The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
16
new
SPILL ALBUM REVIEW: WESTSIDE COWBOY ­­– SO MUCH COUNTRY ‘TILL WE GET THERE
SPILL ALBUM REVIEW: JULIANNA BARWICK & MARY LATTIMORE – TRAGIC MAGIC
SPILL ALBUM REVIEW: ALEV LENZ – 4 IN A CYCLE OF THIRDS
SPILL ALBUM REVIEW: THE SHA LA DAS – YOUR PICTURE
SPILL NEWS: CANCER BATS CELEBRATE 20 YEARS OF ‘BIRTHING THE GIANT’ WITH CANADIAN ANNIVERSARY TOUR
SPILL NEWS: FISHBONE ANNOUNCES SPRING TOUR DATES TO COINCIDE WITH ‘IN YOUR FACE’ 40th ANNIVERSARY LIMITED-EDITION DOUBLE LP REISSUE RELEASE
SPILL NEWS: GORILLAZ NEW TRACK “ORANGE COUNTY” (FT. BIZARRAP, KARA JACKSON AND ANOUSHKA SHANKAR) OUT NOW | NEW STUDIO ALBUM ‘THE MOUNTAIN’ COMING FEBRUARY 27
SPILL NEWS: HOLY FUCK ANNOUNCE NEW ALBUM ‘EVENT BEAT’ OUT MARCH 27 VIA AWAL
SPILL ALBUM REVIEW: THEY MIGHT BE GIANTS – EYEBALL
SPILL NEWS: BIF NAKED UNVEILS “SNOWBLINDED” MUSIC VIDEO FROM ‘CHAMPION’ ALBUM + ANNOUNCES MORE DOC SCREENINGS
SPILL NEW MUSIC: SPILL TAB SHARES NEW SINGLE “SUCKERRR”
SPILL NEW MUSIC: BLACK LABEL SOCIETY ANNOUNCES A NEW ALBUM ‘ENGINES OF DEMOLITION’ VIA SPINEFARM RECORDS
SPILL TRACK OF THE MONTH: TRAITRS – “I WAS ILL, YOU WERE WRONG”
SPILL NEWS: SAINT AGNES RELEASE NEW SINGLE “SONG FOR MIA” | NEW STUDIO ALBUM ‘YOUR GOD FEARING DAYS ARE ABOUT TO BEGIN’ OUT MAY 29
SPILL NEW MUSIC: KIM GORDON’S THIRD SOLO ALBUM ‘PLAY ME’ OUT MARCH 13 VIA MATADOR RECORDS
SPILL NEW MUSIC: GERMAN PUNK FORCE MELONBALL RELEASES NEW SINGLE + VIDEO “ALLY OR ALIBI” | NEW LP ‘TAKE CARE’ OUT FEBRUARY 27
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
  • Spill Menu
    • Reviews
      • Album Reviews
      • Features
      • Live Reviews
      • Festivals
    • Portraits
    • Headlines
      • News
      • Contests
      • Events
      • Entertainment Headlines
      • Concert Listings
      • Toronto Concert Venues
    • New Music
      • Premieres
      • Track Of The Day
    • Track Of The Month
    • Books + Movies
    • About
Album Reviews
4819
Editor Pick
previous article
SPILL LIVE REVIEW: LIMBLIFTER @ THE HORSESHOE TAVERN, TORONTO
next article
SPILL ALBUM PREMIERE: ARTIST PROOF - AP1

SPILL ALBUM REVIEW: DURAND JONES & THE INDICATIONS

Durand Jones & The Indications

Durand Jones & The Indications
Durand Jones & The Indications
Colemine Records
RATING

Durand Jones’ first release is such a pleasure to listen to, and has instantly become a staple in my musical catalogue. Writing with Aaron Frazer (drums) and Blake Rhein (guitar) has awoken a soulful beast. The album is beautifully produced, mostly straight to tape from a basement in Indiana, and awash with sexy horn lines, hooky Funk guitar and perfectly placed organ pads. Even with all this great music that The Indications has to offer, Jones absolutely dominates the songs with his powerful, soulful and ever-evolving voice. Track by track, here are my impressions:

“Make a Change”

This is my personal favourite track. “Make a Change” opens with Frazer’s big, boomy kick drum that says, “I’m not fucking around here.” Tasteful guitar plinks and a nice organ pad fill the intro out. It all slides into the backbeat as Jones’ commanding voice swoons the first “Hold on, baby hold on.” Sounding like a young Marvin Gaye, Jones’ range and, for lack of a better word, “soul” make the hairs stand up on the back of your neck. Throw in a catchy chorus, meaningful lyrics and slick horn hooks, and I am jacked to see the video, which thankfully is coming soon. This song could really propel Jones upward in the ranks of modern Soul musicians, where a talent like him belongs.

