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SPILL FEATURE: FROM OBSCURE CUTS TO NEW CLASSICS – A CONVERSATION WITH VINCE CLARKE, NEIL ARTHUR & BENGE OF DOUBLESPEAK
SPILL NEW MUSIC: DURAN DURAN RELEASE NEW “FREE TO LOVE” DOUBLE REMIX SINGLE
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SPILL ALBUM REVIEW: VARIOUS ARTISTS - THE PROBLEM OF LEISURE: A CELEBRATION OF ANDY GILL AND GANG OF FOUR

SPILL ALBUM REVIEW: SKIDS – SONGS FROM A HAUNTED BALLROOM

Skids

Skids
Songs From A Haunted Ballroom
Cleopatra Records

Despite reforming in 2018, Scottish punk band Skids seem to have been unfortunately forgotten. Having released two albums since reuniting, 2018’s Burning Cities and the 2019 follow-up, Peaceful Times, Skids are back at it with Songs From A Haunted Ballroom, a collection of covers that lives up to the style of the influential and short lived legacy of the late ‘70s/early ‘80s punk rock outfit.

Songs From A Haunted Ballroom opens with Ultravox’s 1977 song, “Young Savage”. Skids take on the up-tempo punk track with a faithful cover with a performance that sounds far bigger and defined, particularly the explosive chorus with its gang-vocals. Skids capture a raw and unchained energy on “Young Savage” that, even despite its modern mix, sounds as if it was unearthed from a lost studio session from ’79. In a bold move, the band takes on The Clash on “Complete Control” making for a fitting tribute to one of the greatest punk bands ever.

Throughout the course of its 14 tracks, Skids cover some of the most well-known and revered punk bands – from The Clash to The Stooges – to a number of more underground artists – including The Adverts, Magazine, Garland Jeffreys – making the album a curated tour de force of punk history. In an unexpected turn, the band covered Ace Frehley’s “New York Groove”, providing a slight shift in tone for the album. Skids also chose to close Songs From A Haunted Ballroom with a pair of their own songs, “Into The Valley” and “Christmas In Fife”, which demonstrate their own contributions to the punk genre, even beside some of the greatest hits from the style.

Songs From A Haunted Ballroom sees Skids pay homage to the punk rock of the ‘70s and ‘80s in tremendous fashion while also shining a light on some of the artists who’ve influenced Skids over the years. While they rarely, if ever, stray from the originals and mostly only cover punk rock, the album is a great celebration of the genre, performed, mixed, and mastered to sound absolutely massive and modern. That being said, it would have been interesting to hear Skids stray from the path, indulge in their own creativity, and even cover some unexpected music from other styles. Songs From A Haunted Ballroom is a strong covers album and should be a welcomed addition to their catalogue.



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SPILL ALBUM REVIEW: SKIDS – SONGS FROM A HAUNTED BALLROOM

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About the Author
Gerrod Harris
Gerrod Harris is a Toronto based musician, writer, and podcast host. Since 2017, he has actively contributed to The Spill Magazine through coverage focused on a wide array of artists and genres alike. In addition to his writing, Harris hosts the podcast, Beats by Ger, where he delves into various aspects of music, sharing insights and engaging relevant discussions. As the drummer and manager of independent rock band, One in the Chamber, his passion for music goes beyond the pen as an active member of Toronto's vibrant musical community.
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