The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
    • Portraits
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
16
new
SPILL FEATURE: LIVE LOUD – A CONVERSATION WITH CONE McCASLIN OF SUM 41
SPILL NEWS: BRIAN MAY OF QUEEN ADDS THE ROYAL STAMP OF APPROVAL TO WILLIAM SHATNER’S METAL ALBUM
SPILL NEWS: THE DARKNESS ANNOUNCE “BEST OF” ALBUM ‘CROCK OF HITS’ OUT NOVEMBER 27 VIA WARNER MUSIC
SPILL NEWS: MADDIE MEDLEY ANNOUNCES CO-HEADLINE TOUR WITH SHE RETURNS FROM WAR AND BIG GUY & THE VERY LARGE MEN | ‘FAWN’S ENEMY’ ALBUM OUT SEPTEMBER 25
SPILL NEWS: THE BROS. LANDRETH RELEASE ‘DOG EAR (LIVE)’ ALBUM VIA BIRTHDAY CAKE RECORDS
SPILL NEW MUSIC: RUMBLEFRENZ – “HIT THE ROAD”
SPILL VIDEO PREMIERE: SLEEPWALK – “SANDBOX”
SPILL NEWS: VANCOUVER VINTAGE SOUL QUARTET HONEYBEAR, THE BAND ANNOUNCES NEW ALBUM ‘THE CURE’ WITH TWO ALBUM RELEASE SHOWS
SPILL NEWS: SUNSHINE MAKERS RETURN WITH NEW SINGLE “THE LOVE WE GIVE” | SUPPORTING JEMBAA GROOVE SEPTEMBER 9 AT TORONTO’S DANCE CAVE
SPILL NEW MUSIC: THE SILENT BOYS – “SOUL OF THE SEA”
SPILL BOOK REVIEW: CHARLIE HARPER – AN ANARCHY OF DEMONS
SPILL ALBUM REVIEW: THE GENTRYS – IT’S BEEN SO LONG
SPILL ALBUM REVIEW: AIRBOURNE – AIRBOURNE
SPILL ALBUM REVIEW: ANGUS & JULIA STONE – KARAOKE BAR
SPILL ALBUM REVIEW: BLACK PAINT – BLACK PAINT
SPILL ALBUM REVIEW: MELISSA AUF DER MAUR – BASS WOMB ROOM: MY ’90S 4-TRACK DEMOS X FIELD RECORDINGS
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
    • Portraits
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
  • Spill Menu
    • Reviews
      • Album Reviews
      • Features
      • Live Reviews
      • Festivals
    • Headlines
      • News
      • Contests
      • Events
      • Entertainment Headlines
      • Concert Listings
      • Toronto Concert Venues
      • Portraits
    • New Music
      • Premieres
      • Track Of The Day
    • Track Of The Month
    • Books + Movies
    • About
Album Reviews
717
previous article
SPILL FEATURE: THE THIRD TIME REALLY IS A CHARM (PART 2) - A CONVERSATION WITH ROB BAKER OF STRIPPERS UNION
next article
SPILL ALBUM REVIEW: VARIOUS ARTISTS - THE PROBLEM OF LEISURE: A CELEBRATION OF ANDY GILL AND GANG OF FOUR

SPILL ALBUM REVIEW: SKIDS – SONGS FROM A HAUNTED BALLROOM

Skids

Skids
Songs From A Haunted Ballroom
Cleopatra Records

Despite reforming in 2018, Scottish punk band Skids seem to have been unfortunately forgotten. Having released two albums since reuniting, 2018’s Burning Cities and the 2019 follow-up, Peaceful Times, Skids are back at it with Songs From A Haunted Ballroom, a collection of covers that lives up to the style of the influential and short lived legacy of the late ‘70s/early ‘80s punk rock outfit.

