin, TX trio proun had in mind when they named its debut album Maybe Luck, but it is hard to hear that the luck is involved in its music, as it can go from a whisper [...]
 
8.0
Missoula

SPILL ALBUM REVIEW: MISSOULA – DEATH DOULA

by Aaron Badgley on June 26, 2026
MISSOULA DEATH DOULA ORG MUSIC Missoula is an instrumental superstar project from drummer Brooks Wackerman (Avenged Sevenfold, Bad Religion) and guitarist John Konesky (Tenacious D). This is not surf or ambient or meditative instrumental music. [...]

Latest Album Reviews
View All
 
SPILL ALBUM REVIEW: PAT TRAVERS – HIGHWAY 61 REVISITED –...
7.0
 
SPILL ALBUM REVIEW: CATE KENNAN – SHADOWS
8.0
 
SPILL ALBUM REVIEW: KNITTING – SOUVENIR
8.0
 
SPILL ALBUM REVIEW: PROUN – MAYBE LUCK
8.0
 
SPILL ALBUM REVIEW: MISSOULA – DEATH DOULA
8.0

STAY UP-TO-DATE
WITH OUR WEEKLY NEWSLETTER!

SPILL MAGAZINE MENU
  • Home | The Spill Magazine
  • Newsletter
  • Premieres
  • Track Of The Month
  • Album Reviews
  • Books + Movies
  • Features
  • Live Reviews
  • Festivals
  • Portraits
  • News
  • Events
  • Entertainment Headlines
  • Concert Listings
  • Toronto Concert Venues
  • About Us
  • Contests
  • New Music
  • Contributors
  • TOTD
  • Privacy Policy
  • The Scene Unseen
  • Newsletter

Copyright © 2026 | The Spill Magazine
All Rights Reserved.

TRENDING RIGHT NOW
   
 
SPILL ALBUM REVIEW: SOCIAL DISTORTION – BORN TO KILL
1239
 
SPILL ALBUM REVIEW: BRIAN WILSON – ON TOUR 1999-2007
809
 
SPILL ALBUM REVIEW: TORI AMOS – IN TIMES OF DRAGONS
760
 
SPILL VIDEO PREMIERE: SHAMUS – “SORCERESS”
754
 
SPILL ALBUM REVIEW: JOE JACKSON – HOPE AND FURY
671
 
SPILL ALBUM REVIEW: CODEFENDANTS – LIFERS
617
 
SPILL ALBUM REVIEW: NOAH KAHAN – THE GREAT DIVIDE
597
 
SPILL MUSIC PREMIERE: IAMX – “INFINITE FEAR JETS {MIMETIC HEXES REWORK}”
593
 
SPILL FEATURE: WE ARE TRYING TO KEEP THINGS INTERESTING FOR OURSELVES – A CONVERSATION WITH JOHN LINNELL OF THEY MIGHT BE GIANTS
551
 
SPILL FEATURE: LET’S JUST START AGAIN – A CONVERSATION WITH NICK HEYWARD & LES NEMES OF HAIRCUT 100
502
 
SPILL ALBUM REVIEW: HISS GOLDEN MESSENGER – I’M PEOPLE
493
 
SPILL ALBUM REVIEW: MODEST MOUSE – AN ERASER AND A MAZE
456
 
SPILL ALBUM REVIEW: DOUBLESPEAK – DOUBLESPEAK
448
ENTERTAINMENT HEADLINES