SPILL LIVE REVIEW: SOMETHING SOMETHING EXPLOSION & LOSER w/ BLYSS. & GET REKT @ SHOTKICKERS, MELBOURNE (AU)

SOMETHING SOMETHING EXPLOSION & LOSER w/ BLYSS. & GET REKT

@ SHOTKICKERS, MELBOURNE (AU)

JUNE 27, 2024

Friday night’s shindig was an absolute blast, and Shotkickers once again knocked it out of the park. Every time I step foot into my beloved live music sanctuary in Melbourne, it’s like a pilgrimage. I ran into the local musical savant Gary, and we discussed his experience of 70s Australian hardcore punk, The Saints. The concoction of thrash, alternative, and post-punk tunes tonight lured a motley crew of music enthusiasts—an absolute whimsical spectacle set to ignite.

Get Rekt, Australian thrash, barely fit on the modest stage, but they demand presence. The mind-blowing duelling Guitar riffs wreak of a demonic cosmos, with the lead vocalist aggressively ripping through the tapestry of time; peeling back my eyelids, I’m left perplexed, questioning my affinity for thrash… I am reborn. Get Rekt appear to have a modest following, which will surely increase after tonight’s affair. I’m well impressed; whether you’re a thrash enthusiast or not, you are drawn in, suitable for hyping the room, and the crowd eats it up. “Glutton” is sure to get your motor going; give it a listen.

In the alternative music scene of Geelong, Blyss. stands out uniquely against the previous scorched earth style of Get Rekt. Australia is witnessing an eruption of talent, and it’s palpable at the doorstep of Shotkickers. Blyss. revives a touch of melancholy elegance that gnaws at the soul, prompting introspection about life’s essence, and it’s exquisitely captivating; the audience is wholly engrossed. With his worn cap, the lead singer grooves to the rhythm, effortlessly embodying the music. His mingling with the crowd during guitar swaps enhances the venue’s intimate atmosphere, reminiscent of a friendly house party. “Killing Time” emerges as a profound anthem, its potent lyrics resonating deeply: ‘I got easy anger somewhere along the line’. This track deftly targets the remnants of childhood trauma – it’s utterly enthralling. Similarly, “Feel it All” transforms into an ethereal experience. For those who appreciate crisp guitar riffs and profound lyrics, Blyss is a perfect player.

Adding a touch of raw edginess to the already stellar lineup, LOSER emerges as a dynamic force, infusing the airwaves with their captivating alternative sound. Co-headliners of this tour, I stumble across crystal-clear guitar riffs and powerful vocals; they effortlessly command attention and leave audiences craving more. Tonight sees the release of “New Heights” It’s a catchy track that demonstrates what LOSER has to offer; it speaks to the mediocracy of life; I love it!

Their performance is a testament to their undeniable talent and ability to captivate hearts and minds… electrifying, enthusiastic stage presence? Not entirely, but alluring nonetheless, the show is somewhat hypnotic, reminiscent of something you would have seen in the 90s, whilst lead vocalist, Tim Maxwell, oozes that cool effervescent in his solitary strength, it’s like an episode of MTV’s Unplugged, LOSER’s drummer loses his God damn mind, whilst the audience comments on his animalistic tendencies. Truly, LOSER’s inclusion in tonight’s event elevates the entire experience to new heights of musical brilliance.

Something Something Explosion set the night off like a firecracker; it was already a phenomenal evening; this post-punk trio was a delight to watch, having had quite the dynamite 12 months, playing with the likes of Everclear, Bodyjar and NOFX Australian tours. It’s safe to say this embodies unicorns and leaks rainbows with its… boppy bangers…

There was new music on Friday night, and I was acutely aware of the growth and evolution of this trio. Earlier tracks like “Burn it Down” are clawing at the social commentary; I find myself in a state of ambivalence, unsure of whether this particular composition has genuinely captured my musical heart; however, when played live, who the fuck cares, cause as it possesses a specific melodic essence reminiscent of a bygone era, evoking a sense of nostalgia and rebelliousness. Its essence lies in its defiance against the oppressive forces of authority, a commendable sentiment. Although classified as old stuff, it cannot be deemed subpar, for it holds its own in the vast realm of musical creations, suitably punk.

“Motor Mouth”, on the other hand, is more my kinda punk tune, complete with an obnoxious ‘Blah Blah Blah’ it’s a hand boldly reaching into the hierarchy’s throat, pulling out its guts, and scattering them haphazardly for all to see. Exposing the inner workings of the hierarchy, challenging and inviting closer examination. Lyrics are simple and fast, with a tempo that demands attention; it fits the genre and throws the crowd into a gentle frenzy, but still my beating punk heart. “Gasoline”, new stuff, Grace Drummond (vocals), and Brendon “Shorty” Lee (base) playfully challenge what’s on the upcoming EP and album. I digress; Drummond feverishly strums the guitar in a Billie Joe Armstrong-inspired fashion; no complex riffs here… Let us pause momentarily and pay tribute to Drummond’s extraordinary vocal talent. Her abilities are nothing short of remarkable. Her range of vocal expression is genuinely awe-inspiring, transcending from the delicate and ethereal melodies of an angelic lyricist to the raw power and intensity of a guttural squeal. We are in the presence of a true musical punk prodigy.

The grand finale of tonight’s extraordinary festivities culminates with the arrival of a sensational creation known as “Unsung,” leaving me with an insatiable thirst for more. I am enamoured with the audacious unicorn spewing rainbows from its mystical core, and I am looking forward to the release of their debut album.

(Photography by Victoria Love-Rainbow)

Something Something Explosion Photos

LOSER Photos

Blyss. Photos

Get Rekt Photos

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