Songs From A Haunted Ballroom opens with Ultravox’s 1977 song, “Young Savage”. Skids take on the up-tempo punk track with a faithful cover with a performance that sounds far bigger and defined, particularly the explosive chorus with its gang-vocals. Skids capture a raw and unchained energy on “Young Savage” that, even despite its modern mix, sounds as if it was unearthed from a lost studio session from ’79. In a bold move, the band takes on The Clash on “Complete Control” making for a fitting tribute to one of the greatest punk bands ever.

Throughout the course of its 14 tracks, Skids cover some of the most well-known and revered punk bands – from The Clash to The Stooges – to a number of more underground artists – including The Adverts, Magazine, Garland Jeffreys – making the album a curated tour de force of punk history. In an unexpected turn, the band covered Ace Frehley’s “New York Groove”, providing a slight shift in tone for the album. Skids also chose to close Songs From A Haunted Ballroom with a pair of their own songs, “Into The Valley” and “Christmas In Fife”, which demonstrate their own contributions to the punk genre, even beside some of the greatest hits from the style.

Songs From A Haunted Ballroom sees Skids pay homage to the punk rock of the ‘70s and ‘80s in tremendous fashion while also shining a light on some of the artists who’ve influenced Skids over the years. While they rarely, if ever, stray from the originals and mostly only cover punk rock, the album is a great celebration of the genre, performed, mixed, and mastered to sound absolutely massive and modern. That being said, it would have been interesting to hear Skids stray from the path, indulge in their own creativity, and even cover some unexpected music from other styles. Songs From A Haunted Ballroom is a strong covers album and should be a welcomed addition to their catalogue.



Artist Links

website_flat_2016 facebook_flat_2016 twitter_flat_2016

Item Reviewed

SPILL ALBUM REVIEW: SKIDS – SONGS FROM A HAUNTED BALLROOM

Author

Gerrod Harris

Here's what we think...
Spill Rating
Fan Rating
Rate Here
New Criteria
10
10
7.0
Total Spill Rating
10
Total Fan Rating
2 ratings
You have rated this
Album Reviews
album reviewalbum reviewscleopatra recordsskidssongs from a haunted ballroomyoung savage
album review, album reviews, cleopatra records, skids, songs from a haunted ballroom, young savage
About the Author
Gerrod Harris
Gerrod Harris is a Toronto based musician, writer, and podcast host. Since 2017, he has actively contributed to The Spill Magazine through coverage focused on a wide array of artists and genres alike. In addition to his writing, Harris hosts the podcast, Beats by Ger, where he delves into various aspects of music, sharing insights and engaging relevant discussions. As the drummer and manager of independent rock band, One in the Chamber, his passion for music goes beyond the pen as an active member of Toronto's vibrant musical community.
RELATED ARTICLES
album reviewalbum reviewscleopatra records
 
8.0
The Gentrys

SPILL ALBUM REVIEW: THE GENTRYS – IT’S BEEN SO LONG

by Aaron Badgley on September 4, 2026
THE GENTRYS IT’S BEEN SO LONG SUN RECORDS The Gentrys were a rock band that made it very big in 1965 with their song “Keep On Dancing.” Other hits followed (“Everyday I Have To Cry” and “Spread It On Thick”) mainly in the UK, but the band [...]
 
8.0
Airbourne

SPILL ALBUM REVIEW: AIRBOURNE – AIRBOURNE

by Mike Matthew on September 4, 2026
AIRBOURNE AIRBOURNE SPINEFARM RECORDS Australia’s Airbourne are back with another injection of hard rawk adrenaline. This is Airbourne’s sixth album and the first one in seven years and they pick up exactly where they left off. Singer John [...]
 
8.0
Angus & Julia Stone

SPILL ALBUM REVIEW: ANGUS & JULIA STONE – KARAOKE BAR

by Aaron Badgley on September 4, 2026
ANGUS & JULIA STONE KARAOKE BAR VIRGIN MUSIC Angus & Julia Stone formed their musical partnership in 2006, and Karaoke Bar is their sixth studio album. The siblings hail from Australia, and in their native country they have had several [...]
 
