The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
11
new
SPILL NEWS: SHEBAD RELEASE “DANCING NONSTOP” | NORTH AMERICAN TOUR DATES
SPILL NEW MUSIC: THE DURUTTI COLUMN RELEASE NEW SINGLE “SCAMMER” | NEW ALBUM ‘RENASCENT’ OUT JULY 31
SPILL NEW MUSIC: NEW REMIX BY VOLKER MILCH | PROTONAUT’S “IT’S NOT A PHASE, MOM”
SPILL NEW MUSIC: THEE SACRED SOULS ANNOUNCE TWO NEW 45s
SPILL NEWS: DINOSAUR JR. ANNOUNCE NEW ALBUM OUT AUGUST 28 VIA JAGJAGUWAR + NORTH AMERICAN TOUR
SPILL NEWS: BRITISH MTV LEGEND THOMAS DOLBY & THE LOST TOY PEOPLE SET TO HEADLINE 2026 TOTALLY TUBULAR FESTIVAL | TOUR DATES KICK OFF NEXT MONTH
SPILL NEW MUSIC: CINDY BLACKMAN SANTANA SHARES “THE MESSAGE IS LOVE” | NEW ALBUM ‘COHERENCE’ OUT JULY 31 ON MACK AVENUE RECORDS
SPILL NEWS: ALT-ROCK VETS SLOTHRUST RETURN WITH SURREALIST DISRUPTOR’S ANTHEM “BURN THE DECK” | NEW SINGLE STREAMING NOW VIA EQUAL VISION RECORDS
SPILL NEWS: TRICKY SHARES NEW SINGLE “I’M YOURS” FROM FORTHCOMING ALBUM OUT JULY 17 | NORTH AMERICAN TOUR THIS FALL
SPILL NEWS: THE MISSION TO RELEASE FIRST THREE ALBUMS IN NEWLY MASTERED VINYL EDITIONS
SPILL NEWS: SUGAR SHARE NEW SINGLE “KEEP LOOPING”
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
  • Spill Menu
    • Reviews
      • Album Reviews
      • Features
      • Live Reviews
      • Festivals
    • Portraits
    • Headlines
      • News
      • Contests
      • Events
      • Entertainment Headlines
      • Concert Listings
      • Toronto Concert Venues
    • New Music
      • Premieres
      • Track Of The Day
    • Track Of The Month
    • Books + Movies
    • About
Album Reviews
1123
Editor Pick
previous article
SPILL LIVE REVIEW: THE NORTHERN PIKES @ BLUE FROG STUDIOS, WHITE ROCK (BC)
next article
SPILL ALBUM REVIEW: THE NORTHERN PIKES - FOREST OF LOVE

SPILL ALBUM REVIEW: SANTANA – AFRICA SPEAKS

Santana

Santana
Africa Speaks
UMusic

Returning with his first album since 2016’s Santana IV, guitar innovator, virtuoso, and legend Carolos Santana has released Africa Speaks. Produced by Rick Rubin, the 11-track album – released ahead of his summer Supernatural Now tour and his on-and-off residency at Las Vegas’ The House Of Blues – marks Santana’s 25th record of original material. This feat is only surpassed when considering the sonic quality of Africa Speaks, a collection of music that only continues to enhance the name and reputation of Santana, while continuing to push any and all musical limitations.

Upon the opening of title track “Africa Speaks,” one hears a blend of rhythmic percussion, spoken word from Santana himself, wailing guitar, and raspy vocals sung in Spanish in unison with the distinctive, one-of-a-kind guitar tone. In this moment, the listener is transcended: music becomes your religion; Santana, the pastor; and Africa Speaks, today’s sermon. As the band seemingly warms up for three minutes, the song truly kicks in with a guitar solo set over Latin and African rhythms and continues to grow from its grand opening. While the way that the opening track grabs the listener could be endlessly discussed, the album continues to roll forward.

A musical marvel, Santana blends elements of rock, jazz, the blues, Latin, funk, and pop music together in a seamless fashion… just as he has always done. “Batonga” stands as a Latin rock odyssey rich with a deep sense of melodicism along with a series of solos, ranging from percussion and organ to Santana’s ever-present lead guitar lines. His riffs seem to run with a sense of abandon underneath the whole song without managing to step on anyone else’s toes. Quite contrastingly, “Yo Me Lo Merezco” stands as a strong, slow-burning pop ballad while “Breaking Down the Door” has a quality to it which sounds as if it was pulled straight from a Latin standards book.

Santana’s ability to push the stylistic boundaries through his compositions is only rivalled by his incredibly unique voice as a guitarist. He weaves together chords, rhythm, and lead lines with jaw-dropping solos… all the while delivering some of the nicest tones you’ll ever hear. It must also be noted that he leads one of the – if not the – tightest ensembles to be heard on record in quite some time.

Still reeling from the opening track, I realize my room has gone quiet. The album has come to a close, and while I am unsure as to how long I have been sitting here since the final notes of “Candombe Cumbele” have rung, a feeling of transcendence sits with me. Africa Speaks is a true masterpiece – something that Santana, even well over fifty years into his career, seems to turn out effortlessly.



