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SPILL NEW MUSIC: JONNY COUCH – “WHERE THE SIDEWALK ENDS”
SPILL ALBUM REVIEW: KELZ – A SWEET PASSERBY
SPILL ALBUM REVIEW: LITVAR – BEING HERE
SPILL ALBUM REVIEW: SODA GUMBALL – SUPER HONEY TEASPOON!
SPILL ALBUM REVIEW: HUNTER AS A HORSE – LEVIATHAN
SPILL ALBUM REVIEW: JOHN FORD – BETWEEN A ROCK AND A HARD PLACE
SPILL NEW MUSIC: THUNDER QUEENS ANNOUNCE SOPHOMORE ALBUM ‘DEEP BELOW’ & SHARE TITLE TRACK
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Album Reviews
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SPILL ALBUM REVIEW: THE PULL OF AUTUMN - THE PULL OF AUTUMN

SPILL ALBUM REVIEW: WHITE DENIM – PERFORMANCE

White Denim
Performance
City Slang

Whenever I hear a new song, my brain tries to place the common sounds, tries to pull together references to say, “hey, keep listening, you’ll like this.” White Denim’s Performance is everyone’s brain pulling notes from every song they’ve heard and bobbed to in the last 50 years. This beautifully curated mashup of off tempo rhythms and complex chord progressions fills the listener’s appetite for abstract approach and kind of sends them through the wormhole of an every-era music experience. To place yourself in their recording studio, Radio Milk, it’s kind of incredible to think how many sounds came out of such a small space. Historically, it was once a horse stable and a general store. While the studio’s aesthetic may have changed, White Denim can still assure their patrons a full stock of everything they want and more. A criticism which at last became apparent is how short the album actually is. Coming in around 32 minutes with nine songs, the abrupt ending was a little disarming. The journey of this album should have lasted forever, a constant of random beauty turning its listener upside down and inside out. Alas, Performance came to a sweet, bittersweet end.



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SPILL ALBUM REVIEW: WHITE DENIM – PERFORMANCE

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Nicholas Musilli

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About the Author
Nicholas Musilli
Originally from NJ, Nicholas is an architect residing in Toronto. His most memorable moments in music: Crying during Roger Waters set at Newport Folk Festival, Nas performing all of Illmatic at Governors Ball, and Manchester Orchestra performing Cope in a church in New Haven, Connecticut.
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