9.0
Black Paint

SPILL ALBUM REVIEW: BLACK PAINT – BLACK PAINT

by Gerrod Harris on September 4, 2026
BLACK PAINT BLACK PAINT INDEPENDENT For years, Black Paint has established themselves among the most exhilarating up and coming bands to emerge from the Greater Toronto Area. Blending aggressive blues rock with monstrous riffs, the power trio is [...]
 
8.0
Melissa Auf der Maur
8.2

SPILL ALBUM REVIEW: MELISSA AUF DER MAUR – BASS WOMB ROOM: MY ’90S 4-TRACK DEMOS X FIELD RECORDINGS

by Trish Melanson on September 4, 2026
MELISSA AUF DER MAUR BASS WOMB ROOM: MY ’90S 4-TRACK DEMOS X FIELD RECORDINGS ENVISION RECORDS Melissa Auf der Maur has been quite busy of late. Six months ago, she released Even the Good Girls Will Cry, her self-written memoir of her [...]

Latest Album Reviews
View All
 
SPILL ALBUM REVIEW: THE GENTRYS – IT’S BEEN SO LONG
8.0
 
SPILL ALBUM REVIEW: AIRBOURNE – AIRBOURNE
8.0
 
SPILL ALBUM REVIEW: ANGUS & JULIA STONE – KARAOKE BAR
8.0
 
SPILL ALBUM REVIEW: BLACK PAINT – BLACK PAINT
9.0
 
SPILL ALBUM REVIEW: MELISSA AUF DER MAUR – BASS WOMB ROOM: MY...
8.0
8.2

STAY UP-TO-DATE
WITH OUR WEEKLY NEWSLETTER!

SPILL MAGAZINE MENU
  • Home | The Spill Magazine
  • Newsletter
  • Premieres
  • Track Of The Month
  • Album Reviews
  • Books + Movies
  • Features
  • Live Reviews
  • Festivals
  • Portraits
  • News
  • Events
  • Entertainment Headlines
  • Concert Listings
  • Toronto Concert Venues
  • About Us
  • Contests
  • New Music
  • Contributors
  • TOTD
  • Privacy Policy
  • The Scene Unseen
  • Newsletter

Copyright © 2026 | The Spill Magazine
All Rights Reserved.

TRENDING RIGHT NOW
   
 
SPILL TRACK OF THE MONTH: BLACK DOLDRUMS – “COMPULSION”
2368
 
SPILL LIVE REVIEW: ONES: THE BEATLES #1 HITS @ PRINCESS OF WALES THEATRE, TORONTO
1065
 
SPILL ALBUM REVIEW: THE WARNING – EVERYTHING’S FALLING
984
 
SPILL ALBUM REVIEW: JETHRO TULL – J-TULL DOT COM: ANOTHER CAST OF THE NET (DELUXE EDITION)
825
 
SPILL FEATURE: I AM OK WITH BEING OPTIMISTIC – A CONVERSATION WITH JOHN DOUGLAS OF TRASHCAN SINATRAS
819
 
SPILL VIDEO PREMIERE: SHAMUS – “SORCERESS”
796
 
SPILL ALBUM REVIEW: DEEP PURPLE – SPLAT!
793
 
SPILL NEWS: SUGAR SHARE NEW SINGLE “KEEP LOOPING”
741
 
SPILL ALBUM REVIEW: THE WOMACK SISTERS – THE WOMACK SISTERS
740
 
SPILL NEWS: BUTCHER BABIES ANNOUNCE NEW ALBUM ‘NIGHTBLOOM’ | UNVEIL NEW VIDEO FOR “BLAME IT ON THE WIND”
738
 
SPILL MUSIC PREMIERE: COR DE LUX – “BLIND SMILE”
699
 
SPILL FEATURE: LET’S JUST START AGAIN – A CONVERSATION WITH NICK HEYWARD & LES NEMES OF HAIRCUT 100
679
 
SPILL NEW MUSIC: ERIC SCHENKMAN – “HIT ON ME”
638
ENTERTAINMENT HEADLINES