The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
16
new
SPILL ALBUM REVIEW: J.C. THOMAZ AND THE MISSING SLIPPERS – J.C. THOMAZ AND THE MISSING SLIPPERS
SPILL ALBUM REVIEW: THE CRANBERRIES – EVERYBODY ELSE IS DOING IT, SO WHY CAN’T WE? (33rd ANNIVERSARY EDITION)
SPILL FESTIVAL FEATURE: NXNE 2026 – SPILL MAGAZINE PRESENTS 5 QUESTIONS
SPILL NEW MUSIC: MADLANDS – “ARMAGEDDON”
SPILL ALBUM REVIEW: HUSH – FOR DOLLY
SPILL ALBUM REVIEW: FUTURE ISLANDS – FROM A HOLE IN THE FLOOR TO A FOUNTAIN OF YOUTH
SPILL NEW MUSIC: NOFX TO RELEASE OFFICIAL SOUNDTRACK + ORIGINAL SCORE OF CAREER-SPANNING DOCUMENTARY ’40 YEARS OF FUCKIN’ UP’
SPILL NEW MUSIC: LORDS OF ACID – “DREAM BOY” | NEW SINGLE BY PIONEERING ELECTRONIC DANCE ACT
SPILL NEW MUSIC: DREAM POP ARTIST MOLLIE ELIZABETH SHARES VIRAL NEW TRACK “RUN RABBIT”
SPILL NEWS: LEGENDARY GOTH ROCK BAND CHRISTIAN DEATH ANNOUNCES THE USA ‘BABY BATS PARADE’ TOUR
SPILL NEW MUSIC: PICKLE JUICE – “A LITTLE MORE TIME”
SPILL FEATURE: FAITH, FRACTURE AND THE SPACE BETWEEN – A CONVERSATION WITH DAVE KRYSL OF HASTE THE DAY
SPILL LIVE REVIEW: ARKELLS w/ ERNESTO BARAHONA @ ROYAL CANADIAN LEGION NO. 1 BRANCH, CALGARY (AB)
SPILL NEWS: SAINT AGNES RELEASE NEW SINGLE “GET THEM OUT” INCLUDING NINE INCH NAILS VIDEO HOMAGE + NEW STUDIO ALBUM ‘YOUR GOD FEARING DAYS ARE ABOUT TO BEGIN’ OUT MAY 29
SPILL NEWS: POP MONTREAL 25th ANNIVERSARY – THE FIRST NAMES
SPILL NEW MUSIC: MOCK MEDIA SHARE NEW SINGLE “MOCK CITY ROCK” | FORTHCOMING ALBUM ‘RAT BASTARD’ DUE JULY 17 VIA MAC’S RECORD LABEL
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
  • Spill Menu
    • Reviews
      • Album Reviews
      • Features
      • Live Reviews
      • Festivals
    • Portraits
    • Headlines
      • News
      • Contests
      • Events
      • Entertainment Headlines
      • Concert Listings
      • Toronto Concert Venues
    • New Music
      • Premieres
      • Track Of The Day
    • Track Of The Month
    • Books + Movies
    • About
Album Reviews
137
previous article
SPILL TRACK OF THE MONTH: REDD KROSS - "CANDY COLOURED CATASTROPHE"
next article
SPILL ALBUM REVIEW: SEASONAL FALLS - HAPPY DAYS

SPILL ALBUM REVIEW: LYRICS BORN – THAT 1 TYME IN THE STUDIO: ACOUSTIC SELECTIONS

Lyrics Born

LYRICS BORN
THAT 1 TYME IN THE STUDIO: ACOUSTIC SELECTIONS
INDEPENDENT

For his 15th album, underground hip-hop icon Lyrics Born has returned with That 1 Tyme In The Studio: Acoustic Selections. In a unique step for the rap genre, the 10-track record is a collection of his previous work, rearranged and recorded in a live and acoustic context. In such, Lyrics Born has provided a refreshing artistic reinvention for what he is promising to be his penultimate album.

