The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
16
new
SPILL FEATURE: IT’S NEVER YOUR FAULT – A CONVERSATION WITH LISA MOLINARO
SPILL NEW MUSIC: NEW SINGLE FROM LUCY DREAMS “Z&1” | ICELAND AIRWAVES ANNOUNCEMENT
SPILL NEW MUSIC: STEELHEART’S “WITHOUT YOU” OUT NOW
SPILL NEWS: LUDOVICO TECHNIQUE JOINS COMBICHRIST ON FALL TOUR
SPILL NEWS: BRAND NEW SONG FROM SYNTH POP LEGEND HOWARD JONES “STAND UP”
SPILL NEWS: THE LINDA LINDAS ANNOUNCE NEW ALBUM GOTTA GET OUT DUE AUGUST 28 VIA REPRISE/WARNER RECORDS | RELEASE NEW SINGLE + VIDEO “CLOSER (FEAT. HAYLEY WILLIAMS)”
SPILL NEW MUSIC: THE WOMACK SISTERS – “IF I LET YOU”
SPILL NEW MUSIC: 90s BAND SUNWHEEL REUNITE WITH A RENEWED ENERGY AND PURPOSE WITH NEW SINGLE “GLORIOUS WAYS”
SPILL NEW MUSIC: MANCHESTER NOISE POP NEWCOMERS BRICKHOUSE DEBUT WITH “ANGEL EYES”
SPILL ALBUM REVIEW: THE ROLLING STONES – FOREIGN TONGUES
SPILL ALBUM REVIEW: SUNDAYCLUB – SUNDAYCLUB
SPILL ALBUM REVIEW: SHE’S GREEN – SWALLOWTAIL
SPILL ALBUM REVIEW: JACK GRISHAM AND THE LIFE UNDONE – JACK GRISHAM AND THE LIFE UNDONE
SPILL ALBUM REVIEW: SWEET – THE ANSWER
SPILL NEW MUSIC: ATMOS BLOOM PONDER POWER DYNAMICS ON NEW SINGLE “IT’S ENOUGH” | DREAMY LONDON DUO’S ‘EVERYTHINGNESS’ LP OUT JULY 24 VIA SPIRIT GOTH RECORDS
SPILL ALBUM PREMIERE: DEARDARKHEAD – THE PENDULUM SWINGS
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
  • Spill Menu
    • Reviews
      • Album Reviews
      • Features
      • Live Reviews
      • Festivals
    • Portraits
    • Headlines
      • News
      • Contests
      • Events
      • Entertainment Headlines
      • Concert Listings
      • Toronto Concert Venues
    • New Music
      • Premieres
      • Track Of The Day
    • Track Of The Month
    • Books + Movies
    • About
Album Reviews
186
previous article
SPILL ALBUM REVIEW: COLLABS 3000 (CHRIS LIEBING & SPEEDY J) - METALISM (20th ANNIVERSARY EDITION)
next article
SPILL ALBUM REVIEW: MEN WITHOUT HATS - ON THE MOON

SPILL ALBUM REVIEW: CHOKECHERRY – RIPE FRUIT ROTS AND FALLS

Chokecherry

CHOKECHERRY
RIPE FRUIT ROTS AND FALLS
FEARLESS RECORDS

There is an old saying: “It is far better to grasp the Universe as it really is than to persist in delusion, however satisfying and reassuring.” Since Chokecherry has entered the scene, such words have more of a profound meaning now than they ever did in their still-budding career. Listening to Chokecherry’s new LP, Ripe Fruit Rots and Falls, two voices have joined together in a shared experience of pain to build a new chapter of optimism born from the scars that created it. Solid, raw, and exposed, Ripe Fruit Rots and Falls is a journey of love, loss, anger, and the sour aftertaste of acceptance that emotionally never quite settles into one place. Produced by Chris Coady, Christopher Grant, and Zach Tuch, they have helped create a musical vision that extends beyond heartbreak. Chokecherry’s debut effort is more than this. It is a snapshot of how such emotions embody the world around us. The political movements that have overwhelmed our state of being in 2025 have further exacerbated the social deterioration of empathy and of what it means to be human in a world where so few of these emotions exist at this moment. Ripe Fruit Rots and Falls takes us on this journey: one that takes imagined futures of happiness and success and strips them away from the surface to the inner core.

