The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
1
new
SPILL NEWS: SUGAR SHARE NEW SINGLE “KEEP LOOPING”
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
  • Spill Menu
    • Reviews
      • Album Reviews
      • Features
      • Live Reviews
      • Festivals
    • Portraits
    • Headlines
      • News
      • Contests
      • Events
      • Entertainment Headlines
      • Concert Listings
      • Toronto Concert Venues
    • New Music
      • Premieres
      • Track Of The Day
    • Track Of The Month
    • Books + Movies
    • About
Album Reviews
411
previous article
SPILL ALBUM REVIEW: THE LAST DINNER PARTY - PRELUDE TO ECSTASY
next article
SPILL ALBUM REVIEW: ORGY - VAPOR TRANSMISSION

SPILL ALBUM REVIEW: ORGY – CANDYASS

Orgy

ORGY
CANDYASS
REAL GONE MUSIC/ELEMENTREE

Orgy’s debut studio album, Candyass, a pioneering work in American industrial rock, was unleashed on August 18, 1998, described as the genre-defying “death pop”. Orgy, signed by Korn’s Jonathan Davis to Elementree, instantly soared with the 1998 debut, reaching Top 30 & achieving a significant hit with their cover of New Order’s “Blue Monday.” Despite its late-’90s acclaim, the album has been notably absent on vinyl until now.

In collaboration with Orgy, Real Gone Music presents a long-awaited vinyl reissue of Candyass. Remastered by Mike Milchner of Sonic Vision, the clear with red and yellow swirled record is enclosed in a captivating gatefold jacket. The album’s eagerly anticipated pressing comprises of 12 tracks, six per side, featuring iconic hits including “Blue Monday,” “Stitches,” and “Dissention”. This marks the vinyl debut for the first of two of Orgy’s turn-of-the-century records, addressing persistent demands for a vinyl release.

The red & yellow translucent disc comes in an archive quality inner sleeve which was a pleasant departure from traditional paper sleeves.  The gate fold outer sleeve depicts the album artwork crisply. No additional inner sheets, download cards or posters accompanied the disc. The deep bass resonates throughout the robust audible spectrum. No audible clicks or pops during playback. Minimal production grime and paper accumulation which is attributable to the inner sleeve quality. This release of Candyass is on par with Real Gone Music’s recent releases, this pressing should be met with praise, warranting further pressings.



Artist Links

website_flat_2016 facebook_flat_2016 twitter_flat_2016 instagram_flat_2016

Item Reviewed

SPILL ALBUM REVIEW: ORGY – CANDYASS

Author

Scott Allen Cornell

Here's what we think...
Spill Rating
Fan Rating
Rate Here
New Criteria
10
10
7.0
Total Spill Rating
10
Total Fan Rating
2 ratings
You have rated this
Album Reviews
album reviewalbum reviewsblue mondaycandyasselementreeorgyreal gone music
album review, album reviews, blue monday, candyass, elementree, orgy, real gone music
About the Author
Scott Allen Cornell
Scott was raised in southern Minnesota, attended the University of Wisconsin – Stout, spent some time abroad and currently resides in Minneapolis, Minnesota with his wife and their two daughters, only son and two dogs. Long time music lover and concert-goer, Scott has attended countless concerts and festivals since 1996. His fondest concert memories include meeting the love of his life at his first music festival. Sneaking into Linkin Park’s first Minnesota show. Hosting the second stage on the Projekt Revolution stop in Somerset in 2004 and pretty much every show he’s attended with his concert cohort, Scott. Yes, there’s two of them! As of late, Scott has started making memories and sharing his love of attending concerts with his children. Shinedown was his oldest daughters’ first show thanks to his cohort, The Interrupters was his youngest daughters’ first show. His son’s first show is still to be determined.
RELATED ARTICLES
album reviewalbum reviewsblue monday
 
7.0
Pat Travers

SPILL ALBUM REVIEW: PAT TRAVERS – HIGHWAY 61 REVISITED – LIVE IN HOUSTON, TX – MARCH 20, 2004

by Aaron Badgley on June 26, 2026
PAT TRAVERS HIGHWAY 61 REVISITED – LIVE IN HOUSTON, TX – MARCH 20, 2004 CLEOPATRA RECORDS Pat Travers continues to mine his live archive for never-before-released concerts for fans to enjoy. And it’s great that he does it too. This [...]
 