Flanked by percussion, pianos, and guitars, the arrangements that make up That 1 Tyme In The Studio: Acoustic Selections are jangly. Upon hearing the opening track, “Rock-Rock-Away”, Lyrics Born sounds less like a rapper, and more of a contemporary blues artist. While his performance is in fact rapping, there is a hint of melodicism and a distinct rasp to his voice that makes rhythmic flow feel sung. The following song, “I Like It, I Love It” further demonstrates the chemistry between Lyrics Born and his band. The acoustic guitar in particular is especially funk and feels nostalgic for The Ohio Players’ “Fopp”. The additional use of sung backing vocals provides more than just lush harmonies, but accentuate the lyrics, similar to that of a rapper’s hype man.

Despite this, however, That 1 Tyme In The Studio: Acoustic Selections is very much a rap record. This is made clear on “… Do That There”, a song that references “Root Down” by The Beastie Boys and allows for Lyrics Born to shred a masterful lyrical flow at an expressive clip. While Lyrics Born continues to demonstrate himself as a formidable MC, especially on “Same But Different”, That 1 Tyme In The Studio: Acoustic Selections shines for its versatility. From the dancehall inspired “Callin’ Out” to a soulfully powerful cover of James Brown’s “This Is A Man’s World?”, and the bluesy hoedown tone of “Chest Wide Open”, That 1 Tyme In The Studio: Acoustic Selections is a very strong record.

That 1 Tyme In The Studio: Acoustic Selections is very reminiscent of MTV’s unplugged era – particularly that of Jay-Z’s 2001 performance supported by The Roots. In this sense, Lyrics Born’s latest album is a rarity among the genre. As a result, Lyrics Born breathes a new sense of life into his past work that effectively sees hip-hop adapt for an acoustic context. In such, we see that the modern genre’s roots go further back than its 51 years, and connect to a greater lineage of cultural tradition. That 1 Tyme In The Studio: Acoustic Selections stands as an exciting musical experience and, should this actually be his second last record, then Lyrics Born is gearing up for a major conclusion following this entry to his massive catalogue.



Artist Links

website_flat_2016 facebook_flat_2016 twitter_flat_2016 instagram_flat_2016

Item Reviewed

SPILL ALBUM REVIEW: LYRICS BORN – THAT 1 TYME IN THE STUDIO: ACOUSTIC SELECTIONS

Author

Gerrod Harris

Here's what we think...
Spill Rating
Fan Rating
Rate Here
New Criteria
10
—
8.0
Total Spill Rating
—
Total Fan Rating
You have rated this
Album Reviews
album reviewalbum reviewsdo that therelyrics bornthat 1 tyme in the studio: acoustic selections
album review, album reviews, do that there, lyrics born, that 1 tyme in the studio: acoustic selections
About the Author
Gerrod Harris
Gerrod Harris is a Toronto based musician, writer, and podcast host. Since 2017, he has actively contributed to The Spill Magazine through coverage focused on a wide array of artists and genres alike. In addition to his writing, Harris hosts the podcast, Beats by Ger, where he delves into various aspects of music, sharing insights and engaging relevant discussions. As the drummer and manager of independent rock band, One in the Chamber, his passion for music goes beyond the pen as an active member of Toronto's vibrant musical community.
RELATED ARTICLES
album reviewalbum reviews
 
7.0
J.C. Thomaz and the Missing Slippers

SPILL ALBUM REVIEW: J.C. THOMAZ AND THE MISSING SLIPPERS – J.C. THOMAZ AND THE MISSING SLIPPERS

by Aaron Badgley on May 22, 2026
J.C. THOMAZ AND THE MISSING SLIPPERS J.C. THOMAZ AND THE MISSING SLIPPERS SLOVENLY RECORDINGS From Rotterdam, NL, comes the gritty punk/post punk of J.C. Thomaz and The Missing Slippers. Reportedly this debut album was two decades in the making [...]
 
8.0
The Cranberries
10

SPILL ALBUM REVIEW: THE CRANBERRIES – EVERYBODY ELSE IS DOING IT, SO WHY CAN’T WE? (33rd ANNIVERSARY EDITION)

by John Porter on May 22, 2026
THE CRANBERRIES EVERYBODY ELSE IS DOING IT, SO WHY CAN’T WE? (33rd ANNIVERSARY EDITION) ISLAND RECORDS There’s something achingly beautiful and achingly sad about hearing these songs all over again on the 33rd (a peculiar choice, but perhaps [...]
 
