The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
16
new
SPILL FEATURE: CELTIC MUSIC IS SO MALLEABLE, YOU CAN DO REALLY ANYTHING WITH IT – A CONVERSATION WITH IRISH MILLIE
SPILL ALBUM REVIEW: KAELEY JADE – THE GREAT UNKNOWN
SPILL ALBUM REVIEW: RICHARD BARBIERI – HAUNTINGS
SPILL ALBUM REVIEW: SPARKLER – GLIDEWINDER
SPILL ALBUM REVIEW: PRYMEK & SAGE – SHELTER
SPILL ALBUM REVIEW: TIGERCUB – NETS TO CATCH THE WIND
SPILL ALBUM REVIEW: FISHBONE – IN YOUR FACE / COVER YOUR FACE (40th ANNIVERSARY REISSUE)
SPILL ALBUM REVIEW: JOE JACKSON – HOPE AND FURY
SPILL ALBUM REVIEW: HOLLY HUMBERSTONE – CRUEL WORLD
SPILL ALBUM REVIEW: AYSANABEE – TIMELINES
SPILL FEATURE: BEATIN’ LIKE A DRUM – A CONVERSATION WITH MARC JORDAN
SPILL NEWS: SONIC BOOM, TORONTO’S ICONIC INDEPENDENT RECORD STORE, TURNS IT UP FOR INTERNATIONAL RECORD STORE DAY 2026
SPILL NEW MUSIC: ROSE HOTEL SHARES NEW SINGLE “MY SATELLITE” VIA STROLLING BONES RECORDS
SPILL NEWS: LOWEST OF THE LOW CELEBRATE 35 YEARS OF ‘SHAKESPEARE MY BUTT’ | ‘SHAKESPEARE MY BUTT: ANNIVERSARY EDITION’ & ‘LIMBOTOWN REVISITED’ ARRIVES MAY 8
SPILL NEW MUSIC: JON SPENCER ANNOUNCES NEW ALBUM ‘SONGS OF PERSONAL LOSS AND PROTEST’ OUT JUNE 12 | SHARES FIRST SONG “KNOCK ‘EM OUT”
SPILL NEWS: NEW WAVE ICON HOWARD JONES CURATES FEEL-GOOD 80s EVENT OF SUMMER | “THINGS CAN ONLY GET BETTER” NORTH AMERICAN TOUR CONFIRMED
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
  • Spill Menu
    • Reviews
      • Album Reviews
      • Features
      • Live Reviews
      • Festivals
    • Portraits
    • Headlines
      • News
      • Contests
      • Events
      • Entertainment Headlines
      • Concert Listings
      • Toronto Concert Venues
    • New Music
      • Premieres
      • Track Of The Day
    • Track Of The Month
    • Books + Movies
    • About
Album Reviews
827
previous article
SPILL FEATURE: GREAT ASPIRATIONS FOR TC&I - A CONVERSATION WITH COLIN MOULDING
next article
SPILL VIDEO PREMIERE: THE LOONS - "BLUE ETHER"

SPILL ALBUM REVIEW: MILK & BONE – DECEPTION BAY

Milk & Bone

Milk & Bone
Deception Bay
Bonsound

Milk & Bone, Laurence Lafond-Beaulne and Camille Poliquin, established their ability to craft emotionally-stirring, musically-sophisticated songs with their 2015 debut, Little Mourning. Now their sophomore effort, Deception Bay, sets out to reinforce that reputation and expand their musical territory.

With shimmering synths, processed vocals, and the theme of relationships both good and bad, Deception Bay does not stray too far from the course that Little Mourning established. From the opening track, “Set in Stone,” straight through to the fourteenth, “:’),” things are pretty consistent. Most of the record packs the same brand of alternative pop that contemporary bands such as CHVCHES and Purity Ring have refined to an art form. This cohesion makes the album flow smoothly, yet also allows for some of the songs to get lost in the mix.

While many of Deception Bay’s songs feature danceable, upbeat instrumentation, a few songs do seek to alter this trend. “Tmrw.” is one of the album’s mellowest and most intimate tracks as the complex synths are stripped back to reveal a simple piano and oft-repeated chorus, “Let’s see what tomorrow brings,” that work in tandem to create a moody atmosphere that is suitable for a pop ballad. Immediately following “Tmrw.” is one of Deception Bay’s most experimental moments, “interlude I,” that expands the orchestral whooshes found in the former track to a fever pitch and allows for things to transition back towards synth-driven pop.

Within the title track, the duo’s carefully-constructed harmonies take on a new level of refinement as their layered voices meld with a roaring bass synth and detailed percussion to create one of the catchiest tunes on the album.

If Deception Bay proves one thing, it is that Milk & Bone is capable of consistency. The intricate musical textures and emotionally-influenced lyrics found throughout the album’s 48 minutes serve to restate that Montreal’s Milk & Bone is a power-synth tour de force.



