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SPILL NEW MUSIC: TORONTO ART-PUNK PROVOCATEURS BAD WAITRESS ANNOUNCE NEW LP WITH FEROCIOUS FIRST SINGLE “LOVING KIND”
SPILL NEW MUSIC: NOFX RELEASE OFFICIAL SOUNDTRACK + ORIGINAL SCORE OF CAREER-SPANNING DOCUMENTARY ’40 YEARS OF FUCKIN’ UP’
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SPILL ALBUM REVIEW: SMALL TOWN TITANS – THE RIDE

Small Town Titans

Small Town Titans
The Ride
AntiFragile Music

Perhaps best known for their viral covers – from rock classics like Queen’s “Fat Bottomed Girls” to their most viewed video, “You’re A Mean One, Mr. Grinch” – Pennsylvania’s Small Town Titans have been releasing a steady stream of music for a better part of the last decade, including an original EP and two full-length albums. Consisting of singles released over the past two years, including brand new material, the power trio has returned with their first album since 2016, The Ride.

Opening with their most recent single, “Rufflin’ Feathers”, Small Town Titans burst forth with an explosive and relentless opener driven by Phil Freeman’s throat-wrenching vocals and his tight bass groove locking in with Jonny Ross’ drums, allowing for guitarist Ben Guiles to lay down layers of intricate and ripping lead lines. The following track, “The Man”, proves to be just as hard-hitting with a simple, catchy riff and magnificently soaring vocals during the chorus, pairing with bellowing lows in the verse – Freeman’s vocal range and sheer power are incredible – “The Man”, when paired with “Rufflin’ Feathers” makes for a truly impressive opening that sets the bar for The Ride high.

Even more impressive than their incendiary opening,  is that Small Town Titans manage to surpass the heights they set during their first two tracks over the course of the following eight tracks through strong songwriting and some of the best musical performances you’ll find in modern rock. Throughout the course of The Ride, this is demonstrated time and time again. Take the blistering pace and System Of A Down inspired “Universal Limits” or the immediately contrasting energy of the folky acoustic ballad in tone with Temple Of The Dog, “9 To 5” as an example of range that can be heard on this record. Furthermore, their dark and jangly cover of Marcy Playground’s “Sex & Candy”, the shifting pulses of “When It All Comes Down”, the blues riffs and swagger of “Junkie For You (Hey Mama)”, and the closing, eight-minute epic that is “The Ride” are all highlights on a fantastic record.

Through refined songwriting and a beyond powerful performance, the band demonstrates their worth as one of the strongest rock bands making waves right now. One-hundred percent killer with absolutely zero filler, The Ride is an incredible display of modern rock that builds on the active rock style of the past two decades and infuses it with a much needed rejuvenating shot that returns a raw sense of danger and primal excitement to the genre. By all means, Small Town Titans have set the tone for the shape of hard rock throughout the coming decade on The Ride.



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SPILL ALBUM REVIEW: SMALL TOWN TITANS – THE RIDE

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About the Author
Gerrod Harris
Gerrod Harris is a Toronto based musician, writer, and podcast host. Since 2017, he has actively contributed to The Spill Magazine through coverage focused on a wide array of artists and genres alike. In addition to his writing, Harris hosts the podcast, Beats by Ger, where he delves into various aspects of music, sharing insights and engaging relevant discussions. As the drummer and manager of independent rock band, One in the Chamber, his passion for music goes beyond the pen as an active member of Toronto's vibrant musical community.
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