As soon as their debut experience begins, Chokecherry kicks off with“Porcelain Warrior,” “Major Threat,” and “Pretty Things,” which encapsulate what it means to be self-aware of the cruelty that exists in the world. In many ways, these first tracks are not just the makeup of the world, but the duality in which the world works, a mood that consistently plays throughout. Sonically, this duality shapes these experiences, its post-rock and shoegaze influences dreamily fitting around its intimate lyrics like a warm glove covering cold, frostbitten hands. Emotionally cinematic and edgy, Chokecherry’s signature Bay Area sound sparkles and cuts at once, its vocal harmonies effortlessly sewn together to create a sound that feels wide open yet packs a punch.

Moving into the next few tracks, “Secrets,” “Goldmine,” and “Part of You,” continuously wander into this anxious, coastal, melancholic vibe, one that feels like a warm breeze at sunset. Yet once its technicolored skies fade, a coldness lurks beneath the surface. Yet both vocalists find a way to keep such frigid accents contained within the gorgeous melodic textures that engulf the sadness, allowing one to process the pain while feeling the cathartic release of coming face to face with the pain that is killing the happiness that has been snatched away time and time again. Something Chokecherry has been successful with in this album is keeping us engaged in this world of sunshine, sand, and gritty city landscapes, exposing an existence that, on the surface, feels exciting and nostalgic, yet, if you dig a little deeper, the tides threaten to wash up something ugly and depressing. This kind of dichotomy is not easy to replicate, yet Chokecherry makes it look simple to showcase raw emotions and artfully paint the landscape in which they occurred.

“You Love It When,” “Oblivion,” “February,” and the final shimmering highlight, “Ripe Fruit Rots and Falls,” snap the album into this pins and needles, hardcore-tinged energy introduced earlier by whetted experience, “Major Moment.” A subtle salute to the band’s 90s-tinged abrasive influences while remaining internally engaged in the broader concepts of the album, it’s an inked reminder that Chokecherry can blend experimental, aggressive, and melodic elements to light within the same experience without losing focus on the overall soundscapes that make their audacious, atmospheric sound so special.

Ripe Fruit Rots and Falls is a kaleidoscopic view of moments in life, rather than a straightforward narrative. A milieu of emotional rot, internal panic, and benevolence, underscored by political guise, Chokecherry’s debut album is a rough storm upon the ocean, its unpredictable, tumultuous waves emotionally pivoting from personal to public, exposing, in subtle ways, the repulsive nature that resides in today’s landscape. One that would rather drown in a delusion of fantasized normalcy than feel the pain of a world that is up in flames. Yet at the same time, there is a beauty within the haze of dreams and hope that blankets the rot, and for these reasons, their debut release is a strong and compelling first impression of a band that has only scratched the surface of their artistic talents.



Artist Links

website_flat_2016 facebook_flat_2016 twitter_flat_2016 instagram_flat_2016

Item Reviewed

SPILL ALBUM REVIEW: CHOKECHERRY – RIPE FRUIT ROTS AND FALLS

Author

Samantha Andujar

Here's what we think...
Spill Rating
Fan Rating
Rate Here
New Criteria
10
—
9.0
Total Spill Rating
—
Total Fan Rating
You have rated this
Album Reviews
album reviewalbum reviewschokecherryfearless recordsmajor threatripe fruit rots and falls
album review, album reviews, chokecherry, fearless records, major threat, ripe fruit rots and falls
About the Author
Samantha Andujar
Samantha Andujar is also a music journalist for Outburn Magazine and creator of Into The Void. She loves rock music, video games, wrestling, anime, and horror movies.
RELATED ARTICLES
album reviewalbum reviewschokecherry
 
8.0
The Rolling Stones

SPILL ALBUM REVIEW: THE ROLLING STONES – FOREIGN TONGUES

by Gerrod Harris on July 10, 2026
THE ROLLING STONES FOREIGN TONGUES  UNIVERSAL MUSIC The Rolling Stones are back. While 2023’s Hackney Diamonds may have given the impression of a fitting conclusion to perhaps one of pop culture’s greatest sagas, and despite questioning if they [...]
 
9.0
sundayclub

SPILL ALBUM REVIEW: SUNDAYCLUB – SUNDAYCLUB

by John Porter on July 10, 2026
SUNDAYCLUB SUNDAYCLUB PAPER BAG RECORDS sundayclub has been riding something of a wave of momentum among those lucky enough to have heard about them since 2025’s Bannatyne, and with good reason; their combination of modern production, honest, [...]
 