“Smile”

As the title suggests, this tune has a little more bounce, a little more “sunny day” feel to it. However, as the lyrics unfold, the song is definitively tongue-in-cheek, more about the cruelness of the world and how we force ourselves to smile through it for others to see. “Smile” retains a certain optimism; if not through the lyrics then certainly through the music.

“Can’t Keep My Cool”

Great horn lines open up this soulful ballad. Jones has penned such a classic-sounding number here; this song sounds like something you’ve heard before but with a great and original twist.

“Groovy Babe”

Channeling James Brown, Jones pulls out all the stops on this one. This has all the power, feel and sound of real classic Funk. When this tune comes on, I want to boost the volume up to deafening levels and dance around like a maniac. Air drumming to Frazer’s solo on this track is totally acceptable in any venue.

“Giving Up”

A classic organ-filled break-up song, “Giving Up” is nicely written and has a cool lyrical twist. Jones continues to lay down the law with his incredible vocal presence. Jones always seems to know how to do what’s best for the song; doesn’t get in the way but never undermines his own presence either. His styles can vary tremendously, and are always on-point. This would be a great song to have cranked in your convertible Cadillac while speeding down a Nevada highway.

“Is it Any Wonder?”

Jones should be called “The Chameleon of Soul,” as he pulls off this Smokey Robinson-style love song with absolute confidence. There is a plethora of lovemaking music to be found on this album; just press play and break out the red wine, kids. Soul is synonymous with sex and its many different tempos and moods.

“Now I’m Gone”

This is my second favourite track on the album. A good strong fuck you to the past is always enjoyable, but what really grabs me here is Jones’ voice… he sounds 100 per cent like himself. Jones is so able to emulate styles of Soul-singing that perhaps he lost a tiny bit of himself in the process, but here it is. I have no doubt that he will continue to grow and find himself, and the result will be an unstoppable Soul machine.

“Tuck ‘N’ Roll”

A nice mostly instrumental piece is a great way to finish off the album, and this is a real showpiece for the fantastic musicians that Jones worked with on this album. Sweet and funky and reminiscent of The Meters, this is a really fun song that shows of the skills of organist Justin Hubler.

This album is a fantastic listen; I guarantee you will be hearing more from Durand Jones & The Indications. Keep your eyes peeled for their upcoming video for “Make a Change,” and for my upcoming interview with this insightful and gifted artist.



Artist Link

fb

Editor Pick
Item Reviewed

SPILL ALBUM REVIEW: DURAND JONES & THE INDICATIONS

Author

James Stefanuk

Here's what we think...
Spill Rating
Fan Rating
Rate Here
New Criteria
10
9.6
9.0
Total Spill Rating
9.6
Total Fan Rating
8 ratings
You have rated this
Album Reviews
album reviewscolemine recordsdurand jones & the indications
album reviews, colemine records, durand jones & the indications
About the Author
James Stefanuk
James Stefanuk has an unbridled passion for good original music. He has been involved in the Toronto Indie scene for over a decade, and currently fronts the Alt-Blues band 'Jim Dan Dee'. In his spare time James plays with his Australian Shepherd 'Indie', drinks bourbon on the rocks and writes about himself in the third person.
RELATED ARTICLES
album reviewscolemine recordsdurand jones & the indications
 
6.0
Westside Cowboy

SPILL ALBUM REVIEW: WESTSIDE COWBOY ­­– SO MUCH COUNTRY ‘TILL WE GET THERE

by Roxy Macdonald on January 16, 2026
WESTSIDE COWBOY SO MUCH COUNTRY ‘TILL WE GET THERE ISLAND RECORDS Four-piece English indie band Westside Cowboy has been described as “college rock”, which couldn’t be a more accurate way of describing its sound or ethos. So Much Country ‘Till [...]
 
8.0
Julianna Barwick & Mary Lattimore

SPILL ALBUM REVIEW: JULIANNA BARWICK & MARY LATTIMORE – TRAGIC MAGIC

by Ljubinko Zivkovic on January 16, 2026
JULIANNA BARWICK & MARY LATTIMORE TRAGIC MAGIC INFINÉ RECORDS It seems to be the time for the successful combination of modern classical and other modern (or not so modern) musical forms, and Tragic Magic, a debut joint album by [...]
 
