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SPILL NEW MUSIC: ALT-J’S JOE NEWMAN, AKA JJEROME87, RELEASES NEW TRACK “MR ALLIGATOR” | DEBUT ALBUM ‘THE CANYON’ OUT JUNE 26
SPILL NEW MUSIC: STARCLEANER REUNION RELEASE NEW SINGLE “WEATHER INSTRUMENT” AHEAD OF DATES w/ TAGABOW, JAMC & MORE
SPILL NEW MUSIC: PETER MURPHY – “SWOON (MAGIC WANDS REMIX)” | REMIX OF SONG FROM 2025 ALBUM BY ICONIC POST-PUNK SINGER
SPILL NEW MUSIC: SUGAR MINOTT – “I’M STILL HERE” B/W “I’M STILL HERE (VERSION)”
SPILL NEW MUSIC: KING LUDD RETURNS WITH FRENETICALLY CHARGED SINGLE “TIRED” | FEATURING MEMBERS OF DEAD TIRED, THE TREWS, MONSTER TRUCK AND MORE
SPILL MUSIC PREMIERE: BETS – “I’LL MAKE YOU MINE”
SPILL NEW MUSIC: GRETA VAN FLEET MAKE TRIUMPHANT RETURN TO WORLD STAGE WITH NEW SINGLE AND MUSIC VIDEO
SPILL ALBUM REVIEW: SHINEDOWN – EI8HT
SPILL ALBUM REVIEW: VIOLET GROHL – BE SWEET TO ME
SPILL ALBUM REVIEW: PAUL McCARTNEY – THE BOYS OF DUNGEON LANE
SPILL ALBUM REVIEW: WIDEMOUTH – NO GASOLINE
SPILL ALBUM REVIEW: PRIMULA – NOTHING NEW
SPILL ALBUM REVIEW: LEEROY STAGGER – PILGRIMAGE
SPILL ALBUM REVIEW: MAD IRIS – MAD IRIS
SPILL ALBUM REVIEW: THE ALARM – TRANSFORMATION
SPILL ALBUM REVIEW: DOUBLESPEAK – DOUBLESPEAK
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SPILL FESTIVAL REVIEW: OSHEAGA 2019 @ PARC JEAN-DRAPEAU, MONTREAL

SPILL ALBUM REVIEW: NICK CAVE & WARREN ELLIS – THE ROAD: ORIGINAL FILM SCORE 

Nick Cave & Warren Ellis
The Road: Original Film Score
Mute Records

Remastered and available for the first time on vinyl, the last of three rereleases from mastermind combo Nick Cave and Warren Ellis is unspeakably lovely and full of sorrow.

The soundtrack was written by Cave and Ellis as a sincere reaction to the film. Based on the novel by Cormac McCarthy, John Hillcoat’s The Road is a story in which the apocalypse takes a backseat to the themes of love and loss. Watching it on the screen is almost secondary to appreciating the score, as the composition tells a story all its own.

The track names themselves — “Home,” “The Mother,” “Memory” — are indicative of the heartache portrayed so deftly through each of Cave’s haunting piano notes, and each aching string played by Ellis.

Each piece exudes loss but also lightness. At times the bleakness and horror of the film comes through in tracks such as the menacing “The Cannibals” and the spine-tingling “The House.”

As with Cave and Ellis’ other spectacular work, this isn’t an album to shuffle or skip through. It merits listening to back to front, making its release on charcoal-coloured vinyl a clever move. Film and music lovers alike will revel in its beauty.



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Editor Pick
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SPILL ALBUM REVIEW: NICK CAVE & WARREN ELLIS – THE ROAD: ORIGINAL FILM SCORE 

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Michelle Cooney

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album reviewalbum reviewsambientelectronicnick cavesoundtrackstage and screen
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About the Author
Michelle Cooney
Writer of things. Listener of music. Bass player. Coffee addict.
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