The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
16
new
SPILL NEW MUSIC: MESH DROP NEW SINGLE “EXILE” VIA DEPENDENT RECORDS
SPILL NEWS: AUSTRA SHARES NEW SHORT FILM ‘CHIN UP BUTTERCUP THE MOVIE’ | TOUR DATES
SPILL NEW MUSIC: ERIC HILTON (THIEVERY CORPORATION) ANNOUNCES ELEGANTLY EROTIC NEW TRIP-HOP ALBUM ‘A SKY SO CLOSE’ | FIRST SINGLE “THE DHARMA LOVERS” OUT NOW
SPILL NEW MUSIC: FISHBONE LAUNCHES INTO 2026 WITH A FULL-CIRCLE CELEBRATION OF THEIR ROOTS: ‘IN YOUR FACE’ 40th ANNIVERSARY DOUBLE LP REISSUE TRIBUTE ALBUM
SPILL FEATURE: THERE IS NOTHING IN LIFE I WOULD RATHER DO THAN PLAY – A CONVERSATION WITH BRIAN GREENWAY OF APRIL WINE
SPILL FEATURE: FIGHT FOR LOVE PART 2 – A CONVERSATION WITH NEIL OSBORNE OF 54•40
SPILL NEW MUSIC: KMFDM RELEASE “ENEMY” | TITLE TRACK FROM NEW ALBUM OUT FEBRUARY 6 VIA METROPOLIS RECORDS
SPILL NEWS: WINTERSLEEP SHARES “STRANGER NOW” FROM UPCOMING ALBUM ‘WISHING MOON’ OUT MARCH 27 VIA DINE ALONE RECORDS
SPILL NEWS: PAT METHENY RETURNS WITH FIRST NEW MAJOR STUDIO ALBUM IN SIX YEARS | ANNOUNCES WORLDWIDE TOUR
SPILL NEW MUSIC: ANIMAL TONIC – “WITHOUT EVER SAYING HIS NAME”
SPILL NEW MUSIC: STILL EIGHTEEN – SCARRED
SPILL NEW MUSIC: MOTORISTS ANNOUNCE NEW LP ‘NEVER SING ALONE’ TO BE RELEASED MARCH 6 VIA WE ARE TIME
SPILL NEWS: KULA SHAKER SHARE NEW SINGLE “LUCKY NUMBER”
SPILL ALBUM REVIEW: THE CRIBS – SELLING A VIBE
SPILL ALBUM REVIEW: CLÉMENTINE MARCH – POWDER KEG
SPILL ALBUM REVIEW: STILL EIGHTEEN – SCARRED
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
  • Spill Menu
    • Reviews
      • Album Reviews
      • Features
      • Live Reviews
      • Festivals
    • Portraits
    • Headlines
      • News
      • Contests
      • Events
      • Entertainment Headlines
      • Concert Listings
      • Toronto Concert Venues
    • New Music
      • Premieres
      • Track Of The Day
    • Track Of The Month
    • Books + Movies
    • About
Album Reviews
178
Editor Pick
previous article
SPILL ALBUM REVIEW: GREEN DAY - SAVIOURS
next article
SPILL ALBUM REVIEW: PACKS - MELT THE HONEY

SPILL ALBUM REVIEW: THE SPEAKEASY – THE SPEAKEASY

The Speakeasy

THE SPEAKEASY
THE SPEAKEASY
THOUSAND ISLANDS RECORDS

In the current era of punk music, it can be a challenging task to discover a piece of music that truly captivates and engages the listener. With an abundance of artists and bands vying for attention, it’s tough to find music that is genuinely unique and has the potential to leave a lasting impact on its audience. However, when you come across such a gem, it can be a transformative experience that makes you see the world of punk music in a new light. As music fans of the genre, whether it’s a lust for unabated nostalgia or its raw DIY’ism that intermingles with other genres to create something magical in its wake, we search for bands that constantly keep us coming back for more. When listening to bands like Montreal’s The Speakeasy, it’s easy to see why these guys will not only catch one’s interest in the genre but the way they approach making their sound that makes them so intriguing to listen to for the past two decades.

