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SPILL ALBUM REVIEW: FREDDIE McGREGOR – BOBBY BOBYLON: DELUXE EDITION

Freddie McGregor

Freddie McGregor
Bobby Bobylon: Deluxe Edition
Studio One

This is one of those classic sets that should be on everyone’s playlist; it is almost inevitably included when talk moves to the subject of classic reggae albums. Initially released in 1980, it was Freddie’s second album (although he already had more than a dozen years recording experience) and the one that really established the reputation he enjoys right up until the present day. Studio One – the late Sir Coxsone Dodd’s label – has been described as a “reggae university” by more than one of Jamaica’s leading musicians. Freddie’s silky singing was well showcased on the original album, reworking older singles and singing over recycled Studio One “riddims” – basically updated backing tracks, though that sounds a little uninspiring, and these tracks certainly inspire and excite – and the material deals with Rastafari (‘Rastaman Camp’ has a strong Bob Marley influence), the violence then prevalent in Jamaica, and, of course, romance.

Freddie successfully achieves a delicate balance between tracks that appealed to the local audience and international acclaim in the wake of Bob Marley’s success.

For this reissue, Studio One has added a further eight tracks to the original ten, expanding the original running time to almost 70 minutes. The additions are very much in keeping with the original LP, featuring material that was issued around the same time, often in extended mixes, and as on 2006’s Heartbeat reissue, it includes dee-jaying (or “toasting” as it was called back then) by Lone Ranger on  the extended ‘When I’m Ready/Jacklyn’.

If you don’t already have this music, and you have any interest at all in reggae, here’s your chance to remedy that oversight. Pretty close to absolutely essential.



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SPILL ALBUM REVIEW: FREDDIE McGREGOR – BOBBY BOBYLON: DELUXE EDITION

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Norman Darwen

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album reviews, bandulo, bobby bobylon, bobby bobylon: deluxe edition, freddie mcgregor, studio one, wine of violence
About the Author
Norman Darwen
Norman Darwen grew up in north-west England admiring Elvis’ gold lamé jacket, Lord Kitchener’s way with words, and his much older brother’s and sister’s dancing to The Rolling Stones’ ‘Little Red Rooster’ on the telly. He’d wind aforementioned brother up by reading the entire contents of an R’n’B magazine he used to have to collect from his local shop for him and then reciting back as much as he could remember. Some years later he’d wind up his own friends by telling them who these people were that Led Zeppelin etc were covering – Willie Dixon, Howling Wolf, Otis Rush etc. These days he still listens to the blues, but has added a taste for reggae, zouk, rap, folk and anything else that takes his fancy…
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