Artist Links

website_flat_2016 facebook_flat_2016 twitter_flat_2016 instagram_flat_2016

Item Reviewed

SPILL ALBUM REVIEW: MILK & BONE – DECEPTION BAY

Author

Joel Weatherly

Here's what we think...
Spill Rating
Fan Rating
Rate Here
New Criteria
10
8.9
8.0
Total Spill Rating
8.9
Total Fan Rating
4 ratings
You have rated this
Album Reviews
album reviewsbonsounddeception baymilk & bone
album reviews, bonsound, deception bay, milk & bone
About the Author
Joel Weatherly
I am an Edmonton based musicophile and photographer who loves experiencing music whether it's live or on my turntable. I play seven instruments and go to a lot of concerts.
RELATED ARTICLES
album reviewsbonsoundmilk & bone
 
8.0
Kaeley Jade

SPILL ALBUM REVIEW: KAELEY JADE – THE GREAT UNKNOWN

by Ljubinko Zivkovic on April 10, 2026
KAELEY JADE THE GREAT UNKNOWN INDEPENDENT Country music used to be full of formulas that begged to be broken, and for a while now Americana and alternative country artists did a great job in doing so. Joining those ranks is Edmonton-based Métis [...]
 
8.0
Richard Barbieri

SPILL ALBUM REVIEW: RICHARD BARBIERI – HAUNTINGS

by Ljubinko Zivkovic on April 10, 2026
RICHARD BARBIERI HAUNTINGS KSCOPE David Sylvian-led Japan became legends of ‘80s electronic music, and Sylvian himself had a renowned solo career with a series of more and more experimental releases. Yet quite a few fans of the genre sometimes [...]
 
8.0
Sparkler

SPILL ALBUM REVIEW: SPARKLER – GLIDEWINDER

by Ljubinko Zivkovic on April 10, 2026
SPARKLER GLIDEWINDER À LA CARTE RECORDS Longtime shoegaze fans and followers surely have certain sound combinations in their minds that they would love to hear, and one such a combination would probably involve My Bloody Valentine and Slowdive [...]
 
9.0
Prymek & Sage

SPILL ALBUM REVIEW: PRYMEK & SAGE – SHELTER

by Ljubinko Zivkovic on April 10, 2026
PRYMEK & SAGE SHELTER AKP RECORDINGS If somebody would mention ambient music at this very moment, the first thing that might come to mind would be meandering electronics sounds. Yet the variation and spectrum of ambient music these days has [...]
 
7.0
Tigercub
10

SPILL ALBUM REVIEW: TIGERCUB – NETS TO CATCH THE WIND

by Jasmine Bhoodwah on April 10, 2026
TIGERCUB NETS TO CATCH THE WIND LOOSEGROOVE RECORDS Alternative rock is a genre that has tons of history. Emerging from underground shoegaze and the uprising of grunge, alternative rock became mainstream around the 90s. Since then, the category [...]

Latest Album Reviews
View All
 
SPILL ALBUM REVIEW: KAELEY JADE – THE GREAT UNKNOWN
8.0
 
SPILL ALBUM REVIEW: RICHARD BARBIERI – HAUNTINGS
8.0
 
SPILL ALBUM REVIEW: SPARKLER – GLIDEWINDER
8.0
 
SPILL ALBUM REVIEW: PRYMEK & SAGE – SHELTER
9.0
 
SPILL ALBUM REVIEW: TIGERCUB – NETS TO CATCH THE WIND
7.0
10

STAY UP-TO-DATE
WITH OUR WEEKLY NEWSLETTER!

SPILL MAGAZINE MENU
  • Home | The Spill Magazine
  • Newsletter
  • Premieres
  • SPILL RETRO REVIEWS
  • Track Of The Month
  • Album Reviews
  • Books + Movies
  • Features
  • Live Reviews
  • Festivals
  • Portraits
  • News
  • Events
  • Entertainment Headlines
  • Concert Listings
  • Toronto Concert Venues
  • About Us
  • Contests
  • New Music
  • Contributors
  • TOTD
  • Privacy Policy
  • The Scene Unseen
  • Newsletter

Copyright © 2026 | The Spill Magazine
All Rights Reserved.

TRENDING RIGHT NOW
   
 
SPILL FEATURE: IT’S ABOUT THE CLIMB – A CONVERSATION WITH GORILLAZ
3312
 
SPILL TRACK OF THE MONTH: DAYS OF SORROW – “WHO WE ARE”
931
 
SPILL LIVE REVIEW: TENILLE TOWNES @ RICHMOND HILL CENTRE FOR THE PERFORMING ARTS, RICHMOND HILL
883
 
🇨🇦 SPILL CONTEST: WIN A BOB & DOUG McKENZIE – GREAT WHITE NORTH & STRANGE BREW (44 ¾ ANNIVERSARY) PRIZE PACK! 🇨🇦
854
 
SPILL ALBUM REVIEW: MOBY – FUTURE QUIET
844
 
SPILL NEWS: THE AFGHAN WHIGS RELEASE NEW SINGLE “HOUSE OF I” | THEIR FIRST NEW MUSIC SINCE 2022
722
 
SPILL ALBUM REVIEW: PUSCIFER – NORMAL ISN’T
711
 
SPILL ALBUM REVIEW: GOLDFINGER – NINE LIVES
673
 
SPILL ALBUM REVIEW: THE DAMNED – NOT LIKE EVERYBODY ELSE
669
 
SPILL ALBUM REVIEW: BECK – EVERYBODY’S GOTTA LEARN SOMETIME
662
 
SPILL ALBUM REVIEW: SQUEEZE – TRIXIES
517
 
SPILL ALBUM REVIEW: BILL ORCUTT – MUSIC IN CONTINUOUS MOTION
504
 
SPILL NEW MUSIC: BECK SHARES NEW ALBUM ‘EVERYBODY’S GOTTA LEARN SOMETIME’ | PHYSICAL COPIES AVAILABLE FEBRUARY 13
502
ENTERTAINMENT HEADLINES