Hailing from the effervescent punk scene of Montreal’s North Shore, their energetic spunk and blend of heavy skatepunk would generate two EPs, gearing up to what is now the release of their self-titled third album. Since the release of their second album and being signed to Thousand Island, the band has turned a new page in their career. However, this isn’t just about a new record deal, it’s about restoring a sound that breaks creative chains of duress. The Speakeasy’s self-titled album transgresses the idea of a concept album and digs for something deeper. At its core, this album is all about breaking the rules. It’s a journey through twists and turns that detail raw expressions of the pandemic, the daily grind of work, the struggles of mental health, the grip of addiction, the complexities of love, the allure of sex, and the resilience found in getting knocked down and rising again.

Starting with a beautiful, dulcet piano and an aggressively-tinged anthem “lights”, their self-titled album’s first track is a captivating listen that takes them into “Brightside.” Gorgeously nuanced and melodic, The Speakeasy takes us back to the punk we all loved in the glory days of the 2000s while breaking the mold with some great lyricism and organic melodic cadence that will keep the listener engaged for the tracks that remain.

The instrumental richness, technical finesse, and poignant lyricism in “Gunpoint” and “Sticks and Stones” continue to electrify and show off The Speakeasy’s talent for continuously redrawing the line of what makes a good punk record. With infectious and robust guitar lines and indelible percussive vitality, The Speakeasy delivers an onslaught of infectious punk beatitude worthy of every moment.

 The Speakeasy is a musical masterpiece that continues to showcase the band’s creative genius. Two of the standout tracks on the album are “Keep Me Where You Are” and “Breakfast Drugs,” both of which are melodic triumphs. “Keep Me Where You Are” is a beautifully composed song that captures the essence of love and longing. Poetic and emotional, the melody is hauntingly beautiful. “Breakfast Drugs,” on the other hand, is a more intimate and vulnerable track that explores the theme of addiction, more stripped down than the rest of the tracks, with the focus on the raw vocals and poignant lyrics. It’s a powerful and moving piece of music that demonstrates the depth and range of The Speakeasy’s talent.

The album comes to a close with two dynamic and powerful tracks, “Teaparty” and “Signs of Spring.”  High-energy, catchy, and memorable, “Teaparty” creates a driving and potent next-to-last experience that takes the listener to “Signs of Spring.” Embodying the band’s versatility and ability to create emotionally resonant moments, the track features a simple yet beautiful melody that is perfectly complemented by the singer’s sweet-toned, unvarnished vocals.

The Speakeasy reflects the band’s growth and progress. It reflects the musicians’ unique confidence and maturity earned through experience and their ability to construct a strong and complex record. The Speakeasy is more than just a story about breaking away from what one has always known; it’s an album that takes risks while finding strength in vulnerability.



Artist Links

website_flat_2016 facebook_flat_2016 instagram_flat_2016

Editor Pick
Item Reviewed

SPILL ALBUM REVIEW: THE SPEAKEASY – THE SPEAKEASY

Author

Samantha Andujar

Here's what we think...
Spill Rating
Fan Rating
Rate Here
New Criteria
10
—
9.0
Total Spill Rating
—
Total Fan Rating
You have rated this
Album Reviews
album reviewalbum reviewsthe speakeasythousand islands records
album review, album reviews, the speakeasy, thousand islands records
About the Author
Samantha Andujar
Samantha Andujar is also a music journalist for Outburn Magazine and creator of Into The Void. She loves rock music, video games, wrestling, anime, and horror movies.
RELATED ARTICLES
album reviewalbum reviews
 
8.0
The Cribs

SPILL ALBUM REVIEW: THE CRIBS – SELLING A VIBE

by Ljubinko Zivkovic on January 9, 2026
THE CRIBS SELLING A VIBE PLAY IT AGAIN SAM Twenty years on the music scene as a band, you are bound to have both ups and downs, and Gary, Ryan and Ross Jarman, trio of brother collectivelly known as The Cribs, have certainly had quite a few of [...]
 
8.0
Clémentine March

SPILL ALBUM REVIEW: CLÉMENTINE MARCH – POWDER KEG

by Ljubinko Zivkovic on January 9, 2026
CLÉMENTINE MARCH POWDER KEG PRAH RECORDINGS Clémentine March is a French British singer and multi-instrumentalist based in London, and if a first thing that comes to your mind is a possible connection to Stereolab, formally there isn’t [...]
 
