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SPILL FEATURE: STRIPPING AWAY A LOT OF THE VENEER AND THE RETROGRADE NOSTALGIA AND REPLACING IT WITH SUBSTANCE – A CONVERSATION WITH ART D’ECCO
SPILL FEATURE: WHERE HISTORY RESONATES – A CONVERSATION WITH PÄR SUNDSTRÖM OF SABATON ON COMPOSITION, COMMUNITY, AND HEAVY METAL’S FUTURE
SPILL FEATURE: WE’RE GOING ON TOUR, SO WHY NOT HAVE A LITTLE BONUS – A CONVERSATION WITH WES MARSKELL OF THE DARCYS
SPILL FEATURE: HOPE AND LOOKING UP – A CONVERSATION WITH CAROLINE MARIE BROOKS
SPILL NEWS: THE ANNUAL ANDY KIM CHRISTMAS RETURNS TO TORONTO’S MASSEY HALL ON DECEMBER 2
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SPILL FEATURE: THE ART OF BEING SEEN – A CONVERSATION WITH LIAM GUINANE & JUSTIN KEURNTJES OF WINDWAKER
SPILL FEATURE: NOTHING LEFT TO SAY, TOMORROW STARTS TODAY – A CONVERSATION WITH ALEXANDRA ROSE OF THE CRYSTAL TEARDROP
SPILL ALBUM REVIEW: SABATON – LEGENDS
SPILL ALBUM REVIEW: DARREN HAYMAN – I’M YOUR TEAM
SPILL ALBUM REVIEW: SO FAINT – SO FAINT
SPILL ALBUM REVIEW: BRIAN ENO – ANOTHER DAY ON EARTH & DRAWN FROM LIFE (REISSUES)
SPILL ALBUM REVIEW: EXPLODING FLOWERS – ALPHABET WINDOW
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SPILL ALBUM REVIEW: ANCIENT SHAPES - A FLOWER THAT WOULDN'T BLOOM

SPILL ALBUM REVIEW: THUNDERPUSSY – MILK IT

Thunderpussy

Thunderpussy
Milk It
Stardog Records

Following the incredible success of 2018’s self-titled, full length album, Seattle’s – and Mike McCready’s – favourite new band, Thunderpussy, are back at it again with Milk It. The four track EP, produced my McCready, is, simply put, a must hear release from one of America’s most promising up and coming bands.

Opening with the dark and mysterious vibes of “Powerhouse”, Milk It kicks off on a grand note with a song that only builds in energy, performance, and sheer power from an echoing vocal refrain and hand claps to an all-out rock and roll banger. While the band as a whole are performing a step above where they left off on Thunderpussy, it is especially worth noting that lead vocalist Molly Sides is absolutely killing it, delivering vocals that are equally soulful as they are hard hitting. The track is further driven by a Bonham-esque groove, performed by none other than The Red Hot Chili Peppers’ Chad Smith, who is featured on the opening song. Milk It continues with “Never Know”, a slightly funky rocker demonstrating widely contrasting dynamics between the verses and chorus.

The latter half of Milking It proves to be just as exciting as the first and includes the acoustic ballad, “On The Line”. The song opens with a soft, reminiscent of Neil Young as the song grows with the addition of lush backing vocals, strings, and a rhythmic shift in style of the epic ballads from Led Zeppelin. Concluding the album is “Trust A Man”, yet another larger than life composition that fuses acoustic and electric guitars from Whitney Petty in a fashion somewhere between Heart and Bowie’s glam era. The track not only brings Milk It to a climatic and strong close – one that, once again, pushes the performance and songwriting capabilities of the band further than before – but it will leave the listener needing far more.

Just like that, four songs have gone by and Milk It begins to repeat. For those who have yet to hear of Thunderpussy, think of if rather than breaking up, The Runaways released a fifth album, one which channelled the punk energy and funnelled it into the classic rock style which they had opposed on their early work. Milk It is just that; a hard hitting, fast paced, and energetic EP that indulges in vintage tones, carefully crafted instrumental interludes,  and a classic vibe through four tracks which feel fresh, thrilling, and distinctively that of Thunderpussy. What is perhaps most commendable is their ability to capture the raw energy of their live show in the studio on a record that feels suspenseful and dangerous in its writing and performance. Considering my only fault with Milk It is that I need more of it, Thunderpussy has once again delivered an EP that, without a doubt, is a must hear record and among my favourites released this year.



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SPILL ALBUM REVIEW: THUNDERPUSSY – MILK IT

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About the Author
Gerrod Harris
Gerrod Harris is a Toronto based musician, writer, and podcast host. Since 2017, he has actively contributed to The Spill Magazine through coverage focused on a wide array of artists and genres alike. In addition to his writing, Harris hosts the podcast, Beats by Ger, where he delves into various aspects of music, sharing insights and engaging relevant discussions. As the drummer and manager of independent rock band, One in the Chamber, his passion for music goes beyond the pen as an active member of Toronto's vibrant musical community.
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