The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
16
new
SPILL ALBUM REVIEW: HUSH – FOR DOLLY
SPILL ALBUM REVIEW: FUTURE ISLANDS – FROM A HOLE IN THE FLOOR TO A FOUNTAIN OF YOUTH
SPILL NEW MUSIC: NOFX TO RELEASE OFFICIAL SOUNDTRACK + ORIGINAL SCORE OF CAREER-SPANNING DOCUMENTARY ’40 YEARS OF FUCKIN’ UP’
SPILL NEW MUSIC: LORDS OF ACID – “DREAM BOY” | NEW SINGLE BY PIONEERING ELECTRONIC DANCE ACT
SPILL NEW MUSIC: DREAM POP ARTIST MOLLIE ELIZABETH SHARES VIRAL NEW TRACK “RUN RABBIT”
SPILL NEWS: LEGENDARY GOTH ROCK BAND CHRISTIAN DEATH ANNOUNCES THE USA ‘BABY BATS PARADE’ TOUR
SPILL NEW MUSIC: PICKLE JUICE – “A LITTLE MORE TIME”
SPILL FEATURE: FAITH, FRACTURE AND THE SPACE BETWEEN – A CONVERSATION WITH DAVE KRYSL OF HASTE THE DAY
SPILL NEWS: SAINT AGNES RELEASE NEW SINGLE “GET THEM OUT” INCLUDING NINE INCH NAILS VIDEO HOMAGE + NEW STUDIO ALBUM ‘YOUR GOD FEARING DAYS ARE ABOUT TO BEGIN’ OUT MAY 29
SPILL NEWS: POP MONTREAL 25th ANNIVERSARY – THE FIRST NAMES
SPILL NEW MUSIC: MOCK MEDIA SHARE NEW SINGLE “MOCK CITY ROCK” | FORTHCOMING ALBUM ‘RAT BASTARD’ DUE JULY 17 VIA MAC’S RECORD LABEL
SPILL NEWS: EVERCLEAR ANNOUNCES THE LUCKY 7 TOUR WITH SPECIAL GUESTS AMERICAN HI-FI
SPILL FESTIVAL FEATURE: NXNE 2026 – SPILL MAGAZINE PRESENTS 5 QUESTIONS
SPILL NEWS: TRICKY ANNOUNCES US & CANADA DATES FOR THIS FALL | NEW ALBUM ‘DIFFERENT WHEN IT’S SILENT’ OUT JULY 17
SPILL NEW MUSIC: NEW RELEASE FROM THE TRAGICALLY HIP “FIFTY-MISSION CAP” / “LOCKED IN THE TRUNK OF A CAR”
SPILL NEW MUSIC: TORONTO’S LILY FROST EXPRESSES HOPE FOR HUMANITY ON NEW SINGLE “MORE LOVE”
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
  • Spill Menu
    • Reviews
      • Album Reviews
      • Features
      • Live Reviews
      • Festivals
    • Portraits
    • Headlines
      • News
      • Contests
      • Events
      • Entertainment Headlines
      • Concert Listings
      • Toronto Concert Venues
    • New Music
      • Premieres
      • Track Of The Day
    • Track Of The Month
    • Books + Movies
    • About
Album Reviews
2
594
previous article
SPILL NEW MUSIC: SEBADOH'S LOU BARLOW STARS IN THE GET UP KIDS' "LOU BARLOW" VIDEO OUT NOW VIA POLYVINYL | TOUR DATES
next article
SPILL ALBUM REVIEW: JIMI HENDRIX - SONGS FOR GROOVY CHILDREN: THE FILLMORE EAST CONCERTS

SPILL ALBUM REVIEW: BECK – HYPERSPACE

Beck

Beck
Hyperspace
Capitol Records/Universal Music Canada

On his 14th and latest album Hyperspace, Beck picks up right where he left off in 2017 with his Grammy Award-winning release, Colors.

