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SPILL NEW MUSIC: CAPITOL/UME CELEBRATES THE 20th ANNIVERSARY OF BOB SEGER’S ‘FACE THE PROMISE’ WITH EXPANDED EDITION
SPILL NEWS: THE CRYSTAL METHOD’S ICONIC ALBUM ‘TWEEKEND’ TURNS 25 | LIMITED EDITION VINYL, REMIX PACKAGE & FALL TOUR TO MARK THE ANNIVERSARY
SPILL NEW MUSIC: DEF SERA FEAT. OATMILKANDCODEINE – “UNCOMFORTABLE”
SPILL NEWS: UNIVERSAL PICTURES CONTENT GROUP AND BLEECKER STREET’S CROSSWALK ACQUIRE CONCERT FILM ‘GEORGE MICHAEL: THE FAITH TOUR’
SPILL NEW MUSIC: TEENAGE FANCLUB ANNOUNCES NEW ALBUM ‘DO NOT DARE TO DREAM’ OUT OCTOBER 9 ON MERGE RECORDS | STREAM NEW SINGLE “DAY IN THE SUN”
SPILL NEW MUSIC: ERIC SCHENKMAN – “RECIPE”
SPILL NEW MUSIC: RADIO FREE ALICE TIRELESSLY GRIN AND BEAR IT ON NEW SINGLE “KICK IN THE SHINS” | RECENTLY ADDED TO CHICAGO’S RIOT FEST LINEUP
SPILL NEW MUSIC: JONNY COUCH – “WHERE THE SIDEWALK ENDS”
SPILL ALBUM REVIEW: KELZ – A SWEET PASSERBY
SPILL ALBUM REVIEW: LITVAR – BEING HERE
SPILL ALBUM REVIEW: SODA GUMBALL – SUPER HONEY TEASPOON!
SPILL ALBUM REVIEW: HUNTER AS A HORSE – LEVIATHAN
SPILL ALBUM REVIEW: JOHN FORD – BETWEEN A ROCK AND A HARD PLACE
SPILL NEW MUSIC: THUNDER QUEENS ANNOUNCE SOPHOMORE ALBUM ‘DEEP BELOW’ & SHARE TITLE TRACK
SPILL CONTEST: WIN A PAIR OF TICKETS TO THE HAMMER SLAMMER FESTIVAL ON AUGUST 8 AT THE CORKTOWN PUB IN HAMILTON!
SPILL NEW MUSIC: GOLDIE RETURNS WITH BRAND NEW SINGLE “JUNGLE DAZE” FEATURING NATALIE WILLIAMS
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SPILL FESTIVAL REVIEW: CANADIAN MUSIC WEEK 2024 - THE ANTI-QUEENS @ THE AXIS CLUB, TORONTO

SPILL ALBUM REVIEW: THE WOGGLES – TIME HAS COME

The Woggles

THE WOGGLES
TIME HAS COME
WICKED COOL RECORDS

The Woggles have been making music for over 30 years, and Time Has Come is their first full length album since 2017’s Tally Ho!  The Woggles are not trying to reinvent themselves with Time Has Come. They do what they do and they do it well. This is pure garage rock mixed with pop and punk. It all combines together to make a wonderful noise of rock ‘n’ roll.

This is pure energy and fun. It is an album full of characters and stories. The Woggles even introduce a new dance sensation, “Do The Slug”, to keep the party going, before “Mr. Last Chance” takes over the fun. Even a song with a title like “Trouble Loves Me” is not a self-pitying lament, but a stand your ground rocker. The vocals answering Manfred add a sense of urgency to the song and the end result reminds one of Horslips’ “Trouble (With A Capital T)”. Elsewhere Manfred gives the warning “Never Get Over Me”. Again, there is humour to the song, even though it is a classic break-up song.

The album ends with the reflective “Nothing More To Say”, which starts off with a bit of a samba beat. It is the perfect way to end the album. Again, not to be taken too seriously, and it leaves the album with a bit of a smile. A song of unrequited love, but still showing strength. That is the way to go out. It really does sum up the album beautifully.

The Woggles are not the same band they were 30 years ago. They, however, keep the spirit going and continue to produce their own brand of garage rock. Guitars are at the forefront, but don’t overlook their tight rhythm section and Manfred’s passionate and growling vocals. These guys still know how to rock and still produce tight exciting rock ‘n’ roll. It is a welcome break from the world and in some ways a travel back in time. The world needs The Woggles and their brand of rocking energy.


SPILL FEATURE: WHO’S MR. LAST CHANCE NOW? – A CONVERSATION WITH BUZZ HAGSTROM (AKA PATRICK O’CONNOR) OF THE WOGGLES



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SPILL ALBUM REVIEW: THE WOGGLES – TIME HAS COME

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Aaron Badgley

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About the Author
Aaron Badgley
Born and raised in Whitby, Aaron discovered music through his love of The Beatles. This led to a career in radio, writing for various publications, and ultimately a radio show about The Beatles (Beatles Universe), which ran for over four years. When not immersed in music, Aaron enjoys spending time with the loves of his life -- his wife Andrea, and daughters Emily and Linda (all of whom have an intense love of music too).
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KELZ A SWEET PASSERBY BAYONET RECORDS Having something that is like a whisper of a voice can be either a blessing or a curse. It all depends on what kind of musical setting you give it, and of course, whether it is good or not so good. [...]
 
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SPILL ALBUM REVIEW: SODA GUMBALL – SUPER HONEY TEASPOON!

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SODA GUMBALL SUPER HONEY TEASPOON! DEN TAPES Presenting a local music scene to a wider audience can be an arduous task if it is a scene that has already made a name for itself. Den Tapes (yes, just cassette tapes and Bandcamp) is one of those [...]
 
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SPILL ALBUM REVIEW: HUNTER AS A HORSE – LEVIATHAN

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SPILL ALBUM REVIEW: JOHN FORD – BETWEEN A ROCK AND A HARD PLACE

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