8.0
Alex Lorenz

SPILL ALBUM REVIEW: ALEV LENZ – 4 IN A CYCLE OF THIRDS

by Ljubinko Zivkovic on January 16, 2026
ALEV LENZ 4 IN A CYCLE OF THIRDS INDEPENDENT If you think it is a straightforward process to combine a song form with classical music compositional structure, you could be way off, with so many such experiments, remaining just that – [...]
 
7.0
The Sha La Das

SPILL ALBUM REVIEW: THE SHA LA DAS – YOUR PICTURE

by Ben Scanga on January 16, 2026
THE SHA LA DAS YOUR PICTURE DIAMOND WEST RECORDS The Sha La Das is an inherently perfect name for a group that methodically creates tracks with such a profound combination of sentimentality and easy-listening sensibilities; the album tends to [...]
 
9.0
They Might Be Giants

SPILL ALBUM REVIEW: THEY MIGHT BE GIANTS – EYEBALL

by Aaron Badgley on January 15, 2026
THEY MIGHT BE GIANTS EYEBALL IDLEWILD RECORDINGS They Might Be Giants are back with a new EP, which is in fact a taster if you will of a forthcoming album. However, even if this was just a standalone EP, it is well worth your time. All three [...]

Latest Album Reviews
View All
 
SPILL ALBUM REVIEW: WESTSIDE COWBOY ­­– SO MUCH COUNTRY ‘TILL WE GE...
6.0
 
SPILL ALBUM REVIEW: JULIANNA BARWICK & MARY LATTIMORE – ...
8.0
 
SPILL ALBUM REVIEW: ALEV LENZ – 4 IN A CYCLE OF THIRDS
8.0
 
SPILL ALBUM REVIEW: THE SHA LA DAS – YOUR PICTURE
7.0
 
SPILL ALBUM REVIEW: THEY MIGHT BE GIANTS – EYEBALL
9.0

STAY UP-TO-DATE
WITH OUR WEEKLY NEWSLETTER!

SPILL MAGAZINE MENU
  • Home | The Spill Magazine
  • Newsletter
  • Premieres
  • SPILL RETRO REVIEWS
  • Track Of The Month
  • Album Reviews
  • Books + Movies
  • Features
  • Live Reviews
  • Festivals
  • Portraits
  • News
  • Events
  • Entertainment Headlines
  • Concert Listings
  • Toronto Concert Venues
  • About Us
  • Contests
  • New Music
  • Contributors
  • TOTD
  • Privacy Policy
  • The Scene Unseen
  • Newsletter

Copyright © 2026 | The Spill Magazine
All Rights Reserved.

TRENDING RIGHT NOW
   
 
SPILL ALBUM REVIEW: THE WATERBOYS – THE WATERBOYS PRESENT: RIPS FROM THE CUTTING ROOM FLOOR
838
 
SPILL ALBUM REVIEW: RHEOSTATICS – THE GREAT LAKES SUITE
829
 
SPILL ALBUM REVIEW: BIG WRECK – THE REST OF THE STORY
804
 
SPILL NEWS: DONOVAN WOODS CELEBRATES 10 YEARS OF “PORTLAND, MAINE” WITH NEW VERSION FEATURING JORDAN DAVIS | 2026 SPRING TOUR SUPPORTING THE PAPER KITES
677
 
SPILL ALBUM REVIEW: NOFX – A TO H
613
 
SPILL ALBUM REVIEW: THE BEATLES – ANTHOLOGY COLLECTION
601
 
SPILL ALBUM REVIEW: CITY AND COLOUR – SOMETIMES LULLABY
589
 
SPILL ALBUM REVIEW: MELANIE – THERE SHOULD HAVE BEEN A RAINBOW: THE NY FOLK SESSIONS 1963-1965
587
 
SPILL ALBUM REVIEW: PORTUGAL. THE MAN – SHISH
566
 
SPILL ALBUM REVIEW: ASHES AND DIAMONDS – ASHES AND DIAMONDS ARE FOREVER
527
 
SPILL ALBUM REVIEW: ODC – TWISTED LOVE
515
 
SPILL FEATURE: IT WAS A VERY POSITIVE ALBUM, STILL IS – A CONVERSATION WITH JEREMY CUNNINGHAM OF LEVELLERS
458
 
SPILL NEWS: GORILLAZ RELEASE NEW TRACK “DAMASCUS” (FEAT. OMAR SOULEYMAN AND YASIIN BEY)
452
ENTERTAINMENT HEADLINES