8.0
she's green

SPILL ALBUM REVIEW: SHE’S GREEN – SWALLOWTAIL

by Mercedes Chircop on July 10, 2026
SHE’S GREEN SWALLOWTAIL PHOTO FINISH RECORDS With Swallowtail, she’s green has crafted an EP that feels less like a collection of songs and more like an immersive experience. Beautifully written and thoughtfully composed, every track flows [...]
 
7.0
Jack Grisham and the Life Undone

SPILL ALBUM REVIEW: JACK GRISHAM AND THE LIFE UNDONE – JACK GRISHAM AND THE LIFE UNDONE

by Gerrod Harris on July 10, 2026
JACK GRISHAM AND THE LIFE UNDONE JACK GRISHAM AND THE LIFE UNDONE LOST IN BERLIN RECORDS T.S.O.L.’s Jack Grisham has made a triumphant solo return with his new band, Jack Grisham And The Life Undone, with the release of their debut, eponymous [...]
 
8.0
Sweet

SPILL ALBUM REVIEW: SWEET – THE ANSWER

by Aaron Badgley on July 10, 2026
SWEET THE ANSWER METALVILLE The Answer was originally released in 1992 under the name Andy Scott’s Sweet rather than just Sweet. It was also originally released with the title A and was originally Sweet’s 10th album. It was released only in [...]

Latest Album Reviews
View All
 
SPILL ALBUM REVIEW: THE ROLLING STONES – FOREIGN TONGUES
8.0
 
SPILL ALBUM REVIEW: SUNDAYCLUB – SUNDAYCLUB
9.0
 
SPILL ALBUM REVIEW: SHE’S GREEN – SWALLOWTAIL
8.0
 
SPILL ALBUM REVIEW: JACK GRISHAM AND THE LIFE UNDONE – JACK G...
7.0
 
SPILL ALBUM REVIEW: SWEET – THE ANSWER
8.0

STAY UP-TO-DATE
WITH OUR WEEKLY NEWSLETTER!

SPILL MAGAZINE MENU
  • Home | The Spill Magazine
  • Newsletter
  • Premieres
  • Track Of The Month
  • Album Reviews
  • Books + Movies
  • Features
  • Live Reviews
  • Festivals
  • Portraits
  • News
  • Events
  • Entertainment Headlines
  • Concert Listings
  • Toronto Concert Venues
  • About Us
  • Contests
  • New Music
  • Contributors
  • TOTD
  • Privacy Policy
  • The Scene Unseen
  • Newsletter

Copyright © 2026 | The Spill Magazine
All Rights Reserved.

TRENDING RIGHT NOW
   
 
SPILL ALBUM REVIEW: SOCIAL DISTORTION – BORN TO KILL
1253
 
SPILL ALBUM REVIEW: BRIAN WILSON – ON TOUR 1999-2007
819
 
SPILL ALBUM REVIEW: TORI AMOS – IN TIMES OF DRAGONS
770
 
SPILL VIDEO PREMIERE: SHAMUS – “SORCERESS”
759
 
SPILL NEWS: SUGAR SHARE NEW SINGLE “KEEP LOOPING”
722
 
SPILL ALBUM REVIEW: DEEP PURPLE – SPLAT!
680
 
SPILL FEATURE: LET’S JUST START AGAIN – A CONVERSATION WITH NICK HEYWARD & LES NEMES OF HAIRCUT 100
639
 
SPILL ALBUM REVIEW: NOAH KAHAN – THE GREAT DIVIDE
612
 
SPILL MUSIC PREMIERE: IAMX – “INFINITE FEAR JETS {MIMETIC HEXES REWORK}”
603
 
SPILL FEATURE: WE ARE TRYING TO KEEP THINGS INTERESTING FOR OURSELVES – A CONVERSATION WITH JOHN LINNELL OF THEY MIGHT BE GIANTS
559
 
SPILL ALBUM REVIEW: HISS GOLDEN MESSENGER – I’M PEOPLE
502
 
SPILL ALBUM REVIEW: DOUBLESPEAK – DOUBLESPEAK
501
 
SPILL ALBUM REVIEW: MODEST MOUSE – AN ERASER AND A MAZE
489
ENTERTAINMENT HEADLINES