Beck Hansen first came into the public eye in 1994 with his breakthrough, worldwide hit “Loser”. Since then, he has racked up seven Grammys and multiple other awards for his work, that encompasses folk, funk, hip hop, alternative rock, and even country.

With Hyperspace, he explores new but familiar territory, inherent in his alternative rock roots. The album opens with the soaring but short orchestral track “Hyperlife”. It’s reminiscent of the Close Encounters Of The Third Kind soundtrack, which sets the proper tone and gives an indication of where this album, and Beck himself, are headed musically.

The two following tracks, “Uneventful Day” and “Saw Lightning”, were co-written and produced by multi-talented producer and rapper Pharrell Williams. These are just two of the more successful co-produced songs on the album. Others include collaborations with long-time bandmates Jason Faulkner, Smokey Hormel, and Roger Manning.

Next up is the melodic synthesizer-based and vocally driven alt-rock ballad “Die Waiting” with its introspective and memorable melodic lyrical content. This song certainly marks one of the best cuts on the album.

The finger-popping “Chemical” delivers a soaring orchestral-infused chorus. It is followed by the melodic, trip-hoppy, introspective, and catchy love song, “See Through”. This is a track which is so good you’ll probably want to listen to it three or four times in a row.

The keyboard/synthesizer-infused cut “Stratosphere” is pleasant enough as an experimental piece, but we soon get back to Beck basics – the good stuff. His real mark as an artist is heard especially in the haunting and self-examining “Dark Places”.

The album wraps up with the cool and lyrically-biting Beck commentary on contemporary society, “Star”. Closing the album fittingly with his ruminations on life is the introspective ballad “Everlasting Nothing”. This is a song which acknowledges that, although life may sometimes seem futile, it is always worth continuing to push forward.



Artist Links

website_flat_2016 facebook_flat_2016 twitter_flat_2016 instagram_flat_2016

Item Reviewed

SPILL ALBUM REVIEW: BECK – HYPERSPACE

Author

Gerry Young

Here's what we think...
Spill Rating
Fan Rating
Rate Here
New Criteria
10
6.5
8.0
Total Spill Rating
6.5
Total Fan Rating
8 ratings
You have rated this
Album Reviews
album reviewalbum reviewsbeckbeck hansencapitol recordshyperspacepharrell williamsuneventful daysuniversal music canada
album review, album reviews, beck, beck hansen, capitol records, hyperspace, pharrell williams, uneventful days, universal music canada
About the Author
Gerry Young
Gerry Young is President of Current Records and Management, and author of the 2011 biography Pop Goes The Weasel: Rock And Roll Off The Record, available at Indigo/Chapters, Barnes & Noble, and Amazon.com. He has recorded and managed Juno Award winning bands Martha And The Muffins and The Parachute Club among others.
RELATED ARTICLES
album reviewalbum reviewsbeck
 
8.0
Hush

SPILL ALBUM REVIEW: HUSH – FOR DOLLY

by Ljubinko Zivkovic on May 22, 2026
HUSH FOR DOLLY SIMONE RECORDS How do you craft a debut album to make exactly the right impact? Do you rush into it while the inspiration is red-hot, or do you take it slow to make sure everything sounds exactly as you envisioned? For Montreal [...]
 
8.0
Future Islands

SPILL ALBUM REVIEW: FUTURE ISLANDS – FROM A HOLE IN THE FLOOR TO A FOUNTAIN OF YOUTH

by John Porter on May 22, 2026
FUTURE ISLANDS FROM A HOLE IN THE FLOOR TO A FOUNTAIN OF YOUTH 4AD Has it really been two decades since Future Islands found their way onto the airwaves for the first time? It certainly has, and From a Hole in the Floor to a Fountain of Youth is [...]
 