9.0
Still Eighteen

SPILL ALBUM REVIEW: STILL EIGHTEEN – SCARRED

by Aaron Badgley on January 9, 2026
STILL EIGHTEEN SCARRED INDEPENDENT Still Eighteen is a family band, consisting of Mom, Dad, and their daughter. To be clear, they are not anything like the Trapp Family, but instead, a powerhouse trio who write and produce very emotional and [...]
 
9.0
Alter Bridge

SPILL ALBUM REVIEW: ALTER BRIDGE – ALTER BRIDGE

by Gerrod Harris on January 9, 2026
ALTER BRIDGE ALTER  BRIDGE NAPALM RECORDS Alter Bridge has returned with their eighth studio album, the eponymous Alter Bridge. Following 2022’s Pawns & Kings – and a period which saw the reunion of Creed and the release of solo material [...]
 
8.0
Diane Coll

SPILL ALBUM REVIEW: DIANE COLL – STRANGELY IN TUNE

by Ljubinko Zivkovic on January 6, 2026
DIANE COLL STRANGELY IN TUNE INDEPENDENT So far, Atlanta-based singer songwriter Diane Coll has been making music under the motto “therapy through music.” Quite a few songwriters have a similar idea, for some it works, for others, not so [...]

Latest Album Reviews
View All
 
SPILL ALBUM REVIEW: THE CRIBS – SELLING A VIBE
8.0
 
SPILL ALBUM REVIEW: CLÉMENTINE MARCH – POWDER KEG
8.0
 
SPILL ALBUM REVIEW: STILL EIGHTEEN – SCARRED
9.0
 
SPILL ALBUM REVIEW: ALTER BRIDGE – ALTER BRIDGE
9.0
 
SPILL ALBUM REVIEW: DIANE COLL – STRANGELY IN TUNE
8.0

STAY UP-TO-DATE
WITH OUR WEEKLY NEWSLETTER!

SPILL MAGAZINE MENU
  • Home | The Spill Magazine
  • Newsletter
  • Premieres
  • SPILL RETRO REVIEWS
  • Track Of The Month
  • Album Reviews
  • Books + Movies
  • Features
  • Live Reviews
  • Festivals
  • Portraits
  • News
  • Events
  • Entertainment Headlines
  • Concert Listings
  • Toronto Concert Venues
  • About Us
  • Contests
  • New Music
  • Contributors
  • TOTD
  • Privacy Policy
  • The Scene Unseen
  • Newsletter

Copyright © 2026 | The Spill Magazine
All Rights Reserved.

TRENDING RIGHT NOW
   
 
SPILL ALBUM REVIEW: RHEOSTATICS – THE GREAT LAKES SUITE
819
 
SPILL ALBUM REVIEW: THE WATERBOYS – THE WATERBOYS PRESENT: RIPS FROM THE CUTTING ROOM FLOOR
818
 
SPILL ALBUM REVIEW: BIG WRECK – THE REST OF THE STORY
796
 
SPILL NEWS: DONOVAN WOODS CELEBRATES 10 YEARS OF “PORTLAND, MAINE” WITH NEW VERSION FEATURING JORDAN DAVIS | 2026 SPRING TOUR SUPPORTING THE PAPER KITES
675
 
SPILL ALBUM REVIEW: NOFX – A TO H
603
 
SPILL ALBUM REVIEW: THE BEATLES – ANTHOLOGY COLLECTION
597
 
SPILL ALBUM REVIEW: MELANIE – THERE SHOULD HAVE BEEN A RAINBOW: THE NY FOLK SESSIONS 1963-1965
585
 
SPILL ALBUM REVIEW: CITY AND COLOUR – SOMETIMES LULLABY
580
 
SPILL ALBUM REVIEW: PORTUGAL. THE MAN – SHISH
560
 
SPILL ALBUM REVIEW: ASHES AND DIAMONDS – ASHES AND DIAMONDS ARE FOREVER
524
 
SPILL ALBUM REVIEW: ODC – TWISTED LOVE
515
 
SPILL FEATURE: IT WAS A VERY POSITIVE ALBUM, STILL IS – A CONVERSATION WITH JEREMY CUNNINGHAM OF LEVELLERS
456
 
SPILL NEWS: GORILLAZ RELEASE NEW TRACK “DAMASCUS” (FEAT. OMAR SOULEYMAN AND YASIIN BEY)
450
ENTERTAINMENT HEADLINES