8.0
Hush

SPILL ALBUM REVIEW: HUSH – FOR DOLLY

by Ljubinko Zivkovic on May 22, 2026
HUSH FOR DOLLY SIMONE RECORDS How do you craft a debut album to make exactly the right impact? Do you rush into it while the inspiration is red-hot, or do you take it slow to make sure everything sounds exactly as you envisioned? For Montreal [...]
 
8.0
Future Islands

SPILL ALBUM REVIEW: FUTURE ISLANDS – FROM A HOLE IN THE FLOOR TO A FOUNTAIN OF YOUTH

by John Porter on May 22, 2026
FUTURE ISLANDS FROM A HOLE IN THE FLOOR TO A FOUNTAIN OF YOUTH 4AD Has it really been two decades since Future Islands found their way onto the airwaves for the first time? It certainly has, and From a Hole in the Floor to a Fountain of Youth is [...]
 
9.0
Peter Frampton
8.3

SPILL ALBUM REVIEW: PETER FRAMPTON – CARRY THE LIGHT

by Aaron Badgley on May 15, 2026
PETER FRAMPTON CARRY THE LIGHT UME It is a good idea to forget what you think you know about Peter Frampton before you listen to his new album, Carry The Light. This is an extremely important album for Peter Frampton. Not only is it his first [...]

Latest Album Reviews
View All
 
SPILL ALBUM REVIEW: J.C. THOMAZ AND THE MISSING SLIPPERS – J....
7.0
 
SPILL ALBUM REVIEW: THE CRANBERRIES – EVERYBODY ELSE IS DOING...
8.0
10
 
SPILL ALBUM REVIEW: HUSH – FOR DOLLY
8.0
 
SPILL ALBUM REVIEW: FUTURE ISLANDS – FROM A HOLE IN THE FLOO...
8.0
 
SPILL ALBUM REVIEW: PETER FRAMPTON – CARRY THE LIGHT
9.0
8.3

STAY UP-TO-DATE
WITH OUR WEEKLY NEWSLETTER!

SPILL MAGAZINE MENU
  • Home | The Spill Magazine
  • Newsletter
  • Premieres
  • Track Of The Month
  • Album Reviews
  • Books + Movies
  • Features
  • Live Reviews
  • Festivals
  • Portraits
  • News
  • Events
  • Entertainment Headlines
  • Concert Listings
  • Toronto Concert Venues
  • About Us
  • Contests
  • New Music
  • Contributors
  • TOTD
  • Privacy Policy
  • The Scene Unseen
  • Newsletter

Copyright © 2026 | The Spill Magazine
All Rights Reserved.

TRENDING RIGHT NOW
   
 
SPILL FEATURE: IT’S ABOUT THE CLIMB – A CONVERSATION WITH GORILLAZ
3531
 
SPILL ALBUM REVIEW: SOCIAL DISTORTION – BORN TO KILL
1124
 
SPILL TRACK OF THE MONTH: DAYS OF SORROW – “WHO WE ARE”
951
 
SPILL LIVE REVIEW: TENILLE TOWNES @ RICHMOND HILL CENTRE FOR THE PERFORMING ARTS, RICHMOND HILL
916
 
SPILL ALBUM REVIEW: BRIAN WILSON – ON TOUR 1999-2007
775
 
SPILL NEWS: THE AFGHAN WHIGS RELEASE NEW SINGLE “HOUSE OF I” | THEIR FIRST NEW MUSIC SINCE 2022
750
 
SPILL ALBUM REVIEW: TORI AMOS – IN TIMES OF DRAGONS
694
 
SPILL ALBUM REVIEW: SQUEEZE – TRIXIES
620
 
SPILL ALBUM REVIEW: JOE JACKSON – HOPE AND FURY
615
 
SPILL MUSIC PREMIERE: IAMX – “INFINITE FEAR JETS {MIMETIC HEXES REWORK}”
565
 
SPILL ALBUM REVIEW: CODEFENDANTS – LIFERS
549
 
SPILL ALBUM REVIEW: BILL ORCUTT – MUSIC IN CONTINUOUS MOTION
542
 
SPILL ALBUM REVIEW: NINA HAGEN – HIGHWAY TO HEAVEN
531
ENTERTAINMENT HEADLINES