9.0
Peter Frampton
8.3

SPILL ALBUM REVIEW: PETER FRAMPTON – CARRY THE LIGHT

by Aaron Badgley on May 15, 2026
PETER FRAMPTON CARRY THE LIGHT UME It is a good idea to forget what you think you know about Peter Frampton before you listen to his new album, Carry The Light. This is an extremely important album for Peter Frampton. Not only is it his first [...]
 
8.0
Shakey Graves

SPILL ALBUM REVIEW: SHAKEY GRAVES – FONDNESS, ETC.

by Ljubinko Zivkovic on May 15, 2026
SHAKEY GRAVES FONDNESS, ETC. DUALTONE RECORDS When you decide to go lo-fi, make a DIY record, and make it work, there has to be a set of very solid musical reasons (unless it is a question of being forced to go cheap) behind it, and those [...]
 
8.0
Shhe

SPILL ALBUM REVIEW: SHHE – THALASSA

by Ljubinko Zivkovic on May 15, 2026
SHHE THALASSA  ONE LITTLE INDEPENDENT RECORDS Your personal background comes into play at some point when you create music, and for the Scottish-Portuguese sound artist and producer Shhe (Su Shaw), for her new album Thalassa she references her [...]

Latest Album Reviews
View All
 
SPILL ALBUM REVIEW: HUSH – FOR DOLLY
8.0
 
SPILL ALBUM REVIEW: FUTURE ISLANDS – FROM A HOLE IN THE FLOO...
8.0
 
SPILL ALBUM REVIEW: PETER FRAMPTON – CARRY THE LIGHT
9.0
8.3
 
SPILL ALBUM REVIEW: SHAKEY GRAVES – FONDNESS, ETC.
8.0
 
SPILL ALBUM REVIEW: SHHE – THALASSA
8.0

STAY UP-TO-DATE
WITH OUR WEEKLY NEWSLETTER!

SPILL MAGAZINE MENU
  • Home | The Spill Magazine
  • Newsletter
  • Premieres
  • Track Of The Month
  • Album Reviews
  • Books + Movies
  • Features
  • Live Reviews
  • Festivals
  • Portraits
  • News
  • Events
  • Entertainment Headlines
  • Concert Listings
  • Toronto Concert Venues
  • About Us
  • Contests
  • New Music
  • Contributors
  • TOTD
  • Privacy Policy
  • The Scene Unseen
  • Newsletter

Copyright © 2026 | The Spill Magazine
All Rights Reserved.

TRENDING RIGHT NOW
   
 
SPILL FEATURE: IT’S ABOUT THE CLIMB – A CONVERSATION WITH GORILLAZ
3527
 
SPILL ALBUM REVIEW: SOCIAL DISTORTION – BORN TO KILL
1114
 
SPILL TRACK OF THE MONTH: DAYS OF SORROW – “WHO WE ARE”
951
 
SPILL LIVE REVIEW: TENILLE TOWNES @ RICHMOND HILL CENTRE FOR THE PERFORMING ARTS, RICHMOND HILL
916
 
SPILL ALBUM REVIEW: BRIAN WILSON – ON TOUR 1999-2007
775
 
SPILL NEWS: THE AFGHAN WHIGS RELEASE NEW SINGLE “HOUSE OF I” | THEIR FIRST NEW MUSIC SINCE 2022
750
 
SPILL ALBUM REVIEW: TORI AMOS – IN TIMES OF DRAGONS
686
 
SPILL ALBUM REVIEW: SQUEEZE – TRIXIES
619
 
SPILL ALBUM REVIEW: JOE JACKSON – HOPE AND FURY
614
 
SPILL MUSIC PREMIERE: IAMX – “INFINITE FEAR JETS {MIMETIC HEXES REWORK}”
561
 
SPILL ALBUM REVIEW: CODEFENDANTS – LIFERS
545
 
SPILL ALBUM REVIEW: BILL ORCUTT – MUSIC IN CONTINUOUS MOTION
541
 
SPILL ALBUM REVIEW: NOAH KAHAN – THE GREAT DIVIDE
530
ENTERTAINMENT HEADLINES