8.0
Cate Kennan

SPILL ALBUM REVIEW: CATE KENNAN – SHADOWS

by Ljubinko Zivkovic on June 26, 2026
CATE KENNAN SHADOWS KRANKY Working in that not so defined musical ground between ethereal and dream pop can be a tricky affair, as it is currently populated by quite a few artists, and any relative newcomer is bound to be compared to somebody [...]
 
8.0
knitting

SPILL ALBUM REVIEW: KNITTING – SOUVENIR

by Ljubinko Zivkovic on June 26, 2026
KNITTING SOUVENIR MINT RECORDS Montreal’s knitting does love the sound of their guitars (quite evident on their debut Some Kind of Heaven from 2024), but simply labelling them as a slacker band, particularly listening to Souvenir, their [...]
 
8.0
proun

SPILL ALBUM REVIEW: PROUN – MAYBE LUCK

by Ljubinko Zivkovic on June 26, 2026
PROUN MAYBE LUCK GOOD ENGLISH RECORDS We can keep guessing (or not) at what Austin, TX trio proun had in mind when they named its debut album Maybe Luck, but it is hard to hear that the luck is involved in its music, as it can go from a whisper [...]
 
8.0
Missoula

SPILL ALBUM REVIEW: MISSOULA – DEATH DOULA

by Aaron Badgley on June 26, 2026
MISSOULA DEATH DOULA ORG MUSIC Missoula is an instrumental superstar project from drummer Brooks Wackerman (Avenged Sevenfold, Bad Religion) and guitarist John Konesky (Tenacious D). This is not surf or ambient or meditative instrumental music. [...]

Latest Album Reviews
View All
 
SPILL ALBUM REVIEW: PAT TRAVERS – HIGHWAY 61 REVISITED –...
7.0
 
SPILL ALBUM REVIEW: CATE KENNAN – SHADOWS
8.0
 
SPILL ALBUM REVIEW: KNITTING – SOUVENIR
8.0
 
SPILL ALBUM REVIEW: PROUN – MAYBE LUCK
8.0
 
SPILL ALBUM REVIEW: MISSOULA – DEATH DOULA
8.0

STAY UP-TO-DATE
WITH OUR WEEKLY NEWSLETTER!

SPILL MAGAZINE MENU
  • Home | The Spill Magazine
  • Newsletter
  • Premieres
  • Track Of The Month
  • Album Reviews
  • Books + Movies
  • Features
  • Live Reviews
  • Festivals
  • Portraits
  • News
  • Events
  • Entertainment Headlines
  • Concert Listings
  • Toronto Concert Venues
  • About Us
  • Contests
  • New Music
  • Contributors
  • TOTD
  • Privacy Policy
  • The Scene Unseen
  • Newsletter

Copyright © 2026 | The Spill Magazine
All Rights Reserved.

TRENDING RIGHT NOW
   
 
SPILL ALBUM REVIEW: SOCIAL DISTORTION – BORN TO KILL
1239
 
SPILL ALBUM REVIEW: BRIAN WILSON – ON TOUR 1999-2007
809
 
SPILL ALBUM REVIEW: TORI AMOS – IN TIMES OF DRAGONS
760
 
SPILL VIDEO PREMIERE: SHAMUS – “SORCERESS”
755
 
SPILL ALBUM REVIEW: JOE JACKSON – HOPE AND FURY
671
 
SPILL FEATURE: LET’S JUST START AGAIN – A CONVERSATION WITH NICK HEYWARD & LES NEMES OF HAIRCUT 100
629
 
SPILL ALBUM REVIEW: CODEFENDANTS – LIFERS
619
 
SPILL ALBUM REVIEW: NOAH KAHAN – THE GREAT DIVIDE
597
 
SPILL MUSIC PREMIERE: IAMX – “INFINITE FEAR JETS {MIMETIC HEXES REWORK}”
593
 
SPILL FEATURE: WE ARE TRYING TO KEEP THINGS INTERESTING FOR OURSELVES – A CONVERSATION WITH JOHN LINNELL OF THEY MIGHT BE GIANTS
551
 
SPILL ALBUM REVIEW: HISS GOLDEN MESSENGER – I’M PEOPLE
493
 
SPILL ALBUM REVIEW: MODEST MOUSE – AN ERASER AND A MAZE
462
 
SPILL ALBUM REVIEW: DOUBLESPEAK – DOUBLESPEAK
451
ENTERTAINMENT HEADLINES