Artist Links

website_flat_2016 facebook_flat_2016 twitter_flat_2016 instagram_flat_2016

Editor Pick
Item Reviewed

SPILL ALBUM REVIEW: SANTANA – AFRICA SPEAKS

Author

Gerrod Harris

Here's what we think...
Spill Rating
Fan Rating
Rate Here
New Criteria
10
8.7
10
Total Spill Rating
8.7
Total Fan Rating
4 ratings
You have rated this
Album Reviews
africa speaksalbum reviewalbum reviewsbreaking down the doorbuikacarlos santanasantanaumusic
africa speaks, album review, album reviews, breaking down the door, buika, carlos santana, santana, umusic
About the Author
Gerrod Harris
Gerrod Harris is a Toronto based musician, writer, and podcast host. Since 2017, he has actively contributed to The Spill Magazine through coverage focused on a wide array of artists and genres alike. In addition to his writing, Harris hosts the podcast, Beats by Ger, where he delves into various aspects of music, sharing insights and engaging relevant discussions. As the drummer and manager of independent rock band, One in the Chamber, his passion for music goes beyond the pen as an active member of Toronto's vibrant musical community.
RELATED ARTICLES
album reviewalbum reviewscarlos santana
 
7.0
Pat Travers

SPILL ALBUM REVIEW: PAT TRAVERS – HIGHWAY 61 REVISITED – LIVE IN HOUSTON, TX – MARCH 20, 2004

by Aaron Badgley on June 26, 2026
PAT TRAVERS HIGHWAY 61 REVISITED – LIVE IN HOUSTON, TX – MARCH 20, 2004 CLEOPATRA RECORDS Pat Travers continues to mine his live archive for never-before-released concerts for fans to enjoy. And it’s great that he does it too. This [...]
 
8.0
Cate Kennan

SPILL ALBUM REVIEW: CATE KENNAN – SHADOWS

by Ljubinko Zivkovic on June 26, 2026
CATE KENNAN SHADOWS KRANKY Working in that not so defined musical ground between ethereal and dream pop can be a tricky affair, as it is currently populated by quite a few artists, and any relative newcomer is bound to be compared to somebody [...]
 
8.0
knitting

SPILL ALBUM REVIEW: KNITTING – SOUVENIR

by Ljubinko Zivkovic on June 26, 2026
KNITTING SOUVENIR MINT RECORDS Montreal’s knitting does love the sound of their guitars (quite evident on their debut Some Kind of Heaven from 2024), but simply labelling them as a slacker band, particularly listening to Souvenir, their [...]
 
8.0
proun

SPILL ALBUM REVIEW: PROUN – MAYBE LUCK

by Ljubinko Zivkovic on June 26, 2026
PROUN MAYBE LUCK GOOD ENGLISH RECORDS We can keep guessing (or not) at what Austin, TX trio proun had in mind when they named its debut album Maybe Luck, but it is hard to hear that the luck is involved in its music, as it can go from a whisper [...]
 
8.0
Missoula

SPILL ALBUM REVIEW: MISSOULA – DEATH DOULA

by Aaron Badgley on June 26, 2026
MISSOULA DEATH DOULA ORG MUSIC Missoula is an instrumental superstar project from drummer Brooks Wackerman (Avenged Sevenfold, Bad Religion) and guitarist John Konesky (Tenacious D). This is not surf or ambient or meditative instrumental music. [...]

Latest Album Reviews
View All
 
SPILL ALBUM REVIEW: PAT TRAVERS – HIGHWAY 61 REVISITED –...
7.0
 
SPILL ALBUM REVIEW: CATE KENNAN – SHADOWS
8.0
 
SPILL ALBUM REVIEW: KNITTING – SOUVENIR
8.0
 
SPILL ALBUM REVIEW: PROUN – MAYBE LUCK
8.0
 
SPILL ALBUM REVIEW: MISSOULA – DEATH DOULA
8.0

STAY UP-TO-DATE
WITH OUR WEEKLY NEWSLETTER!

SPILL MAGAZINE MENU
  • Home | The Spill Magazine
  • Newsletter
  • Premieres
  • Track Of The Month
  • Album Reviews
  • Books + Movies
  • Features
  • Live Reviews
  • Festivals
  • Portraits
  • News
  • Events
  • Entertainment Headlines
  • Concert Listings
  • Toronto Concert Venues
  • About Us
  • Contests
  • New Music
  • Contributors
  • TOTD
  • Privacy Policy
  • The Scene Unseen
  • Newsletter

Copyright © 2026 | The Spill Magazine
All Rights Reserved.

TRENDING RIGHT NOW
   
 
SPILL ALBUM REVIEW: SOCIAL DISTORTION – BORN TO KILL
1239
 
SPILL ALBUM REVIEW: BRIAN WILSON – ON TOUR 1999-2007
811
 
SPILL ALBUM REVIEW: TORI AMOS – IN TIMES OF DRAGONS
760
 
SPILL VIDEO PREMIERE: SHAMUS – “SORCERESS”
755
 
SPILL ALBUM REVIEW: JOE JACKSON – HOPE AND FURY
671
 
SPILL FEATURE: LET’S JUST START AGAIN – A CONVERSATION WITH NICK HEYWARD & LES NEMES OF HAIRCUT 100
632
 
SPILL ALBUM REVIEW: CODEFENDANTS – LIFERS
621
 
SPILL NEWS: SUGAR SHARE NEW SINGLE “KEEP LOOPING”
620
 
SPILL ALBUM REVIEW: NOAH KAHAN – THE GREAT DIVIDE
600
 
SPILL MUSIC PREMIERE: IAMX – “INFINITE FEAR JETS {MIMETIC HEXES REWORK}”
594
 
SPILL FEATURE: WE ARE TRYING TO KEEP THINGS INTERESTING FOR OURSELVES – A CONVERSATION WITH JOHN LINNELL OF THEY MIGHT BE GIANTS
553
 
SPILL ALBUM REVIEW: HISS GOLDEN MESSENGER – I’M PEOPLE
493
 
SPILL ALBUM REVIEW: MODEST MOUSE – AN ERASER AND A MAZE
469
ENTERTAINMENT HEADLINES